Terry Askey-Cole was in charge today at Gallery 54 (54 E. Genesee St., Skaneateles, New York 13152). She is one of the artists represented by the gallery. Fifteen years ago, Askey-Cole took courses in ceramics. Now she has her own home studio complete with kiln where she creates decorative pieces, like these whimsical floral garden sculptures (below), as well as slab and wheel thrown pottery and mosaics.
According to the gallery’s website:
Opened July 2009, Gallery 54 is an artist owned and operated gallery located in the scenic Finger Lakes village of Skaneateles. Most of our artists are local to the Finger Lakes/Central NY area and offer our customers a wide variety of high-quality and unique fine art and fine craft, including paintings, mosaics, pottery, art quilts, jewelry, photography, stained glass, handbags, scarves, and more.
In addition to the artwork our owners have on display, we also represent many additional local artists, whose mediums include paintings, jewelry, metal, glass, wood boxes, sculpture, tiles, silk wearables, ceramic clocks, illustrations and more. Be sure to visit our artist’s pages for more information about our artists and to see photographs of their work.
Askey-Cole said there are eight artist owners. Other artists may submit their work for jury – they can sell it on commission or sometimes items are purchased wholesale, so working the cash register is optional. It is an interesting model for business – and quite successful. Askey-Cole has played a part here for the past eleven years (since its inception)!
Traffic consists mainly of day trippers, like me. People from outside the Skaneateles area who venture in exploration and leave with a wooden bowl, jewelry, painted glass, knitwear and/or artwork. Gallery 54 makes use of every available space and when there are several people inside, it’s tight. There were a bunch of excuse-mes and sorrys today as I guided my way around every nook and cranny.
My friend Nella Joseph does well here. She hand-paints glassware. I am in love with the cardinal pieces (below).
Richell Castellon is the featured artist. His original paintings are cityscapes with one of the groupings done in black and white on burlap. Castellon is also currently exhibiting (until March 30, 2020) in a solo show (From Cuba to Syracuse) at the Wilson Art Gallery in the library at LeMoyne College.
Eventually I will purchase one of these amazing ceramic slab wall hangings by Peter Valenti. His work is so incredibly well-crafted. I love the Arts & Crafts feel with the ginkgo leaf and dragonfly motifs and the copper finishes. They are so distinctive in style! They are raku-fired, which is the method where the ceramics are removed from the hot kiln and placed in sawdust, salt or another smothering effect to starve the artworks of oxygen thereby affecting the glazing process. Valenti’s pieces offer rich texture and color.
Other artists represented by Gallery 54 include Lisa Maffiore, Liz and Rich Micho, Donna Smith, Sallie Thompson, Fred Weisskopf, and Judi Witkin. The gallery is open 10 AM – 5 PM daily.
The four upstairs galleries at the Everson Museum of Art (401 Harrison Street, Syracuse, New York 13202) are filled with treasures, some of which I have seen many times over the decades – but not like this. Elizabeth Dunbar, director and CEO, has a way of pairing paintings and ceramics with a keen eye that makes everything come alive and feel fresh again.
It is this new perspective that breathes love into the exhibition, A Legacy of Firsts: The Everson Collects. It showcases the museums over one hundred year history, presenting the cohesion via an American thread. The exhibition honors the museum’s legacy and in turn reveres the decisions made by previous curators and directors. I love this credence to respect. It feels welcoming. It feels like family. It feels like home. As she says in her message in the winter 2020 Everson Bulletin, [the museum is] “For artists. For community. For everyone.”
This is an historical trek that begins at the top of the spiral staircase with pieces purchased around 1911 when the museum was known as the Syracuse Museum of Fine Arts – impressionistic landscapes, portraits and still-lifes displayed in ornate golden frames coupled with the ceramic pieces of the day. Adelaide Alsop Robineau was a local potter who corresponded with and met the museum’s director at that time, Fernando Carter, as she frequented the facility back then – her intricately carved vessels were the first pieces purchased for what became a premier ceramics collection.
There are over 11,000 items in the Everson’s collection! As the show progresses into the second chamber, you are jolted by bold colors. This room is filled with large-scale abstractions and colorful pottery to mix and match. Lee Krasner’s painting is displayed above her husband’s, an early Jackson Pollack. I love the similarity in their styles.
