Category Archives: Karen Tashkovski

Found Money 2026 (Episode 7)

One dirty dime found by the pump at the gas station .  This brings me up to $1.09 in found money for 2026.

Smorgasbord

Yesterday afternoon I attended the art reception for the Art Haus summer exhibition.  Called Smorgasbord, this is the first time the curators have displayed eight artists at once.  Usually the shows include about four artists.

Peter Allen

This time there is a sculptor, a photographer, an assemblage artist and several abstract painters,

Tyrel De Bique

The eight artists all happen to be men this time:  Peter Allen, Tyrel De Bique, CJ Hodge, Dennis Kinsey, Steve Nyland, Steve Pearlman, Marc Anthony Polizzi and Robert Poorman,

CJ Hodga

Steve Nyland

The art is available until July 11, 2026.  See the gallery website for more details including making a purchase.

Art Haus is located at 120 Walton Street, Syracuse, New York 13202.  Current hours of operation are Tuesday and Wednesday noon – 7:00 PM, Thursday and Friday noon – 8:00 PM and Saturday noon – 6:00 PM.  Visit them on Facebook for updates to this schedule.

It’s a great show with a little bit of everything that you never knew you wanted – color, texture, size, shape.  Viewing art in person in order to understand an artist’s point of view is just the best!

Marc Anthony Polizzi

The Heraldic Shields

Karen Tashkovski, MARTYR, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, PLUS ONE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, LOYALIST, 2026, encaustic & collage, 8” x 10”

Here are the twenty-four encaustic & collage  paintings that I literally just finished.

I am very excited to announce that these paintings, along with the encaustic & collage target  paintings, Arcadia 1 and Arcadia 2, will be in an exhibition at the Canastota Public Library (102  Center St., Canastota, New York 13032) during the month of June 2026!!!

Karen Tashkovski, CLUB ROYALE, 2026, encaustic & collage, 8” x 10”

Photographs never do my work any sort of justice – they are very colorful and layered with texture.  You really need to experience them in person.

Karen Tashkovski, SABLE, 2026, encaustic & collage, 8” x 10”

They will be for sale during the show.

Karen Tashkovski, LOCAL AMBITION, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, AZURE TREASURE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SOVEREIGNTY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, HERALDRY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, RICHES, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, IN LOVE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, INNOCENCE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SANGUINE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, INNER RESOLVE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SENSITIVITY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, AFTERGLOW, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, WORTHY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, GREAT WISDOM, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, CONSTANCY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, PROTECTION, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, GENTLE WARRIOR, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, THE BOUNTY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, PURELY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SINCERITY, 2026, encaustic & collage, 8” x 10”

Ann’s World View

Ann Clarke is one of four artists selected by the CNY Arts Initiative to exhibit artwork in that gallery I call the crawl space (it is actually the Member’s Art Council gallery tucked into the corner of nowheresville) in the Everson Museum of Art, 401 Harrison Street, Syracuse, New York 13202.

The work here is all new and is a study in the contemplation of family, life, mortality and the camaraderie of the sewing circle – techniques and skills passed down through the generations preserving and respecting this predominantly female handiwork while creating a modern tapestry, which she refers to as “Under the Canopy”, implying both the idea of a landscape as subject matter, as well as the broader landscape of shared experiences in community and education.

The work is fresh and new, and yet, masterful and mature.  To take a medium like rug making and turn it into an emotional infusion of love and all the heartbreak that unfolds from that to the extent that the art breathes, well, it is exquisitely sublime.

The only thing that would have made this show better is if Ann had created a rug that was actually displayed on the cold cement floor, allowing the community to walk upon it in order to participate in the group spirit of said canopy.  I mean, it would get dirty, but that is kind of the point, that life presents unexpected challenges and hardships – that art is both a pursuit in solitude and an opportunity to connect with people, reminding us that we are not alone – not ever, really.  <3

The exhibit runs through June 7, 2026.

Hours:

Mon./Tues: Closed
Wed. 11:00am – 5:00pm 
Thurs. 11:00am – 8:00pm
Fri. 11:00am – 5:00pm
Sat. 10:00am – 5:00pm
Sun. 10:00am – 5:00pm

Heraldry

On Friday night, I went to the spring art reception at the Everson Museum of Art (401 Harrison Street, Syracuse, New York 13202).  While in the Robineau Gallery, I had a fully developed vision of an art exhibition of my own in that space.  It was this strong realization that all of my various encaustic and collage series are creating a kingdom.

There are the houses, the landscape of trees and flowers, the fans, the crowns…and so I went home with the clear idea for my next series:  heraldic shields.

You can see the progression here.  I’ve been working on them all weekend and I am almost finished.  I feel like they have always existed and I just pulled them out of the ether, the way I will manifest that dream art show.

