Mohawk Valley Angel

The show is over but I wanted to document it.  Women. Art. Voices. took place for three weeks (March 6 – March 27, 2026) at Mohawk Valley Center for the Arts.

Camaraderie, from my angel series, had a prominent place in the exhibition.  I loved the way it looked.

Handbags

Karen Tashkovski, LIFE SUPPORT, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, HANDBAG, 2026, encaustic & collage, 8” x 10”

I just completed this collection of twenty-four paintings.  I am fascinated by the handbags depicted in ancient civilization bas-reliefs and sculptures across continents.

I created twenty-four different stencils to carve into ,my 6″ x 6″ hardboards.  Then I used encaustics (and paper collage) to add color and texture.

Karen Tashkovski, TOOLKIT, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, PURSE, 2026, encaustic & collage, 8” x 10”

I painted the backing board with both chalkboard paint and magnetic paint, as the mysterious handbags of old were perhaps electromagnetic in nature.

Then I added collage items that reflect my own history, as well as my signature arsenal of devices:  game pieces, keys, ribbon, jewelry, wood chips and bobbins.

The fleur-de-lis dominoes have a beautiful patina, as they are new ones mixed with vintage pieces, which I love.

Karen Tashkovski, DEVICE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, BACKPACK, 2026, encaustic & collage, 8” x 10”

All are framed and ready for their conquest of the world.

There is such a rewarding feeling of validation and joy to the completion of a new series.  I will bask in that after-glow while contemplating what to do next – possibly a second set of these or incorporating the handbags into a larger work, or, or, or?

Karen Tashkovski, CLUTCH, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, CARRYALL, 2026, encaustic & collage, 8” x 10”

Yesterday was a day of art immersion – two art shows and a fabulous day spent with my friend and fellow artist, Penny Santy.  In conversation, I kept going back to this series, thinking about what I wanted its journey to be and truthfully, it would be amazing if someone wanted to buy them all and keep them together, because I feel like they are meant to be together.

But then, I think about how the ancient handbags are found in South America, Egypt, Turkey and Iraq.  They stump archeologists as to their function.  Maybe my handbags will be separated and valued individually, and treated with questionable mystery by the viewers who encounter them.

Karen Tashkovski, LUNCH BOX, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, MISSION CONTROL, 2026, encaustic & collage, 8” x 10”

It’s exciting to dream about a future for my little paintings.  They are infused with love, so whatever the outcome, they, and I, will be okay.

Karen Tashkovski, BUCKET, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, DEEP POCKET, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, BRIEFCASE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SATCHEL, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SHOPPER, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, BASKET, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, COLLECTOR, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, KEEPSAKE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, TOTE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, JEWEL BOX, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, MOBILITY UNIT, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, SUITCASE, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, MONEY BAG, 2026, encaustic & collage, 8” x 10”
Karen Tashkovski, STORAGE, 2026, encaustic & collage, 8” x 10”

Galentines

Whimsy & Joy is the title of Edgewood Gallery‘s latest art exhibition.  Kathleen Crinnen’s acrylic paintings, Eva Hunter‘s jewelry, accessories and paintings plus Linda Malik’s sculptures comprise this colorful, very feminine show.

The exhibit continues through April 17, 2026.  Edgewood Gallery is located at 216 Tecumseh Road, Syracuse, New York 13224.

Tuesday – Friday: 9:30 am – 6 pm
Saturday: 10 am – 2 pm
Sunday & Monday: closed

I visited Edgewood yesterday to discuss my upcoming show there.  I will be exhibiting in late August through Oct 2, 2026.  No decision yet on what artwork I will be presenting there.

Meanwhile, I will be picking up my painting from Mohawk Valley on Saturday and the Art Haus exhibit has been extended an extra week – pick up date for that show is April 18th.

Next for me – May and June 2026 at the East Syracuse Free Library.

Introducing Encaustic Hearts, Class of 2026

Karen Tashkovski, ROSEBUD, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, LIKE, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, MERMAID, 2016, encaustic & collage, 9” x 12”

I just completed photographing the new collection of heart paintings.  They are encaustic and collage, 5″ x 7″ on hardboard mounted on 9″ x 12″ chalkboard and framed.

