Ann’s World View

Ann Clarke is one of four artists selected by the CNY Arts Initiative to exhibit artwork in that gallery I call the crawl space (it is actually the Member’s Art Council gallery tucked into the corner of nowheresville) in the Everson Museum of Art, 401 Harrison Street, Syracuse, New York 13202.

The work here is all new and is a study in the contemplation of family, life, mortality and the camaraderie of the sewing circle – techniques and skills passed down through the generations preserving and respecting this predominantly female handiwork while creating a modern tapestry, which she refers to as “Under the Canopy”, implying both the idea of a landscape as subject matter, as well as the broader landscape of shared experiences in community and education.

The work is fresh and new, and yet, masterful and mature.  To take a medium like rug making and turn it into an emotional infusion of love and all the heartbreak that unfolds from that to the extent that the art breathes, well, it is exquisitely sublime.

The only thing that would have made this show better is if Ann had created a rug that was actually displayed on the cold cement floor, allowing the community to walk upon it in order to participate in the group spirit of said canopy.  I mean, it would get dirty, but that is kind of the point, that life presents unexpected challenges and hardships – that art is both a pursuit in solitude and an opportunity to connect with people, reminding us that we are not alone – not ever, really.  <3

The exhibit runs through June 7, 2026.

Hours:

Mon./Tues: Closed
Wed. 11:00am – 5:00pm 
Thurs. 11:00am – 8:00pm
Fri. 11:00am – 5:00pm
Sat. 10:00am – 5:00pm
Sun. 10:00am – 5:00pm

Heraldry

On Friday night, I went to the spring art reception at the Everson Museum of Art (401 Harrison Street, Syracuse, New York 13202).  While in the Robineau Gallery, I had a fully developed vision of an art exhibition of my own in that space.  It was this strong realization that all of my various encaustic and collage series are creating a kingdom.

There are the houses, the landscape of trees and flowers, the fans, the crowns…and so I went home with the clear idea for my next series:  heraldic shields.

You can see the progression here.  I’ve been working on them all weekend and I am almost finished.  I feel like they have always existed and I just pulled them out of the ether, the way I will manifest that dream art show.

I feel incredibly content.  I will finish them in the next few days.  There are twenty-four encaustic & collage paintings – 6″ x 8″ that will be mounted on 8″ x 10″ cradled hardboard and framed.

Then I will title them and photograph them.

And possibly make more.  🙂

 

Photos @ Canastota Library

How adorable is this venue?  It is in the Canastota Public Library,  102 W. Center Street, Canastota, New York 13032.  The library was built in 1903.  It is an Andrew Carnegie library and it is a spectacular place – three floors of books, videos, games and more with the basement space designated for both the art gallery and an event space (complete with a full kitchen!,) hosting regularly scheduled  clubs. You can also reserve the space for small parties.  I will be exhibiting artwork there later this year.  I might do an art reception, which would be fun, but I’m not quite ready to commit to that – stay tuned.

For the month of May 2026, the library is hosting photographer Ted Nicholson.

LIBRARY HOURS

Monday: 9am – 8pm
Tuesday: 9am – 8pm
Wednesday: 9am – 8pm
Thursday: 9am – 8pm
Friday: 9am – 5pm
Saturday: 9am – 12pm
Sunday: Closed

The Situation

I’m in the middle of an update.  Waiting for supplies to be delivered is always frustrating because (daddy, I want it now!) I want to complete these tasks right now.  Immediately!

I wasn’t satisfied with the presentation of my bungalow series of paintings.  I decided to switch out the frames.  This created the domino effect of needing to purchase new hardboards for a yet undetermined series that will go into the “old frames”.

I received four of the new frames so far and at first I heard – what are you DOING????? from that contradictory voice inside my head that spews negativity (no doubt).  But upon execution of this task, I am very pleased with the decision.  The bungalows look incredible in their new digs!

In addition, I purchased frames for the horseshoe paintings.  The 9″ x 12″ horseshoe paintings are now framed and residing on the floor of my living room.  The 11″ x 14″ frames will arrive sometime next week or so.  Needless to say, the artwork will be pricier now than when customers purchased them during their residency at Syracuse Yoga.

I also removed the backing chalkboards from the remaining horse and cow paintings.  I created them in 2012 – they are among my first encaustic paintings.  I’m waiting for 12″ x 12″ cradled hardboards to arrive (sometime today?).  Then I will add the hardware to the back and mount the paintings.  Not sure if I will tweak them as well.  I don’t think they really need changes, but it seems that my ever evolving artistic standards may overrule that temporary plan.

I sold several of the horse paintings – I remember most of those sales.  However, I do not know why I only have ten cow paintings.  I did gift one to a student once because he was a dairy farmer.  So, what the heck happened to the other one????  Who bought the purple cow?