There is a display of transmedia here as well, but the videos don’t translate well in a photograph.
The next gallery is familiar in that the museum purchased pieces from exhibitions from their recent past. This (below) is a piece by Vanessa German.
The fourth gallery space is heaviest on the ceramic collection. It is such a bold move to see these pieces sans glass or other protective shielding, but that is what makes them so compelling. Textural items created to be touched that one must not touch within reach – when I visited the museum as a child, all the ceramics were under glass in the do not touch space, as though they came to the museum to die, lol. Now they are sooooo alive!
This show is visual candy. I love the angles of the presentations, the way pieces connect, that flow, rhythm and the sheer beauty of the artwork. It’s a wonderful journey through yesteryear and beyond. <3
A Legacy of Firsts: The Everson Collects continues through March 22, 2020.
The Everson Museum of Art is closed Mondays and Tuesdays. Hours of operation: Wednesday, Friday and Sunday noon – 5 PM, Thursdays noon – 8 PM and Saturdays 10 AM – 5 PM. There is a sliding scale admission fee (free for members). Visit their web-site for the deets. www.everson.org
I spoke with Alan Stankiewicz (above), the mastermind of this show, as he is curator and exhibitor, as well as an educator at the college. He used horsehair as a surface decoration on his piece – the horsehair is placed on hot-from-the-raku-kiln-fired pottery. It is allowed to burn away leaving fine lines resembling the look of a gestural charcoal drawing. I’d never seen this technique before.
This is the beauty of the exhibition. The whole thing is a teachable moment. This group of potters share their expertise with each other and now, here, with the students of this college and you, the public. There is such a sense of positivity in their camaraderie.
The exhibit is nicely linked via tiles with explanations of individual techniques and literature that tells the story of this vernacular. It is really so amazing how many ways pottery can be decorated and, of course, multiply that times the combined techniques variations and you have madness! I honestly don’t know how the artists settle on a particular style. It has to be inspired action.
Many SUNY Empire employees joined the artists for the reception in the Central Arts Gallery. They had a marvelous spread of munchies. It is on the third floor of the building on the left after entering the college facility. I was here once before for Maria Rizzo’s thesis exhibition.
Surface Decoration on Ceramics will remain on display through February 28, 2020. Gallery hours are Monday-Friday 9 AM-5 PM. I highly recommend this to any high school ceramics art teachers in the area who are contemplating a field trip. It is a really informative show. So many cool ideas! Thank you, IPA. <3
Syracuse artists Jacqueline Adamo, Lauren Bristol, Dana Stenson and Tom Huff have joined forces to produce a contemporary spin on texture for the new art exhibit at Edgewood Art Gallery and Custom Frame Shop (216 Tecumseh Road, Syracuse, New York 13224).
These four talented people – I am always running into them in town – I saw Jackie at the Yoko Ono exhibit at the Everson Museum of Art; I see Lauren every now and then while hiking at Green Lakes; ran into Dana last week at Target and Tom at the Regional Flea Market. But, weirdly enough, I missed the opportunity to see them all in one place at the same time at the art reception for their show, which was Friday night.
The exhibit is called Creative Thread. I popped in on Saturday to check it out. Edgewood is a small gallery, about the size of my living room, but owner Cheryl Chappell has a great eye and a way with space. Each show brings a fresh perspective and Cheryl does a magnificent job curating – pairing larger pieces with smaller ones and allowing all to shine. She is also a preeminent framer.
Jackie Adamo has created all new pieces incorporating fabric and sewing techniques into her oil paintings. Lauren designs her own patterns in these wonderful crochet wall hangings in addition to displaying several diminutive fiber art narratives. Dana is a metalsmith and has produced some mixed-media art pieces, as well as jewelry for this show. And Tom has chipped in with his reductive soapstone sculptures.
David MacDonald’s ceramics are still for sale too!
This exhibit continues through November 15, 2019.
The shop is open Tuesday-Friday 9:30-6:00 PM and Saturday 10:00 AM-2:00 PM. For more information call (3150 445-8111).
