Category Archives: abstract

Cool August Moonies

 

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Tonight was the opening reception for the summer art exhibition at The Syracuse Tech Garden gallery (235 Harrison Street, Syracuse, New York 13202).  It is titled Cool August Moon. I saw my high school friend and fellow art teacher Audrey Levinson there!

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Artist Steve Nyland (another Jamesville-DeWitt alum) is the curator and a participant in the show.  He told me that he signed a new contract to continue with these exhibitions for at least another year.  They take place in the lobby of this building, which is across the street from the Syracuse Marriott (Hotel Syracuse).

Other local artists contributing to this show –

Laura Audrey
Terry Lynn Cameron
Richell Castellon
Fletcher Crangle
Kathy Donovan
Ryan Foster
Larry Hoyt
Lisa Ketcham
James P. McCampbell
Sally Stormon
Rabekah Tanner
Mitzie Testani
Ray Trudell
Kayla Cady Vaughn
Ryan Wood

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Massachusetts transplant Lisa Ketcham creates these kitschy assemblages and frames.  They are sort of a cross between steampunk and macabre via the use of gears, timey-wimey-ies and skeletons.

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Terry-Lynn Cameron brought her originals to share.  I met her on Sunday at City Market where she was selling prints of these lovely acrylic paintings.

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Richell Castellon Ferreira is the real deal – a painter and woodworker by trade.  He comes to us from Cuba.  His paintings of the Syracuse landscape would make perfect additions to any local collector’s art stash!  He paints from photographs and from memory.  These originals are only $175.

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Ray Trudell focuses on the invisible in his black and white photographs taken of the surrounding area.  He “slows time” by defining a glimpse of a moment using sharp contrast in his compositions.

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The exhibit will be on display until September 20, 2019.  For more information contact Steve Nyland at gallery.ttg@gmail.com.  To purchase artwork, contact the artists directly.  They have left business cards and also have contact information on their respective art tags.

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Circles of Life

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I didn’t know Marlene Roeder could draw when I met her twenty-five years ago while we were both working at Franklin Magnet School, an arts magnet elementary in the Syracuse City school district in Syracuse, New York.

She was the grant writer and big into theatrical productions.  I was a daily substitute teacher.  She has since retired from that job, as well as from her position as an education curator at the Everson Museum of Art – and taken up the art of mandala making.

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Her artwork is available for sale at Eye Studio (712 W. Manlius Street, East Syracuse, New York).  Last night was the opening reception for Circle of Life, a month-long exhibition of these intricate ink and colored pencil originals and prints.

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Marlene shared her passion for creating the drawings.  She begins with a large compass then decides how many points she will create.  Pencil then pen and ink followed by color.  Some of the pieces have been published in a coloring book.  She does “coloring parties” too, in which she offers color theory tips and the therapeutic escape that coloring provides.

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There are several series within this concept.  Groupings of pieces inspired by family, landscapes, seascapes, still-lifes, time and social injustice.  They are all infused with a spiritual belief system and a desire to share visual thinking strategies as a means to understand and further enjoy art, and the art-making process.

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Marlene is an advocate for “the persecuted and oppressed”.  She gives 20% of her art sales to the A21 Campaign, an international organization that fights to end human trafficking.

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For more information, contact the artist at mroeder01@gmail.com. ❤

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Gallery and Gift Shop Hours

Monday – Tuesday   11am – 7pm.       Thursday                12pm – 7pm

​Wednesday             3pm – 7 pm         Friday – Saturday    12pm – 5pm

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Cruz-ing

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The retrospective currently on exhibition in two of the upstairs galleries at the Everson Museum of Art (401 Harrison Street, Syracuse, New York 13202) was fifty years in the making.  Puerto Rican born Juan Cruz has spent the past forty years dwelling here in Syracuse, New York, making murals, teaching and working on a collegiate degree in Fine Art from Syracuse University.  And painting – he has been creating the mother-lode of paintings.

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This show exemplifies what I have always wanted the Everson to be – a museum that believes in local artists, supporting their careers and offering ample space to breathe love and life into a body of work that illustrates the strength, character and beauty of an artist’s life-long vision.

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There are paintings that show Cruz’s proficiency with realism – watercolor landscapes and oil on paper portraits.  These pieces are the yellow bricks of the journey.  They offer the first dance on a path that takes a left hand cruise into abstraction.

