Tag Archives: Syracuse University

In Bronze

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Syracuse University has wowed us yet again with another fabulous art exhibition at their art gallery in the Shaffer Art Building on S.U. campus.  This time a collection of bronze sculptures by Auguste Rodin (1840-1917) fills the space.  The art is actually owned by the Iris and Gerald Cantor Foundation – they organized the show as well.

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Penny Santy and I attended the opening reception tonight – it was the perfect thing to do on this back-to-school night, an opportunity to fully immerse myself in the visual stimulation of an artists’ life work and then discuss it all with my fellow artist friend. The kind of discussion that catapults our individual journeys as we sort of translate what we see into how we see ourselves as artists – our respective places on the path.   It is just so incredible how modern this body of work really is – how this master artist took things a step further, editing body parts to emphasize movement.  Doing things because he wanted to, because it was necessary for his own growth without crumbling in the face of criticism.

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Innovation always comes with critics riding shirttails, doesn’t it?  People can be so limited in their thinking and so, when I see a show like this, I see that Rodin’s confidence and trust in what he knew was right is what influenced and still influences artists one hundred years later.

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Inspirational thinking.  So, so amazing!

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Rodin: The Human Experience will be on display until November 18, 2018.  Gallery hours are Tuesday through Sunday 11:00 am – 4:30 pm.  In addition, they are open until 8:00 pm on Thursdays. (315) 443-4097

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The Invention Story

I’m basically a storyteller.  And all of my stories begin with, “the year was blah-blah-blah”.  Today, one of my students called me over and asked, “will you tell us a story?” and someone else chimed in with, “we love your stories!”  !!!

So – here’s a story for you….

The year was last year.  All of my 5th graders were bringing those fidget spinners to class.  I’m sure you’ve seen them – they are some sort of toy that was created as a way for students to stay focused, particularly students with focus issues – but they were seriously getting out of control.   Everyone had them.  Most had more than one in their pockets. Kids were just playing with them all over the place until pieces flew off.  It was nuts.

One day after school, I was sitting with my feet up on my desk and I envisioned a teacher confiscating those dumb things then sitting exactly as I was . . . and eating them, lol.  I had invented a commercial for chocolate fidget spinners!

OMG, I thought, I have my million dollar idea!  I called Hercules, a candy company in East Syracuse, New York.  I told the proprietor, Terry Andrianos, my idea.  Her response was it takes about a year in development to create the mold for something like this and it is expensive.

So, I thought, that was that.

A few days later, I attended a concert at Traditions at the LinksLetizia and the Z Band was performing.  At their break, the drummer, John Mangicaro, told me this gig was like a full-time job but he did have a full-time job – he was in the technology department at Syracuse University.  He runs the 3-D printer!

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I shared my fidget spinner concept with him.  A few months later, he’d created a mold for me.  I brought the mold back to the candy shoppe and Terry agreed to make a couple samples for me!

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I had successfully brought my invention to fruition and it didn’t cost me a dime.  Law of Attraction brought me face-to-face with these amazing people who helped me just for the fun of it!  Of course, after it was all said and done, I checked Amazon.com and now there are fidget spinner molds available.  Yes, a zeitgeist!

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Students don’t play with fidget spinners anymore.  I have not seen one at all this year.  It was a very short-lived fad, which leads me to believe that nobody really desires chocolate ones anymore either.

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But the point of the story is to illustrate how you don’t really have to know how to manufacture an idea in order to invent something.  Leonardo da Vinci drew pictures of helicopters in the 1500s, as well as all sorts of things he did not actually make.

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My fidget spinner story acted as the launch pad for the active minds of my 5th grade art class.  I gave them a hand-out – to get them thinking about inventing something – why do people need it?  Who will use it?  How big is it?  How much does it cost?

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They filled out the sheet and drew illustrations for a coloring book of inventions.  This took several classes.  We did projects in between, which gave ample time for the students to ponder ideas.  Many shared the project with their parents – some came back with sketches their parents had made of the assignment.  It seems that everyone is a budding Leonardo!

