Category Archives: video installation

Flowers, Tatts & China

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I have become a Transmedia groupie.

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Syracuse University Associate Professor Laura Heyman, guest Visiting-Artist and Instructor Ira Lombardia, and Everson Museum of Art Curator of Art and Programs DJ Hellerman led students through a critique tonight at Apostrophe’s Art Gallery, 1104 Oak Street, Syracuse, NY 13203.

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I was there a couple weeks ago for a similar event.  This time it was a joint showcase of work by Han Zhao and Hangyi Zhou.

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Han Zhao’s exhibit, Flowerbility, utilizes various media to showcase a single flower.  According to his artist statement, he creates on his I-Pad and laptop, which allows his ideas to flow freely and quickly.  There is joy to this ease.  His work ethic reminded me of artist Kiki Smith.  Last year, she visited Syracuse University and talked about coming at an idea from all angles.  I enjoyed the consistency of the image and saw how its use had implications and applications to interpreting and re-imagining business logos, taking the image to its unlimited potential.  That was exciting!

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I jumped into participating in Hangyi Zhou’s critique session.  What was I thinking, lol?  I guess the teacher in me couldn’t just be a fly on the wall.  I loved being a part of this adventure.  The artist’s four-piece photography exhibit, Chinese Tattooed Women, seemed rather simplistic until she shared some back-story.

What happens in China stays in China – except when young artists relate how their view of the world is tainted by a judgmentally governed society.  In this case, the notion that tattoos suggest disreputable character, specifically in regard to women.  Finding Chinese women courageous enough to pose for these photographs was quite an accomplishment, apparently.

Each model wears black and poses to portray their emotional connection to their respective tattoos, which are similarly inked in black and were all similarly executed in China.

This series seems to be in its gestation period, and a lot of what was said in the critique was thought-provoking in a helpful way.

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20190422_190221.jpgThank you, Transmedia gang, for including me.  This SU grad loves that Syracuse University art has expanded into the off-campus community.  Utilizing this unique gallery space for student exhibitions and holding receptions on Mondays is a win-win! ❤

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Cancel That

Currently, three venues are hosts to the twenty-four Syracuse University MFA candidates: Point of Contact Gallery, Community Folk Art Center and the SU Art Galleries. The art reception at POC was last Friday (that show continues through May 10, 2019), the one at CFA will be Thursday, April 18, 2019 from 5:30 – 7:30 pm (show continues through May 11, 2019). Last night at the Shaffer Hall venue, I attended the art reception for eleven of these students.

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What I love about Thursday evening art openings on campus – you can drive right up to the gate and park for free in the Q-4 lot – easy-peasy! It was such a beautiful evening. The university is a reoccurring landscape in my life. I really love being there. I received my BFA and MS degrees from Syracuse. I did not get an MFA, which I guess I would need if I am ever to be considered for a job as an Art Professor at SU (the Art Education masters is a Masters of Science for whatever reason, which is weird). A series of questions answered in essay format served as my thesis and not a gallery showcase of artwork, as is the case in these recent exhibitions.

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The students have varied focuses – illustration, painting and digital art, for example. Apparently, the cohesive thread of this work, according to the curator’s statement, is to do with the artist’s responses to their current realities and the angst that resides there be it via monstrous nightmare, political climate, gender issues, or social injustices, or some combination of junk that creates a response to conditions. The artists in this particular show seem to be attempting to express views, beliefs, fears and perceived truths in a sort of thinking man’s artist thing-a-ma-gig.

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Nothing tickled me here – true story – and that could just be because I am so not their generation, (kids these days, am I right? lol) and because I am a happiness-and-joy girl. I am perplexed by the need to be conditional about anything. I trust that everything unfolds when you are true to yourself, creating a vision that exposes yourself in a vulnerable way, perhaps, allowing your inner being to guide you towards the inspiration that will captivate. You feel it in your soul and that beauty that is within becomes your art and it subsequently resonates with the world. You will know it, your friends will know it, your professors will know it and you will see how incredibly it will take you where you want to go, easily and effortlessly.