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Those abstracts even go 3-D via a few sculptures as well, but the artist’s main strength is in the confident energy of the gnarled face forms peering out of these canvases, evidently pleading to be understood.

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This energy alludes to social injustices felt both personally and as a member of a Caribbean culture with economic drama.  There is abundant repetition of shape and color interspersed with black outlines, as well as bright white.  This co-mingling rhythm creates a cartoon-like flavor undermining the angst, which gets more pronounced in the newer pieces, suggesting a shift to a more positive perspective for this working artist.

I would imagine pure full-on non-representational abstraction is the goal, obliterating the need to be understood by the masses, because when the goal is freedom of expression, the limitation of pleasing others gives way to one’s own knowing.  Knowing the rightness of choices made with deliberate intent.

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It’s all about the journey, and this one is an enormously satisfying one.  I am delighted that I was able to witness this body of work as it is displayed.   And for Juan Cruz, the best is yet to come.  Because the dance is by no means over – it has just begun. ❤

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Juan Cruz:  A Retrospective concludes on August 4, 2019.  (Up next – Yoko Ono!)

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****From the Everson website

Syracuse-based artist Juan Alberto Cruz (b. 1941, Puerto Rico) combines rich symbolism with a bold and colorful abstract style to create work infused with his Caribbean heritage. Moving from Puerto Rico to Manhattan’s Lower East Side and subsequent travels to Spain, Mexico, Cuba, and Central America have had a major impact on Cruz’s work, which reflects a mixture of his cultural heritage and life experiences. From his earliest portrait paintings to recent abstract collages, Cruz uses the emotional realities of his past to articulate his feelings about economic inequality and systematic injustice.

As a child, Cruz taught himself to draw by copying the comic strips from discarded newspapers onto brown paper grocery bags, and later he drew portraits of everyday people that he sold for pocket change on the street. It was not until his thirties, when he enrolled in an art program led by then-Everson Director Jim Harithas that Cruz learned art could be more than replicating the world around him. Harithas taught Cruz how to paint and introduced him to a world of modern artists, which led Cruz’s drawings and paintings to evolve into a complex amalgamation of figurative and abstract forms. For the past five decades, Cruz’s boundless creativity and production has led him to compile a massive body of work. 

Since moving to Syracuse in 1975, Cruz has made a significant impact on the local community. He has painted numerous murals throughout the city, including on the Onondaga Commons building, in Skiddy Park, and several in the Near West Side. He also completed a new mural with the Everson Teen Arts Council currently on view on the Museum’s Lower Level. Cruz served as artist-in-residence for the Near West Side Initiative for five years and ran the Patch-Up Studio, a community center that provided children and adults with a safe space to make and learn about art. By choosing to live and work in Syracuse, Cruz has brought together a multigenerational community inspired by his public art initiatives and workshops.

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EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY 12-5
THURSDAY 12-8
FRIDAY 12-5
FIRST FRIDAY EACH MONTH NOON–8:00PM
SATURDAY 10-5

Call (315) 474-6064 for more information.

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Garden of Eddie

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Eddie Dominguez transports us to his version of the Garden of Eden in his show at the Everson Museum of Art‘s Robineau Memorial Gallery.

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His vision is one that reflects a heritage in which landscape and religion play vital roles.  He is from New Mexico, although his art education took him to Ohio and New York, which is why we are able to fall under his spell here in Syracuse, New York.  This show was curated by the Columbus Museum of Art and will be on exhibit until Sunday, July 28, 2019.

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Dominguez combines ceramics and found objects to create his irreverent world.  It is a playful, fantastical and thoroughly original body of work. ❤

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*** from the Everson Museum of Art website

The youngest of eight children, Eddie Dominguez grew up in Tucumcari, New Mexico, between Albuquerque and Amarillo on historic Route 66. He came to national prominence in the mid–1980s for highly stylized dinnerware sets that also stack into sculptural forms. In his work, Dominguez frequently references his home state’s vegetation, landforms, weather, and Hispano–Catholic culture. The dual nature of Dominguez’s objects, which inhabit the gray area between utility and art for art’s sake, reflects his personal experience as a New Mexican who studied ceramics in the Anglo–dominated East: whether we see “art” or “craft,” local Hispano or melting pot American depends completely on the immediate context.