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I sent the pages to Chittenango High School and the person who runs the Xerox printer created these amazing books.  Each student received a book of everyone’s inventions.  We spent one class period coloring them.  I told them to hold on to their copy, to keep the book in a bookshelf for, like, fifteen years.  Then pull it out, maybe when they are moving out or when their parents hold a giant garage sale, lol, and flip through it to see if any of the inventions had really been invented.  Zeitgeists happen all the time.

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My cousin Brian is an inventor at Welch Allyn.  He has something like forty patents.  Engineering type stuff.  I had actually checked on the patent information regarding my idea.  It seems the woman who had invented fidget spinners could not afford the patent and that is why everyone was manufacturing them.  Crazy, right?

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Our science teacher, Beth Bennett, received a grant to purchase a 3-D printer for school.  She will be meeting with John to learn more about the machine and what amazing things can be created with it.  I just love that!

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The sky’s the limit!

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Politics As Art

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Discord is a necessary factor in conscious creation because when you know what you don’t want, you can know what you do want.  So it can be a good thing even while it is causing the upset.  In its acknowledgement, the theory is that change can happen.  And there’s magic in that.

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Art Rage is the gallery in Syracuse, New York that specializes in social injustice and political satire.  It’s not typically my thing.  I am so la-la-la lately, living life in a sort of happiness bubble of gratitude and appreciation, and not giving much attention to the national headlines that seem to keep others in a constant state of pissed-off-ness.  I don’t often agree with the arguments.  But I attended this art reception anyway – I do love when an artist translates their angst into something tangible that transcends its origins and hands the world something beautiful.  And I loved every minute I spent viewing this incredible new work and talking to artist Jim Ridlon.

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Discord & Dissent:  Commentary on Contemporary Politics by Jim Ridlon is the final show this season at Art Rage, 505 Hawley Ave., Syracuse, New York, 13203.  And it is truly genius!

Ridlon was not a fan of the political shenanigans, as witnessed on the morning news during the 2016 presidential campaigns.  What followed was a bit of scribbling – sentences, words that he desired to expand upon via this new series of assemblages.  Each one in this series is equipped with its own statement to guide the viewer to their own conclusions.

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They are visual puns meant to take the sting out, to replace the discord with fun, humor and the strange machinations of this Renaissance man’s mind.  They are outfitted in sports gear to possibly refer to the political arena as a game, as well as referencing his own history – football hero turned Syracuse University professor.  There are clipped feathers found on meditative hikes taken with his son that speak of the illusion of the sanctity of government positions; rusty found objects from various trips to flea markets – hunting the perfect pair of old scissors or wood turnings, ropes/chains to bind the opponent in an intricate power trip.  Well-worn accessories complete these framed boxes of objects, the human element that sets the viewer on this quest to create meaning.

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Jim Ridlon is a true artist in every sense of the word and does justice to this art form by allowing us a glimpse into his vortex.  I asked him if his studio was neatly organized – were all the scissors in a bin, leather bits together, et cetera?  Answer – chaos! Lol, I love him!

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Ridlon sets up his studio space so that he can concoct several pieces at once.  They are on tables laid out in their frames, items amassed in nearby boxes first that speak to his mini manifestos.  He builds, builds up then knocks everything down.  Sometimes it takes over thirty tries to make one good product and once that solution arrives, it is like a game key that solves the puzzle and everything else just falls into place.

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It is music to my ears when I hear an artist speak about their process.  It is poetry.  It is radiant and beautiful, and everything I love about creation.  The work becomes the thing – important, all encompassing and his passion was just so present as he shared it with me.  He told me that this process took months to complete.  He spent days and days working on them and many, many nights dreaming about them.  He was a man consumed by this work.  His eyes sparkled as he spoke of getting just the right element to fit the case then finalizing and gluing it all into place – a culmination that is weirdly spiritual.  Like, it was not about politics anymore.  That was just the spark to the flame.  An idea that took thoughts to these wonderful things.

