Karen Tashkovski, SPINNING, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, JOY, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, ENCHANTMENT, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Welcome to the new and improved versions of these paintings. I created them last year with the intention that they would be sold with a mission style table easel. I’m going to keep the easels to assist with future library art shows and/or to display my work if I ever have another opportunity for an indoor art sale like the one I participated in at that Jamesville, New York whiskey bar.
Karen Tashkovski, PROMISE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, UTOPIA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
They look so much better in these fabulous frames. I am in love with them! They are encaustic & collage targets, 5″ x 7″ hardboard mounted on 8″ x 10″ chalkboard.
Karen Tashkovski, RELEASE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
I reworked some of them. I added gold enamel. I changed out collage materials. I used my fingers to smudge in metallic cold waxes.
I thought they were done before, but once they were in the frames, I felt like they could be elevated via these tweaks.
Karen Tashkovski, THE BEST MOMENT, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
The dream is to sell them as a group. Someone could install them on a wall as one giant piece or maybe they could place them on a long hallway wall in a business office.
Karen Tashkovski, ENTRANCE, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
I think this is the vision I have for all of my artwork. I create series of paintings with the intention that they be introduced to the world together as a unit, as a presentation much like a fashion show reveals a seasonal collection of clothing. I love this idea, that an idea expands to however many paintings brings it to fruition.
It’s always at least a dozen paintings of the same dimensions. In this case, there are two dozen.
Karen Tashkovski, BLISSFULLY, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, EVERYTHING, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, LOTUS LAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, WONDERLAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, JEWELS, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, DREAMLAND, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, FLORIDA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, VISUALIZATION, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, EUPHORIA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, HOLLYWOOD, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, FIRST OF ALL, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, MEXICO, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, SHANGRI-LA, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, WARMTH, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on. 8” x 10” chalkboardKaren Tashkovski, TRAILS, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboardKaren Tashkovski, ILLUMINATION, 2025, encaustic & collage, 5″ x 7″ hardboard mounted on 8” x 10” chalkboard
Karen Tashkovski, LIFE SUPPORT, 2026, encaustic & collage, 8” x 10”Karen Tashkovski, HANDBAG, 2026, encaustic & collage, 8” x 10”
I just completed this collection of twenty-four paintings. I am fascinated by the handbags depicted in ancient civilization bas-reliefs and sculptures across continents.
I created twenty-four different stencils to carve into ,my 6″ x 6″ hardboards. Then I used encaustics (and paper collage) to add color and texture.
Karen Tashkovski, TOOLKIT, 2026, encaustic & collage, 8” x 10”Karen Tashkovski, PURSE, 2026, encaustic & collage, 8” x 10”
I painted the backing board with both chalkboard paint and magnetic paint, as the mysterious handbags of old were perhaps electromagnetic in nature.
Then I added collage items that reflect my own history, as well as my signature arsenal of devices: game pieces, keys, ribbon, jewelry, wood chips and bobbins.
The fleur-de-lis dominoes have a beautiful patina, as they are new ones mixed with vintage pieces, which I love.
Karen Tashkovski, DEVICE, 2026, encaustic & collage, 8” x 10”Karen Tashkovski, BACKPACK, 2026, encaustic & collage, 8” x 10”
All are framed and ready for their conquest of the world.
There is such a rewarding feeling of validation and joy to the completion of a new series. I will bask in that after-glow while contemplating what to do next – possibly a second set of these or incorporating the handbags into a larger work, or, or, or?
Karen Tashkovski, CLUTCH, 2026, encaustic & collage, 8” x 10”Karen Tashkovski, CARRYALL, 2026, encaustic & collage, 8” x 10”
Yesterday was a day of art immersion – two art shows and a fabulous day spent with my friend and fellow artist, Penny Santy. In conversation, I kept going back to this series, thinking about what I wanted its journey to be and truthfully, it would be amazing if someone wanted to buy them all and keep them together, because I feel like they are meant to be together.
But then, I think about how the ancient handbags are found in South America, Egypt, Turkey and Iraq. They stump archeologists as to their function. Maybe my handbags will be separated and valued individually, and treated with questionable mystery by the viewers who encounter them.
Karen Tashkovski, ROSEBUD, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, LIKE, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, MERMAID, 2016, encaustic & collage, 9” x 12”
I just completed photographing the new collection of heart paintings. They are encaustic and collage, 5″ x 7″ on hardboard mounted on 9″ x 12″ chalkboard and framed.
