All posts by Karen Tashkovski

Karen Tashkovski is an artist and teacher from Syracuse, NY. She is a graduate of Syracuse University (BFA-Fashion Design & Studio Arts, MS-Art Education).

Tash Loves Trees

I am very pleased to announce that I have just returned from installing my art exhibition (and sale) at the East Syracuse Free Library (4990 James Street, East Syracuse, New York 13057).

My series of two dozen encaustic trees are here, as well as two dozen heart paintings.  All are encaustic and collage.  Stands are not included in the price of the work.

This show will be on display during May and June 2026.

Current hours of operation:

Monday – Thursday 10:00 am to 8:00 pm
Fridays 10:00 am – 6:00 pm
Saturdays 10:00 am – 2:00 pm

Arcadia 2 (encaustic targets 2025)

Karen Tashkovski, SPINNING, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, JOY, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, ENCHANTMENT, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

Welcome to the new and improved versions of these paintings.  I created them last year with the intention that they would be sold with a mission style table easel.  I’m going to keep the easels to assist with future library art shows and/or to display my work if I ever have another opportunity for an indoor art sale like the one I participated in at that Jamesville, New York whiskey bar.

Karen Tashkovski, PROMISE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, UTOPIA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

They look so much better in these fabulous frames.  I am in love with them!  They are encaustic & collage targets, 5″ x 7″ hardboard mounted on 8″ x 10″ chalkboard.

Karen Tashkovski, RELEASE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

I reworked some of them.  I added gold enamel.  I changed out collage materials.  I used my fingers to smudge in metallic cold waxes.

I thought they were done before, but once they were in the frames, I felt like they could be elevated via these tweaks.

Karen Tashkovski, THE BEST MOMENT, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

The dream is to sell them as a group.  Someone could install them on a wall as one giant piece or maybe they could place them on a long hallway wall in a business office.

Karen Tashkovski, ENTRANCE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

I think this is the vision I have for all of my artwork.  I create series of paintings with the intention that they be introduced to the world together as a unit, as a presentation much like a fashion show reveals a seasonal collection of clothing.  I love this idea, that an idea expands to however many paintings brings it to fruition.

It’s always at least a dozen paintings of the same dimensions.  In this case, there are two dozen.

Karen Tashkovski, BLISSFULLY, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, EVERYTHING, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, LOTUS LAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, WONDERLAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, JEWELS, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, DREAMLAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, FLORIDA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, VISUALIZATION, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, EUPHORIA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, HOLLYWOOD, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, FIRST OF ALL, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, MEXICO, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, SHANGRI-LA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, WARMTH, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on. 8” x 10” chalkboard
Karen Tashkovski, TRAILS, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, ILLUMINATION, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard

Book Report: The Alchemist

The Alchemist by Paul Coelho is my favorite book.

Is that enough of a book report?

My heart aches for my Personal Legend.  This is a book about a Spanish boy named Santiago who dreams of treasure then embarks on a physical journey to find it.

He encounters helpful strangers, as well as danger, in this quest to manifest material wealth.  He ends up discovering that his power comes from within, specifically, from his heart, because that’s the magic of spirituality.

Yesterday someone called me a homebody.  I took umbrage with that carelessness.  He obviously hasn’t read The Alchemist nor does he even know what my journey has been.  Doesn’t know the choices I’ve made to get to this point or you know, what I’ve sacrificed along the way, or ultimately, that up until this reread, I’d started to feel like I ended up in a corner with no other moves left with the exception of despair.

Reading these beautiful words released me from that burden of emotional disappointment, of all the waiting for the dreams to come true.  I’m sure, unless you are a soulless person wandering the Earth, like that theory that some of us are just extras in the lives of others, that you (plural) have had your own existential crises.

Coelho is a Catholic.  He enjoys the commonality of faith and yet he also understands the esoteric language of the Thoth text – The Emerald Tablets, the idea that we are all the same, God is within, and because of this, we are all powerful.

This is helpful to know, or at least to ponder, wonder and desire to be true.  That we all have the ability to make dreams come true – to pursue them generously, purposefully and without doubt.

The part that is baffling to some – discovering your true purpose.  Coelho’s Alchemist teaches that this is indeed an emotional journey.  That your heart will lead you to it.  To follow your heart because it will never let you down.

