Tag Archives: juried exhibition

Artsy In New York

Lee Hoag, Rochester, NY
Mary Begley, Buffalo, NY

Every year the Schweinfurth Memorial Art Center does a Made in New York (MINY) juried exhibition. This year’s show – what can I say? A lot of eggs and phallic symbols, am I right? OMG – round circular objects with the center piece sculpture filled with actual eggs. And every other sculpture is sporting the dildo-esqueness of a you-know-what.

LOL, so great! I wonder if this was the intent, or am I being fresh?

Sixty-nine artists were selected….

Shari Werner, New York, NY
Christina Bang, Pittsford, NY

Actually, the great thing about this exhibition is that artists must produce new work for it and everything looks very fresh in that sense of the word. It is all so colorful and curvy, clean, linear, firm and innocently provocative.

It’s a great show!

Jean K. Stephens, Honeoye, NY

MINY will be on display through August 7, 2021. Check out videos of the artists sharing their respective visions here.

Jurors for this year’s exhibition:

(from the Schweinfurth website)

Sharon Louden is an artist, educator, advocate for artists, editor of the Living and Sustaining a Creative Life series of books, and the Artistic Director of the Chautauqua Visual Arts at Chautauqua Institution. Louden’s work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, the Drawing Center, Carnegie Mellon University, Weisman Art Museum, National Gallery of Art and held in major public and private collections including the Whitney Museum of American Art, National Gallery of Art, Neuberger Museum of Art, Arkansas Arts Center, Yale University Art Gallery, Weatherspoon Art Museum, and the Museum of Fine Arts, Houston, among others.

George Afedzi Hughes is originally from Ghana and studied painting at The Kwame Nkrumah University of Science and Technology, College of Art, Kumasi, Ghana, where he earned a BA in Art: Painting and Drawing (1989) and an MA in Art Education (1991).  He later received an MFA in Painting and Drawing (2001) from Bowling Green State University, Bowling Green, Ohio, U.S.A. His paintings, performances, and installations have been featured in several museum exhibitions: Perez Museum, Royal Ontario Museum, Los Angeles County Museum of Art, National Football Museum, Gemeentemuseum Den Haag and Museum voor Zuid-en Noord-Beveland. The following museums have collections of his work: Royal Museum of Ontario, Harn Museum of Art, Iwalewahaus and the Ghana National Museum.

Hannah Frieser is the Executive Director for the Center for Photography at Woodstock, an arts organization that features exhibitions, residencies and other artist-oriented programming. With over twenty years of leadership experience in the visual arts, she has curated countless solo and group exhibitions with contemporary photographers, including Suzanne Opton, Adam Magyar and Barry Anderson. Her essays have been featured in monographs and publications, such as Contact Sheet, Exposure, and Nueva Luz. Prior to joining CPW, she was Director of Light Work in Syracuse, NY. 

Lauren Bristol, Syracuse, NY
John Fitzsimmons, Syracuse, NY
Charles Compo, New York, NY
Emily Kenas, Geneva, NY

MINY Artists

Carolyn Abrams
Liz Alderman
Robin Arnold
Patricia Bacon
Christina Bang
Howard Bartle
Madeline Bartley
Mary Begley
Marna Bell
Tammy Renée Brackett
Paul Brandwein
Lauren Bristol
Andrea Buckvold
Susan Byrnes
Carlos Caballero-Perez
Nancy Callahan
Eva Capobianco
Stephen Carlson
Kevin Carr
Tara Charles
Sage Churchill-Foster
Fernando Colón-González
Charles Compo
Cynthia Cratsley
Carole D’Inverno
Lisa DeLoria Weinblatt
KP Devlin
Lisa Donneson
Audrey Dowling
Robert Doyle
Sharon Draghi
Leonard Eichler
John Fitzsimmons
Faithanne Flesher
John Galt
Jacq Germanow
Cora Jane Glasser
Julia Graziano
Raechelle Hajduk
Barbara Hart
Laural Hartman
David Higgins
Lee Hoag
George Hrycun
Bob Ievers
Emily Kenas
Dale Klein
Tom Kredo
Timothy Massey
Becky McNeill
Valerie Patterson
Beth Pedersen
Judith Plotner
Rose Popper
Jim Quinn
Steve Rossi
Amy Schnitzer
Catherine Shuman Miller
James Skvarch
Jason Smith
Jean K. Stephens
Susan Stuart
Jane Verostek
Kim Waale
Mary Pat Wager
Shari Werner
Katharine Wood
Hope Zaccagni
Leah Zinder

