Category Archives: mixed media

Tiny Voice

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I ran into a friend who told me about an amazing restaurant in downtown Syracuse, New York called The Fish Friar.  She planted that seed of desire in me and within days I was seated in the outdoor dining space enjoying a fish sandwich (sans bread) and two sides.

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It was a perfect summer night, the fresh breeze in the air turned a gorgeous sunset into a Prussian blue sky.  The food was soooo good, the chef created a work of art on my plate, and so, we are talking phenomenological encounter here, which to be honest, is the only way I can possibly live my life.  The present moment is exquisite.

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Everyone there seemed to know everyone else and we delighted in sharing Gia DeLaurentis style verbal soliloquies of how the food tasted.  So fun, and yet, I became distracted by a message thing-a-ma-bob on my pages manager app, which kept directing me to my like page on Facebook, Karen Tashkovski-Visual Artist.  I couldn’t figure it out.  I clicked on everything and still the 1 was left staring at me.  I scrolled the messages for the umpteenth time, all read, and came to the bottom of the queue.  Yes, I had read this last message when it was sent in 2014.  But when I read it again – aloud – it was as if the late Michael Moody was speaking to me now.

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Hi Karen

Like all artists, your art is evolving. I can appreciate your art because I know you personally and because you’ve been painting for a long time which shows your drive, desire and dedication.

I don’t attend all of the art openings but I do go to some to show support for other artists. I never see you anymore. I know that you work, so you’re busy and might not attend openings because of this. But this makes you invisible to much of the local art scene. Perhaps our paths just haven’t crossed but if not, then it’s time for you to leave your little bubble and rather cloistered life (If that’s the case) and mingle with other artists!

Some of your narration sounds like you’re still looking for approval and acceptance from those hoards of non artists that you’d like to buy your product. In your mind, body and spirit this attitude must cease to exist!

I’ve been in some shows simply because other artists have recommended me or just dropped my name. Think about it! There are also many new artists that would see you as a mentor or master simply because of the years in your craft.

Enough said! Come out, come out, from wherever you are! Show more zest for your craft by being there among your peers. No one else counts (give or take).

…and don’t publish this! lol
Michael Moody
…and thanks for mentioning my name in your narration!
07/29/2014 11:22PM

Karen Tashkovski – Visual Artist
You’re right that I don’t want to mix and mingle. Absolutely right, lol.

Ya gotta change that babe! u can do it put ur back in to it!!! How else can your artistic peers get to know you and remember you!

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Back then I was kinda-sorta still in a funk about direction in my life. I had started my blog and was slowly re-emerging into the local art scene.  Fast-forward to now, and last night, where I was greeted by so many artists at John Dowling’s gallery on Hawley Avenue – everyone so wonderfully complimentary, telling me that they love my posts on Facebook and love reading my blog; that I am always smiling and positive, and all these nice things.  I was told I am beautiful too.

Crazy, right?  How time can change one’s perspective.  How it only takes baby steps to get us back on track heading in the right direction in life and that those steps can lead us to such amazing things.  It is such a gift to be a part of a group of like-minded souls who feel compelled to practice the art of making, sharing and selling art in such a cohesive way.  I am incredibly grateful for my journey and where it leads and where life will continue to take me.

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I was talking to John Dowling about the possibility of exhibiting my angel and heart paintings, if that theme works.  He said he hadn’t thought of a themed show and so, I reminded him that his show dedicated to Cuba was one and this current show is as well.

In this case, the theme is size related. The pieces are 6″ x 6″ or 8″ x 8″.  I LOVE a square canvas.  And these pieces are deliciously inviting.  Mini canvases in the artist’s styles, many you can recognize without needing their identification monikers – Hon Go’s modeling paste built geometric textured works, Diana Godfrey’s hauntingly rich abstract landscapes, John Fitzsimmons’ tiny-version portrait studies, Judi Witkin’s wearable art/steam punk jewelry turned collage art….

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Kristina Starowitz told me that she has only just entered the sharing-her-art-mode and this show enabled her to experiment with ideas without committing to larger canvases.  Her passion is evident in a tribute to the time-lapse of nature and its infinite beauty.

