Category Archives: Syracuse University

Let Me See Your Etchings

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In full-on back to school mode, Syracuse University flung open its doors to an art gallery reception last night.  Meant to Be Shared is but a smidgen of the vast group of etchings from the collection of a man named Arthur Ross.

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Etchings are drawings done on copper plates that are inked and burnished to paper.  Many of these pieces were originally made for books hence the creases in the pages.

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The magnificence of these etchings lies in the tiny details.  The line quality is just superb in a way that I cannot even begin to imagine the time and dedication they took to make.  And of course, the fact that they were created by the likes of Rembrandt, Goya, Pissarro, Delacroix, Manet, Matisse…it’s just mind-blowing.  All the big guns.

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I didn’t know everyone of them knew how to use this medium.  It’s cray-cray amazing.  This is a traveling exhibit on its final stop.  It was at Yale University and at a college in Gainesville, Florida.  You can find it here in Syracuse, New York at the SU Art Gallery in the Shaffer Art Building until November 19, 2017.

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There are scheduled gallery tours and lectures coming up.  The purpose of the title of this show is one of education.  Meant to be Shared – to allow new viewers to experience the work and to teach them the importance of the collection while sharing its sublime beauty.

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If any art teachers out there would like to schedule a field trip to visit the gallery contact them at www.suart.edu.

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Visit the website for gallery hours and information on upcoming shows too.  OMG, Kiki Smith is coming up next!  Can life get any better?  Yessss!!!!!

Come This Way

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Point of Contact gallery is located in The Warehouse building, 350 W. Fayette Street (near the intersection with West Street) in Syracuse, New York.  It is an annex of Syracuse University located in the Armory Square area of town.  Its mission is to provide an arts dialogue with the community focusing on Latin American culture.

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In the summer, however, the gallery opens its doors to a juried exhibition, welcoming all local artists to participate.  Currently, Sum Art 2017 is up until mid-August.  The art reception was last night.

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For some reason, every time I enter this gallery, it starts out feeling like Dr. Who’s Tardis – bigger on the inside.  Last night, as I winded my way around the exhibit taking quick snapshots here and there around the many patrons who attended finding myself in the second room and nearly impaling myself on a tall wooden sculpture, I realized that idea is an illusion.

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It isn’t so big and yet, this show really packs a punch.  So much to delight in – to see.  Large scale works and tiny collage pieces.  Realism in both painting and ceramics juxtaposed with pricey abstracts.  There was something for every individual aesthetic.

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Last year I bailed on this show, lol.  I made up for it last night, even getting an Instagram fashion post out of the dealio – thanks to contributing artist Penny Santy (photo cred)!

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BCBGMaxAzria romper, belt and clutch, BCBGeneration booties

Maybe next year I will go a step further and enter my artwork…. (???)

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Gallery Hours: The gallery is open Tuesday-Saturday, 12-5 PM to the general public.

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Allentown

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Left Hand Path is the title of the latest art exhibition hanging on the walls of Apostrophe’s  Art Gallery, 1100 Oak Street in Syracuse, New York.  Glendon Allen has curated an exhibition that includes ten artists –
Charles Buechner
Ray Madden
Star Daniels
Jessica Whitely
Dylan Allen
Risa Fox
Maggie Carlin
Sherry Spann Allen
Katelinn Carrier
Glendon Allen~ Curator

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It is a family affair.  Both Glendon and his brother Dylan are graduates of Syracuse University.  Their mom, Sherry Spann Allen, is a recently retired art teacher, as well as a nationally recognized abstract artist.  Their dad, Peter Allen, is a successful local graphic artist, painter and musician.  Alice, Dylan’s daughter, poses here with her artwork on the wall as well.  (She said it was a giraffe!)

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Left hand path is a term to describe the religious practice of dark magic.  (I Googled it.)  In this case, the artists are aligning with the feeling of being placed in the category of outsider.  Their emotions play a significant role in the production of their artwork.  Discord is at the center of this vibration, although the work here is a combination of action strokes and calm precision.  A sort of beautiful aesthetic meets the doom and gloom of the future kind of thing.

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The above prints were available for immediate sale, the rest can be purchased once the show comes down next week.  Apostrophe’s is open on Tuesdays and Thursdays and by appointment.

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What’s Right is Left

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Dolce Vita World Bistro is across the street from Syracuse Stage – at 907 E. Genesee Street, Syracuse, New York.  The restaurant serves international cuisine, hosts musical and theatrical events in collaboration with Syracuse University and promotes local visual artists via monthly art exhibitions on the walls of its dining room.

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Friday night I attended the opening reception for What’s Left, an art show combining the talents of Le Moyne College colleagues Erin Davies and Penny Santy.  The title is derived from a Robin Williams quote –

What’s right is what’s left if you do everything else wrong.

The show features wood collage pieces by Erin and oil paintings by Penny.

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Meredith Cuddihy on violin provided the musical entertainment.   There was wine and cake, and other yummy fare, as well as friendship, camaraderie, and lots of fun!  It is always very special to support my friends in all of their endeavors and of course, any excuse for a party is a good one, especially now – we are weathering a severe cold spell in Syracuse, New York and no one really wants to hunker down in their respective shelters to wait it out.

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According to their web-site, Dolce Vita is open Monday – Thursday 4:00 pm – 9:00 pm, Wednesday – Friday 11:00 am – midnight, and Saturday 4:00 pm – 11:00 pm.  They schedule private events on Sundays.  If you are interested in scheduling one, making a reservation or checking out the wonderful art, call (315) 475-4700 for the deets.

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Army of Thieves

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According to the literature for this exhibit of sculptures by Vanessa German, “when assembled together, these power figures resemble an army of women on the march”.  German creates them from a plethora of found objects.  The mannequin parts are plastered and tarred then assembled and dressed via wiring, sewing and gluing the objects in place, adding jewelry and dress that evokes some form of armor.

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They become modern soldiers lined up in effect, like those terra-cotta figurines found at the tomb of Emperor Qin Shi Huang in China.  It is incredibly breathtaking and powerful to witness.  The work is in the Sculpture Court and in the Wampler and Robineau Galleries on the first floor of the Everson Museum of Art (400 Harrison Street, Syracuse, New York).

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Tonight was the art reception for this exhibit titled de.structive dis.tillation (a nod to the chemical construction of tar), as well as for the Bradley Walker Tomlin retrospective.  I will be attending an in-service for teachers in March that focuses on the latter.  I titled this post Army of Thieves because the German sculptures stole the show, which is totally ironic in that the upstairs galleries are full of local artists work and that has ALWAYS been my dream for the Everson, lol, and includes my colleagues and former S.U. professors in its mix.  Vanessa German is a product of Pittsburgh, Pennsylvania.

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German’s dolls are meant to tell the story of/create a dialogue about the social injustices of the African-American experience.  It’s to do with destructing in order to construct.  Rebuilding a world and giving voice to a type of commitment to peace, joy and love in spite of challenges.  The result is the whimsical and harmonious sound of texture, a cultural heritage-based beauty and personification that has the potential to resonate for everyone in our community.

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It is the flavor of intense joy.  There is so much to see here!  Flea market finds that take your breath away.  Attention to detail with regard to fabric and fibers.  The sculptures are skateboarding and riding tricycles, standing on soap boxes and rejoicing as they stand for one’s tears and for the healing hope of a better future.

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You need to see them!  I really ought to plan a field trip for my Studio in Art students.  We just finished creating sculpture/mobiles of paratroopers using plaster, found objects and humanoid forms, so, this would be right up their alley.

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The exhibit continues through May 7, 2017.  The Everson is planning a day camp for students during the week of Mid-Winter recess (that starts a week from today).  Go to their web-site for more information or call them at (315) 474-6064.  They will also be doing a Saturday workshop for children, and in addition, several events such as family day and docent led tours of the exhibitions. ❤

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Educational Camaraderie

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The gist of the art exhibition currently residing on the walls of the SU Art Gallery at Syracuse University in Syracuse, New York is the sense that art matters.  It was a factor in business in the 1930s, as artists worked in tandem with corporations to promote products and lifestyles.  A mutual admiration society of people helping people.