The Art Galleries at Syracuse University are designed to facilitate education. In other words, it’s a teaching museum. Professors require students to go to there – to critique the art/learn how to judge a work of art. Students journal about experiences for classes, attend the receptions and lectures, and even work there (which has to be the greatest work-study gig).
Last year, former Director Domenic Iocono mentioned it was the reason artists like Jasper Johns, James Rosenquist and Kiki Smith wanted to collaborate by sharing their work with our community, enhancing the walls of the spaces with their respective visions.
In this season’s first exhibition, Not a Metric Matters, the university galleries led by new Director and Chief Curator Vanja Malloy, Ph.D. hosts its own – the School of Visual & Performing Arts faculty. It is an opportunity to showcase their talent, yes, and also turn the tables on the critiquing process allowing the professors to show students how it’s really done.
Margie Hughto has been affiliated with the university for many, many years. When I spoke to her last month, she said teaching is still fun and so, she will continue to share her expertise with students for many years to come.
Her ceramic and found object work is exquisite. It is perfection in editing – selecting just the right found object pieces to coordinate with the ceramic pieces. The work alludes to the recent discarded and forgotten in terms of technology.
The thought provoking concepts aside, Hughto’s artwork screams of her strength of character. She finds beauty in every angle, in each piece fused as one. They are signatures of her style while continuing to surprise and delight us, continuing a growth trajectory as an artist and that in itself is the lesson.
Holly Greenberg has isolated grief in this productive series of drawings. These pieces resonated with me – as you know my father recently passed away and his belongings are still in the closets, his car in the driveway at Mom’s house. Using these ordinary objects as memento gives them a lovingly somber power and isolating them in their compositions drives the message home.
It is curious how objects can retain the emotion of the spirit and Greenberg’s proficiency in rendering provides the elevation of their status.
Ann Clarke‘s fiber artwork is marvelously original. Texture is my thing and seeing monumental work on the walls creates a bold statement about time. The fabrics are traditional, but the techniques are fresh and alive. The hooked rug eye is really incredible in-person. I love the idea of taking a method we all used in the past and formulating this new pattern, which seems to denote to me that someone is watching over me, loving me.
Clarke’s statement does imply that she is the watchful eye for her ailing mother and that is a beautiful thing. That the old becomes new again, and time is cyclical.
Other teaching artists in this show –
Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Deborah Dohne, Heath Hanlin, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papajoannu, James Ransome, Tom Sherman and Chris Wildrick
Their work takes dimension as paintings, drawings, photo-collage, video and installation – and all have something important to say within the context of their visualizations.
There are more exhibits in the space, all curated by different people. DJ Hellerman is the curator of this show. He is the Art and Program Curator at the Everson Museum of Art and collaborates with SU’s Department of Transmedia. I met him while stumbling into a critique of university students’ final exhibitions at Apostrophe’s.
David Prince curated the display of former VPA faculty members. As you know, I am an SU grad (B.F.A. ’85, M.S. ’93). These professors are my people. I absolutely loved Rodger Mack. He was so devoted to building the sculpture department and his bronze sculptures are THE BEST!
Seeing his hands portrayed by Jerome Witkin brought a tear to my eye. There is so much love here, people. Going to Syracuse University was a dream come true for me – I feel incredibly blessed to have been the first person in my family to ever go to a university – and to see the professors being honored is such a gift. They deserve every accolade.
They were and are true working artists, not just people showing up to collect a paycheck.
There’s lots more to see of these exhibits and the vast permanent collections. It will all be on display until November 24, 2019. There will be an art reception on Thursday, September 12, 2019 from 5 – 7 pm. And Holly Greenberg will be giving a presentation in the adjacent Shemin Auditorium on Thursday, November 7, 2019 at 6:30 pm.
Syracuse University Art Galleries is located in the Shaffer Art Building on Syracuse University campus. Free parking is available on Sundays and on Thursday evenings in the Q lot – or at least it was when I was there yesterday. Call (315) 443-4097 for more information including hours of operation. <3
We all trudged through an unbelievable (unreal/unimaginable, etc., lol) thunderstorm to flood the Edgewood Gallery (216 Tecumseh Road, Syracuse, New York 13224) tonight for the opening reception of a new exhibition called Worlds Real and Imagined.