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The Everson Museum of Art is located at 401 Harrison Street, Syracuse, New York, 13202.  Call (315) 474-6064 for more information.

EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY 12-5
THURSDAY 12-8
FRIDAY 12-5
FIRST FRIDAY EACH MONTH NOON–8:00PM
SATURDAY 10-5

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Motion Forward

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Summer is a time where time doesn’t matter to me.  I get up when I want.  I do what I want.  It is not slow or fast motion.  It is pure bliss.  Today was a bit wonky in that it was cloudy-ish – it rained last night and seemed like an indoor-all-day kind of day.  I worked on a fun, creative project, I practiced on piano, watched some TV (I cannot get enough of Million Dollar Listings on Bravo) then I noticed that it was actually nicer out than I thought.  So, I decided to go for a hike.  So satisfying!  When I returned, I stumbled upon information that there was going to be an art reception and I still had time to get ready to go!  Can someone hashtag #ootd fast enough?  Could this day get any better?  Yes and yes!

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Halston Heritage dress, Michelle DaRin Jewelry bracelets, BCBGMaxAzria sandals

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I was delighted.  For some reason I thought SU’s galleries went on summer hiatus but that is not the case with POC this time.

Syracuse University’s Point of Contact gallery is located in the Warehouse Building in Armory Square (350 W. Fayette Street, Syracuse, New York 13202).  It is primarily a space that features latin artists, although from time-to-time they curate other exhibitions, like the annual Sum Art show.

Time Changes Everything is the current exhibition.  Curated by Sara Felice, Managing Associate Director of the gallery, it features Margie Hughto, Beth Bischoff and Darcy Gerbarg with an art and video installation by Franco Andres in the back space.

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It is a magnificent show!  It was such a thrill to meet and speak with three of the artists.  I have met Margie Hughto before but this time – OMG, her new work is breathtakingly beautiful, the kind of thing that moves me to want to make art, moves me to the tears that form the essence of joy.  They are ceramic assemblages that sort of bridge the space between archeology and modernism.  Each piece is fired separately then the artist uses intuitive rhythm to create movement in each piece, a swirling that truly captivates.  Her inclination here is to showcase climate change.

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Darcy Gerbarg blends her history as an Abstract Expressionist painter with her knowledge of digital technology.  She has always been on the cutting edge in her field and these pieces are digital prints created by utilizing virtual reality software.  Like a conductor wielding her baton, she executes a rhythmic flow of movement that then gets translated into digitized color on a monumental scale.

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Beth Bischoff spent six years living in the Yucatan.  Her photographs of this landscape are taken with a unique panoramic camera then digitally printed.  The imagery created transports the viewer to a jungle habitat lost in time.  Again, the sweep of rhythm thrusts mightily, albeit in black and white.  It appears in tree branches and tall grass, as well as in the contrast of the stone facades.

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The time changing element to this show is that feeling of having been here in the present moment and everywhere simultaneously.  Time doesn’t stand still.  It swirls and dances upon the landscape of photograph, painting, print and bas-relief.  I feel changed for the better blessed by the momentum of art.

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If you would like to view this show and find out more about the 4th artist, Franco Andres, (I did not get the opportunity to meet/speak with him), the exhibition runs through August 9, 2019.  Point of Contact is open Monday – Friday 12 – 5 pm.  Call (315) 443-2169 for more information or visit the POC website at www.puntopoint.org ❤

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***From the gallery website

TIME CHANGES EVERYTHING

MARGIE HUGHTO, BETH BISHOFF, DARCY GERBARG, FRANCO ANDRES

JULY 12 – AUGUST 9

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Each artist in Time Changes Everything battles the temporality of human existence and the material world constructed around it.

Bischoff’s photography expresses a harmony of the past and present depicting the ruins left in the world’s progression. Bischoff’s Ruins series functions as a reminder of the care our planet deserves.

Ceramist Margie Hughto draws inspiration from landfills and remains left by humans in the creation of her Excavation Series. Hughto’s work embodies the transience of the human experience in a world heavily structured by transitory material objects.

Bringing together numerous modes of digital art, Gerbarg forms The Syracuse Pictures. Her artwork abstracts the world into its own heterotopia, existing in both the past and present.

