Today, on Orthodox Easter, I did, technically, go to a church. Kirkland Art Center occupies the architecture of a former house of worship in the quaint town of Clinton, New York ( 9 1/2 East Park Row, Clinton. NY 13323). The place looks like the set of the naughts TV series Gilmour Girls! I’d been invited here several times, but this was my first visit to this amazing little venue.
Penny had a show there last month, so we took the road trip to get her paintings then stayed for the new exhibit.
Needles & Glue features the work of mixed media artist Pamela Crockett, sculptor Stephanie Garon and collage artist Steven M. Specht, Ph.D., NCS. Of the three, only Specht was in attendance today.
Specht, a Psychology professor by day, sold two pieces, which were very reasonably priced. There is so much satisfaction in these little gems. Pictures are garnered from vintage magazines then arranged as narrative utilizing techniques he learned in an art course. The collages are really quite intelligently crafted.
The exhibition continues through May 24, 2019. See the website for more information – hours of operation and future events planned at the center including musical performances and dance! <3
There is a small gallery to the right of the entrance at Schweinfurth Memorial Art Center in Auburn, New York, called the Gallery Julius. It is a space reserved primarily for emerging regional artists who send work to the art center’s curator for consideration.
Common Places is the current exhibition: photographs by Willson Cummer of Fayetteville, New York, taken while on hiking excursions to parks near his home. He and his wife are kindred spirits, the term for people I meet on the road-less-travelled sections of the trails at Green Lakes State Park. We have that in common.
These photographs also have sunshine in common, and a sense of serenity and timelessness. There are ten similarly-sized and framed photographs in this show, all priced at $650.
These photographs are from my project called Common Places. I use a few word plays to develop the concept. First, I made these images in parks — places held in common, set aside from private development. Also, these pictures are of unremarkable places. While I love to climb in the Adirondacks this work is about common parks near my home in Fayetteville, New York. Finally, I am interested in the use — primarily in the 1700s — of the commonplace, a scrapbook of sorts in which people collected stimulating quotes, letters and printed items. These pictures are my commonplace.
All current spring exhibitions will be on display until May 12, 2019. The Schweinfurth is open Tuesday-Saturday 10 am – 5 pm and Sunday 1 pm – 5 pm. Admission is $7 and free for exhibiting artists, members and children.
The Gallery at Wildflowers Armory is the place to be – for great parties and events, YES! and as your new fabulous place to shop for arts and crafts by local artisans at amazing prices. It is also a great place to showcase new and emerging local talented artists. The gallery is a co-op. It offers rentable gallery space at daily, weekly and monthly rates.
It is located behind the armory (225 W. Jefferson Street, 13202) in Syracuse, New York. There is limited free parking in front. For gallery hours, check them out on social media. @wildflowers_syr on Instagram. There is also a Facebook page that will keep you updated on the latest events. Email them at email@example.com for more information.
I was there last Friday night for their “Black Masquerade” bash, my first Halloween party of the season. So fun!
I was invited to participate in an art show at the Syracuse, New York Golisano Children’s Hospital. In 2011, my Chittenango Middle School students exhibited Mexican sun sculptures in this same little gallery on the 12th floor. This time Ryan Wood from the 40 Below Public Arts Task Force connected with Jenny Dickinson, Coordinator for Pediatric Programs and Events to create an art event in which all artists produced treehouse themed art and called it The Happy Little Treehouse Show.
An all call went out via email and I responded. Three weeks ago, I created three new paintings for the event. Other artists in this group exhibition are as follows: Madison M. Quinn, Carlos Lee, Micha L. Crook, Sofia Marquez, Eva Hunter, Brandon Hall, Becki Fuller, Tommy Lincoln, Karmin Schafer, Jamie Santos, Melquea Smith, Aldea K. Gerard and Ryan Wood.
Many of the works are priced as donations to the hospital. Mine too, although the signage was wrong on that. I must have checked the wrong box when I filled out the form.
My paintings are titled “Spring”, “Autumn” and “Winter”. They are encaustic combines. I used two hardboard panels to create the abstract tree and house then added a variety of found object items. Encaustic is a process of heating beeswax and infusing it with oil paint. They are priced at $75 each.
The one hour reception took place this afternoon. Because of hospital security issues, only artists and hospital staff attended. It was really lovely networking with the other artists. The gallery is a wonderful space, right across from the library near the elevators.
The Happy Little Treehouse show continues through the end of May.
Left Hand Path is the title of the latest art exhibition hanging on the walls of Apostrophe’s Art Gallery, 1100 Oak Street in Syracuse, New York. Glendon Allen has curated an exhibition that includes ten artists –
Sherry Spann Allen
Glendon Allen~ Curator
It is a family affair. Both Glendon and his brother Dylan are graduates of Syracuse University. Their mom, Sherry Spann Allen, is a recently retired art teacher, as well as a nationally recognized abstract artist. Their dad, Peter Allen, is a successful local graphic artist, painter and musician. Alice, Dylan’s daughter, poses here with her artwork on the wall as well. (She said it was a giraffe!)
