Category Archives: clay

Something’s Fishy

Some of my Art-8 students created clay fish using slab and hand building.

First day: use a rolling pin to make clay flat. Fill with crumpled paper towels and fold it like a burrito leaving one side open.

Second day: add extra clay to create the head and tail.

Third day: add fins, gills and eyes.

Fourth day: finish the fish. Add any other details and make clay smooth using hands and/or clay tools.

Next let all projects dry for two weeks before bisque firing.

We spent four days glazing. A dozen different glazes were available. Students were asked to use at least six – three coats of each.

The Clay Face Project

My 8th grade accelerated Studio in Art students created these clay face masks (with Miller #10 clay purchased from Clayscapes). We used the slab technique over a plastic face form then added clay to shape the features. I poked holes at the sides to secure a Twisteezwire to the back. They can hang on a wall – I love that!

The glaze is called Mayco Jungle Gems. It contains glass bits! So cool.

Day of the Dead

My Art-8 students created these fabulous Sugar Skulls. They came out of the kiln yesterday just in time for a Day of the Dead celebration. We used the slab technique over a plastic head mold. They added and subtracted clay. I helped them remove the sculpture from the form replacing it with paper towels, slashed the cheekbones to create the skeleton shape and added holes to weave a wire through them.

Projects were bisque fired then glazed with these great confetti style glazes. Now they can hang on a wall to be enjoyed for many years to come! <3

Tenting It

The AmeriCu Arts & Crafts Festival is celebrating its 50th year in downtown Syracuse, New York. Located on the streets surrounding Columbus Circle, there are about 150 artisans and crafters represented in this three-day event. It ends around 4pm today, July 25, 2021, so there is still time to check it out!

There’s food trucks, drinks and music too. My sister and I were there for two hours yesterday. So fun!

This is a juried exhibition. Lula Castillo’s booth at the festival won an honorable mention award. Her work is incredible. She uses plants, nuts, seeds and organic dyes to create exquisite pieces of jewelry. I’ve never seen anything like this!

The colors are so vibrant and fun. I loved everything about her sustainable materials collection.

She comes to us from Long Island, New York (formerly Columbia!)

www.natural-sur.com

Booth A17

I thought Erin Primerano’s presentation of her handwoven fine art clothing was wonderful. Her tent looked like a real store! The pieces are one-of-a-kind looks, using a mix of fibers from silk to cotton, to wool and can be hand-washed.

Her company is called Haute Made and you can find her on Etsy! She lives in Syracuse, New York.

Booth A4

I met Ted Greenfield from Chittenango, New York, last week at his City Market booth. These wood charcuterie boards are gorgeous! His company is called Bayside Wood Products.

www.baysidewoodproducts.com

Booth E15

It’s always a pleasure to see the effervescent Barbara Conte-Gaugel (Syracuse, New York) and her mixed-media handbags and satchels. Everything is handmade from recycled fabrics (including leather and old flour sacks). The larger bags are among my favorites with whimsical patterns that inspire positivity. She is selling these bags at the festival but she is also a fine artist – paintings and assemblages.

www.barbaraconte-gaugel.com/

Devin Mack from Baltimore, Maryland, creates these fun wire sculptures of animals. He was in the process as I photographed him, said he does not use photographs, just whimsy, and the results are stunning!

www.drawnmetalstudios.com

Booth F13

Kathleen Scranton from Coventry, Connecticut, creates vintage book purses under the logo BeeZ. She comes to us from the business and marketing world. A chance rendezvous with a library eliminating old books sparked this plan to turn their covers into handbags. Purses come with a paperback version of the book.

www.beeZbyScranton.com

Booth C12

Michelle DaRin, Pompey, New York, is a rock star around here. Her face is on billboards, as she is currently represented by Cazenovia Jewelry! I noticed that everyone who walked by Montgomery Street was a customer, including me (I was wearing three of her bracelets!).

Michelle DaRin Jewelry is a one person operation – she is the face of the brand. She selects the stones, cuts the metal, does all the metal-smithing and strings the leather.

The look is upscale Bohemian-chic/’70s vibe meets the new millennium.

www.michelledarinjewelry.com

Wildflowers Armory is a co-op – artisans who share in the responsibility of selling their wares in their store in downtown Syracuse (217 S. Salina Street). Co-owner Michael Heagerty posed for a few pictures with Kathy and me. He is an amazing person who has single-handedly changed the view of the local art scene in Syracuse – a beautiful person inside and out! <3

They have a double tent set-up on Montgomery Street at the festival with an eclectic mix of items for sale.

Merchandise includes clothing (like the awesome Everson is for Lovers shirt!), soaps, notecards, crafts, and artwork.

They also have an online presence – https://wildflowersarmory.com/

Finally, I want my Superintendent to buy these metal bear sculptures for our school (We are the Chittenango Bears!). And I want the cardinal sculpture for my back yard.

