If you need another reason to visit the Everson Museum of Art, Mara Baldwin’s work is there. But hurry, because the exhibition ends on August, 6th, 2023.
Mara Baldwin is an educator, artist and historian, studying the artwork of local female artists like Adelaide Robineau. Baldwin pays attention to the detail and intricacies of Robineau’s carvings and replicates the essence into fiber art that hovers the walls and leaps off into three-dimensional space in this tiny tucked-away-in-the-way-back gallery on the museum’s first floor.
The exhibit is part of a local artist initiative, which is a good thing, but really – why not put the museum store in that space? Tucked away would not be an issue because shoppers can sniff out a store. Everybody knows that.
It would be a shame if visitors missed this show. Mara Baldwin tackles personal and historical conundrums about life and the pursuit of goals, happiness and freedoms while weaving herself into the fiber of that history with modern aplomb.
We are all a part of that collective fabric. Just don’t blink and miss it.
Debbie Grifka, Ann Arbor, MI, Notre Dame, 2019, Textile, $8,500
Victoria Findlay Wolfe, New York, NY, A Year of Moments, 2018, Fiber, quilt, $15,000
Jeanne Hewell-Chambers, Cashiers, NC, Playground of Her Soul, 2018, Fabric, batting, embroidery floss, and discarded dress, $3,800
Kerri Green, Dallas, TX, Eyes On You, 2020, Cotton fabric hand-dyed by the artist, and cotton batting, $2,500
Susan Lapham, Vienna, VA, Playland #2, 2020, Pieced, hand-dyed cotton, and machine quilted, $8,000
Kerri Green, Dallas, TX, Eyes On You, 2020, Cotton fabric hand-dyed by the artist, and cotton batting, $2,500Diana Fox, Ellen Blalock, Judy Kirpich
The Quilts = Art = Quilts exhibition at the Schweinfurth Memorial Art Center is up until January 10, 2021, so you have plenty of time to see it. It is only the second installation since the mandatory Covid-19 shutdowns. The Made in New York show was their toe-in-water – they have upped their safety and security measures to include weekend visits.
Margaret Abramshe, Shinhee ChinVictoria Findlay Wolfe, New York, NY, A Year of Moments, 2018, Fiber, quilt, $15,000
Not sure if a lot of people know the museum is open. It is – and it is BEAUTIFUL. A wonderful experience, especially when you practically have the place to yourself and you can enjoy that intimate discovery of art elements – line, shape, color, texture and size, while appearing incognito.
#coach #marcjacobs #kesnyc #theory #joesjeans #calvinkleinDebbie Grifka, Ann Arbor, MI, Notre Dame, 2019, Textile, $8,500Jeanne Hewell-Chambers, Cashiers, NC, Playground of Her Soul, 2018, Fabric, batting, embroidery floss, and discarded dress, $3,800
Only some of these quilts are standard sizes – the rest are meant as wall decoration. Iconography runs the gamut from portraits and landscapes to the abstract. Traditional quilting techniques offer a stepping stone to what is and what can be.
This is a juried exhibition cultivated from a nationwide call for entries. Seventy-one quilts were selected.
Susan Lapham, Vienna, VA, Playland #2, 2020, Pieced, hand-dyed cotton, and machine quilted, $8,000
Valerie S. Goodwin is a mixed media fiber artist and architect whose works of fine art are included in museum and private collections. Most of her work is inspired by a love of aerial views of landscapes and cities. Many of her quilts are based on maps.
Goodwin’s art has moved through various stages from traditional quilting to an interest in abstract expressionism and, currently it is inspired by real and imaginary landscapes and cities. In some cases, her work shows an architectural sense of space with an archaeological perspective. In others, the network of the city and its built form is more prominent. These compositions work on several levels, from close up and far away as if one was looking at it from above.
She received degrees in architecture from Washington University and Yale University. Her award-winning work has been widely published and exhibited. She also lectures and gives workshops nationally and internationally. Currently she teaches architectural design at Florida A&M University.
Fiber artist Mary Lou Alexander’s two great passions are art and nature. She grew up in Northeast Ohio playing along the streams and paths of a nearby forest, drawing, and stitching together fabric scraps in her Godmother’s sewing room. She studied art and art history in college, but spent much of her adult life as a biologist, examining the ecology and reproductive behavior of small South American monkeys. She earned a PhD from Kent State University in Biological Anthropology, and holds an international Diploma from the Royal Botanic Gardens at Kew in London. She taught at Northeastern Ohio College of Medicine and in the Department of Biological Sciences at Kent State University.
