Tag Archives: Syracuse New York

Greatness Awaits!

The New York State Fair is a memory machine. As we walked around, Janine and I recalled events set in this location from various decades of our lives.

The Art & Home Center reminded me of all the times Gramma won blue ribbons for her crochet. This building is always my first stop once past the gates because there never seems to be a line at the bathroom there.

This year we saw this wonderful display of miniatures. The hobby brings together collections from across the state and they really spark the imagination.

The Horticulture building brought reflections of waiting in line for a free baked potato. There is still a line, but it is not free, lol. This year we viewed floral arrangements there and tasted maple-infused products.

Janine shared stories of going on rides as a child and bringing her kids when they were little. I love the way the mid-way looks at night!

The Dairy building with its annual butter sculpture – that is such an iconic part of the experience. The sculpture is inside a refrigerated case and it rotates like the stage in the Toronto production of Les Miserables I saw many years ago. I would say it matches the drama as well.

Last time I attended the Fair (two years ago), Joey and I saw Train at the Suburban Park location. This year Janine and I enjoyed the tail end of the REO Speedwagon concert.

It’s like a memory wrapped inside a memory encased in gold.

In the early seventies, Dad would take Kathy and me to the Fair on a Tuesday because that was always his day off. We always got steamed clams for lunch. This year, I had a lobster roll at the Colosseum followed later by a maple-flavored milkshake from the Horticulture building.

New experiences worked their way into future nostalgia. The Expo Center, where I had to go to get those Covid shots, is currently home to another animatronic dinosaur exhibit, albeit on a grander scale than the one at the MOST.

The Center of Progress building has always been home to merchants and in recent years, houses a giant sand sculpture. This year we had fun at a political news conference photo op booth poking fun at the NY State assembly.

People watching is at its prime. I saw two former students (thanks, Savannah and Hope!) and ran into my grandmother’s nephew and wife (love you, Mickey and Connie!).

There is something for everyone at the great New York State Fair. The theme this year, as expressed on the cover of the map flyer, is Greatness Awaits! There’s still a week to go before it ends on Labor Day. You can get tickets on-line or buy them at the gate with a credit or debit card. Check out their web-site for the deets.

Zooing

Yesterday was the perfect day to visit the Rosamond Gifford Zoo at Burnet Park (1 Conservation Place, Syracuse, New York 13204). They are open every day from 10:00 am – 4:30 pm, so I imagine every day is a perfect day to view the magnificent animals who live there.

Check out their web-site for more information including exciting upcoming events and party planning opportunities, as well as membership info.

There is a wonderful gift shop at the entrance filled with high quality stuffed animals (my favorite was the flamingo). There were all sorts of things for all ages – toys for the children and beverage glasses (think shots) for the adults.

We had so much fun. Bobbi and I are both art teachers. I predict animal art is in our students’ collective future.

This may be my new happy place. You should go – become a member and admission is free or use the Onondaga County library pass (good for four people), or wait until you are sixty-two and it is only $5.00. Or just go. It is $9.00 for adults, $5.00 for children (babies up to two years old – free).

The MOST

I went to the MOST yesterday. I was not there for long – it is a “science” museum for kids. I couldn’t take all the running around and screaming, and that was just me (ba-dum-bump).

There were activity stations, a colossal and fully padded tri-level jungle gym, and different vignettes set with dramatic lighting throughout the maze-like venue to satisfy the children (mainly pre-school and elementary-aged), while their parents either engaged alongside or sat together sipping cold drinks.

I did like the dinosaur exhibit. I mean – so fake, but they were substantial rubber or mache creatures with animatronic gestures and, maybe, it sort of, looked like they were looking my way as I took the photographs.

And, of course, I liked the gift shop. That was fun.

If you’ve never been there, it’s worth a look. And here’s the secret: get out your Onondaga County library card and head to one of the local libraries that have the free pass. It pays for up to six people! How cool is that? Especially if you are a teacher and are on your last summer dollar before the next pay day.

The Milton J. Rubenstein Museum of Science and Technology is located in the Armory of Armory Square in Syracuse, New York.

500 S. Franklin St.
Syracuse, NY 13202
315.425.9068

They are open Wednesday – Sundays 9:30 am – 5:00 pm.

Check out their web-site for more information including parties and school trips.

Antique Wonderland

Soflea has added a second location for antique shopping fun. Antiques at Railway Commons is located at the corner of Burnet Avenue and Catherine Street, at 400 Burnet Avenue, Syracuse, NY. They are open from 10:00 AM to 6:00 PM every day!