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Tiny voices from big hearts.  They are all priced to sell and offer this wonderful way to begin an art collection.  You will be able to find space in your home or office for these pieces.  It would be so cool if someone stopped in and said, “I’ll take one of each, please!”

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Thank you, Michael, for reminding me of what is truly important.  For knowing me better than I thought I knew myself, and for forcing that app to malfunction (which has now mysteriously fixed itself) in order for me to hear you again.  You are da bomb.

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P.S.  You really did want me to share this message, after all. ❤

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Come This Way

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Point of Contact gallery is located in The Warehouse building, 350 W. Fayette Street (near the intersection with West Street) in Syracuse, New York.  It is an annex of Syracuse University located in the Armory Square area of town.  Its mission is to provide an arts dialogue with the community focusing on Latin American culture.

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In the summer, however, the gallery opens its doors to a juried exhibition, welcoming all local artists to participate.  Currently, Sum Art 2017 is up until mid-August.  The art reception was last night.

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For some reason, every time I enter this gallery, it starts out feeling like Dr. Who’s Tardis – bigger on the inside.  Last night, as I winded my way around the exhibit taking quick snapshots here and there around the many patrons who attended finding myself in the second room and nearly impaling myself on a tall wooden sculpture, I realized that idea is an illusion.

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It isn’t so big and yet, this show really packs a punch.  So much to delight in – to see.  Large scale works and tiny collage pieces.  Realism in both painting and ceramics juxtaposed with pricey abstracts.  There was something for every individual aesthetic.

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Last year I bailed on this show, lol.  I made up for it last night, even getting an Instagram fashion post out of the dealio – thanks to contributing artist Penny Santy (photo cred)!

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BCBGMaxAzria romper, belt and clutch, BCBGeneration booties

Maybe next year I will go a step further and enter my artwork…. (???)

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Gallery Hours: The gallery is open Tuesday-Saturday, 12-5 PM to the general public.

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Allentown

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Left Hand Path is the title of the latest art exhibition hanging on the walls of Apostrophe’s  Art Gallery, 1100 Oak Street in Syracuse, New York.  Glendon Allen has curated an exhibition that includes ten artists –
Charles Buechner
Ray Madden
Star Daniels
Jessica Whitely
Dylan Allen
Risa Fox
Maggie Carlin
Sherry Spann Allen
Katelinn Carrier
Glendon Allen~ Curator

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It is a family affair.  Both Glendon and his brother Dylan are graduates of Syracuse University.  Their mom, Sherry Spann Allen, is a recently retired art teacher, as well as a nationally recognized abstract artist.  Their dad, Peter Allen, is a successful local graphic artist, painter and musician.  Alice, Dylan’s daughter, poses here with her artwork on the wall as well.  (She said it was a giraffe!)

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Left hand path is a term to describe the religious practice of dark magic.  (I Googled it.)  In this case, the artists are aligning with the feeling of being placed in the category of outsider.  Their emotions play a significant role in the production of their artwork.  Discord is at the center of this vibration, although the work here is a combination of action strokes and calm precision.  A sort of beautiful aesthetic meets the doom and gloom of the future kind of thing.

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The above prints were available for immediate sale, the rest can be purchased once the show comes down next week.  Apostrophe’s is open on Tuesdays and Thursdays and by appointment.

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Passionate Union

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Karen Tashkovski, Creation, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
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Karen Tashkovski, Pure, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75

I feel so much satisfaction in the completion of these heart paintings.  I made them during Memorial Day weekend but only put finishing touches on them, including titles, a little while ago.  They are sprawled on the dining room table currently, waiting for me to find a place to store them/sell them.

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Karen Tashkovski, Veil, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
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Karen Tashkovski, Divinity, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75

Hearts are my thing.  They are everywhere in my life – heart paintings in all media abound on the walls of my house; I even find heart stones, (literally, everyday) when I walk the trails of Green Lakes.  I love love.  I find beauty everywhere, particularly in the heart motif, and coupled with the vibrant hues of oil paint infused beeswax and its subsequent texture in my artwork, it fills me with gratitude, a sort of passionate energy and joyous warmth.  I desire to share that feeling with everyone in the world.