Julia Graziano, Manlius, NY
Jim Quinn, Williamson, NY
Kim Waale, Manlius, NY/Nancy Callahan, Gilbertsville, NY

The Schweinfurth Memorial Art Center is located at 205 Genesee Street, Auburn, New York 13021. For more information, including hours of operation, call (315) 255-1553 or visit their website here.

Paul Brandwein, Rochester, NY
Robin Arnold, New Paltz, NY/Timothy Massey, Spencerport, NY
Charles Compo, New York, NY
Catherine Shuman Miller, Williamsville, NY
Andrea Buckvold, Syracuse, NY/Patricia Bacon, Lyons, NY
Mary Pat Wager, East Greenbush, NY
Cora Jane Glasser, Brooklyn, NY,
#coach #tashkovski #rebeccataylor #ragandbone

quilts x infinity

Kerri Green, Dallas, TX, Eyes On You, 2020, Cotton fabric hand-dyed by the artist, and cotton batting, $2,500
Diana Fox, Ellen Blalock, Judy Kirpich

The Quilts = Art = Quilts exhibition at the Schweinfurth Memorial Art Center is up until January 10, 2021, so you have plenty of time to see it. It is only the second installation since the mandatory Covid-19 shutdowns. The Made in New York show was their toe-in-water – they have upped their safety and security measures to include weekend visits.

Margaret Abramshe, Shinhee Chin
Victoria Findlay Wolfe, New York, NY, A Year of Moments, 2018, Fiber, quilt, $15,000

Not sure if a lot of people know the museum is open. It is – and it is BEAUTIFUL. A wonderful experience, especially when you practically have the place to yourself and you can enjoy that intimate discovery of art elements – line, shape, color, texture and size, while appearing incognito.

#coach #marcjacobs #kesnyc #theory #joesjeans #calvinklein
Debbie Grifka, Ann Arbor, MI, Notre Dame, 2019, Textile, $8,500
Jeanne Hewell-Chambers, Cashiers, NC, Playground of Her Soul, 2018, Fabric, batting, embroidery floss, and discarded dress, $3,800

Only some of these quilts are standard sizes – the rest are meant as wall decoration. Iconography runs the gamut from portraits and landscapes to the abstract. Traditional quilting techniques offer a stepping stone to what is and what can be.

This is a juried exhibition cultivated from a nationwide call for entries. Seventy-one quilts were selected.

Susan Lapham, Vienna, VA, Playland #2, 2020, Pieced, hand-dyed cotton, and machine quilted, $8,000

*from the SMAC website

Jurors

Valerie S. Goodwin is a mixed media fiber artist and architect whose works of fine art are included in museum and private collections. Most of her work is inspired by a love of aerial views of landscapes and cities. Many of her quilts are based on maps.

Goodwin’s art has moved through various stages from traditional quilting to an interest in abstract expressionism and, currently it is inspired by real and imaginary landscapes and cities. In some cases, her work shows an architectural sense of space with an archaeological perspective. In others, the network of the city and its built form is more prominent. These compositions work on several levels, from close up and far away as if one was looking at it from above.

She received degrees in architecture from Washington University and Yale University. Her award-winning work has been widely published and exhibited. She also lectures and gives workshops nationally and internationally. Currently she teaches architectural design at Florida A&M University.