Soflea is a play on her name – Sophia Tashkovski, who has a specific eye when it comes to her found object finds. Her shop contains an array of vintage denim clothing and patterned shirts, bar carts, glassware, pottery, brass goods and so much more in the category of chic bric-a-brac treasures, Oh, and Adirondack-style furniture and Americana accessories that would look great as camp decor or in a rustic family room.

Her prices are very reasonable, I think. I bought this little sheepskin rug (below). Pablo loves it!

There are several other vendors in the store. Their areas are delineated by bookshelves and larger pieces of furniture, Each vendor uses different price tags so that the cashier can document sales.

An art gallery is housed upstairs, as well, run by Peter Svoboda. His former location was in Shoppingtown Mall in Dewitt.

You will love this place!

Sophie is my sister, so that is how I found out about it. But this old building has always been in my dreams. It is called Railway Commons because there is an old railway station platform on the Erie Blvd side of the building, elevated to run parallel with 690West. Life-size plaster figures have been posed to greet highway cars for as long as I can remember and I have secretly always wished to stand on that platform. I mean, it is a part of Syracuse history!

Wish granted, as I was fortunate enough to receive a tour of the facility. When I walked out on the platform, my legs were shaking and for a minute I swear I had time -traveled, which, as you know, is a recurring theme in my mind. This is not part of the deal, just so you know – so please don’t visit and expect to go up there, although there is another rooftop space that soon will be available to rent out for parties. It has a grill and other stuff – very NYC vibe-ish, and that was super cool too.

I know. You’re welcome. <3

The Thirty Dollar Ridlon

Jim Ridlon has donated these amazing prints to the Everson Museum of Art. They are located in the museum gift shoppe – for sale – and they are priced between $30 and $50. They are embossed. I’m not sure if this is true but the young man at the sales desk said he’d created them when he was a student and since he is not known for etchings or prints he decided to price them low.

I mean, they are a steal, really. They are created on a thick archival paper, probably Arches, not sure. You’d have to get them framed, but wow!

This is incredibly cool.

Arlene’s Moment

She was resolute in her determination to create art on her own terms.

I have known Syracuse artist Arlene Abend for thirty years. We met when I joined the now defunct Visual Arts Committee at the Civic Center. We held juried exhibitions and installed the work of local artists on the walls of the space – a captive audience situation, which lead to several sales. My sister even bought someone’s art from there and I met my first patron who ended up buying several of my paintings over the years.

I left the program after about four years. I wanted to do member exhibitions and everyone felt that was self-serving. Later, they moved the exhibitions to the PBS building (was it? I don’t really remember) but they did start having those member’s shows.

I have always felt the same way about the Everson Museum of Art. They would bring in these out of state artists who’d get recognition from our less established museum subsequently gaining the confidence to go on to illustrious careers. I couldn’t understand why the Everson didn’t cultivate from within. That seemed the perfect opportunity – to big up our talented local artists and catapult us towards successful art careers nationally. It would be a win-win as it would generate interest and revenue for the museum because there would be so many wealthy and amazing artists who would give back. I guess I was never thinking universally, but selfishly (my vortex contains the dream of showcasing my art in all four of the upper galleries – I can 100% fill them), The idea that we are an art community that helps and supports each other – is that too daft?

Well, it’s finally happening. Elizabeth Dunbar has begun this trajectory and we can currently see this manifestation in the form of a feisty little ninety-year-old woman who is currently showing her sculptures in the Robineau Gallery at the Everson Museum of Art.

We create our own realities and Arlene Abend’s road has been one primarily of family and deep-rooted friendships combined with the solitude of her artistry. Every one of us has stated a collective “it’s about time” in reference to this exhibition!

The bumpy amorphous shapes in her metal wall sculptures sort of mirror the curves in her path/emotions in her path – health issues, worry, relationship heart break, disappointment, money struggles, fears…and yet, the tiny humanoid figurines showcase her whimsy and humor, her belief in the human spirit even while the resin pieces indicate a sort of trapped suffering.

This exhibition has always been in Arlene Abend’s vortex – of that I am certain. It’s almost as though the resolution was in lowering the resistance. Lessening the struggle in favor of the resiliency of the human condition. Here she is at the apex of her career, all ragged edges, highs and lows, structures and voids, liquids solidifying inside her mind for all of us to witness – a life lived with an expectation to share it in all its incarnations.

It really does not matter how much time it takes for a dream to come true. That’s the beauty of it.

Arlene Abend – RESOLUTE is on display through April 17, 2022. Visit the www.everson.org for information regarding hours of operation and admission price or call (315) 474-6064.

