This series is titled Messages from the Other Voice. I experimented with automatic writing, which produced poetry that appeared as positive messages to relinquish despair (I was a “cellar dweller” living in my parents’ basement at the time).
Each painting is an illustration of said phrases. I used one of my favorite resources to accomplish the task – a dictionary of symbols. Puzzle forms slice the composition into thirds (and sometimes fourths) and the familiar motifs in my repertoire appear to reinforce the text – stenciled titles, playing cards, coasters, etc.
They are double framed in cherry and maple.
Karen Tashkovski, Angels, 18″ x 36″, 1997, oil & collage
Karen Tashkovski, Destiny, 18″ x 36″, 1997, oil & collage
Karen Tashkovski, Hindrance, 1997, oil & collage
Karen Tashkovski, Life. Liberty. Happiness., 1997, oil & collage
Karen Tashkovski, No Hope, 18″ x 36″, 1997, oil & collage
Karen Tashkovski, Peace, 18″ x 36″, oil & collage
Karen Tashkovski, Power, 18″ x 36″, 1997
Karen Tashkovski, Sorrow, 18″ x 36″, 1997, oil & collage
Karen Tashkovski, Strength, 18″ x 36″, 1997, oil & collage
Karen Tashkovski, Trinity, 18″ x 36″, 1997, oil & collage
I stretched these canvases myself – with a heavyweight canvas. I added drink coasters for texture then gesso-ed them and coated them with a Martha Stewart interior latex paint called Milk White. Borders and straight lines, as well as a cat stencil ( the same one I used in the paper collages) completed the compositions. Oil paint and collage materials completed the paintings.
I love their airy quality. Oh, and my friend Syracuse artist Michael Moody gave me a bundle of old Scrabble pieces and I configured the text only from those letters. I only had about three As and an H left over, I think! That was fun because it made using game pieces part of the game and yet I feel that each painting has a strong element of self-portrait to them, as though the words were meant to be discovered. They really represent my personal conflicts as I approached the new millennium. I framed them with pine slats nailed to the sides, gallery style.
I took a graduate course at Syracuse University in May 2012. In six weeks, I created fifty paintings! I love the briskness of the brushstrokes, the smell of the wax and the intensity of the color! It’s all about texture too and the fact that I can easily incorporate mixed media items into the work. My favorite thing was adding the Monopoly money as collage because I’m really into using game pieces in my work. Playing cards, dice, and other gaming elements evoke personal connections for the viewer while still maintaining my own emotional link, which makes the work have a more universal quality.
I used clay tools to carve the images in this series of twelve crowns. They are painted on masonite and mounted on chalkboard painted masonite and are available for $125 each..
Karen Tashkovski, Crowning Glory, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Coin Princess, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, For Jasper, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Modern Pharoah, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Monarch, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Navy King, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Orange Jack, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Queen, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Royal Gamer, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, The Lucky One, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Valentina, 18″ x 15″, 2012, encaustic, $125
Karen Tashkovski, Wedding Crown, 18″ x 15″, 2012, encaustic, $125
I took a graduate course at Syracuse University in May 2012. In six weeks, I created fifty paintings! I love the briskness of the brushstrokes, the smell of the wax and the intensity of the color! It’s all about texture too and the fact that I can easily incorporate mixed media items into the work. My favorite thing was adding the Monopoly money as collage because I’m really into using game pieces in my work. Playing cards, dice, and other gaming elements evoke personal connections for the viewer while still maintaining my own emotional link, which makes the work have a more universal quality.
I’d created the horse stencil several years ago for a horse of a different color elementary art project.
Karen Tashkovski, ARIES, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, CHAMPION, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, COMING & GOING, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, RED HORSE, 2011, encaustic & collage, 12” x 12”Karen Tashkovski, SIENNA ON FIRE, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, SILVERY STRETCH, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, THE RACE, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, Indigo, 18″ x 18″, 2012, encaustic, $125Karen Tashkovski, Last Licks, 18″ x 18″, 2012, encaustic, $125
I took a graduate course at Syracuse University in May 2012. In six weeks, I created fifty paintings! I love the briskness of the brushstrokes, the smell of the wax and the intensity of the color! It’s all about texture too and the fact that I can easily incorporate mixed media items into the work. My favorite thing was adding the Monopoly money as collage because I’m really into using game pieces in my work. Playing cards, dice, and other gaming elements evoke personal connections for the viewer while still maintaining my own emotional link, which makes the work have a more universal quality.