Photographs do not do them justice.  They are really vibrant in person and so full of texture.

Karen Tashkovski, SUNSHINE, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, LOVELY, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, HEARTY, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, WARMTH, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, LOVE POTION, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, BESTIE, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, FORTUNATE, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, FRIENDSHIP, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski KINDLY, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, SEXY, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, JUICY, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, PURELY, 2016, encaustic & collage, 9” x 12”
Karen Tashkovski, EVERLASTING, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, FAITHFULLY, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, FRESH, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, SWEET, 2026 encaustic & collage, 9” x 12”
Karen Tashkovski, LOVING, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, LOVE LETTER, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, ROMANCE, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, SWELL, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, SPLENDID, 2026, encaustic & collage, 9” x 12”

Book Report: From Here to the Great Unknown

I watch a lot of YouTube videos.  I cancelled all other pay stations and streaming formats.  A couple of days ago, I watched a video where Riley Keough was being interviewed about an autobiography she co-wrote with her mother.  I thought she was incredibly poised and present as I watched a number of these videos – they kept coming up in my feed as the sort of creepy algorithm YouTube has.

Then I noticed that these videos happened a year ago, which meant that I might find the book, From Here to the Great Unknown by Lisa Marie Presley and Riley Keough, at the library.

I did.

It only took a few hours to read and I am still digesting it.  I guess if I am going to be as vulnerable, I will tell you that I was jealous of Lisa Marie when I was a kid.  She was five years younger than me and she was placed upon a pedestal from birth.

I remember when her father had died because I was delivering the Syracuse Herald-Journal newspaper at the time, the one with the Elvis is Dead headline on the front page.  He was only four years older than my dad, and at that time I didn’t understand drug and alcohol abuse except to judge that people who do that are scuzzy.

Education was something my parents instilled in me, and I always thought that if I did well in school, I’d do well in life.  I’d be wealthy and happy, and healthy.

But that is not the way life really works.  You would think Lisa Marie had everything since she already had the wealth.  In the book, she talks about her childhood following the loss of her father and how turbulent that was.  Her education was a shit show.  Her mother is depicted as unfit, but really – you have to ask yourself – what part of what happens to you is your responsibility?

I’d say all of it.  She chose to follow in her father’s footsteps with alcohol and drugs.  I think she was in a dark place when she’d begun this autobiographical journey via recording herself sharing her snippets, so the majority of her memories are a downer.  A lot of her life was actually quite lovely, as confirmed by Riley’s poignant additions – her first marriage and the love Lisa found in caring for her children, for example.  She recorded three studio albums and I think she was a great singer with emotional depth.

But, like Julian Lennon, the media’s interaction with her always led back to Elvis.  Julian Lennon sounds so much like his father and looks so much like him, but he is also so talented in his own right and yet, I have never viewed an interview (and I have seen loads thanks to YouTube) where the interviewer did not mention John Lennon.  How weird that would be if I had an art show and instead of feeling like I was on the precipice of success and fame, someone asked me about my parents?

Lisa Marie was very young when she married Danny Keough and fourteen years later I remember reading in Vogue magazine about Riley Keough modeling on the Paris fashion runways.  I was like – what the fuck is this?  Why isn’t she in middle school?  Why is she living this adult life already?

Jealousy, you see?

But this book discloses the dark underbelly of fame and how money cannot buy happiness.  Even though it is told with a loving compassion, it is still unsettling to read, albeit briefly, how Lisa Marie left her husband because she was seduced by what she believed was a common denominator of tragic consequence of being in the limelight, being sought after for who you appear to be rather than who you are – that mutual twin flame thing that Michael Jackson appeared to offer her.  How fucked up that she was so naive to believe that malarkey and it sort of happened again with Nicholas Cage who’d had an obsession with Elvis.  That marriage lasted about one hundred days.

There are lots of things left unsaid in this life story and so you get only a sampling of the family’s inner sanctum dynamics – the tragic death of Lisa’s son Ben is particularly heart-wrenching.  That boy was the spitting image of Elvis and could have probably had a marvelous singing career of his own but had a heck of a time finding his true purpose in life.