Left hand path is a term to describe the religious practice of dark magic. (I Googled it.) In this case, the artists are aligning with the feeling of being placed in the category of outsider. Their emotions play a significant role in the production of their artwork. Discord is at the center of this vibration, although the work here is a combination of action strokes and calm precision. A sort of beautiful aesthetic meets the doom and gloom of the future kind of thing.
The above prints were available for immediate sale, the rest can be purchased once the show comes down next week. Apostrophe’s is open on Tuesdays and Thursdays and by appointment.
I took a lot of pictures at Maria Rizzo‘s art reception, mainly because she was exhibiting quite a bit of art! Maria has been busy – she curates the art exhibits at Natur-Tyme in Dewitt, New York, teaches entrepreneurial courses at the Syracuse Tech Garden, is a wife, mother of two, a painter and – something I did not know about her until tonight – an art student.
She is growing exponentially as a person of this world – learning, knowing, loving, teaching, giving…. It is really incredible to know her. Her positive energy is magnetic. This show marks the culmination of her art degree at SUNY Empire State College. Maria’s art is currently on display in the Central Arts Gallery of the annex located at 6333 Route 298 (3rd floor) in East Syracuse, New York.
Yes! This for me, was another case of making the invisible visible. I had no idea there was an art college around the corner from my house. Thank goodness Penny drove this time. Like that last time with the SUNY Oswego annex campus in downtown Syracuse, New York, I had no idea where we were going, but Penny did! (Am I the only one who doesn’t know about these things?)
It turns out that SUNY Empire State College is the largest of the SUNY schools fractured into pieces around the state. Students have the flexibility to create their own programs of study to a degree with many of them non-traditional students, like Maria, who are embarking on their studies after spending time in the real world. Classes are held at night and on weekends in some cases. The art degree is a B.A. due to limited studio space according to her mentor.
The show will be up for the next two months. Am not sure of the hours and how easy-peasy it is to view. We will need to look that up on their web-site. Maria’s original paintings are for sale. She has smaller versions, prints that are available as well. You can find them at Natur-Tyme or visit her web-site for more information.
Visiting Novado Gallery for the first time was like entering a magical place akin to Oz for Dorothy or the Wonka factory for Charlie in that I had been privy to the adventure of it long before the opening in December 2016. Anne Novado relocated to Jersey City, New Jersey from Syracuse, New York a year ago with a plan to open the gallery at 110 Morgan Street in the Modera Loft building within three months. That plan took additional time due to paperwork and construction. I had visited Anne twice before in that time; the last time I could only peer in the window to see this vast space (3,000 square feet) and imagine what it might look like filled with art.
And…so, on Sunday evening, I got to experience the full fruition of a dream. A beautifully artful space organized by Anne’s keen eye and aesthetic to deliver the Jersey citizens and surrounding area cool people (including NYC, only a hop, skip and train ride away) with many wonderful options of artwork to buy, enjoy and collect. It is a magnificent space filled with a lot to love!
She and business partner Steve Pearlman plan to have monthly exhibitions, as well as a stable of artists’ and artisans’ work displayed throughout. The current show is called Identity and features work by Lacey McKinney, Carrie Will, David Samuel Stern, Brandy Kraft and Alyssa McClenaghan.
The original opening was snowed out due to a bizarrely timed blizzard. It has been rescheduled for Friday, March 3, 2017 from 6:30 to 8:30 p.m. and will include food, drink, entertainment and a ribbon cutting ceremony with Mayor Fulop in attendance!
A portion of the proceeds from sales of the artwork will be donated to Women Rising, Inc. of Jersey City. Identity runs through March 9, 2017. The next exhibit, tentatively titled The Power Show, will feature Jim Ridlon, Dusty Herbig, Brian Gustafson, Rainer Maria Wehner and Maurizio Zuluaga.
Anne is also a working artist. If she is not drawing or painting, she spends her off-time away from the gallery doing studio visits. If you are a local artist looking for gallery representation or interested in more information about the gallery, you can contact her at (201) 744-6713.
Current gallery hours are Wednesday and Friday 11:00am-6:30pm, Thursday 11:00am-8:00pm, Saturday noon-5:00pm and Sunday noon-6:00pm and by appointment. The gallery specializes in industrial and live-edge furniture and contemporary functional and decorative ceramics, as well as mixed-media fine art. For more about the gallery visit www.novadogallery.com <3
John Dowling’s inaugural art exhibition at the Dowling Art Center is nothing short of phenomenal. I attended the opening reception on Thursday, June 23, 2016 – the show will be up all summer (if you didn’t get a chance to make it there yet). The new gallery is located at 1632 Hawley Avenue, Syracuse, New York (13206). It is home to John’s photography studio where he creates his own art, as well as providing archival inkjet printing and fine art reproduction services, and is home to this impressive gallery space, which he plans to both house art shows he curates and rent the space to artists for shows, workshops and meetings.