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Were they for sale?  Yes, but he quipped that he did not expect to sell them, as they have an ugly side to them.  I didn’t agree.  But I guess this is the case with artists of all skill level and experience.  The force that reckons with the making and manipulation of art flickers out once the discord that brought it about dissipates.

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Thank you, Jim Ridlon, for inspiring me as my aesthetics professor in 1981 and continuing to inspire me to desire to grow as an artist.  To want to take a dream and make it real, and laugh in the face of current realities that are undesirable.  Outrage can and does make a difference when one is aligned with their ultimate source.  And then we watch as everything changes for the better.

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Jim Ridlon will give a presentation about his work on June 11, 2018 at 7pm in the gallery.  Visit the website or call (315) 218-5711 for more information including gallery hours.

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Land of the Living

According to the blurb in the SU Art Galleries’ newsletter,

Artist Kiki Smith has been the subject of numerous solo exhibitions worldwide, featured at five Venice Biennales, and is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. Among her many honors is the recognition by TIME Magazine as one of the “TIME 100: The People Who Shape Our World.”

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She is a living legend in the art world, a kind of giant, a dichotomy of sorts because in person she really is quite delicate looking with slender features.  Her hands in particular, which seem a stark contrast to the sort of macabre drawings they produce.  Kiki Smith is my favorite artist’s favorite artist.  I read that somewhere decades ago.  Jasper Johns is famously tight-lipped to disclose the inner workings of his mind.  Smith is similarly private.  The language with which gallery director Domenic Iacono uses to describe Smith’s prolific career’s trajectory reminds me of this thing I read by a dating coach who insists women must keep men off-balance by speaking gibberish, like saying one thing and flipping it on its side to keep them guessing, lol.  Not to say that his words are not an accurate portrayal.

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Yes, I saw immediately via Smith’s slide presentation on Thursday evening, February 15, 2018 in the lecture hall adjacent to the gallery in Shaffer Art Building at Syracuse University how the work relates to life from birth to death and how that relationship is reproduced in a type of modern allegory.  It’s just that the description gives the impression that the artist set out to make particular meaning in her work, that there was clear and deliberate intent to be a crusader of issues or whatever.  And so, this presentation was like a breath of fresh air to me because it wasn’t what I expected at all.

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There were around (or over) three hundred people in attendance, many of whom students searching for a road map to art success, a short-cut maybe despite their unique circumstances.  Penny Santy, Laurel Morton and I had a different experience.

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She said, “I don’t know” a lot.  My friends and I responded to the realness of her being. Kind of reminded me of the Star Trek TNG movie where they time-travelled to meet the guy who invented warp drive.  How they had studied him in school and expected him to be a type of god only to find him to have the same sort of trials and tribulations as any one of us.

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Smith sat in a corner until she was introduced then raced up and got caught up in the microphone’s battery, which messed up her hair and caused her to flop into position and, while struggling with the technology, to utter, “I’m totally discombobulated.”

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You can hear my laugh in a large group situation.  I really should get a job sitting in the audience during the taping of TV sit-coms.  It was this unexpected sort of absentminded normalcy that I fell in love with.  Because Kiki Smith was not there to teach us to be like her or offer advice on the inner workings of the international art world or art super-stardom.

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She was here to share her art.  It was her focus on the specific and unique problem solving issues related to art material and rudimentary technique that propelled her journey, which if plotted probably resembles a scribble rather than a connect-the-dot drawing.

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Some people think or expect that you should make the same kinds of art forever because it creates a convenient narrative…I want my work to embody my inherent contradictions.

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Art, she said, is not meant to be permanent and neither are we.  It is simply a thing we can do to make our marks.  It passes the time.  You can sell it or give it away to friends. This despite also indicating that 90% of her art is self-owned and in storage, which most of us can relate to, lol.  She acknowledged that she was priveleged; she mentioned her father several times as well-known sculptor Tony Smith.  She said she was a college drop-out who had an inkling to become a baker and chef but never really learned to cook.  So she began to experiment with cheap or rather, non-archival art materials to sort of replicate the braid strands in challah bread and from that her artwork evolved through the evolution of several decades to sculpture, jewelry making, tapestry and stained glass via printmaking.