Fiber artist Mary Lou Alexander’s two great passions are art and nature. She grew up in Northeast Ohio playing along the streams and paths of a nearby forest, drawing, and stitching together fabric scraps in her Godmother’s sewing room. She studied art and art history in college, but spent much of her adult life as a biologist, examining the ecology and reproductive behavior of small South American monkeys. She earned a PhD from Kent State University in Biological Anthropology, and holds an international Diploma from the Royal Botanic Gardens at Kew in London. She taught at Northeastern Ohio College of Medicine and in the Department of Biological Sciences at Kent State University.

In mid-career she resigned her tenured professorship to return to art and stitching full time. Over the year she had mounted 5 solo exhibitions in museums and galleries, and she has been represented in many juried exhibitions in the US and Europe including Artist as Quiltmaker, Quilt National, Quilts=Art=Quilts, Best of Ohio, Form Not Function, Focus Fiber, and others. Her work was invited to be included in Color Improvisations, which toured Europe in 2010 through 2013 in the Inaugural Exhibition at Edison Price Gallery in New York City and Material Pulses, which is touring the Us through 2023. Her quilts are part of many private and public collections including Marbaum Collection at the San Joe Museum of Quilts and Textiles. She has curated several exhibitions for the Butler Institute of American Art and written reviews for Fiber Arts Magazine. Natural phenomena remain a major inspiration for her work.

Carolyn Skei, Karen Schulz

The exhibiting artists are as follows:

Margaret Abramshe, Geneviève Attinger, Bobbi Baugh, Deb Berkebile, Margaret Black, Ellen Blalock, Holly Brackmann, Peggy Brown, Betty Busby, Libby Cerullo, Shinhee  Chin, Gregory Climer, Tyrus Clutter, Holly Cole, Shannon Conley, Petra Fallaux, Victoria Findlay Wolfe, Diana Fox, Kerri Green, Debbie Grifka, Carol Grotrian, Betty Hahn, Barbara Oliver Hartman, Jeanne Hewell-Chambers, Virginia Holloway, Judy Hooworth, Beth Porter Johnson, Noel Keith, Natalya Khorover, Judy Kirpich, Elke Klein, Karen Krieger, Denise Labadie, Judy Langille, Susan Lapham, Niraja Lorenz, Valerie Maser-Flanagan, Alicia Merrett, Kestrel Michaud, Susie Monday, Kathy Nida, Frauke Palmer, Julia Pfaff, Heather Pregger, Wen Redmond, Denise Roberts, Irene Roderick, Barbara Schulman, Karen Schulz, Candace Hackett Shively, Carolyn Skei, Brenda Gael Smith, Gerri Spilka, Lee Sproul, Victoria van der Laan, Cynthia Vogt

Candace Hackett Shively, Libby Cerullo

The Schweinfurth Memorial Art Center is located at 205 Genesee Street, Auburn, New York 13021. They are open Tuesdays-Saturdays from 10AM – 5PM and Sundays from 1PM – 5PM. Call (315) 255-1553 for more information or email at mail@schweinfurthartcenter.org.

Spring Made

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McEvoy, Chris, Oswego, NY, “Inside/Out and In-between, 2018, acrylic, ink, paper on panel, $4,500

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Callahan, Nancy, Gilbertsville, NY, “The Household Physician”, 2017, wood, metal, glass, found object, $6,000

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The latest incarnation of the Made in New York show at Schweinfurth Memorial Art Center in Auburn, New York opened last night.  It runs through May 12, 2019.  This is a juried exhibition.  This year Anne Novado and Marie Via selected the pieces.

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Alonzo, Jerry, Geneseo, NY, “3 Birds”, 2018, wood, milk paint, steel and brass, $700

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Van Hoven, James, West Monroe, NY, “November Maple”, 2018, charcoal on paper, $1,500

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Skvarch, James, Syracuse, NY, “Conspiracy”, 2019, Charcoal on Paper, $3,000

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Russotti, Patricia, Rochester, NY, “Medicine Wheel”, 2017, Kozo archival inkjet with cold wax, $800

Sixty artists (all of whom are New York state residents) are included here.  The work is in the gallery’s Main Gallery space, which includes several smaller rooms within the space.  The overall theme seemed to be one of nature and the idea that spring is in the air.  I saw predominately yellows and oranges in color palettes, and a number of pieces with trees, as well as birds and bees as subject matter.