Andres realizes the difficulty of authenticity for artists as he utilizes an accumulation of mediums in the formation of one’s identity. The process of his artwork becomes a depiction of time and change as his work spans from ancient processes to contemporary modes of video.

These four distinct artists come together in “Time Changes Everything” to pose a larger challenge to the viewers through the ultimate tool, their artwork.

Time Changes Everything will be on view through Aug. 9th.

 

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Come This Way or That Way

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The five pieces that make up this whimsical installation by Abraham Ferraro of Albany, New York, are the reason children grow up to be artists.  (What kid didn’t have a sticker collection in the ’80s – am I right, people?)  Arrows wrapped in brightly colored postal tape direct viewers towards this behemoth labyrinth of recycled cardboard and stickers.  You can’t take a bad picture – every angle is perfection.  It is just so incredibly fun!  There is this feeling of discovery, the idea of packages – think Willie Wonka meets Amazon Prime via the U.S. postal service.

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It is located in the main gallery space at the Schweinfurth Memorial Art Center, the featured items in a three-person show called Made and Remade:  Re-Imaging Industrial Systems and will be on display until August 18, 2019.  The other artists in this exhibit are Landon Perkins of Bentonville, AR and Sherri Lynn Wood of Cincinnati, OH.

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Apparently, Ferraro mailed the boxes and arrow-shaped sculptures to the Schweinfurth then added more tape and arranged them to create the eye-popping playground-like display.

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Tonight was the gallery’s First Friday event.  In addition to viewing the artwork, browsing the gift shop and enjoying delicious snacks, there was a free re-purposed art project (creating a self-watering planter from a wine bottle) set up in the basement – led by my friend Davana Robedee, Program Coordinator.

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Michelle DaRin Jewelry, BCBGMaxAzria dress and sandals

The next First Friday will be August 2, 2019.  Edgy Folk will perform.

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SCHWEINFURTH ART CENTER
(315) 255-1553
205 Genesee Street, Auburn, NY 13021
mail@schweinfurthartcenter.org

HOURS
Tuesday – Saturday: 10am – 5pm
Sunday: 1pm – 5 pm
Closed major holidays and during exhibit installations.

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Sensu Meets Natsu

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My encaustic paintings are currently on display at Kasai Ramen!  They are part of a group show curated by Jamie Santos.

The group show is titled Natsu.

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There will be an artist reception on Thursday, June 13, 2019 from 6 – 10 pm.  Hope to see you there!  Here is the link to the Facebook invite – facebook.com/events/66304848748843

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These twelve paintings are from my Sensu series of encaustics, created last month ($250 each).  They are 8″ x 8″ encaustic & collage pieces.  On the back of each painting, I have instructions on how to care for these paintings.  ❤

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Care Instructions for Encaustic Pieces – 

Over time, dust and other particles in the air will collect on the surface of the painting and make a film that will look dull.  Regular buffing in the first three months will help to keep the surface shiny and will bring out translucency in layers that are not currently visible.  After three months, the surface of the encaustic painting will stabilize and won’t attract dust as readily.  Any time the painting starts to look dull, it can be buffed with a very soft rag to increase the transparency and shine of the surface.  Light dusting of the piece is all that is needed in the form of maintenance.

To make sure your piece lasts a long time, it should not be hung where it will experience below freezing temperatures or in direct sunlight coming through a window.  Be aware of placing your piece near a powerful light bulb or any kind of lighting that produces a lot of heat (Christmas lights).  Don’t leave your piece in a car on a hot day or near a fireplace.  As long as your piece is kept in your house at a comfortable temperature, it should stay in perfect condition.

Because the wax is soft, it could be damaged if dropped or if a sharp or hard object is scraped over the surface.  Fingerprints will also damage the surface over time, as the acid on our hands will etch itself into the wax.  A quick wipe of the surface after everyone touches it will prevent this from happening.

If you ever need to pack or move, or ship your encaustic painting, make sure you wrap it in a piece of paper with a smooth surface before wrapping it in bubble wrap or anything that has a texture that could damage the surface.

Encaustic painting is very archival, resistant to moisture, fading from light exposure or yellowing from acid.  In fact, encaustic painting is the most archival form of known painting.  Your painting has the potential to last for hundreds of years if well cared for.  I trust you will enjoy it!