I feel incredibly content.  I will finish them in the next few days.  There are twenty-four encaustic & collage paintings – 6″ x 8″ that will be mounted on 8″ x 10″ cradled hardboard and framed.

Then I will title them and photograph them.

And possibly make more.  🙂

 

The Situation

I’m in the middle of an update.  Waiting for supplies to be delivered is always frustrating because (daddy, I want it now!) I want to complete these tasks right now.  Immediately!

I wasn’t satisfied with the presentation of my bungalow series of paintings.  I decided to switch out the frames.  This created the domino effect of needing to purchase new hardboards for a yet undetermined series that will go into the “old frames”.

I received four of the new frames so far and at first I heard – what are you DOING????? from that contradictory voice inside my head that spews negativity (no doubt).  But upon execution of this task, I am very pleased with the decision.  The bungalows look incredible in their new digs!

In addition, I purchased frames for the horseshoe paintings.  The 9″ x 12″ horseshoe paintings are now framed and residing on the floor of my living room.  The 11″ x 14″ frames will arrive sometime next week or so.  Needless to say, the artwork will be pricier now than when customers purchased them during their residency at Syracuse Yoga.

I also removed the backing chalkboards from the remaining horse and cow paintings.  I created them in 2012 – they are among my first encaustic paintings.  I’m waiting for 12″ x 12″ cradled hardboards to arrive (sometime today?).  Then I will add the hardware to the back and mount the paintings.  Not sure if I will tweak them as well.  I don’t think they really need changes, but it seems that my ever evolving artistic standards may overrule that temporary plan.

I sold several of the horse paintings – I remember most of those sales.  However, I do not know why I only have ten cow paintings.  I did gift one to a student once because he was a dairy farmer.  So, what the heck happened to the other one????  Who bought the purple cow?

The changes to these paintings were inspired by storage – clanking those boards around had damage potential.  They were impossible to store properly and impossible to transport safely.  It was only that – I still love the way I mounted them prior to this change.  I am very grateful to those who purchased them in their original capacity.

Revisiting paintings is like rereading an old journal.  It is a visual record of progress.  Of the (over used word) journey, dare I say it.

If I end up having a huge retrospective one day, I think that these encaustic paintings will reveal a sort of fantasy realm, as though I am reliving another life with another voice.  A message from the other voice (in this case a love language of positivity), which is how I described a series of oil & collage paintings I made in the late ’90s.  It will be a full circle moment and for that brief time, everything about this situation will make sense.

Horses….

Karen Tashkovski, MUSTANG DANCE, 2012, encaustic & collage, 12” x 48”

Exciting news!

My painting – MUSTANG DANCE – will be included in an exhibition called Horse Power! taking place at Main Street Arts, 20 W. Main Street, Clifton Springs, New York 14432.  The exhibition begins on June 6, 2026 and will run through July 15, 2026.

The artist reception  will be held from 3:00 – 6:00 PM on Saturday June 6, 2026.

Normal hours of operation for Main Street Arts:  Tuesday & Wednesday 11:00 AM – 3:00 PM, Thursday, Friday & Saturday 11:00 AM – 6:00 PM.

Arcadia 2 (encaustic targets 2025)

Karen Tashkovski, SPINNING, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, JOY, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, ENCHANTMENT, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

Welcome to the new and improved versions of these paintings.  I created them last year with the intention that they would be sold with a mission style table easel.  I’m going to keep the easels to assist with future library art shows and/or to display my work if I ever have another opportunity for an indoor art sale like the one I participated in at that Jamesville, New York whiskey bar.

Karen Tashkovski, PROMISE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, UTOPIA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

They look so much better in these fabulous frames.  I am in love with them!  They are encaustic & collage targets, 5″ x 7″ hardboard mounted on 8″ x 10″ chalkboard.

Karen Tashkovski, RELEASE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

I reworked some of them.  I added gold enamel.  I changed out collage materials.  I used my fingers to smudge in metallic cold waxes.

I thought they were done before, but once they were in the frames, I felt like they could be elevated via these tweaks.

Karen Tashkovski, THE BEST MOMENT, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

The dream is to sell them as a group.  Someone could install them on a wall as one giant piece or maybe they could place them on a long hallway wall in a business office.

Karen Tashkovski, ENTRANCE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

I think this is the vision I have for all of my artwork.  I create series of paintings with the intention that they be introduced to the world together as a unit, as a presentation much like a fashion show reveals a seasonal collection of clothing.  I love this idea, that an idea expands to however many paintings brings it to fruition.

It’s always at least a dozen paintings of the same dimensions.  In this case, there are two dozen.

