Tag Archives: Everson Museum of Art

Cruz-ing

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The retrospective currently on exhibition in two of the upstairs galleries at the Everson Museum of Art (401 Harrison Street, Syracuse, New York 13202) was fifty years in the making.  Puerto Rican born Juan Cruz has spent the past forty years dwelling here in Syracuse, New York, making murals, teaching and working on a collegiate degree in Fine Art from Syracuse University.  And painting – he has been creating the mother-lode of paintings.

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This show exemplifies what I have always wanted the Everson to be – a museum that believes in local artists, supporting their careers and offering ample space to breathe love and life into a body of work that illustrates the strength, character and beauty of an artist’s life-long vision.

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There are paintings that show Cruz’s proficiency with realism – watercolor landscapes and oil on paper portraits.  These pieces are the yellow bricks of the journey.  They offer the first dance on a path that takes a left hand cruise into abstraction.

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Those abstracts even go 3-D via a few sculptures as well, but the artist’s main strength is in the confident energy of the gnarled face forms peering out of these canvases, evidently pleading to be understood.

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This energy alludes to social injustices felt both personally and as a member of a Caribbean culture with economic drama.  There is abundant repetition of shape and color interspersed with black outlines, as well as bright white.  This co-mingling rhythm creates a cartoon-like flavor undermining the angst, which gets more pronounced in the newer pieces, suggesting a shift to a more positive perspective for this working artist.

I would imagine pure full-on non-representational abstraction is the goal, obliterating the need to be understood by the masses, because when the goal is freedom of expression, the limitation of pleasing others gives way to one’s own knowing.  Knowing the rightness of choices made with deliberate intent.

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It’s all about the journey, and this one is an enormously satisfying one.  I am delighted that I was able to witness this body of work as it is displayed.   And for Juan Cruz, the best is yet to come.  Because the dance is by no means over – it has just begun. ❤

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Juan Cruz:  A Retrospective concludes on August 4, 2019.  (Up next – Yoko Ono!)

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****From the Everson website

Syracuse-based artist Juan Alberto Cruz (b. 1941, Puerto Rico) combines rich symbolism with a bold and colorful abstract style to create work infused with his Caribbean heritage. Moving from Puerto Rico to Manhattan’s Lower East Side and subsequent travels to Spain, Mexico, Cuba, and Central America have had a major impact on Cruz’s work, which reflects a mixture of his cultural heritage and life experiences. From his earliest portrait paintings to recent abstract collages, Cruz uses the emotional realities of his past to articulate his feelings about economic inequality and systematic injustice.

As a child, Cruz taught himself to draw by copying the comic strips from discarded newspapers onto brown paper grocery bags, and later he drew portraits of everyday people that he sold for pocket change on the street. It was not until his thirties, when he enrolled in an art program led by then-Everson Director Jim Harithas that Cruz learned art could be more than replicating the world around him. Harithas taught Cruz how to paint and introduced him to a world of modern artists, which led Cruz’s drawings and paintings to evolve into a complex amalgamation of figurative and abstract forms. For the past five decades, Cruz’s boundless creativity and production has led him to compile a massive body of work. 

Since moving to Syracuse in 1975, Cruz has made a significant impact on the local community. He has painted numerous murals throughout the city, including on the Onondaga Commons building, in Skiddy Park, and several in the Near West Side. He also completed a new mural with the Everson Teen Arts Council currently on view on the Museum’s Lower Level. Cruz served as artist-in-residence for the Near West Side Initiative for five years and ran the Patch-Up Studio, a community center that provided children and adults with a safe space to make and learn about art. By choosing to live and work in Syracuse, Cruz has brought together a multigenerational community inspired by his public art initiatives and workshops.

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EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY 12-5
THURSDAY 12-8
FRIDAY 12-5
FIRST FRIDAY EACH MONTH NOON–8:00PM
SATURDAY 10-5

Call (315) 474-6064 for more information.

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Garden of Eddie

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Eddie Dominguez transports us to his version of the Garden of Eden in his show at the Everson Museum of Art‘s Robineau Memorial Gallery.

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His vision is one that reflects a heritage in which landscape and religion play vital roles.  He is from New Mexico, although his art education took him to Ohio and New York, which is why we are able to fall under his spell here in Syracuse, New York.  This show was curated by the Columbus Museum of Art and will be on exhibit until Sunday, July 28, 2019.

