Tag Archives: Angela Fraleigh

Collection Legacy

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The four upstairs galleries at the Everson Museum of Art (401 Harrison Street, Syracuse, New York 13202) are filled with treasures, some of which I have seen many times over the decades – but not like this.  Elizabeth Dunbar, director and CEO, has a way of pairing paintings and ceramics with a keen eye that makes everything come alive and feel fresh again.


It is this new perspective that breathes love into the exhibition, A Legacy of Firsts:  The Everson Collects.  It showcases the museums over one hundred year history, presenting the cohesion via an American thread.  The exhibition honors the museum’s legacy and in turn reveres the decisions made by previous curators and directors.  I love this credence to respect.  It feels welcoming.  It feels like family.  It feels like home.  As she says in her message in the winter 2020 Everson Bulletin, [the museum is] “For artists.  For community.  For everyone.”



This is an historical trek that begins at the top of the spiral staircase with pieces purchased around 1911 when the museum was known as the Syracuse Museum of Fine Arts – impressionistic landscapes, portraits and still-lifes displayed in ornate golden frames coupled with the ceramic pieces of the day.  Adelaide Alsop Robineau was a local potter who corresponded with and met the museum’s director at that time, Fernando Carter, as she frequented the facility back then – her intricately carved vessels were the first pieces purchased for what became a premier ceramics collection.





There are over 11,000 items in the Everson’s collection! As the show progresses into the second chamber, you are jolted by bold colors.  This room is filled with large-scale abstractions and colorful pottery to mix and match.  Lee Krasner’s painting is displayed above her husband’s, an early Jackson Pollack.  I love the similarity in their styles.






There is a display of transmedia here as well, but the videos don’t translate well in a photograph.


The next gallery is familiar in that the museum purchased pieces from exhibitions from their recent past.  This (below) is a piece by Vanessa German.



And I believe that (above) is an Angela Fraleigh 



The fourth gallery space is heaviest on the ceramic collection.  It is such a bold move to see these pieces sans glass or other protective shielding, but that is what makes them so compelling.  Textural items created to be touched that one must not touch within reach – when I visited the museum as a child, all the ceramics were under glass in the do not touch space, as though they came to the museum to die, lol.  Now they are sooooo alive!

This show is visual candy.  I love the angles of the presentations, the way pieces connect, that flow, rhythm and the sheer beauty of the artwork.  It’s a wonderful journey through yesteryear and beyond.  <3



A Legacy of Firsts:  The Everson Collects continues through March 22, 2020.

The Everson Museum of Art is closed Mondays and Tuesdays.  Hours of operation:  Wednesday, Friday and Sunday noon – 5 PM, Thursdays noon – 8 PM and Saturdays 10 AM – 5 PM.  There is a sliding scale admission fee (free for members).  Visit their web-site for the deets.  www.everson.org


Constructing Angela Fraleigh



So, this happened. ^^^^  Do you see the resemblance or is this just another one of my crazy thoughts – that I resemble this woman in the above painting?  (Am I really a time-traveller or what?)  It is the work of Angela Fraleigh, part of her exhibition in two galleries at the Everson Museum of Art in Syracuse, New York.



The show is titled Between Tongue and Teeth and, as the literature states, “co-opts the techniques, media, and styles of the European Old Masters to create monumental paintings of female figures that explore social constructs of gender, power and identity.”


These paintings are inspired by artwork from the Everson’s collections, as well as by other historical figures in the Arts & Crafts movement and from Central New York history!


It was such a pleasure to meet the artist (here I am in the above picture with Angela and sculptor Arlene Abend!)  She is such an amazing talent.


She uses gold and silver leaf, and resin to create abstractions.  The result are these divine modern takes on old world beauty.


Angela works in both Allentown, Pennsylvania and New York City.  It is a wonderful thing to engage with a contemporary artist, find out how her mind operates and what inspires her.  If you wish to do the same, she will be accessible via a gallery walk at the museum on October 13, 2016 at 6:30 pm.



Angela Fraleigh:  Between Tongue and Teeth continues through December 31, 2016.  You can visit the museum Wednesday-Sunday noon to 5:00 pm with longer hours (until 8 pm) on Thursdays.