Cheryl Chappell has gathered three etching artists – James Skvarch, John Fitzsimmons and Grant Silverstein and paired them with “architectural and organic” jewelry designer Sylvia Hayes-McKean, and “sculptural and functional” ceramist David MacDonald to create this incredible show, which will be up through September 27, 2019.
Grant Silverstein‘s smaller pieces are perfect for the beginner art collector. They are diminutive, yet intricately detailed and framed so beautifully. Some are as low as $75! <3
I did not know that John Fitzsimmons was into etchings. He is known for his award winning oil paintings – mainly portraits and landscapes. So cool! His response – “I’ve been busy!” (working in his studio at the Delavan Center, 501 West Fayette Street, Syracuse, New York 13204). <3
James Skvarch is sporting a sling because of a left shoulder injury. Good to know he is on the mend and that he is right handed! He is such an incredibly proficient artist. The depth and detail in his landscapes is really out of this world! Love! <3
Sylvia Hayes-McKean is at it again, after a brief hiatus, a sculptor turned silversmith with modernly feminine earrings and necklaces that she creates at her studio in the Delavan Center. Her grandson was a wonderful supporter/salesperson/helper tonight! So adorable. <3
David MacDonald – he is the best! I can’t say enough about how much I love his ceramics. He told me that when he was in college, he was a painter and someone suggested he switch majors to art education, which instigated the left hand turn into taking necessary ceramics classes! And the rest is history, lol. Such an amazing person! His positivity is infused in every single one of his pieces, whether decorative or functional. <3
Eugene and Clare Thaw began collecting Native American art in 1987 when they lived in Santa Fe, New Mexico. They donated the collection to the Fenimore Art Museum in Cooperstown, New York where it currently resides in the downstairs gallery across from the Herb Ritts exhibition.
The life of Eugene V. Thaw is eloquently reviewed in an obituary written by Holland Carter for the New York Times, which I have included in this post. It documents a man’s life-long passion for the arts. His dedication to collecting, amassing more like, and also preserving and selling art is a gift to the world.
In this case, American Indian clothing, jewelry, pottery, and both decorative and functional objects depict the powerfully dignified beauty of a culture/civilization. Although the collection began in the Southwest, the Thaws expanded it to include every region of the US. The pieces are exquisitely displayed via region.
I am especially drawn to the costume, the leather hides, the intricate beadwork and the colors. Just fabulous!
Thank you, Mr. & Mrs. Thaw, for your life’s work and vision – preserving American history through the beauty of its art. <3
He was born on Oct. 27, 1927, in Washington Heights in Manhattan. His father was a heating contractor, his mother a schoolteacher. They named him for the socialist leader Eugene Victor Debs, who had died the previous year.
As a young teenager, Mr. Thaw took drawing classes at the Art Students League on West 57th Street in Manhattan. But he did not pursue the hands-on practice of art.
“I can’t create the objects I crave to look at,” he later said, “so I collect them.”
After graduating from DeWitt Clinton High School in the Bronx at 15, he entered St. John’s College in Annapolis, Md., and began making day trips to art museums in nearby Washington.
Returning to New York in 1947, he took graduate classes in art history at Columbia University with Millard Meiss and Meyer Schapiro. He also followed the city’s contemporary-art scene, getting an early immersion in Pollock’s work at the Betty Parsons Gallery.
His closest institutional tie was to what is now the Morgan Libraryand Museum, which in the 1950s was one of the few New York museums to have a curator of drawings. In 1975, after the museum had expanded its acquisition parameters to include 19th-century work, the Thaws decided that the Morgan would be the recipient, in incremental allotments, of their ever-growing holdings. The Morgan exhibition “Drawn to Greatness: Master Drawings From the Thaw Collection,” which opened in September and closes on Sunday, marked the completion of the gift, encompassing more than 400 sheets.