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My father was a baker and chef so I was amused by this.  The internet is littered with people who chastise her, thinking her success is solely attributed to her father’s connections and not to her talent, creativity and attitude.  Had she and I been flipped at birth, I can safely say that her self-proclaimed lack of culinary skills would not be in jeopardy.  Parents raise you – they do not do the work for you.  Everyone knows that.  You and you alone create your life.

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Her journey has taken the New Jersey native around the globe – to Germany to paint on glass, Iceland where the tapestries take years to manufacture and, as mentioned, to Venice, Italy several times for the Biennales.  She has even worked on and off as an adjunct professor at NYU and Columbia!  It was a sort of Alice in Wonderland type story where help became available when needed.  Experts in their fields there to assist in creating the vision so that she could maintain the integrity of her mark-making, revisit old drawings and turn, turn, turn leaving no stone unturned – flipping everything on its axis until an idea had/has been fully explored.

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It was this part that I just loved.  Naturally, the point to me is meaning.  Not meaning in her work, more like, the meaning of my own life.  I saw the seemingly disparate dreams I have come together.  I saw my own path and how I got to where I am.  I am a dreamer first and foremost.  That is abundantly clear to me.

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A writer, an artist, fashion designer, teacher, friend.  And within these categories, sub-categories (in the case of my art, I am across the board with watercolor, collage, encaustic and all that).  But I do see how it is all related and that is a beautiful thing.

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I am so grateful I had the chance to meet Kiki Smith and selfie with her too, of course!  It truly is all about our personal journeys.  We are all exploring the body, the muse and the spirit in an experimental way.  Smith relayed the bit about how her mother’s passing, as well as the death of a beloved cat affected her work while I have sort of been hibernating all winter, I guess you could say, dealing with my own thoughts of mortality.

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Many of you know that I have been absent from work.  I have another month of healing from a medical thingy and that includes slowly getting back to exercising in a couple of weeks and venturing outside my little corner of the universe.  Before you get all freaky with the I’m sorry-ies, I am totally fine.  Trying to be private and like, kind of forgetting that people have noticed that I have been out of the public eye.  I mean, I put myself here so there it is.

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I am discombobulated in my own way, but I decided that instead of hiding from the world entirely or walking around with a dumb old grimace on my face, I will choose to smile.  Smith said sometimes she is thinking about some weird murder movie while making art.  She doesn’t want people knowing what is going on inside her brain.  I tend to agree with the limits of what should and should not be revealed.  People are going to believe what they want to believe and say things about you and/or about your art and it really is not anything you can control.  But you can/I can control my own experience and I choose happiness.

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So grateful to her – an amazing artist – for coming to our neck of the woods to be herself in such an inspirational way.  We are all here together, in the land of the living, and that is a precious thing.  I appreciate the love I know I feel from friends, family, students and readers of this web-site.  All of you have shaped my world and I appreciate you all very much. ❤

Kiki Smith and Paper:  The Body, the Muse, and the Spirit was curated by Wendy Weitman and is here courtesy of Oklahoma State University Museum of Art until March 9, 2018.  Visit www.suart.syr.edu for more information about the SU Art Galleries including hours of operation.

 

Come This Way

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Point of Contact gallery is located in The Warehouse building, 350 W. Fayette Street (near the intersection with West Street) in Syracuse, New York.  It is an annex of Syracuse University located in the Armory Square area of town.  Its mission is to provide an arts dialogue with the community focusing on Latin American culture.

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In the summer, however, the gallery opens its doors to a juried exhibition, welcoming all local artists to participate.  Currently, Sum Art 2017 is up until mid-August.  The art reception was last night.