The changes to these paintings were inspired by storage – clanking those boards around had damage potential.  They were impossible to store properly and impossible to transport safely.  It was only that – I still love the way I mounted them prior to this change.  I am very grateful to those who purchased them in their original capacity.

Revisiting paintings is like rereading an old journal.  It is a visual record of progress.  Of the (over used word) journey, dare I say it.

If I end up having a huge retrospective one day, I think that these encaustic paintings will reveal a sort of fantasy realm, as though I am reliving another life with another voice.  A message from the other voice (in this case a love language of positivity), which is how I described a series of oil & collage paintings I made in the late ’90s.  It will be a full circle moment and for that brief time, everything about this situation will make sense.

Horses….

Karen Tashkovski, MUSTANG DANCE, 2012, encaustic & collage, 12” x 48”

Exciting news!

My painting – MUSTANG DANCE – will be included in an exhibition called Horse Power! taking place at Main Street Arts, 20 W. Main Street, Clifton Springs, New York 14432.  The exhibition begins on June 6, 2026 and will run through July 15, 2026.

The artist reception  will be held from 3:00 – 6:00 PM on Saturday June 6, 2026.

Normal hours of operation for Main Street Arts:  Tuesday & Wednesday 11:00 AM – 3:00 PM, Thursday, Friday & Saturday 11:00 AM – 6:00 PM.

Tash Loves Trees

I am very pleased to announce that I have just returned from installing my art exhibition (and sale) at the East Syracuse Free Library (4990 James Street, East Syracuse, New York 13057).

My series of two dozen encaustic trees are here, as well as two dozen heart paintings.  All are encaustic and collage.  Stands are not included in the price of the work.

This show will be on display during May and June 2026.

Current hours of operation:

Monday – Thursday 10:00 am to 8:00 pm
Fridays 10:00 am – 6:00 pm
Saturdays 10:00 am – 2:00 pm

Book Report: The Alchemist

The Alchemist by Paul Coelho is my favorite book.

Is that enough of a book report?

My heart aches for my Personal Legend.  This is a book about a Spanish boy named Santiago who dreams of treasure then embarks on a physical journey to find it.

He encounters helpful strangers, as well as danger, in this quest to manifest material wealth.  He ends up discovering that his power comes from within, specifically, from his heart, because that’s the magic of spirituality.

Yesterday someone called me a homebody.  I took umbrage with that carelessness.  He obviously hasn’t read The Alchemist nor does he even know what my journey has been.  Doesn’t know the choices I’ve made to get to this point or you know, what I’ve sacrificed along the way, or ultimately, that up until this reread, I’d started to feel like I ended up in a corner with no other moves left with the exception of despair.

Reading these beautiful words released me from that burden of emotional disappointment, of all the waiting for the dreams to come true.  I’m sure, unless you are a soulless person wandering the Earth, like that theory that some of us are just extras in the lives of others, that you (plural) have had your own existential crises.

Coelho is a Catholic.  He enjoys the commonality of faith and yet he also understands the esoteric language of the Thoth text – The Emerald Tablets, the idea that we are all the same, God is within, and because of this, we are all powerful.

This is helpful to know, or at least to ponder, wonder and desire to be true.  That we all have the ability to make dreams come true – to pursue them generously, purposefully and without doubt.

The part that is baffling to some – discovering your true purpose.  Coelho’s Alchemist teaches that this is indeed an emotional journey.  That your heart will lead you to it.  To follow your heart because it will never let you down.

And, like Dorothy in The Wizard of Oz (which makes me trust that L. Frank Baum had some of this belief in him), Santiago finds the goods in his backyard, too, so to speak.

You don’t have to search the universe to find what you are looking for, unless, like many of my friends do, you have a wanderlust to explore.  Just trust in yourself to make the right decisions.  And also trust that even the things you deem as mistakes are lessons/part of the journey/teachable moments to steer you in the direction of that elusive Personal Legend.

Okay, so, that is my take.  Maybe to you The Alchemist will be just another novel about taking a trip to Egypt to see the pyramids.  Maybe you like those journey novels, like Tolkien’s Lord of the Rings.  I don’t know.  Maybe you are, in fact, heartless?  I don’t really believe that.  But I do believe in the magic of the universe, the signs or omens as they are stated in The Alchemist.  Once you discover what it is that you want with your whole heart, the universe conspires to bring it to you.  Yes, the Alchemist can turn lead into gold, but he can’t teach you how to do it.  He can only teach you to reach inside of yourself to find the resources in there that will catapult you to the life you truly desire.

I used to gift this book to people who were moving away because I wanted them to understand that when you go someplace else, you are still taking yourself with you.  The real change happens from within.  And that is the gist of it.  It’s an ongoing process/struggle/adventure.

Please read The Alchemist and let me know your take on it.  Will it be life-changing?   For me, yes.  I feel revitalized/reinvigorated or whatever, to continue to make art regardless of the outcome.  I will forever keep this book in my possession and read it again and again from time to time.  Thank you, Paul Coelho, for this beautiful gift from your heart to mine, and to the hearts of everyone else in the world.