So where do these kids see themselves? A conversation with some professors indicated that student art direction these days is focused on thinking about rather than the executing of ideas. This is not something I really understand. Are they not happy?

Are they hoping to open a dialogue about negative stuff? I don’t know. Some of this work is on the rather provocative side in the way that I cannot bring my thirteen-year-old students to this gallery on a field trip. There is some adult content of a sexual nature, as well as pieces that draw attention to violence and horror.

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Let’s cancel all that.

I guess I don’t agree with the blurb sentiment “sober examination of the facts”. We create our own realities based on dreams and desires. Choosing to get caught up in something you don’t want or don’t like just does not make sense to me. If I create a reality I don’t want, I don’t choose to stay there and dwell in it, complain about it and get stuck there. And I don’t really think it is the blanket statement under which all of these artists sleep, is it? Or is Plans are Cancelled a reference to a positive re-boot?

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The fun for me are these questions, not in the answers because the questions alone allowed me to ponder solutions of my own with regard to my own life. I am grateful for this show because I had really satisfying conversations with my friends Penny and Davana about this show and about how it can help us define/re-define ourselves as artists and teachers.

And it was also so helpful to share what I saw here with my Studio in Art students. It is so important to me as a teacher that I offer guidance in the form of training my students to trust and believe in themselves, to know that they will be able to navigate their path to whatever they care to do artistically in the future with or without me.

I wish these MFA candidates the best of luck and love in their creative journeys. I sincerely thank you all for your perspectives. ❤

Plans are Cancelled will remain on display until May 12, 2019.

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***Artists represented at Syracuse University Art Galleries

Hollie Lyko, E. Garrett Bryant, Perry Burlingame, Jestina Sutherland, Rebecca Forstater, Sylvie Prendergast-Corvo, Samantha Corbett, Louise Thompson, Jason Cheney, Mark Zbikowski, Jiallin Deng

The Art of Fluidity

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Penny, Janine and I attended the Pop-up Video Installation and Performing Art exhibition at Apostrophe’s this evening.  (1100 Oak Street, Syracuse, New York)  It was a three-hour event.  Artist Yilu Yang from Shanghai, China is currently a graduate student in the Department of Transmedia at Syracuse University.

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Her show was titled Subconsciously Flowing Water.  Yilu’s interest in nature stems from a yearning to seek its innate tranquility, a sanctuary from the contemporary man-made life-in-the-fast-lane that has been her experience growing up in a big city.  Her films are self-portraits, depicting herself creating narratives that represent an intimacy with water, sand and the landscape of Earth while also acknowledging the customs, poetry and history of her heritage.

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Her colleagues, fellow students and friends gathered for a critique led by Laura Heyman, Associate Professor in the Department of Transmedia and D.J. Hellerman, Curator of Art & Programs at the Everson Museum of Art.  The Everson has one of the largest collections of Video Art in the nation (who knew?) and so, the museum works closely with the university to promote and guide students in their respective artistic journeys.

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Heyman asked what direction she felt her art was going, other than to be viewed in this gallery space?  Yilu Yang remained poised as she answered.  Her audience ventured closer to hear her soft spoken response.  She was clear in her vision, that her work is both personal and universal in that it allows the viewer to ponder the peaceful inner being while questioning their place in society.  It may become more political or not, depending on where it takes her – back to China or on an extended path around the world.

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I see it as the beauty in escape – that we can all benefit from unplugging from society and focusing on creating our own imaged histories, rewriting our realities and then revisiting ourselves in the physical.  In this way, we seek and find our true happiness.

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I see a lot of wonderful things in Yilu’s future.  She found a fit with Syracuse and with the United States – mainly, the freedom to express her vision with determined fluidity. ❤

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