I created this series of twenty-four paintings, Talisman, in 2008. It is a love story: layered, filled with treasure, sparkle within dust, games and prizes, secrets and lies.
I experimented with varnish for the first time. Experimented with the permanence as well. The chalk was meant to fade with the years. It’s been thirteen years now and I admire the patina of these old friends. Yesterday I did an internet search for a solution to save that dust from settling further and the win-win came in the form of Pantene hair spray, believe it or not. So now, these paintings are fixed in time.
And the funny thing is, upon reflection, they bring me back to a place where I thought I had nothing, but in fact, I had it all. All the answers to all of my questions. I just did not know it then, which made life seem so confusing.
This game of life is a puzzle but if you take the time to look, listen and feel with your heart, you will resonate with all of it.
The paintings are 18″ x 24″. Oil paint and chalkboard paint. Found objects, games pieces, fabric.
They work best on a wall in multiples. That’s usually the way it goes with my artwork. If you like it, you really can’t get enough and you just want more.
They hold the narrative and that is a powerful aphrodisiac. <3
The Quilts = Art = Quilts exhibition at the Schweinfurth Memorial Art Center is up until January 10, 2021, so you have plenty of time to see it. It is only the second installation since the mandatory Covid-19 shutdowns. The Made in New York show was their toe-in-water – they have upped their safety and security measures to include weekend visits.
Not sure if a lot of people know the museum is open. It is – and it is BEAUTIFUL. A wonderful experience, especially when you practically have the place to yourself and you can enjoy that intimate discovery of art elements – line, shape, color, texture and size, while appearing incognito.
Only some of these quilts are standard sizes – the rest are meant as wall decoration. Iconography runs the gamut from portraits and landscapes to the abstract. Traditional quilting techniques offer a stepping stone to what is and what can be.
This is a juried exhibition cultivated from a nationwide call for entries. Seventy-one quilts were selected.
Valerie S. Goodwin is a mixed media fiber artist and architect whose works of fine art are included in museum and private collections. Most of her work is inspired by a love of aerial views of landscapes and cities. Many of her quilts are based on maps.
Goodwin’s art has moved through various stages from traditional quilting to an interest in abstract expressionism and, currently it is inspired by real and imaginary landscapes and cities. In some cases, her work shows an architectural sense of space with an archaeological perspective. In others, the network of the city and its built form is more prominent. These compositions work on several levels, from close up and far away as if one was looking at it from above.
She received degrees in architecture from Washington University and Yale University. Her award-winning work has been widely published and exhibited. She also lectures and gives workshops nationally and internationally. Currently she teaches architectural design at Florida A&M University.
Fiber artist Mary Lou Alexander’s two great passions are art and nature. She grew up in Northeast Ohio playing along the streams and paths of a nearby forest, drawing, and stitching together fabric scraps in her Godmother’s sewing room. She studied art and art history in college, but spent much of her adult life as a biologist, examining the ecology and reproductive behavior of small South American monkeys. She earned a PhD from Kent State University in Biological Anthropology, and holds an international Diploma from the Royal Botanic Gardens at Kew in London. She taught at Northeastern Ohio College of Medicine and in the Department of Biological Sciences at Kent State University.
In mid-career she resigned her tenured professorship to return to art and stitching full time. Over the year she had mounted 5 solo exhibitions in museums and galleries, and she has been represented in many juried exhibitions in the US and Europe including Artist as Quiltmaker, Quilt National, Quilts=Art=Quilts, Best of Ohio, Form Not Function, Focus Fiber, and others. Her work was invited to be included in Color Improvisations, which toured Europe in 2010 through 2013 in the Inaugural Exhibition at Edison Price Gallery in New York City and Material Pulses, which is touring the Us through 2023. Her quilts are part of many private and public collections including Marbaum Collection at the San Joe Museum of Quilts and Textiles. She has curated several exhibitions for the Butler Institute of American Art and written reviews for Fiber Arts Magazine. Natural phenomena remain a major inspiration for her work.
