Category Archives: assemblage

Sensu Meets Natsu

20190604_172535.jpg

My encaustic paintings are currently on display at Kasai Ramen!  They are part of a group show curated by Jamie Santos.

The group show is titled Natsu.

57674135_447093152713238_3841216898964389888_o

20190604_172521.jpg

There will be an artist reception on Thursday, June 13, 2019 from 6 – 10 pm.  Hope to see you there!  Here is the link to the Facebook invite – facebook.com/events/66304848748843

20190604_172456.jpg

These twelve paintings are from my Sensu series of encaustics, created last month ($250 each).  They are 8″ x 8″ encaustic & collage pieces.  On the back of each painting, I have instructions on how to care for these paintings.  ❤

20190604_172443.jpg

Care Instructions for Encaustic Pieces – 

Over time, dust and other particles in the air will collect on the surface of the painting and make a film that will look dull.  Regular buffing in the first three months will help to keep the surface shiny and will bring out translucency in layers that are not currently visible.  After three months, the surface of the encaustic painting will stabilize and won’t attract dust as readily.  Any time the painting starts to look dull, it can be buffed with a very soft rag to increase the transparency and shine of the surface.  Light dusting of the piece is all that is needed in the form of maintenance.

To make sure your piece lasts a long time, it should not be hung where it will experience below freezing temperatures or in direct sunlight coming through a window.  Be aware of placing your piece near a powerful light bulb or any kind of lighting that produces a lot of heat (Christmas lights).  Don’t leave your piece in a car on a hot day or near a fireplace.  As long as your piece is kept in your house at a comfortable temperature, it should stay in perfect condition.

Because the wax is soft, it could be damaged if dropped or if a sharp or hard object is scraped over the surface.  Fingerprints will also damage the surface over time, as the acid on our hands will etch itself into the wax.  A quick wipe of the surface after everyone touches it will prevent this from happening.

If you ever need to pack or move, or ship your encaustic painting, make sure you wrap it in a piece of paper with a smooth surface before wrapping it in bubble wrap or anything that has a texture that could damage the surface.

Encaustic painting is very archival, resistant to moisture, fading from light exposure or yellowing from acid.  In fact, encaustic painting is the most archival form of known painting.  Your painting has the potential to last for hundreds of years if well cared for.  I trust you will enjoy it!

Advertisements

Politics As Art

20180602_194847

Discord is a necessary factor in conscious creation because when you know what you don’t want, you can know what you do want.  So it can be a good thing even while it is causing the upset.  In its acknowledgement, the theory is that change can happen.  And there’s magic in that.

20180602_195029

20180602_194234

Art Rage is the gallery in Syracuse, New York that specializes in social injustice and political satire.  It’s not typically my thing.  I am so la-la-la lately, living life in a sort of happiness bubble of gratitude and appreciation, and not giving much attention to the national headlines that seem to keep others in a constant state of pissed-off-ness.  I don’t often agree with the arguments.  But I attended this art reception anyway – I do love when an artist translates their angst into something tangible that transcends its origins and hands the world something beautiful.  And I loved every minute I spent viewing this incredible new work and talking to artist Jim Ridlon.

20180602_200223

Discord & Dissent:  Commentary on Contemporary Politics by Jim Ridlon is the final show this season at Art Rage, 505 Hawley Ave., Syracuse, New York, 13203.  And it is truly genius!

Ridlon was not a fan of the political shenanigans, as witnessed on the morning news during the 2016 presidential campaigns.  What followed was a bit of scribbling – sentences, words that he desired to expand upon via this new series of assemblages.  Each one in this series is equipped with its own statement to guide the viewer to their own conclusions.

20180602_195044

20180602_195049

They are visual puns meant to take the sting out, to replace the discord with fun, humor and the strange machinations of this Renaissance man’s mind.  They are outfitted in sports gear to possibly refer to the political arena as a game, as well as referencing his own history – football hero turned Syracuse University professor.  There are clipped feathers found on meditative hikes taken with his son that speak of the illusion of the sanctity of government positions; rusty found objects from various trips to flea markets – hunting the perfect pair of old scissors or wood turnings, ropes/chains to bind the opponent in an intricate power trip.  Well-worn accessories complete these framed boxes of objects, the human element that sets the viewer on this quest to create meaning.

20180602_195110

Jim Ridlon is a true artist in every sense of the word and does justice to this art form by allowing us a glimpse into his vortex.  I asked him if his studio was neatly organized – were all the scissors in a bin, leather bits together, et cetera?  Answer – chaos! Lol, I love him!

20180602_200752

Ridlon sets up his studio space so that he can concoct several pieces at once.  They are on tables laid out in their frames, items amassed in nearby boxes first that speak to his mini manifestos.  He builds, builds up then knocks everything down.  Sometimes it takes over thirty tries to make one good product and once that solution arrives, it is like a game key that solves the puzzle and everything else just falls into place.

20180602_195120

20180602_195132

It is music to my ears when I hear an artist speak about their process.  It is poetry.  It is radiant and beautiful, and everything I love about creation.  The work becomes the thing – important, all encompassing and his passion was just so present as he shared it with me.  He told me that this process took months to complete.  He spent days and days working on them and many, many nights dreaming about them.  He was a man consumed by this work.  His eyes sparkled as he spoke of getting just the right element to fit the case then finalizing and gluing it all into place – a culmination that is weirdly spiritual.  Like, it was not about politics anymore.  That was just the spark to the flame.  An idea that took thoughts to these wonderful things.

20180602_195159

Were they for sale?  Yes, but he quipped that he did not expect to sell them, as they have an ugly side to them.  I didn’t agree.  But I guess this is the case with artists of all skill level and experience.  The force that reckons with the making and manipulation of art flickers out once the discord that brought it about dissipates.

20180602_195227

Thank you, Jim Ridlon, for inspiring me as my aesthetics professor in 1981 and continuing to inspire me to desire to grow as an artist.  To want to take a dream and make it real, and laugh in the face of current realities that are undesirable.  Outrage can and does make a difference when one is aligned with their ultimate source.  And then we watch as everything changes for the better.

20180602_195253

Jim Ridlon will give a presentation about his work on June 11, 2018 at 7pm in the gallery.  Visit the website or call (315) 218-5711 for more information including gallery hours.

20180602_200123

20180602_200130