The theme for this exhibition is Cuba.
David Creedon is from Ireland. He and a Spanish-speaking assistant travelled to Cuba to photograph the people. John Dowling purchased rights to the photographs and reproduced and framed them for the art show. Although none of the artwork in this show were yet labelled for sale, John said these are available for $300 each.
Here I am speaking with the artist – he told me that the Cuban people were really friendly, happy people. They welcomed him into their homes and allowed him to snap whatever he pleased. The one of the car in the living room is particularly stunning, isn’t it? Viewing the photographs makes me desire a trip there – as Tina Fey says, “I want to go to there.”
David said the food is delicious and the atmosphere is sort of a throw back, almost like a 1950s meets modern-day. The people don’t make a lot of money but there are a lot of free services, like PhD level education, health care, and food and other items are not expensive so it is all relative.
Abisay Puentes, like John, is one of my Facebook and Linkedin friends. Unlike John though, I had never actually met him until this show. His artwork has a surreal flavor and is hauntingly beautiful!
Here I am with Penny Santy. We are listening to Abisay’s original instrumental music, which accompanies his work. In this way, he creates a sort of phenomenological encounter, engaging all senses. He has videos on youtube that you must check out!
The other artists in this show are a combination of locals who are from Cuba – most of them live in the Eastwood section of Syracuse near the gallery, or the work has been shipped in directly from Cuba! It really is a must see!
Contact John Dowling for more information about the gallery space and this show specifically, including hours of operation – (315) 466-8189 or firstname.lastname@example.org.
Those of you who knew me in the ’90s know this about me, but for the rest of you, let me paint you a picture of what my life was like. I taught art at a middle school that was an hour drive from home, so a typical Friday looked like this: get up at 5:30 am, leave the house at 6:30 to be at work at 7:30; work until 3:30 pm, get home at 4:30; go to the gym for two hours. Clean my room (or not).
At around 10:00 pm, I would drive to Armory Square. No plans – I just knew my friends would be out. They always started at a bar called Witherspoon’s (not there anymore), and somehow we would hop around until 2:00 am then go to a Denny’s. So I would pretty much do a twenty-four hour day!
But before that – in the ’80s…dating myself…I worked at Bryant & Stratton teaching Fashion Merchandising. Yes, I was a professor. I used to frequent Armory Square when it was a sort of derelict meets artsy neighborhood. There was a frame shop on the corner of the main intersection called I’ve Been Framed (where I met a very beautiful guy named Mike). I got my bed (that I still sleep in) at the Antique Underground on E. Fayette St. at a basement shoppe that reeked of mold, lol.
When I told my cousin Nick the story of how I got a flat tire on E. Fayette Street (nearly thirty years ago) across from what is now The Black Olive restaurant – how there was no one to help me. Every man who walked by was either blind or crippled, or missing an arm it seemed.
It was just super weird, I know. And there were no cell phones, so I tried calling for help from the pay phone but the line was busy because there was also no call-waiting back then. I should also preface this by saying it was raining that day and I was wearing a white linen suit complete with a pencil skirt, stockings and heels…and I am still unwilling to learn how to change a flat tire, lol…. When I got one this past summer, I still called my dad. One of these days I should get AAA….
Anyhow, to make a short story long, as I have been known to do, in around 1986 or ’87, Nick started calling Armory Square the Karen section of town.
The Karen section of town has changed a lot since then. Lots of restaurant chains, as well as local haunts that are GREAT. There’s a Starbucks and a Subway along with Kitty Hoynes, Blue Tusk, Empire Brewing Company, Pastabilities, The Bistro Elephant….
There’s Jet Black, an amazing clothing shop where I bought my very first Trina Turk top, which is still one of my favorites to this day (bought in ’98 or ’99). And now (drum roll)- THERE IS AN ART CO-OP CALLED ARMORY ARTWORKS!
They had a grand opening that I missed, even though it said I went to it on Facebook. I click that I am going everywhere and I don’t always follow through. But I rectified that today.
My friend Janine and I took a stroll around the block, had lunch at the Empire Brewing Company and visited the gallery.
The address is 136 Walton Street, Syracuse, NY. It is an upstairs venue so I am going to say I do not think it is handicapped-accessible. I mean, I did not remember seeing an elevator. But if that is not an issue, once upstairs you will find an array of decorative and functional pieces by local artists.
From what I understand, there are a couple of ways one can join the co-op. There is a $120 per month cover to be a member. There is also a part-time scenario where you help (wo)man the place, ring register, and allow a 40% commission off sales of your art.
