Category Archives: Karen Tashkovski

Book Report: Autobiography of a Yogi

I read something about Steve Jobs – he always carried a copy of this book, Autobiography of a Yogi by Paramhansa Yogananda.  When he died, it was said Jobs left copies of this book to all of his mourners.  Most multimillionaires attribute their success to The Science of Getting Rich by Wallace D. Wattles or Think and Grow Rich by Napoleon Hill.

My television media guided me to a bio-pic about Steve Jobs – he did amazing things in the world, as you know, changing the way we all interact with technology via the personal computer, cell phones and other devices. He utilized concepts from Swami Yogananda, for sure, like a strong belief that you can create your own reality through meditation, and a unified love with and for God.

However, Jobs also had a temper that, as depicted via Ashton Kutcher’s portrayal, made him a liability – and then he got cancer and died.  So to quote lyrics from a sit-com, “you take the good/you take the bad/you take it all and there you have/the facts of life….”

Still, I am a sucker for a self-help read.  I am building my own narrative based on a belief system that I truly resonate with in a way that can allow me to navigate society without reacting negatively when someone else contradicts my world view.  Allowing people to be who they are, not trying to force my opinions on them while reminding myself that everything is a sort of reflection of my own energy.  And all of that is hard sometimes.  Like Jobs, I succumb to the frustration of communicating in a world that lately seems so divided by religion and politics.  And I don’t want to end up miserably dead.

And with that said,  I admit I was intrigued by this book.  Autobiography of a Yogi by Paramhansa Yogananda is a man’s journey from India to California.  A boy blessed by a spiritual guru to become one himself.  There are recollections here that contain mystical spiritual experiences.  For example, encounters with long dead gurus who have the ability to apparate (a JK Rowling term) producing flesh and bone bodies before a person who had witnessed their cremation.  These are mystics who have transcended earthly bodies and recognized themselves as spirits who could jump timelines and realms at will.

There is a segment on a woman who, after much prayer, succeeded to find an entity who granted her a means of living without food or drink, using only the energy of the universe to keep her alive and healthy.  Another bit about a woman who bled the stigmata daily.  This suffering, she confided, was meant to convince skeptics and pilgrims alike that biblical Christ was legit and not just a story people made up to clump into a unified religion.

The stories of these yogis sacrificing earthly pleasures – like delicious food, comedies, and sex, for example – I mean, is the life of a yogi inherently better than what the rest of us do?

The fashion alone was enough to make me go – that’s gross.  I hated how superiorly spiritual Yogananda was compared to me, you know?  Is jealous a more fitting word here?  I don’t know.  There were parts of this book that made me feel like I am too selfish a person, too materialistic in my dreams and such, and that sucks for me.  But then, other parts made me think – can this stuff be real?  I wanted to believe that I could just have every experience in my life be loving and all that.

You know???

The bottom line is to put God first.  Love the God in your life, meaning the higher power that powers your personal legend – your belief system, which means you need to have a belief system that is more than whatever reality is in front of you at any moment in time.  Pray for guidance.  Pray for peace, etc., etc., etc.

Read.  Digest.  Evaluate.  Repeat.

I got my copy of Autobiography of a Yogi from the library.  You can pick one up here.  I’m wondering if I should buy a copy to carry around and be like Jobs – maybe it will get my “job” done if I reread this material.  There were times when I found it a bit dense.  The author’s vocabulary is quite extensive for a man who barely squeaked by in college because his preference was to spend time kissing the feet of his then guru and waiting for a chance to sleep beside this “saint”.  The assumption was it wasn’t about sex – please!  Get your head out of the gutter.  These are gurus for crying out loud.

Horse Power!(!!!)

I am honored to be a part of the latest exhibition at Main Street Arts, 20 W. Main Street, Clifton Springs, New York 14432.   Titled Horse Power!, it will be on display until July 15, 2026.

My painting is called Mustang Dance (see above).

