All Goode: Apostrophe’s

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Last night Kim and I attended an art reception for local artist Jon Goode.  He said his girlfriend surprised him with the show, titled Decades.  She had unearthed some of his earlier works (in attic storage) and paired them with ones he has on display in his bookshop near my friend Kim’s hair salon down the road from me in Eastwood.

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The result was this inspiring show of colorful mixed-media pieces of various sizes.  There was an amazing food spread, a fully stocked bar complete with homemade wine labelled specifically for the show (!!!) and a DJ spinning vinyl.

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The last time I had visited Apostrophe’s on Oak Street in Syracuse, New York, it was for Davana Robedee’s exhibit.  Now that it is spring, the gallery is very bright in the evening in comparison to Davana’s opening and so, it was a very different vibe.  Curator Holly Wilson had originally planned the space to be a showcase for Syracuse University student artists looking for a venue to begin their careers.  She is now expanding to include the local Syracuse scene.  Artists, like Jon, like me, who can rent the space for one to three week shows for a one-man gig or group showing.

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It is a wonderful space and I may take her up on the offer.  There is availabilitity this summer.  If you are interested, contact Holly at yourfriendholly@gmail.com.

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Jon’s show runs through next week.  Hours of operation are limited, but I believe you can get a private viewing by contacting Holly’s email or galleryapostropheS@gmail.com.

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Flowers, Tatts & China

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I have become a Transmedia groupie.

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Syracuse University Associate Professor Laura Heyman, guest Visiting-Artist and Instructor Ira Lombardia, and Everson Museum of Art Curator of Art and Programs DJ Hellerman led students through a critique tonight at Apostrophe’s Art Gallery, 1104 Oak Street, Syracuse, NY 13203.

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I was there a couple weeks ago for a similar event.  This time it was a joint showcase of work by Han Zhao and Hangyi Zhou.

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Han Zhao’s exhibit, Flowerbility, utilizes various media to showcase a single flower.  According to his artist statement, he creates on his I-Pad and laptop, which allows his ideas to flow freely and quickly.  There is joy to this ease.  His work ethic reminded me of artist Kiki Smith.  Last year, she visited Syracuse University and talked about coming at an idea from all angles.  I enjoyed the consistency of the image and saw how its use had implications and applications to interpreting and re-imagining business logos, taking the image to its unlimited potential.  That was exciting!

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I jumped into participating in Hangyi Zhou’s critique session.  What was I thinking, lol?  I guess the teacher in me couldn’t just be a fly on the wall.  I loved being a part of this adventure.  The artist’s four-piece photography exhibit, Chinese Tattooed Women, seemed rather simplistic until she shared some back-story.

What happens in China stays in China – except when young artists relate how their view of the world is tainted by a judgmentally governed society.  In this case, the notion that tattoos suggest disreputable character, specifically in regard to women.  Finding Chinese women courageous enough to pose for these photographs was quite an accomplishment, apparently.

Each model wears black and poses to portray their emotional connection to their respective tattoos, which are similarly inked in black and were all similarly executed in China.

This series seems to be in its gestation period, and a lot of what was said in the critique was thought-provoking in a helpful way.

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20190422_190221.jpgThank you, Transmedia gang, for including me.  This SU grad loves that Syracuse University art has expanded into the off-campus community.  Utilizing this unique gallery space for student exhibitions and holding receptions on Mondays is a win-win! ❤

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The Art of Fluidity

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Penny, Janine and I attended the Pop-up Video Installation and Performing Art exhibition at Apostrophe’s this evening.  (1100 Oak Street, Syracuse, New York)  It was a three-hour event.  Artist Yilu Yang from Shanghai, China is currently a graduate student in the Department of Transmedia at Syracuse University.

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Her show was titled Subconsciously Flowing Water.  Yilu’s interest in nature stems from a yearning to seek its innate tranquility, a sanctuary from the contemporary man-made life-in-the-fast-lane that has been her experience growing up in a big city.  Her films are self-portraits, depicting herself creating narratives that represent an intimacy with water, sand and the landscape of Earth while also acknowledging the customs, poetry and history of her heritage.

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Her colleagues, fellow students and friends gathered for a critique led by Laura Heyman, Associate Professor in the Department of Transmedia and D.J. Hellerman, Curator of Art & Programs at the Everson Museum of Art.  The Everson has one of the largest collections of Video Art in the nation (who knew?) and so, the museum works closely with the university to promote and guide students in their respective artistic journeys.

