There is still time to visit the Fenimore Art Museum in Cooperstown, New York. The Keith Haring exhibit will be on display until October 11, 2021. Meanwhile, on the walls of Chittenango Middle School, my students’ artwork is currently on display. It took a lot of heavy-duty stickies to get them to stay up – the tile was not particularly cooperative.
Every year the Schweinfurth Memorial Art Center does a Made in New York (MINY) juried exhibition. This year’s show – what can I say? A lot of eggs and phallic symbols, am I right? OMG – round circular objects with the center piece sculpture filled with actual eggs. And every other sculpture is sporting the dildo-esqueness of a you-know-what.
LOL, so great! I wonder if this was the intent, or am I being fresh?
Sixty-nine artists were selected….
Actually, the great thing about this exhibition is that artists must produce new work for it and everything looks very fresh in that sense of the word. It is all so colorful and curvy, clean, linear, firm and innocently provocative.
It’s a great show!
MINY will be on display through August 7, 2021. Check out videos of the artists sharing their respective visions here.
Jurors for this year’s exhibition:
(from the Schweinfurth website)
Sharon Louden is an artist, educator, advocate for artists, editor of the Living and Sustaining a Creative Life series of books, and the Artistic Director of the Chautauqua Visual Arts at Chautauqua Institution. Louden’s work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, the Drawing Center, Carnegie Mellon University, Weisman Art Museum, National Gallery of Art and held in major public and private collections including the Whitney Museum of American Art, National Gallery of Art, Neuberger Museum of Art, Arkansas Arts Center, Yale University Art Gallery, Weatherspoon Art Museum, and the Museum of Fine Arts, Houston, among others.
George Afedzi Hughes is originally from Ghana and studied painting at The Kwame Nkrumah University of Science and Technology, College of Art, Kumasi, Ghana, where he earned a BA in Art: Painting and Drawing (1989) and an MA in Art Education (1991). He later received an MFA in Painting and Drawing (2001) from Bowling Green State University, Bowling Green, Ohio, U.S.A. His paintings, performances, and installations have been featured in several museum exhibitions: Perez Museum, Royal Ontario Museum, Los Angeles County Museum of Art, National Football Museum, Gemeentemuseum Den Haag and Museum voor Zuid-en Noord-Beveland. The following museums have collections of his work: Royal Museum of Ontario, Harn Museum of Art, Iwalewahaus and the Ghana National Museum.
Hannah Frieser is the Executive Director for the Center for Photography at Woodstock, an arts organization that features exhibitions, residencies and other artist-oriented programming. With over twenty years of leadership experience in the visual arts, she has curated countless solo and group exhibitions with contemporary photographers, including Suzanne Opton, Adam Magyar and Barry Anderson. Her essays have been featured in monographs and publications, such as Contact Sheet, Exposure, and Nueva Luz. Prior to joining CPW, she was Director of Light Work in Syracuse, NY.
Tammy Renée Brackett
Lisa DeLoria Weinblatt
Cora Jane Glasser
Catherine Shuman Miller
Jean K. Stephens
Mary Pat Wager
The Schweinfurth Memorial Art Center is located at 205 Genesee Street, Auburn, New York 13021. For more information, including hours of operation, call (315) 255-1553 or visit their website here.
Keith Haring – Radiant Vision is a must-see. It is a complete immersion into the history and legacy of artist Keith Haring (1958-1990). The Fenimore Art Museum in Cooperstown, New York did a phenomenal job presenting this traveling exhibition of artwork from the Cassenelli Preston Collection organized by PAN Art Connections, Inc.
Haring was an advocate for healthcare, happiness and children. His work lives on courtesy of The Keith Haring Foundation. If you have never heard of him, you will have seen his imagery in magazines, on billboards and in coloring books.
This is a life history of an artist’s trajectory, tragically shortened by an Aids related death. His career spanned only ten years but it left an indelible mark. The exhibition resonates with emotion. It is incredibly beautiful and powerful.
There is a participation section, as well as an activity book for children to enjoy. Merchandise in the gift shop includes a Haring diary, which I will read this summer.
The exhibition continues through September 6, 2021.
The Fenimore Art Museum –
Hours of operation –
The Public Has a Right to Art: Keith Haring’s Art & Activism
Tuesday, July 27, 7:00–8:00pm EST
A live Zoom lecture about Keith Haring’s art and activism, led by Dr. Leesa Rittelmann. More info…
Keith Haring 3-Day ‘Funshop’ for Kids (ages 6-8)
Mon-Wed, July 19-21, 9:30–11:30am
Young artists will explore the colorful and expressive art of Keith Haring. More info…
Keith Haring 3-Day Illustration Workshop for Kids (ages 9-12)
Mon-Wed, July 19-21, 1:30–4:00pm
A series of projects inspired by the bold, expressive artwork of Keith Haring and the artists and illustrators who inspired him. More info…
Here are some of the celebrity portraits my 8th grade Studio in Art students (from Chittenango Middle School) finished back in March. I didn’t display them because I was saving them for the school fair, which never happened.