The horse theme was inspired by the Chinese New Year celebrating the year of the Fire Horse in 2026.  And – OMG – there are so many wonderful pieces of art representing horses (and donkeys, zebras and even unicorns).  People and their horses, am I right???

Paintings, drawings, sculptures, fiber art, mixed media – so much to see and enjoy.

The show is the brainchild of Executive Director Heather Olson (*) who is a total shining star.  Her positivity is infectious and the atmosphere during the art reception today was truly heart warming.

It is a fabulous exhibit.  The artwork occupies two floors in this gorgeous little gallery.  YOU HAVE TO GO TO THERE – to experience this amazing energy and also to buy something.  There is an adorable gift shop in addition to all the art that is for sale.  And donations for this non-profit organization are welcome, as well.

Hours of Operation:

Tuesday: 11 a.m. – 3 p.m.
Wednesday: 11 a.m. – 3 p.m.
Thursday: 11 a.m. – 3 p.m.
Friday: 11 a.m. – 6 p.m.
Saturday : 11 a.m. – 6 p.m.

  • Heather Olson

    Executive Director and Gallery Curator

    Heather Olson joined Main Street Arts as Executive Director and Gallery Curator in January of 2025. An equestrian and lover of places, ecosystems, and the plants and animals which define them, her painting and photography work explores storytelling, erasure, movement, freedom, memory, and amends. Inspired by her summer-long artist residency at Chautauqua Institution and studies in Florence, Italy she weaves historically-driven narratives anchored in place. After living across regions of the US and Canada, Olson has a broad professional lens-bringing programming, planning, grant-work, business-ownership, teaching, and design experiences to Main Street Arts. She has public and private K-12 and college-level teaching experience. Heather earned a Bachelor of Arts in Studio Art (honors), a Masters in Landscape Architecture, a Masters in Art Education, and has hours towards an MFA. Heather is building upon the exceptional programs and events developed by our prior director. She curates and hangs gallery exhibitions and works directly with artists, instructors, and our community for programs and events.

Found Money 2026 (Episode 7)

One dirty dime found by the pump at the gas station .  This brings me up to $1.09 in found money for 2026.

Smorgasbord

Yesterday afternoon I attended the art reception for the Art Haus summer exhibition.  Called Smorgasbord, this is the first time the curators have displayed eight artists at once.  Usually the shows include about four artists.

Peter Allen

This time there is a sculptor, a photographer, an assemblage artist and several abstract painters,

Tyrel De Bique

The eight artists all happen to be men this time:  Peter Allen, Tyrel De Bique, CJ Hodge, Dennis Kinsey, Steve Nyland, Steve Pearlman, Marc Anthony Polizzi and Robert Poorman,

CJ Hodga

Steve Nyland

The art is available until July 11, 2026.  See the gallery website for more details including making a purchase.

Art Haus is located at 120 Walton Street, Syracuse, New York 13202.  Current hours of operation are Tuesday and Wednesday noon – 7:00 PM, Thursday and Friday noon – 8:00 PM and Saturday noon – 6:00 PM.  Visit them on Facebook for updates to this schedule.

It’s a great show with a little bit of everything that you never knew you wanted – color, texture, size, shape.  Viewing art in person in order to understand an artist’s point of view is just the best!

Marc Anthony Polizzi

The Heraldic Shields

Karen Tashkovski, MARTYR, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, PLUS ONE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, LOYALIST, 2026, encaustic & collage, 8” x 10”

Here are the twenty-four encaustic & collage  paintings that I literally just finished.

I am very excited to announce that these paintings, along with the encaustic & collage target  paintings, Arcadia 1 and Arcadia 2, will be in an exhibition at the Canastota Public Library (102  Center St., Canastota, New York 13032) during the month of June 2026!!!

Karen Tashkovski, CLUB ROYALE, 2026, encaustic & collage, 8” x 10”

Photographs never do my work any sort of justice – they are very colorful and layered with texture.  You really need to experience them in person.