And, like Dorothy in The Wizard of Oz (which makes me trust that L. Frank Baum had some of this belief in him), Santiago finds the goods in his backyard, too, so to speak.

You don’t have to search the universe to find what you are looking for, unless, like many of my friends do, you have a wanderlust to explore.  Just trust in yourself to make the right decisions.  And also trust that even the things you deem as mistakes are lessons/part of the journey/teachable moments to steer you in the direction of that elusive Personal Legend.

Okay, so, that is my take.  Maybe to you The Alchemist will be just another novel about taking a trip to Egypt to see the pyramids.  Maybe you like those journey novels, like Tolkien’s Lord of the Rings.  I don’t know.  Maybe you are, in fact, heartless?  I don’t really believe that.  But I do believe in the magic of the universe, the signs or omens as they are stated in The Alchemist.  Once you discover what it is that you want with your whole heart, the universe conspires to bring it to you.  Yes, the Alchemist can turn lead into gold, but he can’t teach you how to do it.  He can only teach you to reach inside of yourself to find the resources in there that will catapult you to the life you truly desire.

I used to gift this book to people who were moving away because I wanted them to understand that when you go someplace else, you are still taking yourself with you.  The real change happens from within.  And that is the gist of it.  It’s an ongoing process/struggle/adventure.

Please read The Alchemist and let me know your take on it.  Will it be life-changing?   For me, yes.  I feel revitalized/reinvigorated or whatever, to continue to make art regardless of the outcome.  I will forever keep this book in my possession and read it again and again from time to time.  Thank you, Paul Coelho, for this beautiful gift from your heart to mine, and to the hearts of everyone else in the world.

And P.S. – when the dream of homeownership materialized for me, having a little corner of the universe to call my own was the most significant manifestation of my life.

The Rainy Day

God bless a good rainy day.  An indoor day.

I bought more frames.  I spent the day reworking then framing the encaustic & collage target paintings, the ones that I’d created last year.  They are 5″ x 7″ hardboards mounted on 8″ x 10″ chalkboard.  I will photograph them tomorrow then post the results.

I boxed up (with the boxes from the frames) a bunch of books I’m planning to sell, part of my attempt to purge/de-clutter – I’m in the process of getting rid of things stored in the basement to make room for more art storage.  Eventually, I will sell more art thereby having space to make more (or buy a bigger house).

I also finished my third reread of The Alchemist by Paul Coelho.  I will be writing a book report in a bit – I need the experience to digest.  It felt different this time because I have had more life experiences and am more attuned to esoteric language.

In addition, I’m preparing for the art show at East Syracuse Free Library.  I created the information sheet/price list.  The installation is scheduled for May 1, 2026.  The plan is to show the encaustic trees AND the new encaustic heart paintings.  They will be resting on table easels and displayed at the top of the bookshelves.

Karen Tashkovski, CHERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, BESTIE, 2026, encaustic & collage, 9” x 12”

What did you do today???

Found Money (Episode 5)

Up to sixty-four cents in found money for 2026 thanks to this quarter!  Thanks, universe!

2026 MINY

This year’s Made in New York exhibit is currently up and running at the Schweinfurth Memorial Art Center.

This year Anita Welych and Jeremy Randall picked the artwork.  Over seventy works were selected from four hundred entries.

*from the Schweinfurth web-site

Jeremy Randall has been working in clay and making decorative and functional pottery for over 20 years. He received his Bachelor’s of Fine Arts from Syracuse University in 2000, and his Masters of Fine Arts in ceramics from the University of Florida in 2005. Currently he lives in Tully, New York, and owns and operates his studio/teaching and retail business Papavero Clay Studio in Marcellus NY. Jeremy’s work can be found in galleries across the US, has shown in numerous national shows, and has had the privilege of teaching workshops across the United States and internationally. In 2017 he began an apprenticeship program in his studio, looking for ways to offer traditional/non-traditional education experiences for emerging artists in a ceramic studio setting.

Serving as the executive director of the Kirkland Art Center in Clinton, NY, Anita Welych is also a practicing visual artist. She received her BFA at Cornell University and completed an MFA at Syracuse University. In between, she pursued graduate coursework in painting and lithography at the Universidad Nacional de Colombia in Bogotá on a Fulbright Grant. She subsequently returned to Colombia on a teaching Fulbright, lecturing across the country.

