Category Archives: art

The Japanese Collection

The collection of contemporary Japanese ceramics, displayed in the Everson Museum of Art (lower level) is a breathtaking representation of experimentation and whimsy in clay.

The beautiful thing about this exhibition, as with the previous one in this space, is the circle of trust – trust that visitors will not touch; trust that nothing will break. Some pieces are behind glass, like caged animals and others roam free on mirrored and lighted shelves, allowing patrons to appreciate the details up-close-and-personal-like.

It is incredibly inspiring to view the concepts unfolding within decades, the mastery of cut, shape, form and glaze application.

For many years, the Everson Museum of Art was known for its ceramics collection, the largest in the nation. Now they are going forward with American art, I think, although maybe that is just with regard to the upstairs holdings.

The Floating Bridge: Post-modern and Contemporary Japanese Ceramics is on view through May 9, 2021.

Call (315) 474-6064 for more information.

EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY CLOSED
THURSDAY 12-5 (12-8 EVERY 3RD THURS)
FRIDAY 12-5
SATURDAY 10-5

Reconfiguration

The Everson Museum of Art is open! I mean, it’s been open – I just didn’t know it. I was able to catch the tail end of the Lacey McKinney show, Reconfiguration. The Everson Bulletin states the show’s run ended on the 24th so…lucky me and my friend Penny.

*The show has now been extended to February 28, 2021 so…lucky you!

I love the discourse between Penny Santy and me when we see exhibitions together. We don’t always like the same pieces but we understand each other’s point of view.

McKinney’s paintings are oil and acrylic. I suspect the acrylic was either a means to create texture or the underlying Frankenthaler-esque washes in some of the female populated landscapes.

Penny loved these new-technique-for-the-artist “cyanotypes” (above) but they reminded me of a crafty high school art project – female body parts minus vagina, lol, that is too mean, sorry Lacey, but, I felt like these were a bit too safe and they read more like studies than finished pieces. I did admire the size relationships though. And in person, the blue hues are lovely and more nuanced than the photograph suggests.

The larger portrait/landscape mash-ups were far more interesting to me. They offered visual collage in a successful way – female as mountain, eyes averted so as not to become a focal point – they had an ethereal beauty to them. She is quite proficient in the rendering of the subject matter, as well as holding a cerebral allocation of the structure of her iconography.

These two (above) were my favorites. I loved the softness of the colorations and the rhythm in the compositions. They whisper emotion in a powerful feminine way with subtle colorations of glaze-infused shadow. Perfection!

This piece (above) reminded me of Marilyn Monroe, but that may be because I had just watched a documentary on Arthur Miller, ex-husband of MM, and one on the fashion designer Dries Van Noten, Belgium fashion designer who created a line of menswear with a variety of images of MM silk-screened on jackets and shirts.

The literature states that the artist selected images from magazines and reconfigured them stealing fragments of different women juxtaposed as either friend or foe. So, maybe?

This collection is on view in the Robineau gallery on the first floor of the museum. I believe there were only about five other people in the entire museum today when we visited. Plenty of social distancing room to ruminate on this new work. Call (315) 474-6064 for more information.

EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY CLOSED
THURSDAY 12-5 (12-8 EVERY 3RD THURS)
FRIDAY 12-5
SATURDAY 10-5

Colorburst

#amicale #kesnyc #theory #coach #ragandbone
Karen Tashkovski, Princess, 2017, encaustic on masonite, 8″ x 10″ (mounted on chalkboard), $111
#kesnyc #tashkovski #allsaints #joesjeans #ragandbone

Although I was in all black yesterday (above), I’m making a conscious decision to add color to my wardrobe. Color looks better in #ootd pictures. Color is just fun. I color coordinate my walk-in closet – this makes it easier to notice items bought separately and even years apart that end up looking amazing together.

#kesnyc #blackbrown1826 #vince #tashkovski #ragandbone

This Black Brown 1826 cashmere sweater (above) is something I often wear around the house over my pajamas. It is a thick 4-ply cashmere – very cozy and soft. The sleeves had frayed but I loved it so much, I didn’t want to get rid of it. I brought it to DeWitt Cleaners, recently, because I spilled yogurt on it and when I picked it up, it was not only pristine, but someone had magically mended it as well! The yarns of the sleeves were somehow stitched together (crochet hook?) and now it looks great with the most expensive skirt in my wardrobe!