The Everson Museum of Art

401 Harrison Street

Syracuse, NY 13202

#amicale hat #kesnyc face mask #tashkovski bracelet #frame leather shirt #joesjeans leather pants #ragandbone boots

Water is Art

The Erie Canal Museum (318 Erie Blvd. East, Syracuse, New York 13202) is host to a ceramics exhibition, one installed in February 2020.  The museum is currently closed due to the world-wide health crisis – that makes interacting with the clay vessels (created as site-specific art) nearly impossible.

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photo cred – Jocelyn Reynolds

This is an irony because the idea behind the work envelopes the scope of human life, as it interacts with the forces of nature, the forces of water and the history of the man-made canal.  The humans in question are every socio-economic level of local and regional society.  All races of people who, in some way, have interacted with, associated with or had some understanding of what the Erie Canal has meant in our history, as well as those who have no idea but in fact, have been, inadvertently, affected by the legendary waterway.

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photo cred – Shane Lavelette

Artist Linda Zhang was the 2017-2018 Boghosian Fellow in the School of Architecture at Syracuse University.  She came to Syracuse from Europe and knowing no one, she spent time meditating (think deep thought) on designing the curriculum for this relatively new fellowship.  She proceeded to think about and create strategies for the design of her position, ideas that would ultimately catapult her educational journey to include making art and teaching electives at the college, which led to philosophical-infused artwork and the idea of making meaning in terms of one’s personal vortex.  This path included an interdisciplinary union with Errol Willet, Associate Professor of Art (ceramics) and Biko Mandela Gray, Assistant Professor of American Religion.

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graphic design – Im Burrow

Although Zhang is currently a professor at Ryerson University in Toronto, The Story of Water pairs the artist with her SU educational cohorts.  The clay vessels in this exhibition were slip cast and formatted utilizing water from the canal.  There is a transformation – water crafts and the art is manipulated to create a phenomenological transcendence – art as symbolism.

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Taking an idea and moving it through time, so that the result is present while encompassing a larger whole – this is incredibly interesting on so many levels. Fortunately for all, nothing is truly impossible.  This exhibition can be viewed remotely.  Zhang will be offering a lecture on her process via an on-line Zoom meeting.  This event takes place on Saturday, April 18, 2020 at 1:00 PM.   Click on the link above to join the party or check out the same link by way of the event’s Facebook page.

The event is free, however; donations to the museum are welcome.  <3

*from the Erie Canal Museum web-site

Weighlock Gallery

February 3-April 16, 2020:The Story of Water: The Erie Canal as a Site of Untold Stories

“The Story of Water” is a collaborative project between Linda Zhang, Assistant Professor of Architecture at Ryerson University, and Biko Gray, Assistant Professor of Religion at Syracuse University. This exhibit features clay vessels based on 3-D drone scans of Erie Canal structures, transformed by the introduction of Canal water before the firing process. The resulting clay models symbolize the transformative effects, positive and negative, that the Erie Canal had on the lives of those who built it, used it, and lived near it.

*Details from Facebook event page

Join artist Linda Zhang and Syracuse University Professor Biko Gray at 1 p.m. Saturday, April 18 for a live, online talk about ‘The Story of Water,” an exhibit of abstract art that is at the Erie Canal Museum. It will be hosted on the Zoom meeting app. Click on this link to register and you will receive an email confirmation: .https://ryerson.zoom.us/meeting/register/u50vcuGsqTwsjUGXxhFl1-DgYZPFHN2lzA.

Zhang will discuss the artwork, her creative process, and what inspired her and collaborator Biko Gray to develop this exhibit. “The Story of Water” features clay vessels based on 3-D drone scans of Erie Canal structures in Central New York. The artist introduced Canal water to the pieces before the firing process, creating models that symbolize the transformative character of water and the Erie Canal.

The Museum is currently closed to the public to protect visitors, volunteers, and staff from Covid-19. We’re working diligently to serve you by offering programs by alternative means, and greatly appreciate your help. You can make a donation to the Museum through the link in the “Get Tickets” box below,

We look forward to seeing you on April 18 for this thought-provoking talk!

AM-Jam Tattoo Expo

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There is a tattoo convention happening now through Sunday, January 26, 2020 at the Ramada on Carrier Circle (6555 Old Collamer Road S., East Syracuse, New York 13057).  It is the 34th annual AM-JAM Tattoo Expo 2020.

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I get a lot of my information about events through social media, but for this one, I saw the advertisement in the Eagle Bulletin!  I decided to check it out since it is a hop, skip and a jump from home – just got back.