Photographs do not do them justice. They are really vibrant in person and so full of texture.
Karen Tashkovski, SUNSHINE, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, LOVELY, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, HEARTY, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, WARMTH, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, LOVE POTION, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, BESTIE, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, FORTUNATE, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, FRIENDSHIP, 2026, encaustic & collage, 9” x 12”Karen Tashkovski KINDLY, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, SEXY, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, JUICY, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, PURELY, 2016, encaustic & collage, 9” x 12”Karen Tashkovski, EVERLASTING, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, FAITHFULLY, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, FRESH, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, SWEET, 2026 encaustic & collage, 9” x 12”Karen Tashkovski, LOVING, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, LOVE LETTER, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, ROMANCE, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, SWELL, 2026, encaustic & collage, 9” x 12”Karen Tashkovski, SPLENDID, 2026, encaustic & collage, 9” x 12”
Karen Tashkovski, COTTONWOOD, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, SYCAMORE, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
It was three below zero in Syracuse today. I did not visit my favorite trees on a hike – I draw the line at eleven degrees, thanks.
I spent the day completing my encaustic trees collection. These paintings are 6″ x 8″ encaustic & collage mounted on 11″ x 14″ chalkboard, and framed.
Karen Tashkovski, POPLAR, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, OAK, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
I added oil pastels, vintage stamps, keys, embroidery floss, checkers, cedar chips, ribbon, 1963 pennies and French bobbins – from France!
I am so in love with them. It is such a weird feeling – so happy to have completed them, proud of myself and the choices I made, but also sad that it is over.
I feel like I should expand the series. I created twenty-four of them, twenty-four different tree shapes. Do I make twenty-four more with twenty-four different shapes? Do I reuse the shapes and change the colors, as I did with the lotus collection? I don’t know yet.
Karen Tashkovski, HONEYLOCUST, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, MULBERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
I don’t even have a plan for where I will exhibit them. I am scheduled to show at the East Syracuse Free Library this May through June, so, maybe there.
Karen Tashkovski, CHERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, HEMLOCK, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
I am actually still waiting for a back order of frames (four are technically not framed – I just set them in a broken frame in order to photograph them). Once they get delivered, all the paintings will be stored away and I will vacuum and reclaim my living room floor, and my dining room table – until the next project presents itself. <3
Karen Tashkovski, APPLE, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, FIR, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, DOGWOOD, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, GUM, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, BERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, WILLOW, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, SPRUCE, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, HICKORY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, MAPLE, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, PINE, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, TAMARACK, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, CEDAR, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, ELM, 2016, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, CHESTNUT, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, BIRCH, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboardKaren Tashkovski, WALNUT, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, Mint, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Vintage, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard
Mint and Vintage are not for sale – Jamey damaged Mint during a zoomies incident. I ordered supplies to fix it. Vintage is hanging on the wall in my stairwell.
The rest of these paintings belong to other people. I know that one of them is in the collection of Janine and Paul Opel but to be honest, I don’t remember who purchased the other ones. I really need to keep better records once I make a sale because it is important for the collector to have the provenance.
With that said, please let me know if you have one.
In addition, if you would like to be on my mailing list, please contact me. Add your address in the message. Postcards will be sent out for my exhibition at Edgewood Gallery scheduled for August 2026.
Karen Tashkovski, Blood & Sweat, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Spin, Karen Tashkovski, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Axis, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Dusted, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Cherry Bomb, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Fly, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Prime, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Patina, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboardKaren Tashkovski, Quicky, 2017, encaustic, 5″ x 7″ on masonite mounted on 9″ x 12″ chalkboard
If you are in the vicinity of Little Falls, New York, there is a little festival happening this weekend (Dec 12, 13, 14, 2025). In addition to the activities listed, the shops are open during their regular hours through Christmas.
I have two paintings for sale at Mohawk Valley Center for the Arts, 410 Canal Place, Little Falls, NY. They created a show of work priced at $100 and below to encourage art enthusiasts to purchase art as gifts for the holidays and to buy local.
The Race, 18″ x 18″, 2012, encaustic, $125
You will be getting a deal because these are normally $125! They are from my first horse series created in 2012 – encaustic & collage, 12″ x 12″ mounted on 18″ x 18″ chalkboard painted masonite.
Thirty-six more paintings are currently in progress! I’ve created twelve more stencils, traced them onto the beeswax prepped hardboards and added the paper collage component to all of them. I introduced Monopoly money to this series. Using game pieces in my artwork is my favorite device.