I watched a video that suggested that actor Daniel Craig plans to leave no inheritance to his children, which seems like a person who doesn’t understand the family first rule to life.  But maybe this is why – maybe he’s afraid they’ll off themselves via substance abuse or lose it all only to end up homeless.  Like with the Vanderbilts, who squandered everything their patriarch accumulated back when nobody had to pay income tax in the U.S., all because they didn’t think about or care about how they would contribute to society on their own.

I know a lot of people who aren’t particularly happy with their lives, which leads them to slide into drugs or alcohol followed by a never ending array of medical problems, both physical and mental.  They cannot find their way out of that paper bag because the solution can only come from within.

Riley mentions in her prose (which is delineated by a different font in the book) that she hasn’t the stomach for alcohol.  I have the same thing.  I don’t drink.  I used to have a glass of wine or two back in the ’90s, like on the weekends when we all went out to the bars in Armory Square.  I would always get sick afterwards, as well as hate myself for the way I behaved while inebriated.  I was doing it to fit in and to be liked and all that foolishness.

So that is the thing about Lisa Marie:  she didn’t really care what people thought of her because she was hardest on herself.  She pulled herself out of it a few times then spiraled to the point of no return.  It’s really sad.

I still think addiction is scuzzy, because it puts people in an altered state and really, the only way you can be truly happy in this life is if you live it with presence of mind, listening to the guidance of positivity.  But what do I know?  I do what I do and make the choices that I make and that is fine for me.  It is not my place to tell/teach/suggest to/preach to people on how to live.

They won’t listen anyway, and that is the true tragedy for those left behind.

I’m not jealous anymore, although I do wish that I’d had a daughter like Riley Keough.

From Here to the Great Unknown by Lisa Marie Presley and Riley Keough is available here.

ISO Fish Fry: Green Lakes Lanes

Kathy and I met at the bowling alley,   Our friends Bob and Marie had posted on social media that they had fish dinners there.  It looked like a good idea to go in search of fish fry and to see if bowling is something we would like to pursue in retirement.

It was definitely fun.  We played one game (around $20 each including shoes).  I got a strike on my first try, but I was a very inconsistent bowler.  I think I started wanting to do really well and, basically, choked.  Got some gutter balls and by the end of it, my arm felt a bit sore and so, maybe I go another forty years before I play again?  Or maybe I will go next week.  I mean, it was really fun!

Presentation:  I ordered broiled haddock with coleslaw and sweet potato fries – two sides (around $20) and Kathy had the fish sandwich with a side of macaroni & cheese (around $17).  When the plates came out, I was floored by the presentation.  I guess I was expecting diner food, lol, but this was beautiful.

The sweet potato fries came with a dollop of this delicious maple butter dipping sauce.  Also on my plate:  a wedge of lemon and a dollop of tartar sauce, which appeared to be homemade.

Taste:  The fish was so fresh and tender, and swallowable – I mean – no chewing needed.  I ate it so fast that I felt like one of those contestants on Survivor, as though I hadn’t eaten in decades- I devoured it.  I left half of the coleslaw behind, as I was too full after eating the fries (like, three at a time).  The waitress offered several cheesecake dessert options but we declined.

Restaurant Experience:  The restaurant at Green Lakes Lanes opens at 11:00 AM for lunch.  We arrived at 11:30 AM.  The parking lot was full to capacity with all but one bowling lane full of bowlers.  We decided to bowl first then eat (lane 12 was available).

Everything then gets charged to one bill.  You take your shoes off at the door then rent bowling shoes and take your lane.  A woman helped us plug in our names to the score sheet, which was otherwise automatic.

We finished our game, replaced our shoes and dined in the restaurant.  The waitress was incredibly friendly and patient with us, while we decided what we wanted and of course, while we asked a lot of silly questions, as newbies often do.  We’d never been there before.

Everything was spotless, lovely, delicious and friendly.  We loved it.

Location:  Green Lakes Lanes is located on Route 5 in Fayetteville, New York (7930 E. Genesee Street, Fayetteville, NY 13066).

Parking:  The lot is directly in front of the building and it was tight today.  They have bowling leagues – maybe people bowl every Friday?  I don’t know, but everyone seemed to know everyone else, so if you are looking for family friendly fun (in our case it was more of a senior citizen crowd), then this is the place for you.