The exhibiting artists are as follows:
Margaret Abramshe, Geneviève Attinger, Bobbi Baugh, Deb Berkebile, Margaret Black, Ellen Blalock, Holly Brackmann, Peggy Brown, Betty Busby, Libby Cerullo, Shinhee Chin, Gregory Climer, Tyrus Clutter, Holly Cole, Shannon Conley, Petra Fallaux, Victoria Findlay Wolfe, Diana Fox, Kerri Green, Debbie Grifka, Carol Grotrian, Betty Hahn, Barbara Oliver Hartman, Jeanne Hewell-Chambers, Virginia Holloway, Judy Hooworth, Beth Porter Johnson, Noel Keith, Natalya Khorover, Judy Kirpich, Elke Klein, Karen Krieger, Denise Labadie, Judy Langille, Susan Lapham, Niraja Lorenz, Valerie Maser-Flanagan, Alicia Merrett, Kestrel Michaud, Susie Monday, Kathy Nida, Frauke Palmer, Julia Pfaff, Heather Pregger, Wen Redmond, Denise Roberts, Irene Roderick, Barbara Schulman, Karen Schulz, Candace Hackett Shively, Carolyn Skei, Brenda Gael Smith, Gerri Spilka, Lee Sproul, Victoria van der Laan, Cynthia Vogt
The Schweinfurth Memorial Art Center is located at 205 Genesee Street, Auburn, New York 13021. They are open Tuesdays-Saturdays from 10AM – 5PM and Sundays from 1PM – 5PM. Call (315) 255-1553 for more information or email at firstname.lastname@example.org.
We are so lucky to have some of the most beautiful New York State parks in our area. The meromictic lake trails and glacier produced hills of Green Lakes State Park and Clark Reservation are among my favorites.
But today I decided to traipse around the Stone Quarry Hill Art Park (3883 Stone Quarry Road, Cazenovia, New York 13035) – investigating paths I had never ventured on and, really, exploring the entire park. Dorothy Riester’s legacy to Cazenovia, New York is a great gift to the public. The park is open and currently free. Everyone is on their honor to come in small family groups or alone and to steer clear of the other patrons.
There were, maybe, six other people there today. The forecast said rain but it was all bright sunshine when I arrived. It was as if someone lead me there, truly. I was inspired to go after meditating and when I arrived it was just incredibly magical.
My motto is to meditate every day, then spend time outside every day and to be grateful – to keep a gratitude journal and write down the positive aspects in my life every day. The gratitude today was pretty much over-the-top. Exploring these trails was fun in and of itself, but then there was this added bonus of stumbling upon works of art. Sculptures scattered around, both new and old familiar friends. Some meant to be temporary and others standing the test of time.
Escaping into this reality for a couple hours is the stuff of legend. Thank you, thank you, thank you, Dorothy, for building this world. <3
The Erie Canal Museum (318 Erie Blvd. East, Syracuse, New York 13202) is host to a ceramics exhibition, one installed in February 2020. The museum is currently closed due to the world-wide health crisis – that makes interacting with the clay vessels (created as site-specific art) nearly impossible.
This is an irony because the idea behind the work envelopes the scope of human life, as it interacts with the forces of nature, the forces of water and the history of the man-made canal. The humans in question are every socio-economic level of local and regional society. All races of people who, in some way, have interacted with, associated with or had some understanding of what the Erie Canal has meant in our history, as well as those who have no idea but in fact, have been, inadvertently, affected by the legendary waterway.
Artist Linda Zhang was the 2017-2018 Boghosian Fellow in the School of Architecture at Syracuse University. She came to Syracuse from Europe and knowing no one, she spent time meditating (think deep thought) on designing the curriculum for this relatively new fellowship. She proceeded to think about and create strategies for the design of her position, ideas that would ultimately catapult her educational journey to include making art and teaching electives at the college, which led to philosophical-infused artwork and the idea of making meaning in terms of one’s personal vortex. This path included an interdisciplinary union with Errol Willet, Associate Professor of Art (ceramics) and Biko Mandela Gray, Assistant Professor of American Religion.
Although Zhang is currently a professor at Ryerson University in Toronto, The Story of Water pairs the artist with her SU educational cohorts. The clay vessels in this exhibition were slip cast and formatted utilizing water from the canal. There is a transformation – water crafts and the art is manipulated to create a phenomenological transcendence – art as symbolism.