Welych taught in the Studio Art program at Cazenovia College for over thirty years, developing the major in Arts Management and serving as its director. She served on the Syracuse Public Art Commission for three years and was a founding board member of ArtRage Gallery, both located in Syracuse.

Welych has exhibited nationally and internationally, working in book arts, collage, printmaking, painting, and installation. Her lifelong interest in social and environmental issues drives the content of her art.

I attended the opening art reception on Saturday.  The exhibition continues through May 16, 2026.  The Schweinfurth is located at 205 Genesee St. Auburn, NY 13021.

Featured artists:

Jim Allen

Annalisa Barron

A. Bascove

Jill Bell

Julie Bero-Emerson

Kathleen Bolin

Frid Branham

Phyllis Bryce Ely

Karen Burns

Stephen Carlson

Victoria Connors

Tonia Cowan

Cynthia Cratsley

Margaret Day

Joe Demetro

Jackie Dickinson

Jill Doscher

Henry J. Drexler

Leonard Eichler

John Fitzsimmons

Michael Flanagan

Faithanne Flesher

Diane Foley

Bret Garwood

Siavash Golkar

Julia Graziano

Kristy Guenther

Wenda Habenicht

Chelsea Hagin

Rich Harrington

Barbara Hart

Jill Herlands

David Higgins

Lee Hoag

Lowell Hutcheson

Alex Hutton

Stephen Kankus

Tom Kredo

Susan Larkin

Fannie Lee

Kathy Lewandowski

Chloe Loewenguth

Chris Losee

Kirin Makker

William Mazza

Kyle Mort

Joy Muller-McCoola

Richard Nolan

Maxwell Oglesbee

Sofía Luz Pérez

Paul Pearce

Juan Perdiguero

Judith Plotner

David Porter

Kristin Reagan

John Rodrigues

Judy Rosenberg

Maria Rosenblum

Patricia Russotti

Wendy Saam

Eric Shute

Karen Sienk

James Skvarch

Linda VanArtsdalen

Jessica Warner

Donalee Wesley

Betz White

Spencer Woodcock

Robert Wurster

Walter Zimmerman

 

Book Report: Ask Not

Ask Not:  The Kennedys and the Women They Destroyed by Maureen Callahan is HEAVY.

Maureen has a YouTube channel called The Nerve, and I do enjoy it.  I like her wit and her strong opinions about people she dislikes.  It’s fun to hear her command of the English language peppered with swears, her long stare-into-the-camera pauses and the way her anger is mixed with plenty of laughter.

I can only watch her in small doses, though, as I do get fed up with the idea of a person making a living by talking about how other people choose to live their lives.  It’s quite a bit of complaining.  And yet, I was curious about her writing style.  I knew she would find a way to allow her personality to shine through the dense material and overall, it would be a good use of my time.  I did, after all, grow up in a house with a reliquary in the kitchen that contained family icons next to Jesus along with a framed picture of JFK.

I spent three days reading her narrative on these Kennedy women (which includes extensive research, a full bibliography and index in the back of the book).   I didn’t like the vastly negative experiences in this biographical collection but I was also compelled to  continue, because I heard her voice as I was reading.  It was a weird thing.  Maybe I was like the Kennedy women, trapped in a promise to myself or whatever.

Maureen skips around with dates and time then reels us back in to tie it all together, and with a Jackie O tear-jerking finale.  The opening chapter delves into Carolyn Bessette Kennedy and that whole shit show then transitions into Jacqueline Kennedy (later Onassis).  She touches upon Marilyn Monroe’s dalliances but there was nothing there that I didn’t already know.

I learned about other wives and girlfriends, and also murder and rape victims, as well as the various teenage White House staffers circa 1960.

The book made me feel physically ill.  I have a headache thinking about it.  I think Maureen’s point is that the men are to blame for the ruin of these women, but, truly, I don’t agree with that assessment.  It suggests things happen to you not through you.  You are in charge of your reality.  There are always better options.

I don’t understand people (women) who make connections with men for the purposes of money and power.  These women got abused mentally and physically then either got very sick and died or killed themselves.  Drugs and alcohol were prominent vehicles here, as though this is/was a perfectly acceptable and common solution.  The recklessness, the entitlement and promiscuity of the men was major yuck-yuck, and for the women, their decision to believe that their looks were a strong enough commodity to keep their men happy was delusional.  None of them were loved!