Hours of operation:
11:00 am – 6:00 pm Monday-Wednesday
11:00 am – 7:00 pm Thursday
11:00 am – 8:00 pm Friday-Saturday
noon – 5:00 pm Sunday
It is really beautifully merchandised and the prices are surprisingly reasonable. Several of my friends are selling work there – Barbara Vural, Wendy Harris, Amy Bartell. You can get art that has been printed on notecards for only $3.00 each or four for $10.00. I usually do this then put the cards in frames if I cannot afford the originals. It’s a great way to start an art collection.
Bracelets for under $40.00; hand-made sweaters, scarves, pottery, paintings, prints, you name it! There’s really something for everyone!
If you haven’t yet purchased original art for your home, I really urge you to do so. There’s nothing better than owning something made with love, something made by a neighbor. I don’t know – the comaraderie of friendship is a great gift, I think. There is so much good here that I feel like we all benefit from the experience.
So, if you find yourself in the Karen section of town, please visit this amazing place! And if you get there soon, you’ll have a chance at a $25 gift certificate prize – no purchase necessary!
For more information, call them at (315) 870-3408 or visit their website armoryartworks.com
Went to another art reception last night. It’s called Gallery 4040 – it’s at 4040 New Court Ave. in Syracuse, NY, not far from my house. The people who frequent these art shows remind me of the actors in the movie Shakespeare in Love for some reason. I guess because they are all friends of a certain age (my age) and all happy, quirky and incredibly interesting. Each takes their turn in the starring role, in this case Marna Bell. Her black and white photographs are purposefully blurry to illustrate what’s missing from her life. Her memory. She is such a sweet person and yet she cannot remember chunks of her childhood.
I find this fascinating. I sometimes can’t remember what I am doing once I walk over to my desk at work. Like a student has asked for an eraser and as I approach the desk I begin talking to another student and I’m all what-am-I-doing-here? But I can remember my first kiss and other pretty embarrassing things that happened a long time ago, some things I wish I could forget because they play in my mind in a loop, over and over until I wish I could shut them off.
Ultimately, it is very brave to expose oneself, as Marna does with her revelation, and I admire her so much for it. Her work looks to be film clips taken from movie stills in a way that suggests – yes, I know those people, but wait, what?
There are some large paintings of nudes on the next wall of the gallery. I am really too immature to be in the same room with nudey-nudes, because I am the type of person who will say something completely inappropriate (and after having a small cup of wine, I’m pretty sure I did). The colors in these paintings by Lacey McKinney are gorgeous and combined with size and compositions that either distort or void out the woman’s face, they make me question who the audience is supposed to be.
I guess I wonder if artists even think about the audience at all. Do I? I’m not much of a business woman, so no, not really. I think my paintings are more meant to be displayed in homes versus gallery and museum walls. But how many people do you know who actually buy artwork for the purpose of enhancing their decor? Whatever number came to your mind, it really should be a lot more!
Why do people buy art? I had a conversation with someone last night who suggested that the local art scene is being supported by its own. Artists are trading art or outright buying each other’s art. We value it. So there’s another question for you – how do we get civilians (non-artists) to value it too? I’ve tried going the educate them route but for some, this is a hard sell.
So, back to last night -Juan Perdiguero’s chimpanzee drawings were the most fascinating to me. They are in the back room of the gallery. Very realistic. Life-sized drawings on photo paper. Huge in-your-face monkeys. I can’t even articulate what I want to say in sentences because these pieces need to be experienced. You want to reach out and touch them, even as you remember how chimps terrify you. They need to be in museum collections. I’ve never seen anything like them – the technique, the commitment to the subject matter and overall experience being near them….
It was in this room that I met and chatted with Mary Giel. Her effervescence really lit up the place. She’s currently exhibiting in the annual juried show called Made in NY at the Schweinfurth Museum in Auburn, NY, having created a massive amount of tiny crocheted pieces that accumulate into floor and wall installations, which she creates in between rock climbing expeditions among other interesting travels. The enthusiasm of her spirit is really breathtaking and made me realize that I need to find my way back to the pure spunk of it all. The fun that is mark making.
So I’ve decided to begin a painting project – but not that kind. Two hundred and fifty dollars got me enough latex paint and supplies to redo five out of the six rooms in my house.
I feel so DIY right now. I just spackled up a hole in the kitchen wall and filled the crack in the bathroom wall with caulk as per the paint clerk’s suggestion. I’m going to start painting tomorrow. The last time I painted the interior here, there was no furniture or cats, so I’m preparing to have a giant headache over it all. So much for spring break.
But since the weather has been so craptastic, it seemed like as good a time as any to do it. Plus once I get an idea in my head, I really can’t let it go until I make it happen – it’s like having a giant monkey on my back.