Taking an idea and moving it through time, so that the result is present while encompassing a larger whole – this is incredibly interesting on so many levels. Fortunately for all, nothing is truly impossible. This exhibition can be viewed remotely. Zhang will be offering a lecture on her process via an on-line Zoom meeting. This event takes place on Saturday, April 18, 2020 at 1:00 PM. Click on the link above to join the party or check out the same link by way of the event’s Facebook page.
The event is free, however; donations to the museum are welcome. <3
*from the Erie Canal Museum web-site
February 3-April 16, 2020:The Story of Water: The Erie Canal as a Site of Untold Stories
“The Story of Water” is a collaborative project between Linda Zhang, Assistant Professor of Architecture at Ryerson University, and Biko Gray, Assistant Professor of Religion at Syracuse University. This exhibit features clay vessels based on 3-D drone scans of Erie Canal structures, transformed by the introduction of Canal water before the firing process. The resulting clay models symbolize the transformative effects, positive and negative, that the Erie Canal had on the lives of those who built it, used it, and lived near it.
Zhang will discuss the artwork, her creative process, and what inspired her and collaborator Biko Gray to develop this exhibit. “The Story of Water” features clay vessels based on 3-D drone scans of Erie Canal structures in Central New York. The artist introduced Canal water to the pieces before the firing process, creating models that symbolize the transformative character of water and the Erie Canal.
The Museum is currently closed to the public to protect visitors, volunteers, and staff from Covid-19. We’re working diligently to serve you by offering programs by alternative means, and greatly appreciate your help. You can make a donation to the Museum through the link in the “Get Tickets” box below,
We look forward to seeing you on April 18 for this thought-provoking talk!
It started out as an experiment. How could Michael John Heagerty create an homage to artist Ji Lee, as well as manufacture a happening that transcends art and becomes a part of the bigger picture?
Answer: plant umbrellas.
Last summer, as co-owner of Wildflowers Armory (217 S. Salina Street, Syracuse, New York 13202), Heagerty collaborated to install a series of umbrellas in the nook next to the gallery’s former location. The event, called #colorfulcanopysyr invited patrons to visit and share their photographs on social networks, which led to a “Best Selfie Spot” award from local media.
The umbrellas lend color to otherwise dreary spaces, according to the artist, as follows:
Red is a very emotionally intense color. It enhances human metabolism, increases respiration rate, and raises blood pressure & appetite. Red represents COURAGE.
Pink is intuitive and insightful, showing tenderness and kindness with its empathy and sensitivity. Pink represents HOPE.
Yellow is the most luminous of all the colors of the spectrum. It’s the color that captures our attention more than any other color. It’s the color of happiness, and optimism, of enlightenment and creativity, sunshine and spring. Yellow represents HAPPINESS.
Burgundy, named for the French region of wine-making, shows unconventional thinking, a desire for being unique and self expression. It can increase your energy, like red. Burgundy represents COMFORT.
The umbrella configurations have visited several locations in the past few days. They have spent twenty-four hours each at Onondaga Park, Woodland Reservoir, Onondaga Creekwalk, Thornden Park and their present location, Willow Bay at Onondaga Lake Parkway (3858 Long Branch Road, Liverpool, New York 13090).
They are planted in the ground (curved handles removed), and to honor our current life circumstances, they are pointing towards hospitals or engaging in the six-feet-apart modality.
For the next phase, the future installments will last forty-eight hours in duration. This for those who adhere to an every-other-day walk-about, as we further distance ourselves while allowing the medical epidemic to dissipate. The installations will continue as phantom pop-ups to sustain the idea’s magic.
Heagerty is a fan of the artist Christo who, along with his wife Jeanne-Claude, created large-scale temporary installations for the purpose of fulfilling a happiness and joy credo or art for art’s sake, in addition to making the invisibility of common-place landscapes visible via “immediate aesthetic impact”.
It is this purpose Michael John Heagerty aligns with most. This is his love-letter to Syracuse, New York, suggesting that we WILL get through this mayhem with courage, hope, happiness and comfort, and above all, a caring, creative-arts zest for life. <3
***all other photographs not tagged are used with permission courtesy of the artist
Two of my classes used hand-building skills to create these adorable clay lizards. We used the Sax Colorburst glazes. I love the colors, especially the Firecracker!!! The projects remain in the glass case in the Chittenango Middle School atrium.