$75 – ITALIAN
#kesnyc #theory #tashkovski #360cashmere #bcbgmaxazria #marcjacobs

This outfit (above) was inspired by one of my encaustic angel paintings, currently located on my bedroom dresser. I have had these silk velvet pants for a while. Paired with Marc Jacobs combat-style boots and the double sweater look, it felt super comfy on that cold day. We are in school on Wednesdays while the students are at home. #officehours

Confidante, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
#amicale #kesnyc #warnerbros #anntaylor #coach #ragandbone

I rarely wear red – then this Coach leather skirt came along and now I’m singing red’s praises! Absolutely in love with the length. I paired it with an old Ann Taylor cashmere sweater from when the Ann Taylor store was on the second floor of the mall. (Does that store still exist? – IDK)

Royal Gamer, 18″ x 15″, 2012, encaustic, $125
#kesnyc #bcbgmaxazria #sorel
Karen Tashkovski, “Geisha”, 2019, 8″ x 8″, encaustic & collage, $250
#kesnyc #tashkovski #saksfifthavenue #rebeccataylor #frame #rebeccaminkoff

The monochromatic look was the rage at the 2021 Inauguration. It looked a bit like a circa 1980s rainbow wedding to me but fashion instagrammers didn’t agree. They loved that parade. I am not a purple head-to-toe fan either, lol. But blue? Yes!

One color works best when it is a blend of textures while allowing the hues to vary. Here (above) a new cashmere sweater with my tissue thin Rebecca Taylor summer denim dress, a navy silk mask and Frame cropped jeans. Boots, kind of, match my hair.

NFS . – MONKEES #2
#kesnyc #rebeccataylor #karllagerfeldparis

Sometimes I throw on my hat or earmuffs for the #ootd picture and sometimes I wear them most of the day when I am not in the classrooms. There is a lot less moving around these days due to all the Covid restrictions and such, and it just feels a lot colder at work. Hence the double sweater business too.

“SECRET”, 2008, mixed-media, 18″ x 24″
#aquacashmere #talithacollection #tashkovski #joesjeans #rebeccaminkoff

The fist time I wore this silk Talitha Collection top (above), I was at the Doobie Brothers/Steely Dan concert at the Ampitheater. It was something like ninety degrees in the shade that July day! For a January school day, I threw it on over a thick cashmere turtleneck.

And, P.S., every color in the rainbow looks great paired with these lambskin leather jeans (Joe’s Jeans!)

Karen Tashkovski, “Shibori”, 2019, 8″ x 8″, encaustic & collage, $250
#kesnyc #joie #bcbgmaxazria #joesjeans #rebeccaminkoff

Finally and full circle, dresses over pants is a fun look – the dresses become tunics/jackets and I get to wear them through the winter and still manage to stay warm. Thank you, Joie and AllSaints, for the leathaaaaaaaa! <3

#kesnyc #tashkovski #allsaints #joesjeans #ragandbone

The Aphrodisiac

“$ EVER”, 2008, mixed-media, 18″ x 24″
“LUXE”, 2008, mixed-media, 18″ x 24″
“FIND”, 2008, mixed-media, 18″ x 24″

I created this series of twenty-four paintings, Talisman, in 2008. It is a love story: layered, filled with treasure, sparkle within dust, games and prizes, secrets and lies.

I experimented with varnish for the first time. Experimented with the permanence as well. The chalk was meant to fade with the years. It’s been thirteen years now and I admire the patina of these old friends. Yesterday I did an internet search for a solution to save that dust from settling further and the win-win came in the form of Pantene hair spray, believe it or not. So now, these paintings are fixed in time.

And the funny thing is, upon reflection, they bring me back to a place where I thought I had nothing, but in fact, I had it all. All the answers to all of my questions. I just did not know it then, which made life seem so confusing.

This game of life is a puzzle but if you take the time to look, listen and feel with your heart, you will resonate with all of it.

“CHARM”, 2008, mixed-media, 18″ x 24″
“MAGIC”, 2008, mixed-media, 18″ x 24″

The paintings are 18″ x 24″. Oil paint and chalkboard paint. Found objects, games pieces, fabric.

They work best on a wall in multiples. That’s usually the way it goes with my artwork. If you like it, you really can’t get enough and you just want more.

They hold the narrative and that is a powerful aphrodisiac. <3

“TIC TOK”, 2008, mixed-media, 18″ x 24″
“SHADOW”, 2008, mixed-media, 18″ x 24″
“SHIELD”, 2008, mixed-media, 18″ x 24″
“THYME”, 2008, mixed-media, 18″ x 24″
“COIN”, 2008, mixed-media, 18″ x 24″
“DOMINO”, 2008, mixed-media, 18″ x 24″
“PRIZE”, 2008, mixed-media, 18″ x 24″
“SECRET”, 2008, mixed-media, 18″ x 24″
“LUCK”, 2008, mixed-media, 18″ x 24″
“XOXO”, 2008, mixed-media, 18″ x 24″
“LIBERTY”, 2008, mixed-media, 18″ x 24″
“PRESTO”, 2008, mixed-media, 18″ x 24″
“HEART”, 2008, mixed-media, 18″ x 24″
“NINE GIFTS”, 2008, mixed-media, 18″ x 24″
“VOW”, 2008, mixed-media, 18″ x 24″
“PERFECT FIT”, 2008, mixed-media, 18″ x 24″
“WIN-WIN”, 2008, mixed-media, 18″ x 24″
“CREST”, 2008, mixed-media, 18″ x 24″

Soflea Sophie

My sister owns two businesses: Syracuse Yoga (6181 Thompson Road, Suite 803, Syracuse, New York 13206) and Soflea, a small store operating in the basement of Wildflowers (217 S. Salina Street, Syracuse, New York 13203).