OMG, Dale Rogers! His work is exceptional. The sculptures are crafted from stainless steel in his studio in Massachusetts.

Booth C1-2

https://dalerogersstudio.com/

Paula, Mary & Allyson

I visited Cazenovia Artisans. This is a co-op where the artists take turns working the sales floor. Yesterday, that artist was Paula Burke. Paula is a Syracuse University graduate specializing in ceramics. She studied there under Margie Hughto and David MacDonald, among other amazing professors.

Her work is primarily focused around nature. She loves the lyrical aspect of the ginkgo leaf and utilizing glazes that have iridescent effects coupled with a matte finish.

Mary Padgett popped in – she was rearranging her display. She is selling glass mosaic pieces that shimmer in the light, as well as framed paintings of landscapes. She enjoys flipping the media, working on paintings and the three dimensional items sometimes within the same week.

The artwork is united by color – both styles work in unison and would create harmony in many home collections.

There is also a visiting artist program. Allyson Markell is this month’s featured artist. She creates colorful painted collages.

Cazenovia Artisans is located at 39 Albany Street, Cazenovia, NY 13035. Call (315) 655-2225 for more information and store hours or visit their web-site, which includes an online shopping experience.

KAC Celebrates

The Kirkland Art Center in Clinton, New York is celebrating its sixtieth year! They’ve invited artists who have had exhibitions there in the past – both founding members and recent exhibitors – to be a part of their anniversary show, which runs June 8, 2021-July 8, 2021.

The art reception was today from 1-4pm. There are forty-nine artists represented, among them, my friends Penny Santy and Linda Bigness (pictured). Most of the pieces are for sale.

The Kirkland Art Center is located at 9 1/2 East Park Row, Clinton, New York 13323.

They are open Tuesdays and Thursdays from 10 am to 2 pm, and on Saturdays from 1 pm to 4 pm.

Call (315) 853-8871 for more information

KAC 60 years of art exhibitors –

Stephen Arnison, Constance Avery, John Bentham, Linda Bigness, Jan Burke, Howard Chaney, Edward Christiana, Karen Christiansen, Robert Cimbalo, Frank Cittadino, Sally Clark, Sylvia de Swaan, Barbara Decker, Laura Diddle, Sebastian Domenico, Kathy Donovan, Charlie Fisher, Jan Fisher, John Gardner, Frank Jacobs, Pinny Kuckel, Jessie Landecker, Gregory Lawler, Mary Gaylord Loy, John Loy, Jim McDermid, Roger Moore, Ralph Murray, Gina Murtaugh, Stephen Perrone, Vartan Poghosian, Easton Pribble, Tim Rand, Marietta Raposo,Bill Salzillo, Penny Santy, Stella Scarano, Alba Scott, Sheila Smith,Gail Strout, Joseph Trovato, Frank Viola, Frank Vlossak, Heidi von Bergen, John von Bergen, Shirley B. Waters, Rainer Maria Wehner, Doug Whitfield, Jonathan Woodward

The Japanese Collection

The collection of contemporary Japanese ceramics, displayed in the Everson Museum of Art (lower level) is a breathtaking representation of experimentation and whimsy in clay.

The beautiful thing about this exhibition, as with the previous one in this space, is the circle of trust – trust that visitors will not touch; trust that nothing will break. Some pieces are behind glass, like caged animals and others roam free on mirrored and lighted shelves, allowing patrons to appreciate the details up-close-and-personal-like.

It is incredibly inspiring to view the concepts unfolding within decades, the mastery of cut, shape, form and glaze application.

For many years, the Everson Museum of Art was known for its ceramics collection, the largest in the nation. Now they are going forward with American art, I think, although maybe that is just with regard to the upstairs holdings.

The Floating Bridge: Post-modern and Contemporary Japanese Ceramics is on view through May 9, 2021.

Call (315) 474-6064 for more information.

EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY CLOSED
THURSDAY 12-5 (12-8 EVERY 3RD THURS)
FRIDAY 12-5
SATURDAY 10-5

Lizards!

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Two of my classes used hand-building skills to create these adorable clay lizards.  We used the Sax Colorburst glazes.  I love the colors, especially the Firecracker!!!  The projects remain in the glass case in the Chittenango Middle School atrium.

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We looked at the work of the Aboriginals of Australia for inspiration.  Different patterns were added to the body, head, limbs and tail using a variety of techniques.

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Face Mask

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My B-day Art-8 students (Chittenango Middle School) created these clay masks.  We used Sax Colorburst glazes.  They have silica flakes that pop in the kiln creating confetti-like effects.

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I offered students thirteen different colors and asked that they use at least six, making sure to place three coats of glaze on the mask for each color.   It was tricky because the glazes transform in the kiln – there is that allowance for serendipity that doesn’t work if you are a control freak, but totally does if you are experimental.

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I added a wire to the back so they can hang on the wall.  Students took them home today.  I miss them already!

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