Karen Tashkovski, BLISSFULLY, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, EVERYTHING, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, LOTUS LAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, WONDERLAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, JEWELS, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, DREAMLAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, FLORIDA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, VISUALIZATION, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, EUPHORIA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, HOLLYWOOD, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, FIRST OF ALL, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, MEXICO, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, SHANGRI-LA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, WARMTH, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on. 8” x 10” chalkboard
Karen Tashkovski, TRAILS, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, ILLUMINATION, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

Book Report: The Alchemist

The Alchemist by Paul Coelho is my favorite book.

Is that enough of a book report?

My heart aches for my Personal Legend.  This is a book about a Spanish boy named Santiago who dreams of treasure then embarks on a physical journey to find it.

He encounters helpful strangers, as well as danger, in this quest to manifest material wealth.  He ends up discovering that his power comes from within, specifically, from his heart, because that’s the magic of spirituality.

Yesterday someone called me a homebody.  I took umbrage with that carelessness.  He obviously hasn’t read The Alchemist nor does he even know what my journey has been.  Doesn’t know the choices I’ve made to get to this point or you know, what I’ve sacrificed along the way, or ultimately, that up until this reread, I’d started to feel like I ended up in a corner with no other moves left with the exception of despair.

Reading these beautiful words released me from that burden of emotional disappointment, of all the waiting for the dreams to come true.  I’m sure, unless you are a soulless person wandering the Earth, like that theory that some of us are just extras in the lives of others, that you (plural) have had your own existential crises.

Coelho is a Catholic.  He enjoys the commonality of faith and yet he also understands the esoteric language of the Thoth text – The Emerald Tablets, the idea that we are all the same, God is within, and because of this, we are all powerful.

This is helpful to know, or at least to ponder, wonder and desire to be true.  That we all have the ability to make dreams come true – to pursue them generously, purposefully and without doubt.

The part that is baffling to some – discovering your true purpose.  Coelho’s Alchemist teaches that this is indeed an emotional journey.  That your heart will lead you to it.  To follow your heart because it will never let you down.

And, like Dorothy in The Wizard of Oz (which makes me trust that L. Frank Baum had some of this belief in him), Santiago finds the goods in his backyard, too, so to speak.

You don’t have to search the universe to find what you are looking for, unless, like many of my friends do, you have a wanderlust to explore.  Just trust in yourself to make the right decisions.  And also trust that even the things you deem as mistakes are lessons/part of the journey/teachable moments to steer you in the direction of that elusive Personal Legend.

Okay, so, that is my take.  Maybe to you The Alchemist will be just another novel about taking a trip to Egypt to see the pyramids.  Maybe you like those journey novels, like Tolkien’s Lord of the Rings.  I don’t know.  Maybe you are, in fact, heartless?  I don’t really believe that.  But I do believe in the magic of the universe, the signs or omens as they are stated in The Alchemist.  Once you discover what it is that you want with your whole heart, the universe conspires to bring it to you.  Yes, the Alchemist can turn lead into gold, but he can’t teach you how to do it.  He can only teach you to reach inside of yourself to find the resources in there that will catapult you to the life you truly desire.

I used to gift this book to people who were moving away because I wanted them to understand that when you go someplace else, you are still taking yourself with you.  The real change happens from within.  And that is the gist of it.  It’s an ongoing process/struggle/adventure.

Please read The Alchemist and let me know your take on it.  Will it be life-changing?   For me, yes.  I feel revitalized/reinvigorated or whatever, to continue to make art regardless of the outcome.  I will forever keep this book in my possession and read it again and again from time to time.  Thank you, Paul Coelho, for this beautiful gift from your heart to mine, and to the hearts of everyone else in the world.

And P.S. – when the dream of homeownership materialized for me, having a little corner of the universe to call my own was the most significant manifestation of my life.

The Rainy Day

God bless a good rainy day.  An indoor day.

I bought more frames.  I spent the day reworking then framing the encaustic & collage target paintings, the ones that I’d created last year.  They are 5″ x 7″ hardboards mounted on 8″ x 10″ chalkboard.  I will photograph them tomorrow then post the results.

I boxed up (with the boxes from the frames) a bunch of books I’m planning to sell, part of my attempt to purge/de-clutter – I’m in the process of getting rid of things stored in the basement to make room for more art storage.  Eventually, I will sell more art thereby having space to make more (or buy a bigger house).

I also finished my third reread of The Alchemist by Paul Coelho.  I will be writing a book report in a bit – I need the experience to digest.  It felt different this time because I have had more life experiences and am more attuned to esoteric language.

In addition, I’m preparing for the art show at East Syracuse Free Library.  I created the information sheet/price list.  The installation is scheduled for May 1, 2026.  The plan is to show the encaustic trees AND the new encaustic heart paintings.  They will be resting on table easels and displayed at the top of the bookshelves.

Karen Tashkovski, CHERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, BESTIE, 2026, encaustic & collage, 9” x 12”

What did you do today???