Karen Tashkovski, SABLE, 2026, encaustic & collage, 8” x 10”

They will be for sale during the show.

Karen Tashkovski, LOCAL AMBITION, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, AZURE TREASURE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SOVEREIGNTY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, HERALDRY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, RICHES, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, IN LOVE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, INNOCENCE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SANGUINE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, INNER RESOLVE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SENSITIVITY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, AFTERGLOW, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, WORTHY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, GREAT WISDOM, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, CONSTANCY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, PROTECTION, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, GENTLE WARRIOR, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, THE BOUNTY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, PURELY, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SINCERITY, 2026, encaustic & collage, 8” x 10”

Ann’s World View

Ann Clarke is one of four artists selected by the CNY Arts Initiative to exhibit artwork in that gallery I call the crawl space (it is actually the Member’s Art Council gallery tucked into the corner of nowheresville) in the Everson Museum of Art, 401 Harrison Street, Syracuse, New York 13202.

The work here is all new and is a study in the contemplation of family, life, mortality and the camaraderie of the sewing circle – techniques and skills passed down through the generations preserving and respecting this predominantly female handiwork while creating a modern tapestry, which she refers to as “Under the Canopy”, implying both the idea of a landscape as subject matter, as well as the broader landscape of shared experiences in community and education.

The work is fresh and new, and yet, masterful and mature.  To take a medium like rug making and turn it into an emotional infusion of love and all the heartbreak that unfolds from that to the extent that the art breathes, well, it is exquisitely sublime.

The only thing that would have made this show better is if Ann had created a rug that was actually displayed on the cold cement floor, allowing the community to walk upon it in order to participate in the group spirit of said canopy.  I mean, it would get dirty, but that is kind of the point, that life presents unexpected challenges and hardships – that art is both a pursuit in solitude and an opportunity to connect with people, reminding us that we are not alone – not ever, really.  <3

The exhibit runs through June 7, 2026.

Hours:

Mon./Tues: Closed
Wed. 11:00am – 5:00pm 
Thurs. 11:00am – 8:00pm
Fri. 11:00am – 5:00pm
Sat. 10:00am – 5:00pm
Sun. 10:00am – 5:00pm

Heraldry

On Friday night, I went to the spring art reception at the Everson Museum of Art (401 Harrison Street, Syracuse, New York 13202).  While in the Robineau Gallery, I had a fully developed vision of an art exhibition of my own in that space.  It was this strong realization that all of my various encaustic and collage series are creating a kingdom.

There are the houses, the landscape of trees and flowers, the fans, the crowns…and so I went home with the clear idea for my next series:  heraldic shields.

You can see the progression here.  I’ve been working on them all weekend and I am almost finished.  I feel like they have always existed and I just pulled them out of the ether, the way I will manifest that dream art show.

I feel incredibly content.  I will finish them in the next few days.  There are twenty-four encaustic & collage paintings – 6″ x 8″ that will be mounted on 8″ x 10″ cradled hardboard and framed.

Then I will title them and photograph them.

And possibly make more.  🙂

 

The Situation

I’m in the middle of an update.  Waiting for supplies to be delivered is always frustrating because (daddy, I want it now!) I want to complete these tasks right now.  Immediately!

I wasn’t satisfied with the presentation of my bungalow series of paintings.  I decided to switch out the frames.  This created the domino effect of needing to purchase new hardboards for a yet undetermined series that will go into the “old frames”.

I received four of the new frames so far and at first I heard – what are you DOING????? from that contradictory voice inside my head that spews negativity (no doubt).  But upon execution of this task, I am very pleased with the decision.  The bungalows look incredible in their new digs!

In addition, I purchased frames for the horseshoe paintings.  The 9″ x 12″ horseshoe paintings are now framed and residing on the floor of my living room.  The 11″ x 14″ frames will arrive sometime next week or so.  Needless to say, the artwork will be pricier now than when customers purchased them during their residency at Syracuse Yoga.

