Welcome to my world. Here are my 2020 #ootd school pictures thus far. My Studio in Art students have been painting with acrylics – these paintings are going to blow your mind. They are sooooo good!!!!! I think they only need a couple more weeks to complete them. I have been wearing stuff that wouldn’t freak me out if it got paint on it. I guess I am saying that fashion is taking a backseat at the moment. I’m a control freak about the brushes – I tell them to use however many they want and need, and I will wash them, so, I spend about twenty minutes washing brushes on my lunch period every day.
Today was the first day of the 2nd semester, believe it or not, which means we are already half-way through the year. I am giving pre-tests and prepping lessons – lots of cool things to come: oil pastels, collage, more paintings and clay!!! I’ll be switching up the artwork on the cabinets soon, as well as eventually organizing the excessive amount of white paint on that back counter, lol, for those of you who scoff at the mess. (It is an art room, after all – that’s what makes it fun and funny). Special thanks to Katy C., my colleague and photographer, who laughs with me every day. <3
Today, after work and a five-mile Green Lakes hike, I headed over to the Sue & Leon Genet Galley at The Nancy Cantor Warehouse (350 W. Fayette Street, Syracuse, New York 13202) for the Sue Ann Genet Costume Collection exhibit, Let It Snow! Keeping Warm at Syracuse University, 1870-2020.
I love the irony of this whole premise that it is cold in Syracuse in winter and I’m all hiking my head off for two hours a day thinking it’s totally warm – what’s wrong with you people? Naturally, I am also all about cashmere, fur, leather and down parkas, so this little exhibit was right up my alley. Keeping warm is my schtick. Really, it’s fashion. Fashion’s my schtick.
I frequented this gallery when it was housed in Slocum Hall back in the ’80s, so actually visiting it again, it’s kinda/sorta my old stomping grounds. I am a graduate of the Fashion Design program at Syracuse University and a really cold (minus 4 degrees) day in 1982 is referenced in the literature, which was probably a day I was walking around campus with my gigantic portfolio and paint case or a huge bag of fabric and a sewing kit (dual degree Fashion and Studio Arts) blowing around all over the place. Could this be anymore about me? LOL, sorry….
This is obviously an exhibition of outerwear spanning a century and a half. Everything on the mannequins looks stunning – well preserved and for the most part, timeless.
The show was curated by Professor Jeffrey Mayer. Kirsten Schoonmaker gave a slide presentation during the event tonight sharing her expertise on textiles, specifically a history of the fashion/costume use of wool and fur through the ages. Students in attendance were clearly enthralled by her dynamic presence. She is an Associate Professor of Fashion Design at Syracuse University, as well as the exhibit designer and collection manager.
Let It Snow! will be up through February 28, 2020. You will love it. <3
On Dec. 2, 2019, Syracuse University canceled a full day of classes for the fourth time in its 150-year history. This means that generations of students have trudged through snow, sleet, ice, and wind in order to get to class. How did they keep themselves from shivering as the daytime temperatures plunged as low as -4°F in January of 1982? Students on campus have proved that staying warm doesn’t have to mean sacrificing style. Thick fulled wool in fashionable hues has been cut and shaped to follow the silhouettes of the moment, whether it be the 1880s, the 1980s, or today. Collars and cuffs have been trimmed with insulating materials from soft fur to plushy polyester, trapping warm air around exposed skin as icy winds blow. Belts and buttons not only keep coats from flapping, but also add a touch of shape, sparkle, or contrast. Selections from the Sue Ann Genet Costume Collection reveal that while faces may change, outerwear has always been a style statement on campus.
About the Sue and Leon Genet Gallery:
Based in the School of Design at the Nancy Cantor Warehouse, the Sue & Leon Genet Gallery is a student-managed space hosting exhibitions from the school’s students, faculty, and alumni. Programing seeks to engage the University and downtown Syracuse community with exhibitions inspired by and related to the field of design. Public gallery hours are Monday through Saturday, noon to 5:00 pm., or by appointment. Call (315) 443-2455.
The former Johnny Appleseed’s furniture store (3402 Old State Road, Erieville, New York, 13061) is now The Shoppes at Johnny Appleseeds. The brainchild of Erica Gilmore and her husband Patrick, it is an over fifty vendor facility, with artisans setting up individual shopping experiences creating little vignettes throughout this amazing space.
It is a still-life lover’s dream. Charming folkloric visual merchandising at every turn. The vendors are not there hawking their wares. You are left to enjoy the process of discovery. Vintage clothing, handbags, jewelry, greeting cards, home decor including furniture and housewares, candles, art (Wendy Harris is there!) and even bird houses.
The Shoppes at Johnny Appleseed reopened in the spring of 2017 as a retail space for crafters and artisans alike. We are excited to offer such a unique venue and are always looking for talented people to continue to grow with us as we build a future at this historic Central New York location.
There is a restaurant as well, the Apple Kitchen, and they serve apple crisp! <3
Wednesday-Saturday, 10-5 Sunday 11-5
Apple Kitchen Hours:
Saturday, 11-4 pm
Sunday, 11-4 pm
They have various sales and events – pet adoptions on weekends via a liaison with Wanderer’s Rest and more! You can stay informed by linking to their Facebook page. <3
Current list of vendors –
The Apple Kitchen • Alexandra’s Attic • The Heckled Hen Antiques • Decorative Edge • 13 South Metal Signs • Wendy Harris Fine Art
When I met Jason Alexander, I did that goofy Cinderella’s step-sister thing and asked him how he liked our Syracuse, New York weather.
