Tonight, from 5:30-7:30 pm, you can view the art exhibits at the Chittenango Central School Fair (Route 5, Chittenango, NY). Here is your preview of middle school artwork.


















Tonight, from 5:30-7:30 pm, you can view the art exhibits at the Chittenango Central School Fair (Route 5, Chittenango, NY). Here is your preview of middle school artwork.
They spelled his name wrong on the wall – I just can’t wrap my head around that. Is it the negative in Positive, Negative, Shallow and Deep? This is the title of part of the dual exhibition by artist Tyrone Johnson-Neuland at the Schweinfurth Memorial Art Center in Auburn, New York. The other show is at the Cayuga Museum (also in Auburn).
I am not a fan of using positive and negative space to describe two-dimensional activity. The negative is supposed to be the voids in and around a three-dimensional sculpture. Figure and ground is my art language to describe visual depth in a painting.
Question: Shallow vs. deep – are these your emotional extremes?
Question: How do you feel about this name flub? Or was it intentionally the negative?
We can ask him the answers to these and all questions regarding this series of abstract paintings on Friday, April 7, 2023 at 5:30 pm. There is a First Friday soiree at the Schweinfurth that evening.
Tyron/Tyrone’s artwork will be on display through May 28, 2023.
(From SMAC website)
Artist’s Statement
My paintings follow very much in the long-established tradition of the Expressionists, using an intensity of color and gestural brushstrokes to portray the strength of feeling and emotion. The subject matters vary from figurative to abstract but always with an exploration of spatial, social, or self-awareness. I will use any paint medium that is at my disposal and thrive on what can be unexpected results. The process is always a battle of the chaotic vs the introspective. We all have different coping skills and those influence how we think and react to our daily trials and tribulations. My art allows me the opportunity to challenge and question myself while searching for clarity in my existence in today’s world.
About the Artist
Oswego-based artist Tyrone Johnson-Neuland has been creating art for 35-plus years. Johnson-Neuland received his Bachelor of Fine Arts from Syracuse University in 1990 and a Master of Arts from SUNY Oswego in 1999. He is currently the Assistant Director of Instructional Technologies at SUNY Oswego. His work has been exhibited throughout New York, as well as in national shows in Philadelphia and Chicago. Johnson-Neuland’s expressionistic paintings are developed from personal and emotional feelings that are sparked by the day-to-day experiences of a father, husband, employee, son, and general spectator of the modern world.
Seventy-four New York state-based artists comprise the current MINY art exhibition at Schweinfurth Memorial Art Center in Auburn, NY, including my middle school art teacher circa the 1970s, Mrs, Joyce Homan!
Her piece, “COVID Bubbles” is a watercolor.
(From the Schweinfurth website)
Jurors
A New Hartford native, Gary Sczerbaniewicz currently lives and works in Buffalo. He earned degrees at Munson-Williams Proctor Institute School of Art, Alfred University, and the University at Buffalo.
“My recent sculptural work investigates the concept of cognitive dissonance as articulated through an architectural lexicon,” he says on his website. “I am drawn to create works in which an unknown, sudden, violent event has rendered a space inert, transforming it from its original intended function into a hybrid and liminal zone. A recovering child of both Catholicism and the Cold War, my works possess an acute fondness for cultural marginalia: the post-apocalyptic, the science-fictional, the Fortean, the weird and the eerie (as articulated by theorist Mark Fisher), the occult, and the many bewildering worlds of alternative history and conspiracy theory.
Sczerbaniewicz has had solo exhibits in Buffalo, Niagara, Philadephia, Connecticut, Delaware, and Florida, and has been included in group exhibitions in Toronto, New York City, Cleveland, Indiana, and Texas. His entry to Made in NY 2020 at the Schweinfurth won Best in Show award.
Theda Sandiford, mixed media artist
Based in Jersey City, NJ, Theda Sandiford creates multi-disciplinary experiences that provide a safe space to explore themes such as equity and inclusion, sustainability, and personal well-being.
“Using personal conflict as a starting point, I juxtapose various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping, and jewelry-making techniques,” Sandiford told Artwork Archive. “Meticulously collected materials, transformed by their collective memory become ‘social fabric’ weaving together contemporary issues and personal narratives.”
Her work has been selected for Excellence in Fibers, curated by Fiber Art Now; displayed publicly in installations in New Jersey, New York, Florida, and more; and displayed in solo exhibits in New Jersey, New York City, Chicago, and more.
Kevin Larmon is a retired professor emeritus and Program Coordinator Art, Design, and Transmedia in the College of Visual and Performing Arts at Syracuse University. He received a BFA from Harpur College at SUNY Binghamton, and currently resides in Upstate New York.
For over three decades, Kevin Larmon has received critical acclaim for creating paintings that lyrically explore the divide between abstraction and referential imagery. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions of the early 80s East Village Gallery Nature Morte and with critics/curators Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art.
His work is included in the collections of The Metropolitan Museum of Art in New York City, Museum of Contemporary Art in Los Angeles, Walker Arts Center in Minneapolis, and Archer M. Huntington Art Gallery at the University of Texas, Austin. He is the recipient of an Atlantic-Pacific Fellowship and a Pollack Krasner Foundation grant.
Pattern and texture is at play here. So many paintings, prints and mixed-media pieces are visually embellished with intricate segments of color, while macrame and other crafts, including crochet, embroidery and weaving adds the tactile component, which creates a cohesive bond to the exhibit. After perusing the jurors’ individual dossiers, it all makes sense.
It is a wonderful show. The art is for sale. Made in New York 2023 opened last night and continues through May 28, 2023.
The museum is open Wednesdays-Saturdays 10:00 am – 5:00 pm and Sundays 1:00 – 5:00 pm. Visit their website for details.
My Art-8 students viewed the paintings of Canadian artist Daniel Bergeron, specifically, his installation in Regent Park in Toronto.
Then they painted the teachers and staff at our school! The steps were as follows:
This is my sample (above). We used acrylic paint.
Here are the results. They are on display in the school library. I’ve got one more class finishing up tomorrow for a total of fifty-five paintings. So fun! <3
Raymon Elozua: Structure/Dissonance is currently on view at the Everson Museum of Art, 401 Harrison Street, Syracuse, New York 13202. The show continues through December 31, 2022.
These are large additive sculptures featuring ceramics, glass, steel and found objects, which culminate in an explosion of color and beautiful junk that satisfies the artist’s intellectual philosophy of “decaying industrial landscapes.”
This is not just a new series of work that takes a theme and runs with it. It is more like a half-century career retrospective. The bauble-rich sculptures make more sense in multiple because they sort of announce the concern of global waste.
Included in this show is Elozua’s personal collection of rusty enamelware. This is the part of the experience I loved best because I spent my entire summer doing something that was in the making for about seventeen years.
I bought a metal detector and searched the yard of my 1900s era home. There was so much there. The videos are on my YouTube channel. Now I just need to intellectualize these finds and incorporate them into art. The meaning? Unearthing the treasures that are right beneath you on your path. Most of it was garbage because back in the early 20th century people buried their trash in their own backyards. Isn’t that ironic?
We are always burying our hearts under the mask of reality. Making art is about building dreams. I want to build mine with all that garbage. And so does Elozua with his. I’d say that is harmony, not dissonance.
I’ve been reminiscing about Dawn Dolls. They were manufactured for only three years in the early ’70s by Topper. Dawn, Angie, Gary, and company. they were only six-and-a-half inches tall, so they were incompatible with Barbies because they were so small. But they were so pretty with silky long hair and “real” eyelashes, and of course, with very awesome 1970s fashions. I loved them and I love them still.
I’ve been stalking them on the Internet – Ebay, Etsy and Mercari mainly. I don’t really want to buy them, do I? I want to be the Dawn doll. Haven’t I always? So funny that my hair resembles hers now. All I need is an Alice & Olivia dress and I am good to go.
What struck me as I viewed Sharif Bey’s art exhibit at the Everson Museum of Art is that he too seems to be enamored with doll collections albeit his are quite large scale especially the necklaces!
Like Vanessa German’s work and Vanessa Johnson’s too, Bey has added his take on the African experience by way of the doll.
This show is housed in two of the four upstairs galleries and spans the artist’s thirty-year career. I mean, he’s only forty-eight, which indicates that some of the pieces in this collection of works were created when he was only eighteen. It is a lot of work – from functional ceramics to these large figurative pieces and finally the accessory wall. It is incredibly impressive for sure.
These necklaces in particular are really something. In the accompanying pamphlet prepared for a Junteenth visitation, it is revealed that he used toilet paper over glaze in the kiln to manifest the charred pattern on the “beadwork”. It is genius.
The scale speaks volumes about who this man is as an artist and as a human. It is a combo of continued visual exploration and ethnic pride coupled with a desire to both learn and teach.
Bey is a professor at Syracuse University in the Art Education department. The brochure professes to take children on a journey to discover themselves as he serves to explore ideas to carry him on his own path.
The exhibition is titled “Facets”. It works so well here because the Everson has always been first and foremost a ceramics museum. Knowing that these massive pieces are also fragile lends itself well to that idea that we are all fragile beings in a way, always seeking that strength of character in our true identities while harboring thoughts of doubt, worry and stupid fears that can easily break our spirits.
I wonder if that thought crossed his mind? No matter what doll one identifies with – big or small, black or white, etc., etc., we are all that creative spirit looking for a way to connect and feel that blessed feeling of validation as we develop our crafts/psyches in order to continue the ascent through life.
The Everson Museum of Art is located at 401 Harrison Street, Syracuse, NY, 13202. Call (315) 474-6064 for more information or find them at www.everson.org.
Sharif Bey: Facets continues through August 14, 2022.
There is an art exhibition of original paintings, posters and magazine covers representing the career of illustrator Norman Rockwell at Munson-Williams-Proctor Arts Institute, 310 Genesee Street, Utica, NY 13502. This show was organized by the Norman Rockwell Museum in Stockbridge, Massachusetts.
All of the Saturday Evening Post covers are represented here! It is amazing to see them all together like this – they hold court in two of the three gallery rooms on the second floor of the museum.
I won tickets to see this show. Thank you, Sullivan Library, Chittenango, NY for this wonderful gift. And thank you, Penny, for accompanying me on this wonderful summer art excursion. So fun!
Munson-Williams-Proctor Arts Institute is open Tuesday-Saturday 10:00 AM -5:00 PM and Sunday noon-5:00 PM. They have guided tours of the exhibit – call (315) 797-0000 for more information.
P.S. They are having an arts festival through Sunday, July 17, 2022. There are outdoor events including a music stage, local art display and food trucks!
We just completed these cow drawings on black Strathmore 500 paper. Cows are fun to draw because they are essentially made of two trapezoids. The pencil lines were painted out with black acrylic paint.
Then students colored the drawings with Cray-Pas oil pastels. They are beautiful! The artwork is on display on the wall outside of my classroom. This is an 8th grade project.
The Andy Warhol Museum is located at 117 Sandusky Street, Pittsburgh, PA 15212. Jessica Beck, the museum’s Milton Fine curator of art, has organized an amazing exhibition pairing Warhol and Marisol Escobar (1930-2016). The show is titled Marisol and Warhol Take New York.
It is a trip down memory lane, a story of two artists navigating the Pop Art world of NYC circa the 1960s. Marisol’s sculptures are an exquisite marriage between geometric wood blocks and proficient rendering skill. These three-dimensional portraits depict social values and popular culture tomes with whimsy and bold panache. I just love her work.
My friend Joyce and her family took a trip there last weekend. On Saturday, October 23, 2021, Jessica Beck will lead a tour of the show, complete with art making and sketching activities from noon to 4:00 pm.
The exhibition continues through February 14, 2022. In April, it will travel to the Perez Art Museum, Miami FL. Contact the museum for more info – (412) 237-8300.
There is still time to visit the Fenimore Art Museum in Cooperstown, New York. The Keith Haring exhibit will be on display until October 11, 2021. Meanwhile, on the walls of Chittenango Middle School, my students’ artwork is currently on display. It took a lot of heavy-duty stickies to get them to stay up – the tile was not particularly cooperative.