These heart paintings are mounted on chalkboard painted canvas lined with dominoes. They are available for $100 each.
Karen Tashkovski, Sunny Future, 11″ x 14″, 2012, encaustic, $100
Karen Tashkovski, Cobalt Tears, 11″ x 14″, 2012, encaustic, $100
Karen Tashkovski, Good Fortune, 11″ x 14″, 2012, encaustic, $100
Karen Tashkovski, Lovey, 11″ x 14″, 2012, encaustic, $100
Karen Tashkovski, Golden Treasure, 11″ x 14″. 2012, encaustic, $75
Karen Tashkovski, Ink Heart, 11″ x 14″, 2012, encaustic, $75
Karen Tashkovski, Milk Heart, 11″ x 14″, 2012, encaustic, $75
Karen Tashkovski, The Shimmer, 11″ x 14″, 2012, encaustic, $75
Echolalia is a series of twenty-four paintings created in 2005 with a theme of cats frolicking in geometric fields. They are 18″ x 18″ oil and collage works, the first where I used leather and suede scraps for added texture as well as chalkboard paint. They are $200 each, unframed.
Karen Tashkovski, Echo-1, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-2, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-3, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-4, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-5, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-6, 18″ x 18″, 2005, mixed media, $200 – SOLD
Karen Tashkovski, Echo-7, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-8, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-9, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-10, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-11, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Echo-12, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-2, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-3, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-4, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-5, 18″ x 18″, 2005, mixed media, $200 – SOLD
Karen Tashkovski, Rune-6, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-7, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-8, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-9, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-10, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-11, 18″ x 18″, 2005, mixed media, $200
Karen Tashkovski, Rune-12, 18″ x 18″, 2005, mixed media, $200
In 2008, I created a series of paintings I called Talisman. I used 18″ x 24″ canvases, designing them to have a chalkboard space and a square surface for oil and collage. There are twenty-four pieces in this collection – six with black chalkboard paint on top, six with black chalkboard paint on the bottom, six with green chalk board paint on top and six with green chalkboard paint on the bottom. Once I mapped out that construction, I gave each painting a border as well. I used a ruler and other devices to measure out the compositions adding text in chalk that would eventually erase.
Art can be fleeting just as emotion is a kind of journey with turns and changes along the way. Everything changes.
These paintings are for sale for $200 each. They are unframed.
Karen Tashkovski, Shield, 18″ x 24″, 2008, mixed media, $200
I used watercolors and colored pencil on Arches watercolor block paper. The paintings are for sale (unframed). 7″ x 10″ – $50 each; 9″ x 12″ – $75 each.
I created these paper collage pieces one winter when I couldn’t paint due to my small space living arrangement. I was able to work on them while sitting on the sofa in my living room. I love them because they incorporate a number of devices I’ve used in my oil paintings – sea shells, playing cards, skeleton keys and coins – as well as utilizing my fashion design background with the sewing craft.
They are cats, although you could argue they look like dogs, too, and that’s fine. I used Strathmore paper and metallic embroidery thread.
I’m selling them for $75 each (unframed).
Karen Tashkovski, Love, 9″ x 12″, 2001, mixed media, $75
Karen Tashkovski, 2, 9″ x 12″, 2001, mixed media, 75
Karen Tashkovski, The Way, 9″ x 12″, 2001, mixed media, $75
Karen Tashkovski, Tres Jolie, 9″ x 12″, 2001, mixed media, $75
Karen Tashkovdki, Leniency, 9″ x 12″, 2001, mixed media, $75
Karen Tashkovski, Trustworthiness, 9″ x 12″, 2001, mixed media, $75
Karen Tashkovski, Welcome, 9″ x 12″, 2001, mixed media, $75