Green Lakes Lanes also participates in Syracuse Trivia games on Monday and Thursday evenings.  They have a full menu including desserts, but fish is only served on Fridays.

The Ancient Handbag Mystery

I’m contemplating what to do next.  The ancient handbag series of paintings are on the floor of my living room resting on their chalkboard mounts, which I have infused with magnetic paint to simulate the electromagnetic resonance of the original objects, as they have been described in my research.

I’m also awaiting a couple of orders of mini dominoes to add to the hardboards.  It is really fun to hunt for specific vintage items and thank you, universe for the interwebs, lol.  What a godsend, really.

I also ordered frames for these paintings, as well as frames for the new heart paintings, some of which are also on the floor and on the dining room table.  I will title them, sign them, get them in the frames and photograph them all by next week.

It is a gloomy day with rain – yesterday it was 70 degrees outside and beautiful.  Tomorrow it is supposedly going down to 32 degrees.  It is a sad day for me for personal reasons and yet, when I focus on this artwork it brings me so much joy and strength, and purpose.

My exhibition of butterfly paintings is still at Art Haus Syracuse.  Selling them will validate me externally, and that is a sliver of an artist’s vocation.  When you believe in yourself then the world will follow suit.  But if people don’t want to share in your artistic vision, you don’t stop breathing.  Buy them here.

 

 

The Pivot

I finished a new series of heart paintings yesterday – they are 5″ x 7″ mounted on 9″ x 12″.  I used metallic embroidery floss on all of them.  In addition I’ve used mulberry papers and origami papers, dominoes, playing cards, Scrabble pieces and vintage stamps.  I love them.  I never get tired of making heart paintings.

But, with that said – I did pivot into a new idea.  I am fascinated with the Ancient Civilization handbag.  You find them in Ancient Egypt, Gobekli Tepe, within Mayan sculptures and other places around the globe.  I researched shapes then created my stencils – twenty-four different bags.

I decided on 6″ x 6″ boards that will be mounted on 8″ x 10″.  I layered the boards with beeswax and traced the stencils onto them.  Today I added the mulberry papers and some origami papers, and tissue papers.  I didn’t finish that step because I started rethinking color.  At first, I thought I should use a different color for the handles and then – no.  I changed my mind.  I might have to remove some of what I did because I think I want to limit the color palette, since these handbags are always depicted as made of stone with cuniform marks or hieroglyphics on them.  I will let it go for now and trust that I will have clarity in the morning. (Stay tuned).

The art reception for Women. Art. Voices at Mohawk Valley Center for the Arts is tomorrow evening from 5:00 – 7:00 PM.  That exhibit is only up for about three weeks.

410 Canal Place
Little Falls New York 13365
(315) 823-0808

Karen Tashkovski, “ CAMARADERIE “, 2017, 11” x 14”, encaustic & collage

There are only eight butterfly paintings left to purchase at Art Haus Syracuse, 120 Walton Street, Syracuse, New York 13202.  You can make a purchase using this link .

Karen Tashkovski, MARIPOSA, 2024, encaustic & collage on gesso board, 8″ x 8″

Art Haus will be open tomorrow and Saturday noon – 7:00 PM.

Karen Tashkovski, PAPILLON, 2024, encaustic & collage on gesso board, 8″ x 8″
Karen Tashkovski, PITALUDKA, 2024, encaustic & collage on gesso board, 8″ x 8″

Found Money 2026 (Episode 4)

I found eleven cents today!  Yesssss!   Up to thirty-nine cents in found money for 2026.

Easter Bunny

I am manifesting bunnies.

Manifestiation #1:  A jack rabbit lives under my deck.  It ventured about yesterday during the break in our frigid Syracuse winter weather, and decided to leave a poopie on my driveway.

Manifestation #2:  I took a quick trip to my local Michael’s .

Most of these adorable things are already 40% off and it is not even St. Patrick’s Day yet!

Inspired to do a new encaustic series – Baskets?  Eggs?  Birds?  Or rabbits????????????  Stay tuned.

 

 

Visual Artist