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Heyman asked what direction she felt her art was going, other than to be viewed in this gallery space?  Yilu Yang remained poised as she answered.  Her audience ventured closer to hear her soft spoken response.  She was clear in her vision, that her work is both personal and universal in that it allows the viewer to ponder the peaceful inner being while questioning their place in society.  It may become more political or not, depending on where it takes her – back to China or on an extended path around the world.

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I see it as the beauty in escape – that we can all benefit from unplugging from society and focusing on creating our own imaged histories, rewriting our realities and then revisiting ourselves in the physical.  In this way, we seek and find our true happiness.

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I see a lot of wonderful things in Yilu’s future.  She found a fit with Syracuse and with the United States – mainly, the freedom to express her vision with determined fluidity. ❤

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Allentown

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Left Hand Path is the title of the latest art exhibition hanging on the walls of Apostrophe’s  Art Gallery, 1100 Oak Street in Syracuse, New York.  Glendon Allen has curated an exhibition that includes ten artists –
Charles Buechner
Ray Madden
Star Daniels
Jessica Whitely
Dylan Allen
Risa Fox
Maggie Carlin
Sherry Spann Allen
Katelinn Carrier
Glendon Allen~ Curator

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It is a family affair.  Both Glendon and his brother Dylan are graduates of Syracuse University.  Their mom, Sherry Spann Allen, is a recently retired art teacher, as well as a nationally recognized abstract artist.  Their dad, Peter Allen, is a successful local graphic artist, painter and musician.  Alice, Dylan’s daughter, poses here with her artwork on the wall as well.  (She said it was a giraffe!)

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Left hand path is a term to describe the religious practice of dark magic.  (I Googled it.)  In this case, the artists are aligning with the feeling of being placed in the category of outsider.  Their emotions play a significant role in the production of their artwork.  Discord is at the center of this vibration, although the work here is a combination of action strokes and calm precision.  A sort of beautiful aesthetic meets the doom and gloom of the future kind of thing.

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The above prints were available for immediate sale, the rest can be purchased once the show comes down next week.  Apostrophe’s is open on Tuesdays and Thursdays and by appointment.

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Waterbear

 

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Davana Robedee just starts drawing.  She is inspired by natural forms – strands of hair, the motion of ocean waves….  The drawings take on a life of their own.  They become otherworldly, as though they are life-forms that can withstand space and time, much like the water bear, a microscopic species that can do just that!

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I went to the opening reception for The Millennia of the Waterbear last night at Apostrophe’s Art Gallery, 1100 Oak Street, Syracuse, New York.  Proprietors Holly Wilson and Allison Kirsch opened the venue to establish exhibition opportunities for college students and emerging artists.  They have currently booked art exhibits through this summer.

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The gallery is open Wednesdays 2:00-4:00 pm, Thursdays noon-2:00 pm, and by appointment – call (614) 209-7503 to schedule your visit!  This show ends on April 10, 2016.

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Davana is a recent graduate of Syracuse University.  She was my Encaustic professor at SU when I took the course in 2012.  Her work with the medium is superb.  At the gallery, she is displaying several functional lamps made of wire and wax.  LED light does not heat up and so the union is a successful one!  These lights looked more impressive as the sun went down.  They are soooo beautiful.  More so in person.  You must experience them!

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In addition, she has created a giant sculpture using plastic sheeting, as well as large panels of wax on plastic.  These pieces contain the same lyrical line quality as her drawings but with the addition of the textural surface.  Everything begs to be touched.  I found myself reaching out even though I know how fragile wax is (it needs, like, a thousand years to gain strength, unless there is enough damar resin in the mix). The whole show has a brilliant cohesiveness.

Davana is the real deal.  I love listening to her speak about her work.  There is a clear vision to her visual thoughts.  She really illuminates  just like her sculptures – she reveals an extraordinary depth of character.  The narrative provides understanding in a way that transcends the simple materials and abstraction.  I am really in awe of what she has accomplished here.

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davana

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Davana has another show scheduled for October 2016 in Old Forge, New York.  She starts creating new pieces soon including some wax items that will melt before our eyes.  Can’t wait to see where her mind takes us.  Wherever it is – I am loving the journey!

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