We created these donuts in two of my Art-8 classes. Some were mounted on black foamboard and others placed in real Dunkin’ Donuts boxes, which were donated by the wonderful manager at the DD on Rt. 5 in Chittenango, NY.
aluminum foil, masking tape, paper towels, Mod Podge, Celluclay, acrylic paint, glitter, foamboard, DD boxes
They are so fun! The trick here was to try to make them all the same size and the same shape. It wasn’t as easy as it sounds. Each student made a half dozen. I graded them on successful armature, application of Mod Podge and Celluclay, as well as paint and detail.
The last time I was at the Onondaga Lake parkway, I fell. I was rollerblading and tripped over my own feet, lost my balance and hit the ground butt first really hard. For a minute or so, I wondered if I was paralyzed. That is, up until people surrounded me and someone said, “Are you all right?”
That is my least favorite comment in the world. It fuels the fire of humiliation and embarrassment. Somehow, I found the strength to get up and rollerblade back to the car with my fractured coccyx in tow.
That was years ago, probably close to twenty years ago – I’m fine now, but have since retired my rollerblades. They are in my sister’s garage preparing for her next yard sale. Size 8, if you want them.
Yesterday I decided to make my triumphant return to said parkway. It takes about an hour each way to walk the road adjacent to the lake. It is set up for the annual holiday event called Lights on the Lake, sponsored by Wegmans.
It doesn’t look like anything in the daylight; however, much like my students’ clay projects needed the heat of the electric kiln to transform the glaze, this place requires the night sky and electricity to come alive.
Yesterday’s hike was magnificent though. Peaceful, safe – and the bathrooms are heated! I did not make a spectacle of myself, no injuries to report, lol, and it was all free.
If you want to take a ride over there at night, you need to get your tickets in advance through their website.
Click here to see the magic that is Lights on the Lake at night.
Lights on the Lake will continue through January 14, 2022. Drive thru happens from 5:00 pm – 10:00 pm. Get your tickets here.
My 8th grade accelerated Studio in Art students created these clay face masks (with Miller #10 clay purchased from Clayscapes). We used the slab technique over a plastic face form then added clay to shape the features. I poked holes at the sides to secure a Twisteezwire to the back. They can hang on a wall – I love that!
The Andy Warhol Museum is located at 117 Sandusky Street, Pittsburgh, PA 15212. Jessica Beck, the museum’s Milton Fine curator of art, has organized an amazing exhibition pairing Warhol and Marisol Escobar (1930-2016). The show is titled Marisol and Warhol Take New York.
It is a trip down memory lane, a story of two artists navigating the Pop Art world of NYC circa the 1960s. Marisol’s sculptures are an exquisite marriage between geometric wood blocks and proficient rendering skill. These three-dimensional portraits depict social values and popular culture tomes with whimsy and bold panache. I just love her work.
My friend Joyce and her family took a trip there last weekend. On Saturday, October 23, 2021, Jessica Beck will lead a tour of the show, complete with art making and sketching activities from noon to 4:00 pm.
The exhibition continues through February 14, 2022. In April, it will travel to the Perez Art Museum, Miami FL. Contact the museum for more info – (412) 237-8300.
Every year the Schweinfurth Memorial Art Center does a Made in New York (MINY) juried exhibition. This year’s show – what can I say? A lot of eggs and phallic symbols, am I right? OMG – round circular objects with the center piece sculpture filled with actual eggs. And every other sculpture is sporting the dildo-esqueness of a you-know-what.
LOL, so great! I wonder if this was the intent, or am I being fresh?
Sixty-nine artists were selected….
Actually, the great thing about this exhibition is that artists must produce new work for it and everything looks very fresh in that sense of the word. It is all so colorful and curvy, clean, linear, firm and innocently provocative.
It’s a great show!
MINY will be on display through August 7, 2021. Check out videos of the artists sharing their respective visions here.
Sharon Louden is an artist, educator, advocate for artists, editor of the Living and Sustaining a Creative Life series of books, and the Artistic Director of the Chautauqua Visual Arts at Chautauqua Institution. Louden’s work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, the Drawing Center, Carnegie Mellon University, Weisman Art Museum, National Gallery of Art and held in major public and private collections including the Whitney Museum of American Art, National Gallery of Art, Neuberger Museum of Art, Arkansas Arts Center, Yale University Art Gallery, Weatherspoon Art Museum, and the Museum of Fine Arts, Houston, among others.
George Afedzi Hughes is originally from Ghana and studied painting at The Kwame Nkrumah University of Science and Technology, College of Art, Kumasi, Ghana, where he earned a BA in Art: Painting and Drawing (1989) and an MA in Art Education (1991). He later received an MFA in Painting and Drawing (2001) from Bowling Green State University, Bowling Green, Ohio, U.S.A. His paintings, performances, and installations have been featured in several museum exhibitions: Perez Museum, Royal Ontario Museum, Los Angeles County Museum of Art, National Football Museum, Gemeentemuseum Den Haag and Museum voor Zuid-en Noord-Beveland. The following museums have collections of his work: Royal Museum of Ontario, Harn Museum of Art, Iwalewahaus and the Ghana National Museum.