Among them were works by modern and contemporary artists in whom Mr. Thaw took particular interest. In the 1950s, on summer vacations in East Hampton, N.Y., Clare Thaw had struck up a friendship with the painter Lee Krasner, Jackson Pollock’s widow. With Ms. Krasner’s cooperation, Mr. Thaw began preparing the multivolume Pollock catalogue raisonné, an annotated listing of all the artist’s known works, in the 1970s, hiring the art historian Francis V. O’Connor as co-author.
Discover the most outstanding items from the Thaw Collection American Indian Art. Objects of transcendent beauty that span the continent—from the Arctic to the Southwest, and from the Eastern Woodlands to the Pacific West–encompassing close to 2,000 years of artistic tradition and innovation in North America.
The five pieces that make up this whimsical installation by Abraham Ferraro of Albany, New York, are the reason children grow up to be artists. (What kid didn’t have a sticker collection in the ’80s – am I right, people?) Arrows wrapped in brightly colored postal tape direct viewers towards this behemoth labyrinth of recycled cardboard and stickers. You can’t take a bad picture – every angle is perfection. It is just so incredibly fun! There is this feeling of discovery, the idea of packages – think Willie Wonka meets Amazon Prime via the U.S. postal service.
Apparently, Ferraro mailed the boxes and arrow-shaped sculptures to the Schweinfurth then added more tape and arranged them to create the eye-popping playground-like display.
Tonight was the gallery’s First Friday event. In addition to viewing the artwork, browsing the gift shop and enjoying delicious snacks, there was a free re-purposed art project (creating a self-watering planter from a wine bottle) set up in the basement – led by my friend Davana Robedee, Program Coordinator.
The next First Friday will be August 2, 2019. Edgy Folk will perform.
It takes my entire lunch period to prep for the class of twenty-three 5th graders – they are here every “A” day during 8th period. This was yesterday. Their clay slab/hand-built fish were ready to go home. I placed an empty Wegman’s bag, along with their sculptures, grade sheets and the packets for the invention project at their seats. It is organized mayhem, lol.
I say that in case you think the room is messy, because it is not really mayhem at all. They are a wonderful group of eleven-year-olds – smart, talented, happy people-pleasers. I love spending time with them. I give them a different assigned seat every class, so that they sit with different people each time. They have to hunt for their seat. It’s actually kind of fun.
I love how busy they all are in these pictures. Everyone is completely on task. The two students looking at the I-pad are checking the spelling of a word (above). Only three students did not finish their invention drawings, which I will eventually combine to be sent to the high school print department to be made into a coloring book – hopefully by the end of next class.
They recently finished a landscape illustration using Grant Wood and Grandma Moses as references, and a wood sculpture using Louise Nevelson and Yayoi Kusama as references, as well as theclay fish and the Leonardo daVinci-esque invention.
Next up is a mixed-media lesson referencing Faith Ringgold. We will add a quilted border to a dreamy drawing.
Students meet every other day for one semester, which is different than elementary school where students meet once every six day rotation for the entire school year.
Fifth graders started attending Chittenango Middle School (instead of the elementary schools) four years ago. I teach the seventh section of 5th grade (Mrs. Samsel’s class) while my colleague, Joyce Backus, teaches the other six sections (in her own classroom), in addition to teaching all of the Bridgeport Elementary School students.
Today, on Orthodox Easter, I did, technically, go to a church. Kirkland Art Center occupies the architecture of a former house of worship in the quaint town of Clinton, New York ( 9 1/2 East Park Row, Clinton. NY 13323). The place looks like the set of the naughts TV series Gilmour Girls! I’d been invited here several times, but this was my first visit to this amazing little venue.
Penny had a show there last month, so we took the road trip to get her paintings then stayed for the new exhibit.
Needles & Glue features the work of mixed media artist Pamela Crockett, sculptor Stephanie Garon and collage artist Steven M. Specht, Ph.D., NCS. Of the three, only Specht was in attendance today.
Specht, a Psychology professor by day, sold two pieces, which were very reasonably priced. There is so much satisfaction in these little gems. Pictures are garnered from vintage magazines then arranged as narrative utilizing techniques he learned in an art course. The collages are really quite intelligently crafted.
The exhibition continues through May 24, 2019. See the website for more information – hours of operation and future events planned at the center including musical performances and dance! <3