I allow students to pick almost anyone – meaning anyone “appropriate”, and this year you will see a variety from sports, performing arts, the art world and social media (and one grand-dad). Two Steve Harveys, lol. He wins as most popular this time.
They are pencil drawings on Canton paper.
I am loving this project. Here is another amazing art activity that brings a community together. We are Chittenango! We are Bears. #BearCountryStrong
I would love to see these saturating social media. Show me your paw. Make it using this template with markers, crayons, colored pencil or make it sculptural, with rocks, sea shells, buttons, or create a multi-media collage using magazine images, ink stamps or even thread.
We may be social distancing, isolating, but we can stand together artistically. How totally cool!!!!! <3
Kindness is a behavior marked by ethical characteristics, a pleasant disposition, and concern and consideration for others. It is considered a virtue, and is recognized as a value in many cultures and religions. Wikipedia
the quality of being friendly, generous, and considerate.Similar:
kindlinesskind-heartedness, warm-heartedness, tender-heartedness, goodwill, affectionateness, affection, warmth, gentleness, tenderness, concern, care, consideration, considerateness, helpfulness, thoughtfulness, unselfishness, selflessness, altruism, compassion, sympathy, understanding,big-heartedness, benevolence, benignity, friendliness,neighbourliness, hospitality, amiability, courteousness, public-spiritedness,generosity, magnanimity, indulgence, patience, tolerance, charitableness,
a kind act.plural noun: kindnesses“it is a kindness I shall never forget”Similar:kind actgood deedact of kindnessgood turn
favoract of assistance
This year’s Doodle for Google competition has now closed. All entries had to be postmarked yesterday. These images are among the many I submitted – 8th graders from Chittenango Middle School. The winner receives $30,000, and $50,000 in technology for their school.
The theme of this year’s contest is “I show kindness by….”
Do we have a winner?
Be prepared for an all consuming journey of the mind, if you plan to visit Syracuse University’s Point of Contact Gallery (350 W. Fayette Street, Syracuse, New York 13202) in the next two months. Puerto Rican artist Rafael Trelles has reinterpreted visions, dreams and literature to create a compelling dialogue between artists while exposing his queries regarding the human condition in his art exhibition titled The Imagined Word.
Twenty-two painted drawings are presented here. They are figurative – faces painted with etching inks, an oil-based ink that dries relatively quickly (as opposed to using oil paint, which would bleed on this particular paper, as he explained to me at tonight’s reception).
Some faces came first until a literary resource matched the artist’s hand then others selected first and the process reversed. Gestural lines and acrylic paint in sweeping brushstroke join these brilliantly rendered portraits to create compositions of depth and allegory, allowing the viewer to attach meaning in terms of their own identity to the stories with respect to personal fears and the beauty of their individual subconscious realms.
There is magic here. These recent pieces reflect two years of work. Next up for the Trelles, large-scale paintings on canvas and an exhibition in London!
The Imagined Word continues through March 13, 2020.
Point of Contact Gallery |350 W. Fayette St. Syracuse, NY 13202 | Open Monday – Friday: 12PM – 5PM or by appointment. Call (315) 443-2169 for more information.
The Art Galleries at Syracuse University are designed to facilitate education. In other words, it’s a teaching museum. Professors require students to go to there – to critique the art/learn how to judge a work of art. Students journal about experiences for classes, attend the receptions and lectures, and even work there (which has to be the greatest work-study gig).
Last year, former Director Domenic Iocono mentioned it was the reason artists like Jasper Johns, James Rosenquist and Kiki Smith wanted to collaborate by sharing their work with our community, enhancing the walls of the spaces with their respective visions.
In this season’s first exhibition, Not a Metric Matters, the university galleries led by new Director and Chief Curator Vanja Malloy, Ph.D. hosts its own – the School of Visual & Performing Arts faculty. It is an opportunity to showcase their talent, yes, and also turn the tables on the critiquing process allowing the professors to show students how it’s really done.
Margie Hughto has been affiliated with the university for many, many years. When I spoke to her last month, she said teaching is still fun and so, she will continue to share her expertise with students for many years to come.
Her ceramic and found object work is exquisite. It is perfection in editing – selecting just the right found object pieces to coordinate with the ceramic pieces. The work alludes to the recent discarded and forgotten in terms of technology.
The thought provoking concepts aside, Hughto’s artwork screams of her strength of character. She finds beauty in every angle, in each piece fused as one. They are signatures of her style while continuing to surprise and delight us, continuing a growth trajectory as an artist and that in itself is the lesson.
Holly Greenberg has isolated grief in this productive series of drawings. These pieces resonated with me – as you know my father recently passed away and his belongings are still in the closets, his car in the driveway at Mom’s house. Using these ordinary objects as memento gives them a lovingly somber power and isolating them in their compositions drives the message home.
It is curious how objects can retain the emotion of the spirit and Greenberg’s proficiency in rendering provides the elevation of their status.
Ann Clarke‘s fiber artwork is marvelously original. Texture is my thing and seeing monumental work on the walls creates a bold statement about time. The fabrics are traditional, but the techniques are fresh and alive. The hooked rug eye is really incredible in-person. I love the idea of taking a method we all used in the past and formulating this new pattern, which seems to denote to me that someone is watching over me, loving me.