I also removed the backing chalkboards from the remaining horse and cow paintings.  I created them in 2012 – they are among my first encaustic paintings.  I’m waiting for 12″ x 12″ cradled hardboards to arrive (sometime today?).  Then I will add the hardware to the back and mount the paintings.  Not sure if I will tweak them as well.  I don’t think they really need changes, but it seems that my ever evolving artistic standards may overrule that temporary plan.

I sold several of the horse paintings – I remember most of those sales.  However, I do not know why I only have ten cow paintings.  I did gift one to a student once because he was a dairy farmer.  So, what the heck happened to the other one????  Who bought the purple cow?

The changes to these paintings were inspired by storage – clanking those boards around had damage potential.  They were impossible to store properly and impossible to transport safely.  It was only that – I still love the way I mounted them prior to this change.  I am very grateful to those who purchased them in their original capacity.

Revisiting paintings is like rereading an old journal.  It is a visual record of progress.  Of the (over used word) journey, dare I say it.

If I end up having a huge retrospective one day, I think that these encaustic paintings will reveal a sort of fantasy realm, as though I am reliving another life with another voice.  A message from the other voice (in this case a love language of positivity), which is how I described a series of oil & collage paintings I made in the late ’90s.  It will be a full circle moment and for that brief time, everything about this situation will make sense.

Horses….

Karen Tashkovski, MUSTANG DANCE, 2012, encaustic & collage, 12” x 48”

Exciting news!

My painting – MUSTANG DANCE – will be included in an exhibition called Horse Power! taking place at Main Street Arts, 20 W. Main Street, Clifton Springs, New York 14432.  The exhibition begins on June 6, 2026 and will run through July 15, 2026.

The artist reception  will be held from 3:00 – 6:00 PM on Saturday June 6, 2026.

Normal hours of operation for Main Street Arts:  Tuesday & Wednesday 11:00 AM – 3:00 PM, Thursday, Friday & Saturday 11:00 AM – 6:00 PM.

Arcadia 2 (encaustic targets 2025)

Karen Tashkovski, SPINNING, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, JOY, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, ENCHANTMENT, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

Welcome to the new and improved versions of these paintings.  I created them last year with the intention that they would be sold with a mission style table easel.  I’m going to keep the easels to assist with future library art shows and/or to display my work if I ever have another opportunity for an indoor art sale like the one I participated in at that Jamesville, New York whiskey bar.

Karen Tashkovski, PROMISE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, UTOPIA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

They look so much better in these fabulous frames.  I am in love with them!  They are encaustic & collage targets, 5″ x 7″ hardboard mounted on 8″ x 10″ chalkboard.

Karen Tashkovski, RELEASE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

I reworked some of them.  I added gold enamel.  I changed out collage materials.  I used my fingers to smudge in metallic cold waxes.

I thought they were done before, but once they were in the frames, I felt like they could be elevated via these tweaks.

Karen Tashkovski, THE BEST MOMENT, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

The dream is to sell them as a group.  Someone could install them on a wall as one giant piece or maybe they could place them on a long hallway wall in a business office.

Karen Tashkovski, ENTRANCE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

I think this is the vision I have for all of my artwork.  I create series of paintings with the intention that they be introduced to the world together as a unit, as a presentation much like a fashion show reveals a seasonal collection of clothing.  I love this idea, that an idea expands to however many paintings brings it to fruition.

It’s always at least a dozen paintings of the same dimensions.  In this case, there are two dozen.

Karen Tashkovski, BLISSFULLY, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, EVERYTHING, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, LOTUS LAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, WONDERLAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, JEWELS, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, DREAMLAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, FLORIDA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, VISUALIZATION, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, EUPHORIA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, HOLLYWOOD, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, FIRST OF ALL, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, MEXICO, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, SHANGRI-LA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, WARMTH, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on. 8” x 10” chalkboard
Karen Tashkovski, TRAILS, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, ILLUMINATION, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard