The Everson Museum of Art is open! I mean, it’s been open – I just didn’t know it. I was able to catch the tail end of the Lacey McKinney show, Reconfiguration. The Everson Bulletin states the show’s run ended on the 24th so…lucky me and my friend Penny.
*The show has now been extended to February 28, 2021 so…lucky you!
I love the discourse between Penny Santy and me when we see exhibitions together. We don’t always like the same pieces but we understand each other’s point of view.
McKinney’s paintings are oil and acrylic. I suspect the acrylic was either a means to create texture or the underlying Frankenthaler-esque washes in some of the female populated landscapes.
Penny loved these new-technique-for-the-artist “cyanotypes” (above) but they reminded me of a crafty high school art project – female body parts minus vagina, lol, that is too mean, sorry Lacey, but, I felt like these were a bit too safe and they read more like studies than finished pieces. I did admire the size relationships though. And in person, the blue hues are lovely and more nuanced than the photograph suggests.
The larger portrait/landscape mash-ups were far more interesting to me. They offered visual collage in a successful way – female as mountain, eyes averted so as not to become a focal point – they had an ethereal beauty to them. She is quite proficient in the rendering of the subject matter, as well as holding a cerebral allocation of the structure of her iconography.
These two (above) were my favorites. I loved the softness of the colorations and the rhythm in the compositions. They whisper emotion in a powerful feminine way with subtle colorations of glaze-infused shadow. Perfection!
This piece (above) reminded me of Marilyn Monroe, but that may be because I had just watched a documentary on Arthur Miller, ex-husband of MM, and one on the fashion designer Dries Van Noten, Belgium fashion designer who created a line of menswear with a variety of images of MM silk-screened on jackets and shirts.
The literature states that the artist selected images from magazines and reconfigured them stealing fragments of different women juxtaposed as either friend or foe. So, maybe?
This collection is on view in the Robineau gallery on the first floor of the museum. I believe there were only about five other people in the entire museum today when we visited. Plenty of social distancing room to ruminate on this new work. Call (315) 474-6064 for more information.
Here are some of the celebrity portraits my 8th grade Studio in Art students (from Chittenango Middle School) finished back in March. I didn’t display them because I was saving them for the school fair, which never happened.
I allow students to pick almost anyone – meaning anyone “appropriate”, and this year you will see a variety from sports, performing arts, the art world and social media (and one grand-dad). Two Steve Harveys, lol. He wins as most popular this time.
She is a “signature” member of the Central New York Watercolor Society. These pieces are watercolor and mixed-media, a combo of portraits and still-lifes. I am assuming that she will take down today. The library opens at 10 AM. Call (315) 446-3578 for the deets.
The four upstairs galleries at the Everson Museum of Art (401 Harrison Street, Syracuse, New York 13202) are filled with treasures, some of which I have seen many times over the decades – but not like this. Elizabeth Dunbar, director and CEO, has a way of pairing paintings and ceramics with a keen eye that makes everything come alive and feel fresh again.
It is this new perspective that breathes love into the exhibition, A Legacy of Firsts: The Everson Collects. It showcases the museums over one hundred year history, presenting the cohesion via an American thread. The exhibition honors the museum’s legacy and in turn reveres the decisions made by previous curators and directors. I love this credence to respect. It feels welcoming. It feels like family. It feels like home. As she says in her message in the winter 2020 Everson Bulletin, [the museum is] “For artists. For community. For everyone.”
This is an historical trek that begins at the top of the spiral staircase with pieces purchased around 1911 when the museum was known as the Syracuse Museum of Fine Arts – impressionistic landscapes, portraits and still-lifes displayed in ornate golden frames coupled with the ceramic pieces of the day. Adelaide Alsop Robineau was a local potter who corresponded with and met the museum’s director at that time, Fernando Carter, as she frequented the facility back then – her intricately carved vessels were the first pieces purchased for what became a premier ceramics collection.
There are over 11,000 items in the Everson’s collection! As the show progresses into the second chamber, you are jolted by bold colors. This room is filled with large-scale abstractions and colorful pottery to mix and match. Lee Krasner’s painting is displayed above her husband’s, an early Jackson Pollack. I love the similarity in their styles.
There is a display of transmedia here as well, but the videos don’t translate well in a photograph.
The next gallery is familiar in that the museum purchased pieces from exhibitions from their recent past. This (below) is a piece by Vanessa German.
The fourth gallery space is heaviest on the ceramic collection. It is such a bold move to see these pieces sans glass or other protective shielding, but that is what makes them so compelling. Textural items created to be touched that one must not touch within reach – when I visited the museum as a child, all the ceramics were under glass in the do not touch space, as though they came to the museum to die, lol. Now they are sooooo alive!
This show is visual candy. I love the angles of the presentations, the way pieces connect, that flow, rhythm and the sheer beauty of the artwork. It’s a wonderful journey through yesteryear and beyond. <3
A Legacy of Firsts: The Everson Collects continues through March 22, 2020.
The Everson Museum of Art is closed Mondays and Tuesdays. Hours of operation: Wednesday, Friday and Sunday noon – 5 PM, Thursdays noon – 8 PM and Saturdays 10 AM – 5 PM. There is a sliding scale admission fee (free for members). Visit their web-site for the deets. www.everson.org
Tonight was the opening reception for the summer art exhibition at The Syracuse Tech Garden gallery (235 Harrison Street, Syracuse, New York 13202). It is titled Cool August Moon. I saw my high school friend and fellow art teacher Audrey Levinson there!
Artist Steve Nyland (another Jamesville-DeWitt alum) is the curator and a participant in the show. He told me that he signed a new contract to continue with these exhibitions for at least another year. They take place in the lobby of this building, which is across the street from the Syracuse Marriott (Hotel Syracuse).
Other local artists contributing to this show –
Laura Audrey Terry Lynn Cameron Richell Castellon Fletcher Crangle Kathy Donovan Ryan Foster Larry Hoyt Lisa Ketcham James P. McCampbell Sally Stormon Rabekah Tanner Mitzie Testani Ray Trudell Kayla Cady Vaughn Ryan Wood
Massachusetts transplant Lisa Ketcham creates these kitschy assemblages and frames. They are sort of a cross between steampunk and macabre via the use of gears, timey-wimey-ies and skeletons.
Terry-Lynn Cameron brought her originals to share. I met her on Sunday at City Market where she was selling prints of these lovely acrylic paintings.
Richell Castellon Ferreira is the real deal – a painter and woodworker by trade. He comes to us from Cuba. His paintings of the Syracuse landscape would make perfect additions to any local collector’s art stash! He paints from photographs and from memory. These originals are only $175.
Ray Trudell focuses on the invisible in his black and white photographs taken of the surrounding area. He “slows time” by defining a glimpse of a moment using sharp contrast in his compositions.
The exhibit will be on display until September 20, 2019. For more information contact Steve Nyland at firstname.lastname@example.org. To purchase artwork, contact the artists directly. They have left business cards and also have contact information on their respective art tags.
Herbert Ritts was a California boy. Growing up, he lived in Steve McQueen’s neighborhood in Brentwood, which, according to many biographies I have read recently, was an instrumental synergy that launched his comfort level with celebrity.
The quotes from his high profile portrait subjects include statements about how using daylight was his strength and that they felt at ease in front of his lens:
“Herb made me look how I wish I looked when I woke up in the morning.” – Cindy Crawford
“In his sweet disarming way he suggested that we work together again and I agreed to it. And that was the beginning of an incredibly long and fruitful working relationship, but it was also the beginning of a great friendship.” – Madonna
“Working with Herb was more like just hanging out with a friend. We’d joke, chatter and gossip and at the end of the day he would have captured the whole thing in the lens. He was a great guy.” – David Bowie
Herb Ritts – The Rock Portraits is on display at the Fenimore Art Museum in Cooperstown, New York (5798 State Highway 80, Cooperstown, NY 13326). The photographs are on loan from the Rock & Roll Hall of Fame in Cleveland, Ohio until September 2, 2019.
The show is a mirror of my youth. So many images that I have seen on album covers, in music videos, in fashion magazines – Herb Ritts is like an old friend. It is as if you know him. Knew him. You can envision him working because it is evident that it was not work. It was more like a relationship, the way he presented people at ease in the present moment, not thinking about what they must do later in the week or later that day, but being in the now. You can see this in the eye contact, in the way the light shines on their faces and in the crispness of the images.
Ritts captures the essence of his subjects. What I see in the photographs is the “authentic self”, the real person behind the fame. The Bob Dylan pictures are gritty, as though the man cannot hide a lifetime of struggling with inner demons. The Bruce Springsteen images reflect a certain shyness beneath the success. And the Madonna images are, to me, the most iconic, spanning the ’80s and ’90s and showing us a vulnerable, little Italian girl who grows in confidence and artistic resonance with every click. We get to witness that evolution, that living history, and that is a beautiful thing. <3
It is this contrast between the legend and the human spirit that gives credence to Ritts as artist rather than commercial photographer for hire, and is the reason why these photographs and videos belong in a museum. They are evidence of the art of living, the art of performing, the art of communicating a visual language of persona, and the art of documenting artistic merit as an art. It is all about authenticity.
The photographs are accessorized with costumes and musical instruments, also on loan from the Rock & Roll Hall of Fame. This is Madonna’s. I could totally rock this – OMG, I know it would fit me. Unfortunately, it was on a mannequin and encased in lucite or else it would have been my #ootd.
I took these pictures yesterday, took a day trip to Cooperstown, which I highly recommend! You must go to there! The drive was spectacular – from Syracuse, New York, it is an hour by New York State Thruway then an additional forty minutes down Route 28. Cooperstown is truly a magical place. Home to so many attractions – the Glimmerglass Opera House, the Baseball Hall Of Fame, the legendary Cardiff Giant (on view at the Farmer’s Museum).
And the Fenimore Art Museum is on the lake. It is just incredibly gorgeous there – it was my first time and I felt like Cinderella arriving at the castle for the ball. Just spectacular!
They are open today 10 am – 5 pm. Call (607) 547-1400 for more information about this wonderful place. <3
Known for his elegant and minimalist work, and his mastery of photographing in natural light, photographer Herb Ritts (1952–2002) had a gift for turning stars into icons. Here, in the first curated collection of his photos of some of music’s most celebrated artists, visitors will see how he captured the likes of David Bowie, Tina Turner, U2, Bruce Springsteen, Paul McCartney, Bob Dylan, Prince, Cher, Madonna and many more—the world’s biggest music stars—and in the process, helped define their iconic status for generations of fans. See many of his best-known portraits alongside stage costumes and guitars from the Rock & Roll Hall of Fame.
As a native of Los Angeles, Herb Ritts was uniquely attuned to the natural light of the California sun, and preferred to shoot outdoors. He took work seriously and was renowned for posing his subjects in classic, sculptural styles, with little or no pros. He also had a unique, understated way of making his subjects feel comfortable in front of his camera. They trusted him and it’s often that trust and human bond that you see reflected in his portraits. When he died of complications from AIDS at the age of 50, Ritts left behind an extraordinary body of work, that when we see as a whole, demonstrates his undeniable impact on contemporary culture.
The exhibition is sponsored in part by The Clark Foundation, Fenimore Asset Management, and NYCM Insurance.
Panel Discussion – Fenimore Rocks! Herb Ritts and the Image of Rock Music
Saturday, July 13 • 2:00–4:00 pm Join us as Rock & Roll Hall of Fame president, Greg Harris, moderates a lively talk and cocktail party focusing on Herb Ritts and the impact his photographs had on the image of rock music in the 80s and 90s. The event also features Laurie Kratochvil, former Director of Photography at Rolling Stone magazine, John Covach, Professor of Music Theory and Director of the Institute for Popular Music at the Eastman School of Music at the University of Rochester, and Rory Ritts, Herb Ritts’ younger brother. After, join them for cocktails and a buffet on the terrace (cash bar, weather permitting).
The talk is free for museum members; otherwise, included with regular admission (Adults: $12, Seniors: $10.50). Seating in the auditorium is extremely limited and will be available on a first come, first serve basis. Overflow seating will be available with live viewing via a flat-screen monitor.
Rock ‘n’ Reel Film Series – I’m Not There
Saturday, July 27 • 7:00 pm (doors open at 6:30 pm) Several actors portray legendary singer-songwriter Bob Dylan. (2007, R) More info
Rock ‘n’ Reel Film Series – Burlesque
Saturday, August 10 • 7:00 pm (doors open at 6:30 pm) A backstage musical film starring Cher and Christina Aguilera. (2010, PG-13) More info
Food For Thought – Herb Ritts: The Rock Portraits (Lunch)
Wednesday, August 21 • 12:30 pm with Paul D’Ambrosio, President and CEO of Fenimore Art Museum, and Kevin Gray, Manager of Arts Education More info
Rock ‘n’ Reel Film Series – Madonna: Truth or Dare
Saturday, August 24 • 7:00 pm (doors open at 6:30 pm) Documentary chronicling the life of Madonna during her 1990 Blond Ambition World Tour. (1991, R) Otsego County native John Draper, former Tour Manager of Madonna’s Blonde Ambition World Tour will be present for a live commentary on the film, giving a rare behind-the-scenes look of what it takes to manage a tour for one of music’s original megastars. More info
Live Music with Wurliday
Friday, August 30 • 7:00–9:00 pm (takes place across the street at The Farmers’ Museum) FREE ADMISSION! Hailing from Albany, NY, Wurliday brings together some of the most exciting, dynamic musicians in the live music scene for a lively injection of soul-funk goodness, direct to your ears. You’ll dance all night long! Free admission. More info
® I LOVE NEW YORK is a registered trademark and service mark of the New York State Department of Economic Development; used with permission.
Art Rage (505 Hawley Avenue, Syracuse, New York 13203) has offered up another large-scale portrait show – this time they’re paintings – by Buffalo, New York bred and current Hudson Valley artist Joe Radoccia.
These are oil paintings with gorgeous technical drawing proficiency and a burnt sienna/sepia color palette that alludes to the past – in regard to both subject matter and mature stoic models. They are installed using magnets that connect to a metal brace on the wall, which also seems to be an allegory – magnetic personalities who found themselves in a battle for their sexual orientation rights, telling stories that combine hope for tomorrow with a bit of waiting-for-the-shoe-to-drop angst (will it fall/falter/fail?). One that Art Rage fans find compelling – social (in)justice, in this case, as it relates to the history of gay rights and the personal histories of these larger-than-life characters.
The show is titled About Face:50 Years After Stonewall. It chronicles the events during and following what is known as the Stonewall rebellion, a protest/fight-back by attendees of a Greenwich Village nightclub during a police raid. It was this single event in 1969 that catapulted the gay pride movement as mainstream history.
Each painting in this series is accompanied by interviews with the models and these snippets form the narrative link. It is a fascinating and informative journey. Personalities sharing their unique stories, which, combined, create a tapestry of unity, spirit, power and grace.
The art reception was last Saturday, but other events are scheduled during the next month and a half. Joe Radoccia will do an artist talk on Tueday, June 18, 2019 at 7 pm at the gallery. In addition, there will be film screenings as well as LGBTQ activist lectures. See their website for the deets on those activities here.
The show runs through July 12, 2019. Art Rage is open Wednesday – Friday 2 – 7 pm and Saturday noon – 4 pm.