Clarke’s statement does imply that she is the watchful eye for her ailing mother and that is a beautiful thing. That the old becomes new again, and time is cyclical.
Other teaching artists in this show –
Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Deborah Dohne, Heath Hanlin, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papajoannu, James Ransome, Tom Sherman and Chris Wildrick
Their work takes dimension as paintings, drawings, photo-collage, video and installation – and all have something important to say within the context of their visualizations.
There are more exhibits in the space, all curated by different people. DJ Hellerman is the curator of this show. He is the Art and Program Curator at the Everson Museum of Art and collaborates with SU’s Department of Transmedia. I met him while stumbling into a critique of university students’ final exhibitions at Apostrophe’s.
David Prince curated the display of former VPA faculty members. As you know, I am an SU grad (B.F.A. ’85, M.S. ’93). These professors are my people. I absolutely loved Rodger Mack. He was so devoted to building the sculpture department and his bronze sculptures are THE BEST!
Seeing his hands portrayed by Jerome Witkin brought a tear to my eye. There is so much love here, people. Going to Syracuse University was a dream come true for me – I feel incredibly blessed to have been the first person in my family to ever go to a university – and to see the professors being honored is such a gift. They deserve every accolade.
They were and are true working artists, not just people showing up to collect a paycheck.
There’s lots more to see of these exhibits and the vast permanent collections. It will all be on display until November 24, 2019. There will be an art reception on Thursday, September 12, 2019 from 5 – 7 pm. And Holly Greenberg will be giving a presentation in the adjacent Shemin Auditorium on Thursday, November 7, 2019 at 6:30 pm.
Syracuse University Art Galleries is located in the Shaffer Art Building on Syracuse University campus. Free parking is available on Sundays and on Thursday evenings in the Q lot – or at least it was when I was there yesterday. Call (315) 443-4097 for more information including hours of operation. <3
I didn’t know Marlene Roeder could draw when I met her twenty-five years ago while we were both working at Franklin Magnet School, an arts magnet elementary in the Syracuse City school district in Syracuse, New York.
She was the grant writer and big into theatrical productions. I was a daily substitute teacher. She has since retired from that job, as well as from her position as an education curator at the Everson Museum of Art – and taken up the art of mandala making.
Her artwork is available for sale at Eye Studio (712 W. Manlius Street, East Syracuse, New York). Last night was the opening reception for Circle of Life, a month-long exhibition of these intricate ink and colored pencil originals and prints.
Marlene shared her passion for creating the drawings. She begins with a large compass then decides how many points she will create. Pencil then pen and ink followed by color. Some of the pieces have been published in a coloring book. She does “coloring parties” too, in which she offers color theory tips and the therapeutic escape that coloring provides.
There are several series within this concept. Groupings of pieces inspired by family, landscapes, seascapes, still-lifes, time and social injustice. They are all infused with a spiritual belief system and a desire to share visual thinking strategies as a means to understand and further enjoy art, and the art-making process.
Marlene is an advocate for “the persecuted and oppressed”. She gives 20% of her art sales to the A21 Campaign, an international organization that fights to end human trafficking.
For more information, contact the artist at email@example.com. <3
Gallery and Gift Shop Hours
Monday – Tuesday 11am – 7pm. Thursday 12pm – 7pm
Wednesday 3pm – 7 pm Friday – Saturday 12pm – 5pm
It takes my entire lunch period to prep for the class of twenty-three 5th graders – they are here every “A” day during 8th period. This was yesterday. Their clay slab/hand-built fish were ready to go home. I placed an empty Wegman’s bag, along with their sculptures, grade sheets and the packets for the invention project at their seats. It is organized mayhem, lol.
I say that in case you think the room is messy, because it is not really mayhem at all. They are a wonderful group of eleven-year-olds – smart, talented, happy people-pleasers. I love spending time with them. I give them a different assigned seat every class, so that they sit with different people each time. They have to hunt for their seat. It’s actually kind of fun.
I love how busy they all are in these pictures. Everyone is completely on task. The two students looking at the I-pad are checking the spelling of a word (above). Only three students did not finish their invention drawings, which I will eventually combine to be sent to the high school print department to be made into a coloring book – hopefully by the end of next class.
They recently finished a landscape illustration using Grant Wood and Grandma Moses as references, and a wood sculpture using Louise Nevelson and Yayoi Kusama as references, as well as the clay fish and the Leonardo daVinci-esque invention.
Next up is a mixed-media lesson referencing Faith Ringgold. We will add a quilted border to a dreamy drawing.
Students meet every other day for one semester, which is different than elementary school where students meet once every six day rotation for the entire school year.
Fifth graders started attending Chittenango Middle School (instead of the elementary schools) four years ago. I teach the seventh section of 5th grade (Mrs. Samsel’s class) while my colleague, Joyce Backus, teaches the other six sections (in her own classroom), in addition to teaching all of the Bridgeport Elementary School students.
So fun! <3