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Dominguez combines ceramics and found objects to create his irreverent world.  It is a playful, fantastical and thoroughly original body of work. ❤

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*** from the Everson Museum of Art website

The youngest of eight children, Eddie Dominguez grew up in Tucumcari, New Mexico, between Albuquerque and Amarillo on historic Route 66. He came to national prominence in the mid–1980s for highly stylized dinnerware sets that also stack into sculptural forms. In his work, Dominguez frequently references his home state’s vegetation, landforms, weather, and Hispano–Catholic culture. The dual nature of Dominguez’s objects, which inhabit the gray area between utility and art for art’s sake, reflects his personal experience as a New Mexican who studied ceramics in the Anglo–dominated East: whether we see “art” or “craft,” local Hispano or melting pot American depends completely on the immediate context.

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The Everson Museum of Art is located at 401 Harrison Street, Syracuse, New York, 13202.  Call (315) 474-6064 for more information.

EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY 12-5
THURSDAY 12-8
FRIDAY 12-5
FIRST FRIDAY EACH MONTH NOON–8:00PM
SATURDAY 10-5

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Little Birdie

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I hosted a closing reception for Jamie Santos’ art show.  The exhibition had taken place in the Chittenango Middle School library (Chittenango, New York) during May and June 2018.  Since they administered the algebra regents exam in the library today, we held the party in my art classroom.

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About twenty students attended this end of the year celebration.  Cookies were served.

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Jamie Santos is a tattoo artist.  She works at Tymeless Tattoo in Baldwinsville, New York.  Jamie is a 2003 graduate of Fayetteville-Manlius High school.  She says drawing is an important part of her life.  She gets up by 9:00 am and starts the day by sketching ideas for tattoos or paintings – she brought several notebooks full of these wonderfully executed drawings to share with the students.

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Her focus lately has been on birds.

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Students had a lot of questions about the tattooing process – does it hurt?  How long does it take to finish a tattoo?  Do people bring snacks? ( Lol, love that one ❤ )

Jamie was very honest about the process, the time commitment, the pain.  She explained how the needle works, how it vibrates when you hold it, how the artist gets better with every job.

She used to work every day and now she books clients only four days a week, devoting the rest of her time to creating art in her studio.  Designing her own unique look, her own motifs are crucial to her success and she takes pride in the fact that her work ethic has truly improved her skill.

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I asked how many of these eleven to fourteen-year-old students think that they want to get tattoos when they are older and the majority of hands flew up!  Should I be surprised by that?  I guess not.

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The students absolutely loved her!  She is amazing.  Thank you, Jamie Santos, for being such an inspirational voice for your profession.

A thousand thank-yous, as well, goes to my fabulous colleague, Katy Conden, for working with me to make these art talks happen. They are no fun without you!

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If you would like to see more of her work, Jamie will be exhibiting in a show of tattoo artists at the Everson Museum of Art.

 June 30–August 5, 2018

Embracing the Underground explores the rich and diverse culture of modern day tattooing. This exhibition is the second presented through the Everson’s Community Exhibition Program, which provides opportunities for Central New York organizations to present the work of area artists.

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Diamonds

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There is no better way to celebrate my birthday than spending time with wonderful friends viewing art.

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The Everson Museum of Art is host to two exhibitions of Darryl Hughto’s paintings.  From Diamonds to Sailboats will be on display until August 26, 2018. According to the Everson Bulletin, this show “examines the artist’s tireless interest in the power and possibility of a single shape:  the diamond”.

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These diamond and sailboat paintings are ethereal, immediately transporting the viewer to the blue skies and sunshine of summer.  I loved how the unprimed canvases allowed the paint to seep into the cloth.  There is an underlying structure of softness that builds into a textural landscape of ocean waves by the commanding use of gel mediums.  The paintings are shimmery and soft while also entirely rhythmic.  Beautiful work!

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Also on view are portraits of friends and acquaintances in his world.  These are energetic gestural works.  A must see!

Hughto will do a gallery walk to discuss his work on June 14, 2018 at 6:30 pm.  It is free for Everson members, otherwise $8.00.

Army of Thieves

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According to the literature for this exhibit of sculptures by Vanessa German, “when assembled together, these power figures resemble an army of women on the march”.  German creates them from a plethora of found objects.  The mannequin parts are plastered and tarred then assembled and dressed via wiring, sewing and gluing the objects in place, adding jewelry and dress that evokes some form of armor.