Sophia Tashkovski is part of the McCarthy Mercantile. Her collection of flea-market finds and antiques includes her signature horseshoes, brass trays, statuettes and wicker baskets, as well as furniture and rugs.

Items are one-of-a-kind gems and so, there are always new finds to covet, which always makes the shopping experience a fun adventure.

Hours of operation: 11:00 am – 7:00 pm Tuesday through Sunday. It’s open today!!! (you’re welcome <3) Enter Wildflowers then head to the basement where the collective of shoppes is housed.

Golden

#kesnyc #equipment #tashkovski #bcbgmaxazria #marcjacobs
#kesnyc #theory #tashkovski #vince #ragandbone
#kesnyc #aquacashmere #tashkovski #vince #ragandbone

I guess you could say I am in a golden fashion mood lately – meaning I am really into golds, butter yellows, creams and caramel colors while still doing the occasional black Monday looks.

I’m thinking it may be because my hair is blonde now – IDK. Although, I’m feeling the desire for change again. Saw a picture in a magazine of someone with my dream hair and realized it was my old look. Right now I don’t truly feel like me. I mean I don’t feel like I am being true to my authentic self.

#kesnyc #freepeople #tashkovski #rebeccaminkoff
#kesnyc #joie #bcbgmaxazria #joesjeans #rebeccaminkoff

Maybe it has something to do with wearing masks all the time. It’s a metaphor for hiding yourself from the world, isn’t it (insert Billy Joel’s The Stranger here). I keep making excuses to myself about why I haven’t been painting or writing much. Why I haven’t been blogging about art events either.

Some of those excuses have to do with the pandemic, with the time it is taking to complete the renovations on my house, with my frustration with myself in regard to my faith, belief system and pursuit of happiness. Who am I?

Everything is a work in progress including ourselves as individuals. Will it ever be finished? Will we ever achieve the ultimate self-actualization? I’m going with no…(it’s the journey, it’s the journey, infinity).

#kesnyc #tashkovski #aquacashmere #ullajohnson #trinaturk #ragandbone
#kesnyc #360cashmere #tashkovski #ragandbone #marcjacobs

Fashion is the only thing right now that I feel like I can count on – the luxurious comfort of enjoying cashmere, leather and silk on my skin. I appreciate having someplace to go where I can wear clothes that may or may not reflect the lifestyle I have in the now.

I am in love with Vince, Theory, Rag & Bone…. My Vince lamb leather skirt is in heavy rotation, currently. It is like butttttaaaahhhhh!

#kesnyc #theory #trinaturk #tashkovski #ragandbone

I look forward to the time (the actual day and moment) when I can set up my jewelry shop, both on-line and on my back porch where one side will be jewelry and the other side will be my encaustic art studio.

I have visions of new paintings based on the instructions I gave for my students’ peace posters, as well as work that piggy-backs on the past – hearts, fans, horseshoes and other familiar motifs.

I am contemplating creating a viral holiday, called Positivity Day or Creation Day or Art Appreciation Day, where friends gather in party form (parades would work too) to simply celebrate one another’s talents, as its primary goal/function.

The dream is to have it all – the art, the fashion, the writing, the celebration – that creative life is the golden dream.

That’s what’s authentic. <3

#kesnyc mask #rebeccataylor top #vince skirt #joie sandals #tashkovski bracelet
#kesnyc mask #equipment dress #bcbgeneration sandals
#kesnyc #allsaints #ragandbone
#kesnyc #joie #bcbgmaxazria #marcjacobs
#kesnyc #theory #milly #joesjeans #rebeccaminkoff

quilts x infinity

Kerri Green, Dallas, TX, Eyes On You, 2020, Cotton fabric hand-dyed by the artist, and cotton batting, $2,500
Diana Fox, Ellen Blalock, Judy Kirpich

The Quilts = Art = Quilts exhibition at the Schweinfurth Memorial Art Center is up until January 10, 2021, so you have plenty of time to see it. It is only the second installation since the mandatory Covid-19 shutdowns. The Made in New York show was their toe-in-water – they have upped their safety and security measures to include weekend visits.