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I had to park at another hotel – this is a happening!  There are vendors selling jewelry, clothing, tattoo ink and even honey in addition to the many tattoo artists represented from all across New York State.

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I saw A LOT of people getting tattooed!  Clients can book appointments in advance, but walk-ins are certainly welcome.  This is an epic phenomenological encounter-style experience:  the smell of cigarettes in the air outside the hotel, the incessant buzzing of the needles as they drive ink into human flesh, the visual stimulation of the macabre juxtaposed with cartoon imagery as you weave a path that takes you through several banquet rooms on your quest for all things inked.  It’s pretty amazing!

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Other events scheduled include tattoo contests and costume contests.  They will be open until midnight tonight then back at it tomorrow from noon to 6 PM.  Admission is $10.  Call (518) 893-2273 for more information.

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In the Absence of Presence

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The last time I went to the Noreen Reale Falcone Library (1419 Salt Springs Road, Syracuse, New York 13214), the LeMoyne College campus looked a lot different.  They’ve since uprooted a nearby parking lot in favor of more grassy knolls (which are currently snow-covered).  I had to ask several people to direct me to it once I found visitor parking across the street.  It was, like, in the Hunger Games when they discombobulated the players by topsy-turvy-ing the playing field computer simulation.  The building didn’t even look the same to me as I came upon it from a different angle.  I mean, where was I?

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Eventually, I found my friend Penny and together we chatted with Gina Occhiogrosso, who is currently showing oil paintings and mixed-media fabrications at the Wilson Art Gallery located inside the library.

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Occhiogrosso graciously shared information with us regarding her artist inner-voice.  Her mother (now retired) was an artist and shoe designer with a penchant for “junking” (as my sister calls it), filling her home with flea market finds in various states of patina-ed wear.  Decades of layers that make up a life of surroundings.  As the artist pondered this home landscape, she created paper cut-outs from photographs she’d taken then abstracted them via paper collages.  Intrigued by the void, the absence of the material, she set upon painting large scale versions of these pieces.

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The result becomes its own presence, its own entity put into the world without the necessity of the language of its origin.

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It is beautiful to witness these things and know their secrets, though, because I, personally, just love knowing.

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There is artwork in this show that spans approximately three years of work.  More paper collages are meant to represent the anxiety of environmental disaster, in this case, the tsunami disaster of 2011.  Occhiogrosso creates that absence of presence once again, cutting images, rearranging them and turning them into solid-colored shapes that intertwine to create something vaguely familiar but completely void of the emotion that inspired them.

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In addition, there are fabric collages that are stitched, painted and inked.  Here the work becomes layered, as though there is more to discover, as if she’s hiding a legend inside.  I am intrigued by this body of work.  Occhiogrosso’s talent lies in the bridge between fear and the journey to a calmer, gentler space via the shapes of the present.  She seems to be on a discovery to something more.  I stumbled into something wonderfully puzzling and I am very interested to see what happens next.

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***from the artist’s web-site

I am a painter whose work is composed not only through the application of wet color on a surface, but through processes of disassembly and realignment, and the incorporation of common, everyday materials like thread and yarn. These activities and elements allow me to explore anxiety, loss, humor and heroic femininity.

The hallowed and often masculinized tradition of painting is subverted in my work through a repeated process of cutting and then sewing painted surfaces together to develop new forms, dynamic connections and illusions of depth. Where these freshly stitched edges join, there is a seam, which has both linear and sculptural qualities. The seam acts as a geometric disrupter of curvy ellipses and other organic forms that are carefully rendered and then carved up with alternating precision and chance. The ghost of those cut edges has its own subtle presence. Where the fabric overlaps in the reverse of the painting, a slightly more opaque path is traced, issuing a new element whose origin is not at first apparent to the viewer.

I am interested in developing a surface that’s full of the suggestive qualities that abstraction can create. The stitched paintings supply this through the deliberate recalibration of shapes and their relationships to one another. In parallel to these, and often in service to them, collage becomes an important method for revealing new, unexpected interpretations of form. The sources of the collaged materials are often photographs of real things and places that hold meaning for me. As in the paintings, that information is disrupted and reinterpreted in compositions that suggest the fleeting nature of forces, figures and time.

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Gina Occhiogrosso is an Associate Professor and Foundations Coordinator at The College of St. Rose in Albany, New York.  She is represented by several galleries and has been in numerous group shows.  She is a MacDowell Colony Fellow.  This exhibition will remain on view at Wilson Art Gallery during regular library hours through February 21, 2020.  For more information call (315) 445-4330.