It is currently spring in New York, so this does make sense, although no one told Mother Nature, who decided to smack us with blizzard-like conditions for the drive home.

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Bialke, Audrey, Trumansburg, NY, “Strange Hunger”, 2018, oil on Arches oil paper, $320

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Rodrigues, John, Vestal, NY, “Balance”, 2017, oil on panel, $1,000

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Zografos, Despina, Garden City, NY, “StrolleropteraTripthych#5”, 2018, hand cut paper, foamboard, chipboard, $3,800

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Several artists received monetary prizes for their work including John Fitzsimmons who received Best in Show for his oil painting titled “The Voices of Those” (below left).

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Fitzsimmons, John, Syracuse, NY, “The Voices of Those” and “Smoke Through the Trees”, 2018, oil on canvas, $2,300 each

Other winners included David Higgins, First Prize for “Loomis” (below), Stefan Zoller, Second Prize for “Skeletal Trees”, Russell Serrianne, Juror’s Choice for “Continuum”, and Faithanne Flesher, Juror’s Choice for “Floodfires”.

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Higgins, David, Corning, NY, “Loomis”, 2016, oil on panel, $3,000

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Newton, Diane, Ithaca, NY, “Early Morning/Nashville, 2017, pastel on black Arches paper, $3,000

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Mort, Kyle, North Syracuse, NY, “Low Battery”, 2019, watercolor, $400

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Rehrig, Kathryn, Marcellus, NY, “Faded Beauties”, 2018, photography, NFS

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Shute, Eric, Marcellus, NY, “Cow Shed: Filmore Glen”, 2018, watercolor, $700

The gallery is hosting several events during this exhibition.  On Saturday, April 27, 2019, Stefan Zoller will demonstrate an image transfer technique and on Saturday, May 11, 2019, Sally Hootnick will demonstrate working with wax.  Both presentations will begin at 1:00 pm on their respective dates.  Other events:  First Friday celebrations on Friday, April 5, 2019 and Friday, May 3, 2019, and several educational activities.  See their website for more details here.  We are heading into better, non-white-knuckle driving conditions, which will make the trip to Auburn (about 40 minutes from Syracuse) a satisfying one.  It is sunny with dry roads as we speak (read: as I write).

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Arnold, Robin, New Paltz, NY, “Safesecurevital”, 2016, oil on canvas, $1,600

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Groat II, Hal, Endwell, NY, “Thief of the Past and Future”, 2017, oil on canvas, $2,500

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There is more art too.  The upstairs gallery is the temporary home of Double Vision, paintings by Pennie Brantley and Robert Morgan.  Willson Cummer’s photography show, titled Common Places, currently occupies the Gallery Julius.

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Hutchinson, Cheryl, Syracuse, NY, “Namaste”, 2019, ceramic, $495

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Schwartzman, Marcie, Cooperstown, NY, “Large folded vessel with grommets” and “Swirl double vessel”, 2018, stoneware and mixed media, $500 and $400

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VanArsdale, Margaret, Perry, NY, “34th and 8th”, 2019, up-cycle plastic, $1,000

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Piedmonte, Allison, Cato, NY, “Every Loved One I Never Would Have Met”, 2018, digital image on fabric, thread, $600

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Frutiger, Karen, Rochester, NY, “The Shortest Day”, 2018, acrylic, collage, cheesecloth on watercolor paper, $750

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(left) Sardisco, Karen, Rochester, NY, “Night Vision”, 2018, acrylic on canvas, $2,800 (right) Gabriel, Kathryn, Manlius, NY “Diafem Solid”, 2018, watercolor, gouche, charcoal on paper, $1,400

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Gohringer, Judith, Rochester, NY, “Summer Noon”, 2018, acrylic, $400