He replied, “It sucks!” This was after a performance of the play he’d directed at Syracuse Stage. My friend and I looked at each other in an are-you-kidding-me glance because we both love it here, both love to hike whether in rain, snow, sleet or hail. And our weather had been particularly great in June.
So funny – and that is why I don’t have a selfie with the Seinfeld alum.
Today’s weather is sheer perfection – a magnificent sunny and breezy day to explore the offerings at City Market. Sponsored by the Everson Museum of Art (401 Harrison Street, Syracuse, NY 13202), the market is housed on the museum grounds around the fountains.
It takes place on the second Sunday of the month from 10 am – 4 pm. There are two dates left before the season ends – Sunday, September 8, 2019 and Sunday, October 13, 2019.
There is a lot to peruse – jewelry, trinkets, clothing, food, furniture and flea market-y miscellaneousness. And art, of course.
Tyler Cagwin created Nostalgia Chocolate. He manufactures the product here in Syracuse with international cocoa beans. The flavors are rich and satisfying! Gourmet chocolate with health benefits! (That’s a win-win).
I loved these ceramic pins and magnets created by Beckie Bortel of Beckie’s Pottery. They have a substantial feel to them and they look like ginger snap cookies. Great patina!
Terry Lynn Cameron is selling originals and prints of her colorful paintings. The prints are done on canvas, which is very cool. I am really impressed with how she markets her product! Some of the art has been adhered to sketchbooks and daily planners. Love!
Lori Lizzio‘s work can be found as originals, prints and notecards. They are ink and wash pieces of animals and figures.
Syracuse does have beautiful weather, Jason Alexander, and beautiful people – and art. It is satisfying and fun. Really fun. It doesn’t suck. <3
I visited with four friends in their tents on Montgomery Street yesterday. They are all participating in the AmeriCU Syracuse Arts & Crafts Festival, which continues today from 10 am – 5 pm. The festival occupies and includes four streets around Columbus Circle in downtown Syracuse, New York.
Eugene and Clare Thaw began collecting Native American art in 1987 when they lived in Santa Fe, New Mexico. They donated the collection to the Fenimore Art Museum in Cooperstown, New York where it currently resides in the downstairs gallery across from the Herb Ritts exhibition.
The life of Eugene V. Thaw is eloquently reviewed in an obituary written by Holland Carter for the New York Times, which I have included in this post. It documents a man’s life-long passion for the arts. His dedication to collecting, amassing more like, and also preserving and selling art is a gift to the world.
In this case, American Indian clothing, jewelry, pottery, and both decorative and functional objects depict the powerfully dignified beauty of a culture/civilization. Although the collection began in the Southwest, the Thaws expanded it to include every region of the US. The pieces are exquisitely displayed via region.
I am especially drawn to the costume, the leather hides, the intricate beadwork and the colors. Just fabulous!
Thank you, Mr. & Mrs. Thaw, for your life’s work and vision – preserving American history through the beauty of its art. <3
He was born on Oct. 27, 1927, in Washington Heights in Manhattan. His father was a heating contractor, his mother a schoolteacher. They named him for the socialist leader Eugene Victor Debs, who had died the previous year.
As a young teenager, Mr. Thaw took drawing classes at the Art Students League on West 57th Street in Manhattan. But he did not pursue the hands-on practice of art.
“I can’t create the objects I crave to look at,” he later said, “so I collect them.”
After graduating from DeWitt Clinton High School in the Bronx at 15, he entered St. John’s College in Annapolis, Md., and began making day trips to art museums in nearby Washington.
Returning to New York in 1947, he took graduate classes in art history at Columbia University with Millard Meiss and Meyer Schapiro. He also followed the city’s contemporary-art scene, getting an early immersion in Pollock’s work at the Betty Parsons Gallery.
His closest institutional tie was to what is now the Morgan Libraryand Museum, which in the 1950s was one of the few New York museums to have a curator of drawings. In 1975, after the museum had expanded its acquisition parameters to include 19th-century work, the Thaws decided that the Morgan would be the recipient, in incremental allotments, of their ever-growing holdings. The Morgan exhibition “Drawn to Greatness: Master Drawings From the Thaw Collection,” which opened in September and closes on Sunday, marked the completion of the gift, encompassing more than 400 sheets.
Among them were works by modern and contemporary artists in whom Mr. Thaw took particular interest. In the 1950s, on summer vacations in East Hampton, N.Y., Clare Thaw had struck up a friendship with the painter Lee Krasner, Jackson Pollock’s widow. With Ms. Krasner’s cooperation, Mr. Thaw began preparing the multivolume Pollock catalogue raisonné, an annotated listing of all the artist’s known works, in the 1970s, hiring the art historian Francis V. O’Connor as co-author.
Discover the most outstanding items from the Thaw Collection American Indian Art. Objects of transcendent beauty that span the continent—from the Arctic to the Southwest, and from the Eastern Woodlands to the Pacific West–encompassing close to 2,000 years of artistic tradition and innovation in North America.