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Karen Tashkovski, Heartbeat, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75

One person’s positive energy is stronger than a roomful of debbie downers, lol.  It would be lovely to think that my good vibes saturate these paintings and in that way I can spread seeds of love into this universe.  Corny, I know, but genius.  There is power in the unity of spirit.  Believing in goodness is the stuff of legend. ❤

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Karen Tashkovski, Denim, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
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Karen Tashkovski, Butter, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
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Karen Tashkovski, Imprint, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
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Karen Tashkovski, Lyric, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
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Karen Tashkovski, Match, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
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Karen Tashkovski, Renaissance, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
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Karen Tashkovski, Harmony, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75

Encaustic American Pastime

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Karen Tashkovski, Blood & Sweat, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48

Last month I created these baseball paintings.  I finally got around to mounting them onto the chalkboard painted masonite today.

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Karen Tashkovski, Vintage, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48
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Karen Tashkovski, Mint, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48

They are very experimental.  I did not set out to do a baseball theme – in fact, I bought the hardboards with the intent to do more horseshoes paintings.  So, these just happened.  They kind of came out of nowhere.

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Karen Tashkovski, Golden Strike, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48
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Karen Tashkovski, Spin, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ masonite, &48

I love the texture of encaustic.  The smooth areas juxtaposed with thick globby drips, the creamy wax and the gorgeous smell…  It is an intoxicating medium.  I added paper money to these, both real and imaginary.  I also had this wonderful feather-infused rice paper that I loved incorporating. So cool!

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Karen Tashkovski, Axis, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48
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Karen Tashkovski, Dusted, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48

No plans yet regarding what to do with them.  I guess find a place to store them until an opportunity presents itself.  The serendipitous approach.

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Karen Tashkovski, Cherry Bomb, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48
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Karen Tashkovski, Fly, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48
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Karen Tashkovski, Prime, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48
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Karen Tashkovski, Patina, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48
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Karen Tashkovski, Quicky, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard, $48

Angels

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Friend, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
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Message, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
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Sunny Side Up, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
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Master, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard, $111

I tweaked and re-worked/finessed/finished twelve more angel paintings.  It is such an incredible feeling to complete this project.  It is Futura, the painting series I have been talking about making for many years.  Now I must manifest the perfect venue to display all twenty-four of them. They are encaustic and mixed media on masonite mounted on chalkboard (the chalkboard was edited out in these pics).  They are 8″ x 10″ mounted on 11″ x 14″ board.  Priced at $111. ❤

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Crystal Clear, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard) $111
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Manifest, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
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Blushing Bride, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
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Starlight, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard, $111
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Keys, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
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Confidante, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
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Twilight, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard) $111
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Worthy, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard) $111

 

Giving It the Boot

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I visited my friend Clare Willson today at her home on Humbert Avenue in DeWitt, New York – I delivered two paintings for a silent auction fund-raiser planned for June 17, 2017 from noon – 4:00 pm (200 Humbert).  There will be food, live music, the silent auction and a 50/50 raffle.  Tickets are $12 for adults and $6 for children (free for children under three years old).  All proceeds benefit Clare’s journey to Mexico to undergo a dynamic treatment.  It promises to reboot her immune system ultimately reversing symptoms of Multiple Sclerosis, with which she has lived for thirty years.

For tickets to the event, call (315) 439-7844.

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Clare hails from England.  She is a vivacious spirit, an artist who creates whimsical mixed-media artwork using found objects, old jewelry and paint.  Here are some pictures of Clare in her home studio.

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Clare is represented by Edgewood Gallery.  Here is the blog post from her most recent exhibition there.

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If you wish to donate to assist Clare in her recovery and cannot make the event, you can do so via www.gofundme.com/give-clares-ms-the-boot or send a check by mail to Clare Willson, P.O. Box 175, Syracuse, New York 13214.

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