In mid-career she resigned her tenured professorship to return to art and stitching full time. Over the year she had mounted 5 solo exhibitions in museums and galleries, and she has been represented in many juried exhibitions in the US and Europe including Artist as Quiltmaker, Quilt National, Quilts=Art=Quilts, Best of Ohio, Form Not Function, Focus Fiber, and others. Her work was invited to be included in Color Improvisations, which toured Europe in 2010 through 2013 in the Inaugural Exhibition at Edison Price Gallery in New York City and Material Pulses, which is touring the Us through 2023. Her quilts are part of many private and public collections including Marbaum Collection at the San Joe Museum of Quilts and Textiles. She has curated several exhibitions for the Butler Institute of American Art and written reviews for Fiber Arts Magazine. Natural phenomena remain a major inspiration for her work.
Carolyn Skei, Karen Schulz
The exhibiting artists are as follows:
Margaret Abramshe, Geneviève Attinger, Bobbi Baugh, Deb Berkebile, Margaret Black, Ellen Blalock, Holly Brackmann, Peggy Brown, Betty Busby, Libby Cerullo, Shinhee Chin, Gregory Climer, Tyrus Clutter, Holly Cole, Shannon Conley, Petra Fallaux, Victoria Findlay Wolfe, Diana Fox, Kerri Green, Debbie Grifka, Carol Grotrian, Betty Hahn, Barbara Oliver Hartman, Jeanne Hewell-Chambers, Virginia Holloway, Judy Hooworth, Beth Porter Johnson, Noel Keith, Natalya Khorover, Judy Kirpich, Elke Klein, Karen Krieger, Denise Labadie, Judy Langille, Susan Lapham, Niraja Lorenz, Valerie Maser-Flanagan, Alicia Merrett, Kestrel Michaud, Susie Monday, Kathy Nida, Frauke Palmer, Julia Pfaff, Heather Pregger, Wen Redmond, Denise Roberts, Irene Roderick, Barbara Schulman, Karen Schulz, Candace Hackett Shively, Carolyn Skei, Brenda Gael Smith, Gerri Spilka, Lee Sproul, Victoria van der Laan, Cynthia Vogt
Candace Hackett Shively, Libby Cerullo
The Schweinfurth Memorial Art Center is located at 205 Genesee Street, Auburn, New York 13021. They are open Tuesdays-Saturdays from 10AM – 5PM and Sundays from 1PM – 5PM. Call (315) 255-1553 for more information or email at mail@schweinfurthartcenter.org.
Ann Clarke, Syracuse, NY, Self Portrait 2020, wool yarn
I drove to the Schweinfurth Memorial Art Center in Auburn, New York (205 Genesee Street) to view the Quilt=Art=Quilts show (blog post to follow). This fabulous show of textiles (or as she calls them – rugs) is by Ann Clarke and is located in the upstairs gallery through January 19, 2021.
It was only my second time up there due to the fact that previously, I did not know there was more than met the eye to the museum – there is a second floor accessed via stairs or elevator hidden behind the gallery shoppe and a basement room as well, where the museum hosts art classes and activities.
Ann Clarke, Syracuse, NY, Insomnia, 2020, knitted and fulled woolAnn Clarke, Syracuse, NY, Noah, 2018, wool yarn
Clarke’s show is more than meets the eye too. It is full of eyes – the hooked wool rug variety. Although this technique was introduced to me in the 1970s as craft, Clarke’s deft handling of the media allows for nuances of color that create a feeling of light flickering throughout, which reminds one of time passing. She has elevated this former stitch-by-numbers-style craft into legitimate art.
The show is titled Lessons of Empathy in Wonderland. Clarke shares a journey of self as artist, and care-giver to her elderly mother. It reads as catharsis. She is literally and figuratively weaving the fragility of life and its complex relationships with love-infused yarn. This journey into an alternate universe (where the family narratives have changed) seems to have inspired empathy for her relationship with family in addition to finding personal solace, strength and depth of character within each intricately detailed piece in this collection.
It is a breathtaking exhibition. All of this large-scale work has been completed in the last two years. It is all so uniquely personal and yet, so compelling as one feels the resonance.
I love how life shows you what to do, what to create based on where you are on the emotional scale. And wherever you are, there will be others who totally see you. <3