***Artists included in this exhibition
Jerry Alonzo, Robin Arnold, Patricia Bacon, Audrey Bialke, Bridget Bossart van Otterloo, Andrea Buckvold, Nancy Callahan,Stephen Carlson, Daniel Chadwick, Linda Cohen, Bradley Cole, Christopher Cook, Cynthia Cratsley, Stephen Datz, Scott Deyett, Constance Ehindero, John Fitzsimmons, Faithanne Flesher, Karen Frutiger, Kathryn Gabriel, Judith Gohringer, Hall Groat II, David Higgins, Sally Hootnick, Stephen Horne, Cheryl Hutchinson, Barbara Kellogg, Nancy Kieffer, Russell King, Robert Licht, Barry Lobdell, Chris McEvoy, Michael Morgan, Kyle Mort, Diane Newton, Avani Patel, Allison Piedmonte, Judith Plotner, Rose Marie Popper, Eva Redamonti, Kathryn Rehrig, Michele Riche, John Rodrigues, Patricia Russotti, Karen Sardisco, Marcie Schwartzman, Russell Serrianne, Eric Shute, James Skvarch, Ahree Song, Steven Specht, Bryan Valentine Thomas, Kate Timm, Michele Vair, James Van Hoven, Margaret VanArsdale, Heidi Vantassel, Anna Warfield, David Werberig, Despina Zografos, Stefan Zoller

 

Come This Way

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Point of Contact gallery is located in The Warehouse building, 350 W. Fayette Street (near the intersection with West Street) in Syracuse, New York.  It is an annex of Syracuse University located in the Armory Square area of town.  Its mission is to provide an arts dialogue with the community focusing on Latin American culture.

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In the summer, however, the gallery opens its doors to a juried exhibition, welcoming all local artists to participate.  Currently, Sum Art 2017 is up until mid-August.  The art reception was last night.

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For some reason, every time I enter this gallery, it starts out feeling like Dr. Who’s Tardis – bigger on the inside.  Last night, as I winded my way around the exhibit taking quick snapshots here and there around the many patrons who attended finding myself in the second room and nearly impaling myself on a tall wooden sculpture, I realized that idea is an illusion.

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It isn’t so big and yet, this show really packs a punch.  So much to delight in – to see.  Large scale works and tiny collage pieces.  Realism in both painting and ceramics juxtaposed with pricey abstracts.  There was something for every individual aesthetic.

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Last year I bailed on this show, lol.  I made up for it last night, even getting an Instagram fashion post out of the dealio – thanks to contributing artist Penny Santy (photo cred)!

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BCBGMaxAzria romper, belt and clutch, BCBGeneration booties

Maybe next year I will go a step further and enter my artwork…. (???)

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Gallery Hours: The gallery is open Tuesday-Saturday, 12-5 PM to the general public.

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Pop Up

 

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A lot happened last Thursday evening.  The third Thursday of the month has become synonymous with art receptions here in Syracuse, NY.  And of course, there are all sorts of social things going on including some that suddenly popped up.

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Sandwiched in between my art reception at The Syracuse Tech Garden and the vigil, and subsequent wind down at Delphia’s in Chittenango for my dear friend Lynn Kurz (where I met her beautiful family for the first time), was a pop up art show at the Point of Contact Gallery in Syracuse, NY.

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It was a juried show filled with some of the most incredible art by local artists!  My friends Angela Arrey-Wastavino and Davana Robedee showcased their work, as well as several others – some work I’d never seen displayed locally before.  Really brilliant stuff!

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There was a silent auction for a series of 8″ x 8″ pieces made by the exhibitors.  I won this piece by Dana Bonn called Neon! I love it because of the numbers on it – love text/numbers in art anyhow but this is 768.  Seven is just a lucky number and six-eight is my birthday (June 8th) so that is really cool!

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The show is already down, I’m sorry to report.  It was literally there and gone in like two days.  Such a shame, but I am so glad I got a chance to witness it.  Art in Syracuse is nothing to be afraid of – I mean, for those of you non-artists who think the scene is some dark underworld type thing.  It is welcoming.  I feel that part of my job as an artist and art blogger is to introduce you to these events.  While this one may be over, another will surely suddenly pop up again in the future!

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