Hannah Frieser is the Executive Director for the Center for Photography at Woodstock, an arts organization that features exhibitions, residencies and other artist-oriented programming. With over twenty years of leadership experience in the visual arts, she has curated countless solo and group exhibitions with contemporary photographers, including Suzanne Opton, Adam Magyar and Barry Anderson. Her essays have been featured in monographs and publications, such as Contact Sheet, Exposure, and Nueva Luz. Prior to joining CPW, she was Director of Light Work in Syracuse, NY.
Carolyn Abrams Liz Alderman Robin Arnold Patricia Bacon Christina Bang Howard Bartle Madeline Bartley Mary Begley Marna Bell Tammy Renée Brackett Paul Brandwein Lauren Bristol Andrea Buckvold Susan Byrnes Carlos Caballero-Perez Nancy Callahan Eva Capobianco Stephen Carlson Kevin Carr Tara Charles Sage Churchill-Foster Fernando Colón-González Charles Compo Cynthia Cratsley Carole D’Inverno Lisa DeLoria Weinblatt KP Devlin Lisa Donneson Audrey Dowling Robert Doyle Sharon Draghi Leonard Eichler John Fitzsimmons Faithanne Flesher John Galt Jacq Germanow Cora Jane Glasser Julia Graziano Raechelle Hajduk Barbara Hart Laural Hartman David Higgins Lee Hoag George Hrycun Bob Ievers Emily Kenas Dale Klein Tom Kredo Timothy Massey Becky McNeill Valerie Patterson Beth Pedersen Judith Plotner Rose Popper Jim Quinn Steve Rossi Amy Schnitzer Catherine Shuman Miller James Skvarch Jason Smith Jean K. Stephens Susan Stuart Jane Verostek Kim Waale Mary Pat Wager Shari Werner Katharine Wood Hope Zaccagni Leah Zinder
The Schweinfurth Memorial Art Center is located at 205 Genesee Street, Auburn, New York 13021. For more information, including hours of operation, call (315) 255-1553 or visit their website here.
We are so lucky to have some of the most beautiful New York State parks in our area. The meromictic lake trails and glacier produced hills of Green Lakes State Park and Clark Reservation are among my favorites.
But today I decided to traipse around the Stone Quarry Hill Art Park (3883 Stone Quarry Road, Cazenovia, New York 13035) – investigating paths I had never ventured on and, really, exploring the entire park. Dorothy Riester’s legacy to Cazenovia, New York is a great gift to the public. The park is open and currently free. Everyone is on their honor to come in small family groups or alone and to steer clear of the other patrons.
There were, maybe, six other people there today. The forecast said rain but it was all bright sunshine when I arrived. It was as if someone lead me there, truly. I was inspired to go after meditating and when I arrived it was just incredibly magical.
My motto is to meditate every day, then spend time outside every day and to be grateful – to keep a gratitude journal and write down the positive aspects in my life every day. The gratitude today was pretty much over-the-top. Exploring these trails was fun in and of itself, but then there was this added bonus of stumbling upon works of art. Sculptures scattered around, both new and old familiar friends. Some meant to be temporary and others standing the test of time.
Escaping into this reality for a couple hours is the stuff of legend. Thank you, thank you, thank you, Dorothy, for building this world. <3
The Erie Canal Museum (318 Erie Blvd. East, Syracuse, New York 13202) is host to a ceramics exhibition, one installed in February 2020. The museum is currently closed due to the world-wide health crisis – that makes interacting with the clay vessels (created as site-specific art) nearly impossible.
This is an irony because the idea behind the work envelopes the scope of human life, as it interacts with the forces of nature, the forces of water and the history of the man-made canal. The humans in question are every socio-economic level of local and regional society. All races of people who, in some way, have interacted with, associated with or had some understanding of what the Erie Canal has meant in our history, as well as those who have no idea but in fact, have been, inadvertently, affected by the legendary waterway.
Artist Linda Zhang was the 2017-2018 Boghosian Fellow in the School of Architecture at Syracuse University. She came to Syracuse from Europe and knowing no one, she spent time meditating (think deep thought) on designing the curriculum for this relatively new fellowship. She proceeded to think about and create strategies for the design of her position, ideas that would ultimately catapult her educational journey to include making art and teaching electives at the college, which led to philosophical-infused artwork and the idea of making meaning in terms of one’s personal vortex. This path included an interdisciplinary union with Errol Willet, Associate Professor of Art (ceramics) and Biko Mandela Gray, Assistant Professor of American Religion.