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For some reason, every time I enter this gallery, it starts out feeling like Dr. Who’s Tardis – bigger on the inside.  Last night, as I winded my way around the exhibit taking quick snapshots here and there around the many patrons who attended finding myself in the second room and nearly impaling myself on a tall wooden sculpture, I realized that idea is an illusion.

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It isn’t so big and yet, this show really packs a punch.  So much to delight in – to see.  Large scale works and tiny collage pieces.  Realism in both painting and ceramics juxtaposed with pricey abstracts.  There was something for every individual aesthetic.

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Last year I bailed on this show, lol.  I made up for it last night, even getting an Instagram fashion post out of the dealio – thanks to contributing artist Penny Santy (photo cred)!

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BCBGMaxAzria romper, belt and clutch, BCBGeneration booties

Maybe next year I will go a step further and enter my artwork…. (???)

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Gallery Hours: The gallery is open Tuesday-Saturday, 12-5 PM to the general public.

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What’s Right is Left

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Dolce Vita World Bistro is across the street from Syracuse Stage – at 907 E. Genesee Street, Syracuse, New York.  The restaurant serves international cuisine, hosts musical and theatrical events in collaboration with Syracuse University and promotes local visual artists via monthly art exhibitions on the walls of its dining room.

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Friday night I attended the opening reception for What’s Left, an art show combining the talents of Le Moyne College colleagues Erin Davies and Penny Santy.  The title is derived from a Robin Williams quote –

What’s right is what’s left if you do everything else wrong.

The show features wood collage pieces by Erin and oil paintings by Penny.

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Meredith Cuddihy on violin provided the musical entertainment.   There was wine and cake, and other yummy fare, as well as friendship, camaraderie, and lots of fun!  It is always very special to support my friends in all of their endeavors and of course, any excuse for a party is a good one, especially now – we are weathering a severe cold spell in Syracuse, New York and no one really wants to hunker down in their respective shelters to wait it out.

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According to their web-site, Dolce Vita is open Monday – Thursday 4:00 pm – 9:00 pm, Wednesday – Friday 11:00 am – midnight, and Saturday 4:00 pm – 11:00 pm.  They schedule private events on Sundays.  If you are interested in scheduling one, making a reservation or checking out the wonderful art, call (315) 475-4700 for the deets.

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Mayer on Cloth

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At 6:00 p.m. tonight, Jeffrey Mayer, Associate Professor of Fashion Design at Syracuse University, will be presenting a talk on the Art for Every Home: Associated American Artists exhibition at the SU Art Gallery.  He will be focusing on the clothing and textiles that are in the back gallery.

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I took these pictures when I was at the opening reception.

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Here is more info taken from their Facebook invite page –

Join Jeffrey Mayer for a thrilling discussion focusing on the costumes and textiles featured in the current exhibition “Art for Every Home: Associated American Artists,” on dislay through March 19th in the galleries!

Post World War II fashion, with a new silhouette and a new appreciation for the designer as an artist, created the perfect opportunity for Associated American Artist to team with textile manufacturers to produce art based fabric prints. Creating series of textiles for both home decoration and clothing use these prints were marketed as being created by ‘fine artists’. The collaboration with textile manufacturers would only last for a very few years before AAA designed print fabrics would cease to exist. This lecture will include additional textile print examples from the Syracuse University Sue Ann Genet Costume Collection which document how the trend became popular and what contributed to its demise.

Jeffrey C. Mayer is Associate Professor and Program Coordinator of Fashion Design in the School of Design, SU CVPA, as well as the curator of the Sue Ann Genet Costume Collection for which he has designed many historic costume exhibitions. He is also author of ‘Vintage Details; A Fashion Sourcebook’ published by Laurence King, London.

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The show continues though March 19, 2017.  The gallery is located in the Shaffer Art Building on Syacuse University campus.  Gallery hours are Tuesday – Sunday 11:00 am – 4:30 pm.  The gallery stays open until 8:00 pm on Thursdays.  They are closed during university holidays.  Call (315) 443-4097 for more information or email them at suart@syr.edu.

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