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I re-visited them this weekend because I learned of a way to fix the chalk element. Originally, my plan was to allow the patina to develop over time, that is, basically not care how the paintings aged. I was a lot experimental back then and while in the zone creating away on my screened-in porch studio in the two-bedroom flat in Eastwood where I produced quite a lot of my artwork in the nine years that I lived there, I was living in the present moment. Not thinking about the future at all.
That was sixteen years ago!


The paintings were exhibited at the Rome Art Center (Rome, NY), at Nature-Tyme (DeWitt, NY) and later at a medical center in New Jersey. Some of the found object elements had fallen off in storage and some pieces were actually missing after that second exhibition – not many, fortunately.


I looked at them all with fresh eyes. Repaired, replaced and “fixed” them. They are loved again and I feel really good about re-presenting them. I will be more diligent with regard to their safe-keeping when they are in my care and trust that new owners/patrons will love them equally if not more.

















Artist Statement – Echolalia
My paintings are a culmination of devices used to create a visual language, a secret treasure to be discovered and I hold the true key. These paintings are an echo of previous work.
My muse is a frolicking cat traveling through a geometric field. Although the devices are manifestations of my life and experiences, they can also create an alternate connection with the viewer resulting in other interpretations. The truth of deciphering becomes irrelevant.
The paintings are layered: canvas on canvas, oil paint, chalkboard paint, pencil, chalk, found objects including sea glass, game pieces, keys, ribbon, coins and text. They are the layers of emotions, thoughts, actions, and beauty that depict depth of character. Formally, I concentrate on rhythm, balance, complementary color schemes and texture.
My work is driven by a desire for positive vibrations, happiness and joy.

















Here are all twenty-four pieces in the Futura series. They are encaustic on 8″ x 10″ masonite mounted on 11″ x 14″ chalkboard (not pictured). They are $111 each.





















Here is a collection of 9″ x 12″ watercolors. I packaged them for sale last night and uploaded all the photographs this morning. They are done on a variety of Arches heavy weight watercolor paper. I had a prolific period from 1999-2002. A friend brought one of my paintings to a Rockville, MD gallery to be framed, which led to a period of gallery representation there.








































Here is the collection of 12″ x 16″ watercolors. I packaged them for sale last night and uploaded all the photographs this morning. They are done on a variety of Arches heavy weight watercolor paper. I had a prolific period from 1999-2002. A friend brought one of my paintings to a Rockville, MD gallery to be framed, which led to a period of gallery representation there.



















This portfolio contains the Pomano paintings. I lived in Pompano Beach, Florida for two years. I created two paintings during that time and the rest came upon reflection. It wasn’t until 1993 that I began to make a commitment to painting – I started working in series of twelve, always buying a dozen canvases at a time then feverishly attacking them until the ideas came to fruition.
I have visited Ft. Lauderdale several times since returning to Syracuse. One day a shark swam very close to the beach and ended up as a motif in the paintings. And that is not an atomic bomb in the sky. It’s the Goodyear blimp. The hanger for it was right next door to the Pompano mall so I saw it in the sky pretty much everyday (they must have more than one, right?)
All paintings are framed in maple. Prices are marked.












I love square paintings. And 36″ x 36″ is the perfect size. They are substantial targets! I created them in the summer of 1997 when I was working as a master teacher at the New York State Summer School of the Arts at Cazenovia College.
I prepared the canvases by gluing additional canvas to the surface. I like the way the raw edges create additional texture. I measured out the composition using a yardstick following thumbnail sketches – the finished paintings varied very little from the original concepts!
I used oil bars and oil paint favoring metallics, titanium white, mars black, and lots of color with domino borders. They are framed in maple.