And P.S. – when the dream of homeownership materialized for me, having a little corner of the universe to call my own was the most significant manifestation of my life.

The Rainy Day

God bless a good rainy day.  An indoor day.

I bought more frames.  I spent the day reworking then framing the encaustic & collage target paintings, the ones that I’d created last year.  They are 5″ x 7″ hardboards mounted on 8″ x 10″ chalkboard.  I will photograph them tomorrow then post the results.

I boxed up (with the boxes from the frames) a bunch of books I’m planning to sell, part of my attempt to purge/de-clutter – I’m in the process of getting rid of things stored in the basement to make room for more art storage.  Eventually, I will sell more art thereby having space to make more (or buy a bigger house).

I also finished my third reread of The Alchemist by Paul Coelho.  I will be writing a book report in a bit – I need the experience to digest.  It felt different this time because I have had more life experiences and am more attuned to esoteric language.

In addition, I’m preparing for the art show at East Syracuse Free Library.  I created the information sheet/price list.  The installation is scheduled for May 1, 2026.  The plan is to show the encaustic trees AND the new encaustic heart paintings.  They will be resting on table easels and displayed at the top of the bookshelves.

Karen Tashkovski, CHERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, BESTIE, 2026, encaustic & collage, 9” x 12”

What did you do today???

Found Money (Episode 5)

Up to sixty-four cents in found money for 2026 thanks to this quarter!  Thanks, universe!

2026 MINY

This year’s Made in New York exhibit is currently up and running at the Schweinfurth Memorial Art Center.

This year Anita Welych and Jeremy Randall picked the artwork.  Over seventy works were selected from four hundred entries.

*from the Schweinfurth web-site

Jeremy Randall has been working in clay and making decorative and functional pottery for over 20 years. He received his Bachelor’s of Fine Arts from Syracuse University in 2000, and his Masters of Fine Arts in ceramics from the University of Florida in 2005. Currently he lives in Tully, New York, and owns and operates his studio/teaching and retail business Papavero Clay Studio in Marcellus NY. Jeremy’s work can be found in galleries across the US, has shown in numerous national shows, and has had the privilege of teaching workshops across the United States and internationally. In 2017 he began an apprenticeship program in his studio, looking for ways to offer traditional/non-traditional education experiences for emerging artists in a ceramic studio setting.

Serving as the executive director of the Kirkland Art Center in Clinton, NY, Anita Welych is also a practicing visual artist. She received her BFA at Cornell University and completed an MFA at Syracuse University. In between, she pursued graduate coursework in painting and lithography at the Universidad Nacional de Colombia in Bogotá on a Fulbright Grant. She subsequently returned to Colombia on a teaching Fulbright, lecturing across the country.

Welych taught in the Studio Art program at Cazenovia College for over thirty years, developing the major in Arts Management and serving as its director. She served on the Syracuse Public Art Commission for three years and was a founding board member of ArtRage Gallery, both located in Syracuse.

Welych has exhibited nationally and internationally, working in book arts, collage, printmaking, painting, and installation. Her lifelong interest in social and environmental issues drives the content of her art.

I attended the opening art reception on Saturday.  The exhibition continues through May 16, 2026.  The Schweinfurth is located at 205 Genesee St. Auburn, NY 13021.

Featured artists:

Jim Allen

Annalisa Barron

A. Bascove

Jill Bell

Julie Bero-Emerson

Kathleen Bolin

Frid Branham

Phyllis Bryce Ely

Karen Burns

Stephen Carlson

Victoria Connors

Tonia Cowan

Cynthia Cratsley

Margaret Day

Joe Demetro

Jackie Dickinson

Jill Doscher

Henry J. Drexler

Leonard Eichler

John Fitzsimmons

Michael Flanagan

Faithanne Flesher

Diane Foley

Bret Garwood

Siavash Golkar

Julia Graziano

Kristy Guenther

Wenda Habenicht

Chelsea Hagin

Rich Harrington

Barbara Hart

Jill Herlands

David Higgins

Lee Hoag

Lowell Hutcheson

Alex Hutton

Stephen Kankus

Tom Kredo

Susan Larkin

Fannie Lee

Kathy Lewandowski

Chloe Loewenguth

Chris Losee

Kirin Makker

William Mazza

Kyle Mort

Joy Muller-McCoola

Richard Nolan

Maxwell Oglesbee

Sofía Luz Pérez

Paul Pearce

Juan Perdiguero

Judith Plotner

David Porter

Kristin Reagan

John Rodrigues

Judy Rosenberg

Maria Rosenblum

Patricia Russotti

Wendy Saam

Eric Shute

Karen Sienk

James Skvarch

Linda VanArtsdalen

Jessica Warner

Donalee Wesley

Betz White

Spencer Woodcock

Robert Wurster

Walter Zimmerman

 

Visual Artist