Although Zhang is currently a professor at Ryerson University in Toronto, The Story of Water pairs the artist with her SU educational cohorts. The clay vessels in this exhibition were slip cast and formatted utilizing water from the canal. There is a transformation – water crafts and the art is manipulated to create a phenomenological transcendence – art as symbolism.
Taking an idea and moving it through time, so that the result is present while encompassing a larger whole – this is incredibly interesting on so many levels. Fortunately for all, nothing is truly impossible. This exhibition can be viewed remotely. Zhang will be offering a lecture on her process via an on-line Zoom meeting. This event takes place on Saturday, April 18, 2020 at 1:00 PM. Click on the link above to join the party or check out the same link by way of the event’s Facebook page.
The event is free, however; donations to the museum are welcome. <3
*from the Erie Canal Museum web-site
February 3-April 16, 2020:The Story of Water: The Erie Canal as a Site of Untold Stories
“The Story of Water” is a collaborative project between Linda Zhang, Assistant Professor of Architecture at Ryerson University, and Biko Gray, Assistant Professor of Religion at Syracuse University. This exhibit features clay vessels based on 3-D drone scans of Erie Canal structures, transformed by the introduction of Canal water before the firing process. The resulting clay models symbolize the transformative effects, positive and negative, that the Erie Canal had on the lives of those who built it, used it, and lived near it.
Zhang will discuss the artwork, her creative process, and what inspired her and collaborator Biko Gray to develop this exhibit. “The Story of Water” features clay vessels based on 3-D drone scans of Erie Canal structures in Central New York. The artist introduced Canal water to the pieces before the firing process, creating models that symbolize the transformative character of water and the Erie Canal.
The Museum is currently closed to the public to protect visitors, volunteers, and staff from Covid-19. We’re working diligently to serve you by offering programs by alternative means, and greatly appreciate your help. You can make a donation to the Museum through the link in the “Get Tickets” box below,
We look forward to seeing you on April 18 for this thought-provoking talk!
It started out as an experiment. How could Michael John Heagerty create an homage to artist Ji Lee, as well as manufacture a happening that transcends art and becomes a part of the bigger picture?
Answer: plant umbrellas.
Last summer, as co-owner of Wildflowers Armory (217 S. Salina Street, Syracuse, New York 13202), Heagerty collaborated to install a series of umbrellas in the nook next to the gallery’s former location. The event, called #colorfulcanopysyr invited patrons to visit and share their photographs on social networks, which led to a “Best Selfie Spot” award from local media.
The umbrellas lend color to otherwise dreary spaces, according to the artist, as follows:
Red is a very emotionally intense color. It enhances human metabolism, increases respiration rate, and raises blood pressure & appetite. Red represents COURAGE.
Pink is intuitive and insightful, showing tenderness and kindness with its empathy and sensitivity. Pink represents HOPE.
Yellow is the most luminous of all the colors of the spectrum. It’s the color that captures our attention more than any other color. It’s the color of happiness, and optimism, of enlightenment and creativity, sunshine and spring. Yellow represents HAPPINESS.
Burgundy, named for the French region of wine-making, shows unconventional thinking, a desire for being unique and self expression. It can increase your energy, like red. Burgundy represents COMFORT.
The umbrella configurations have visited several locations in the past few days. They have spent twenty-four hours each at Onondaga Park, Woodland Reservoir, Onondaga Creekwalk, Thornden Park and their present location, Willow Bay at Onondaga Lake Parkway (3858 Long Branch Road, Liverpool, New York 13090).
They are planted in the ground (curved handles removed), and to honor our current life circumstances, they are pointing towards hospitals or engaging in the six-feet-apart modality.
For the next phase, the future installments will last forty-eight hours in duration. This for those who adhere to an every-other-day walk-about, as we further distance ourselves while allowing the medical epidemic to dissipate. The installations will continue as phantom pop-ups to sustain the idea’s magic.
Heagerty is a fan of the artist Christo who, along with his wife Jeanne-Claude, created large-scale temporary installations for the purpose of fulfilling a happiness and joy credo or art for art’s sake, in addition to making the invisibility of common-place landscapes visible via “immediate aesthetic impact”.
It is this purpose Michael John Heagerty aligns with most. This is his love-letter to Syracuse, New York, suggesting that we WILL get through this mayhem with courage, hope, happiness and comfort, and above all, a caring, creative-arts zest for life. <3
***all other photographs not tagged are used with permission courtesy of the artist
Terry Askey-Cole was in charge today at Gallery 54 (54 E. Genesee St., Skaneateles, New York 13152). She is one of the artists represented by the gallery. Fifteen years ago, Askey-Cole took courses in ceramics. Now she has her own home studio complete with kiln where she creates decorative pieces, like these whimsical floral garden sculptures (below), as well as slab and wheel thrown pottery and mosaics.