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Thomas Hart Benton is at the core of this show, an artist a bit more well-known than others (with the exception of Grant Wood; he is now a household name to most of my students). They used Benton’s clout to generate sales for all the artists in the stable of a company called Associated American Artists.  Prints were sold to customers to bring art to every wall in American homes with lesser known artists being carried along for the ride of capital gain.  The company closed shop in 2000.

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The conscious acknowledgement of and respect for artists is what I walked away with from this exhibit, a system that worked and should continue to work. I would love to see artists promoted by local businesses in this way – perhaps a group showing of work based on local and regional products that would catapult said products into the national spotlight.  It’s a  mutual win-win.  Artists would maintain their stye and sense of freedom in the creation of the art and still create work that represents a company’s point of view.

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Syracuse University does an outstanding job curating this gallery.  It is remarkable how different it looks from the last show they had and how well more than one hundred thirty objects of art fit into the space.  I like to think I am well-versed in art history but … I learned so much tonight.  A truly educational experience.  I would expect no less from my alma mater!  Loved it!

This show, titled Art For Every Home (Associated American Artists, 1934-2000) came from Kansas State University, Manhattan, Kansas.  It will continue through March 19, 2017 with a gallery talk by one of the curators, Elizabeth G. Seaton. Ph.D, curator of the  Marianna Kistler Beach Museum of Art at Kansas State University, scheduled for Thursday, March 2, 2017 at 6:00 pm.

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Sascha Scott, Ph.D., Associate Professor and Director of Graduate Studies in the Department of Art and Music Histories at Syracuse University, will give a presentation on Thursday, March 9, 2017 at 6:00 pm.

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The gallery is located in the Shaffer Art Building on SU campus.  Gallery hours are Tuesday – Sunday 11:00 am – 4:30 pm.  The gallery stays open until 8:00 pm on Thursdays.  They are closed during university holidays.  Call (315) 443-4097 for more information or email them at suart@syr.edu.

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Matter of the Minefield

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Size Matters is the title of the latest art exhibition at Clayscapes Pottery, Inc. (1003 W. Fayette Street, Syracuse, New York 13204).  The ceramic sculptures by Syracuse University grad student Peter Smith will be on display and for sale through February 23, 2017.

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The show is a combination of two things – the idea of farm equipment enlarged and age simulated to act as a metaphor for man’s “relationship with the environment” according to his literature, and brilliant-hue glazed ceramic weapons mixed with porcelain gas masks, which I am assuming constitutes man’s willingness to destroy it.

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The work is found attached to walls, resting on tables, hanging from the ceiling and strewn about the floor.  This, for me and my band of fun artist friends, created a sort of surreal adventure in art wonderland, as we contemplated the minefield of meaning around the space.

It was the dialogue I was having as we posed in these pictures. Guns and missiles glazed in beautiful colors, a wall of blades that reminded me of the backdrop in a knife throwing performance at the circus….   Should we laugh or be afraid?  Pretty weapons.  Fragile weapons.  But still weapons.  And the haunting effect of decaying metal artifacts produced a kind of guilt-ridden sorrow.

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There is definitely something about Peter’s work that makes you want to start a discussion.  I love the idea of that narrative.  Love the way the work fits together in a cohesive way and yet any one of the pieces could find a home and continue to resonate on its own.  These gas mask castings are priced individually.

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It was surreal and beautiful. Like whimsical horror. I just love this meeting of minds, love the way a college student can be such a free thinker, creating art for art’s sake but also as a means to tell a story or voice an opinion of the world as he sees it.  It’s all in the perspective!  You really ought to see this show.

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You can read about Peter in this month’s issue of Ceramic Monthly.

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The gallery is open Tuesday – Saturday from 9:00 am to 5:00 pm.  Call (315) 424-6868 for more information or visit their web-site at www.clayscapespottery.com.  They are also on Instagram (clayscape_pottery) and have a Facebook page (Clayscapes Pottery)!

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