I felt like I’d been taken hostage by this book and tortured, as though I was feeling all the feels, the pain, the abuse instead of being the detached voyeur.  Maybe because these were real people and I was tapping into their residual energies?  Most of the women have passed away, some are still alive but, following extensive therapy have moved on (two are living off the money obtained from their book deals) – I am sorry they lived through all this darkness.  It was all so messy.

Maureen Callahan is a brilliant writer.  Read it and weep because there is no joy.  I’m going to go and play with my cat now.  I need to reconnect with happiness.

 

Mohawk Valley Angel

The show is over but I wanted to document it.  Women. Art. Voices. took place for three weeks (March 6 – March 27, 2026) at Mohawk Valley Center for the Arts.

Camaraderie, from my angel series, had a prominent place in the exhibition.  I loved the way it looked.

Handbags

Karen Tashkovski, LIFE SUPPORT, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, HANDBAG, 2026, encaustic & collage, 8” x 10”

I just completed this collection of twenty-four paintings.  I am fascinated by the handbags depicted in ancient civilization bas-reliefs and sculptures across continents.

I created twenty-four different stencils to carve into ,my 6″ x 6″ hardboards.  Then I used encaustics (and paper collage) to add color and texture.

Karen Tashkovski, TOOLKIT, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, PURSE, 2026, encaustic & collage, 8” x 10”

I painted the backing board with both chalkboard paint and magnetic paint, as the mysterious handbags of old were perhaps electromagnetic in nature.

Then I added collage items that reflect my own history, as well as my signature arsenal of devices:  game pieces, keys, ribbon, jewelry, wood chips and bobbins.

The fleur-de-lis dominoes have a beautiful patina, as they are new ones mixed with vintage pieces, which I love.

Karen Tashkovski, DEVICE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, BACKPACK, 2026, encaustic & collage, 8” x 10”

All are framed and ready for their conquest of the world.

There is such a rewarding feeling of validation and joy to the completion of a new series.  I will bask in that after-glow while contemplating what to do next – possibly a second set of these or incorporating the handbags into a larger work, or, or, or?

Karen Tashkovski, CLUTCH, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, CARRYALL, 2026, encaustic & collage, 8” x 10”

Yesterday was a day of art immersion – two art shows and a fabulous day spent with my friend and fellow artist, Penny Santy.  In conversation, I kept going back to this series, thinking about what I wanted its journey to be and truthfully, it would be amazing if someone wanted to buy them all and keep them together, because I feel like they are meant to be together.

But then, I think about how the ancient handbags are found in South America, Egypt, Turkey and Iraq.  They stump archeologists as to their function.  Maybe my handbags will be separated and valued individually, and treated with questionable mystery by the viewers who encounter them.

Karen Tashkovski, LUNCH BOX, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, MISSION CONTROL, 2026, encaustic & collage, 8” x 10”

It’s exciting to dream about a future for my little paintings.  They are infused with love, so whatever the outcome, they, and I, will be okay.

Karen Tashkovski, BUCKET, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, DEEP POCKET, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, BRIEFCASE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SATCHEL, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SHOPPER, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, BASKET, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, COLLECTOR, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, KEEPSAKE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, TOTE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, JEWEL BOX, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, MOBILITY UNIT, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SUITCASE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, MONEY BAG, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, STORAGE, 2026, encaustic & collage, 8” x 10”

Galentines

Whimsy & Joy is the title of Edgewood Gallery‘s latest art exhibition.  Kathleen Crinnen’s acrylic paintings, Eva Hunter‘s jewelry, accessories and paintings plus Linda Malik’s sculptures comprise this colorful, very feminine show.

The exhibit continues through April 17, 2026.  Edgewood Gallery is located at 216 Tecumseh Road, Syracuse, New York 13224.

Tuesday – Friday: 9:30 am – 6 pm
Saturday: 10 am – 2 pm
Sunday & Monday: closed

I visited Edgewood yesterday to discuss my upcoming show there.  I will be exhibiting in late August through Oct 2, 2026.  No decision yet on what artwork I will be presenting there.

Meanwhile, I will be picking up my painting from Mohawk Valley on Saturday and the Art Haus exhibit has been extended an extra week – pick up date for that show is April 18th.

Next for me – May and June 2026 at the East Syracuse Free Library.

Visual Artist