Margaret Abramshe, Shinhee Chin
Victoria Findlay Wolfe, New York, NY, A Year of Moments, 2018, Fiber, quilt, $15,000

Not sure if a lot of people know the museum is open. It is – and it is BEAUTIFUL. A wonderful experience, especially when you practically have the place to yourself and you can enjoy that intimate discovery of art elements – line, shape, color, texture and size, while appearing incognito.

#coach #marcjacobs #kesnyc #theory #joesjeans #calvinklein
Debbie Grifka, Ann Arbor, MI, Notre Dame, 2019, Textile, $8,500
Jeanne Hewell-Chambers, Cashiers, NC, Playground of Her Soul, 2018, Fabric, batting, embroidery floss, and discarded dress, $3,800

Only some of these quilts are standard sizes – the rest are meant as wall decoration. Iconography runs the gamut from portraits and landscapes to the abstract. Traditional quilting techniques offer a stepping stone to what is and what can be.

This is a juried exhibition cultivated from a nationwide call for entries. Seventy-one quilts were selected.

Susan Lapham, Vienna, VA, Playland #2, 2020, Pieced, hand-dyed cotton, and machine quilted, $8,000

*from the SMAC website

Jurors

Valerie S. Goodwin is a mixed media fiber artist and architect whose works of fine art are included in museum and private collections. Most of her work is inspired by a love of aerial views of landscapes and cities. Many of her quilts are based on maps.

Goodwin’s art has moved through various stages from traditional quilting to an interest in abstract expressionism and, currently it is inspired by real and imaginary landscapes and cities. In some cases, her work shows an architectural sense of space with an archaeological perspective. In others, the network of the city and its built form is more prominent. These compositions work on several levels, from close up and far away as if one was looking at it from above.

She received degrees in architecture from Washington University and Yale University. Her award-winning work has been widely published and exhibited. She also lectures and gives workshops nationally and internationally. Currently she teaches architectural design at Florida A&M University.

Fiber artist Mary Lou Alexander’s two great passions are art and nature. She grew up in Northeast Ohio playing along the streams and paths of a nearby forest, drawing, and stitching together fabric scraps in her Godmother’s sewing room. She studied art and art history in college, but spent much of her adult life as a biologist, examining the ecology and reproductive behavior of small South American monkeys. She earned a PhD from Kent State University in Biological Anthropology, and holds an international Diploma from the Royal Botanic Gardens at Kew in London. She taught at Northeastern Ohio College of Medicine and in the Department of Biological Sciences at Kent State University.

In mid-career she resigned her tenured professorship to return to art and stitching full time. Over the year she had mounted 5 solo exhibitions in museums and galleries, and she has been represented in many juried exhibitions in the US and Europe including Artist as Quiltmaker, Quilt National, Quilts=Art=Quilts, Best of Ohio, Form Not Function, Focus Fiber, and others. Her work was invited to be included in Color Improvisations, which toured Europe in 2010 through 2013 in the Inaugural Exhibition at Edison Price Gallery in New York City and Material Pulses, which is touring the Us through 2023. Her quilts are part of many private and public collections including Marbaum Collection at the San Joe Museum of Quilts and Textiles. She has curated several exhibitions for the Butler Institute of American Art and written reviews for Fiber Arts Magazine. Natural phenomena remain a major inspiration for her work.

Carolyn Skei, Karen Schulz

The exhibiting artists are as follows:

Margaret Abramshe, Geneviève Attinger, Bobbi Baugh, Deb Berkebile, Margaret Black, Ellen Blalock, Holly Brackmann, Peggy Brown, Betty Busby, Libby Cerullo, Shinhee  Chin, Gregory Climer, Tyrus Clutter, Holly Cole, Shannon Conley, Petra Fallaux, Victoria Findlay Wolfe, Diana Fox, Kerri Green, Debbie Grifka, Carol Grotrian, Betty Hahn, Barbara Oliver Hartman, Jeanne Hewell-Chambers, Virginia Holloway, Judy Hooworth, Beth Porter Johnson, Noel Keith, Natalya Khorover, Judy Kirpich, Elke Klein, Karen Krieger, Denise Labadie, Judy Langille, Susan Lapham, Niraja Lorenz, Valerie Maser-Flanagan, Alicia Merrett, Kestrel Michaud, Susie Monday, Kathy Nida, Frauke Palmer, Julia Pfaff, Heather Pregger, Wen Redmond, Denise Roberts, Irene Roderick, Barbara Schulman, Karen Schulz, Candace Hackett Shively, Carolyn Skei, Brenda Gael Smith, Gerri Spilka, Lee Sproul, Victoria van der Laan, Cynthia Vogt