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They become modern soldiers lined up in effect, like those terra-cotta figurines found at the tomb of Emperor Qin Shi Huang in China.  It is incredibly breathtaking and powerful to witness.  The work is in the Sculpture Court and in the Wampler and Robineau Galleries on the first floor of the Everson Museum of Art (400 Harrison Street, Syracuse, New York).

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Tonight was the art reception for this exhibit titled de.structive dis.tillation (a nod to the chemical construction of tar), as well as for the Bradley Walker Tomlin retrospective.  I will be attending an in-service for teachers in March that focuses on the latter.  I titled this post Army of Thieves because the German sculptures stole the show, which is totally ironic in that the upstairs galleries are full of local artists work and that has ALWAYS been my dream for the Everson, lol, and includes my colleagues and former S.U. professors in its mix.  Vanessa German is a product of Pittsburgh, Pennsylvania.

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German’s dolls are meant to tell the story of/create a dialogue about the social injustices of the African-American experience.  It’s to do with destructing in order to construct.  Rebuilding a world and giving voice to a type of commitment to peace, joy and love in spite of challenges.  The result is the whimsical and harmonious sound of texture, a cultural heritage-based beauty and personification that has the potential to resonate for everyone in our community.

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It is the flavor of intense joy.  There is so much to see here!  Flea market finds that take your breath away.  Attention to detail with regard to fabric and fibers.  The sculptures are skateboarding and riding tricycles, standing on soap boxes and rejoicing as they stand for one’s tears and for the healing hope of a better future.

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You need to see them!  I really ought to plan a field trip for my Studio in Art students.  We just finished creating sculpture/mobiles of paratroopers using plaster, found objects and humanoid forms, so, this would be right up their alley.

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The exhibit continues through May 7, 2017.  The Everson is planning a day camp for students during the week of Mid-Winter recess (that starts a week from today).  Go to their web-site for more information or call them at (315) 474-6064.  They will also be doing a Saturday workshop for children, and in addition, several events such as family day and docent led tours of the exhibitions. ❤

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New Packaging

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I strolled through the Everson Museum of Art today (401 Harrison Street, Syracuse, NY 13202).  In the basement wing, they’ve flipped the Education Center with the Ceramics section and created a gorgeous inviting space for part of the ceramics collection (the rest, like the Robineau funerary urn, is in storage).

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It is spectacular!  The art looks fresh again.  You can actually enjoy the nuances of individual pieces and appreciate them for their craft.  The Everson has a very large collection of ceramics.  I’m not sure if it is one of the largest in the country, but something like that.  The old shelves made the collection look like it was all in storage, like they never really wanted people to look at it.  I remember taking students on a field trip there once and there was so much stuff, it read like junk and nobody looked at anything.  

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The museum has never looked better!  We have this incredible resource right here in Syracuse, NY.  So great.  I was delighted to see a handful of visitors there.  They are charging a fee to get in these days, but it is free for Everson Museum members.

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EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY 12-5
THURSDAY 12-8
FRIDAY 12-5
SATURDAY 10-5

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Next week they are installing the Festival of Trees, so maybe you can plan an outing for that!  Call (315) 474- 6064 for more information or visit their web-site www.everson.org.

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Constructing Angela Fraleigh

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So, this happened. ^^^^  Do you see the resemblance or is this just another one of my crazy thoughts – that I resemble this woman in the above painting?  (Am I really a time-traveller or what?)  It is the work of Angela Fraleigh, part of her exhibition in two galleries at the Everson Museum of Art in Syracuse, New York.

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The show is titled Between Tongue and Teeth and, as the literature states, “co-opts the techniques, media, and styles of the European Old Masters to create monumental paintings of female figures that explore social constructs of gender, power and identity.”

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These paintings are inspired by artwork from the Everson’s collections, as well as by other historical figures in the Arts & Crafts movement and from Central New York history!

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It was such a pleasure to meet the artist (here I am in the above picture with Angela and sculptor Arlene Abend!)  She is such an amazing talent.

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She uses gold and silver leaf, and resin to create abstractions.  The result are these divine modern takes on old world beauty.

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Angela works in both Allentown, Pennsylvania and New York City.  It is a wonderful thing to engage with a contemporary artist, find out how her mind operates and what inspires her.  If you wish to do the same, she will be accessible via a gallery walk at the museum on October 13, 2016 at 6:30 pm.

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Angela Fraleigh:  Between Tongue and Teeth continues through December 31, 2016.  You can visit the museum Wednesday-Sunday noon to 5:00 pm with longer hours (until 8 pm) on Thursdays.

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