Tag Archives: art exhibition in Syracuse NY

Cancel That

Currently, three venues are hosts to the twenty-four Syracuse University MFA candidates: Point of Contact Gallery, Community Folk Art Center and the SU Art Galleries. The art reception at POC was last Friday (that show continues through May 10, 2019), the one at CFA will be Thursday, April 18, 2019 from 5:30 – 7:30 pm (show continues through May 11, 2019). Last night at the Shaffer Hall venue, I attended the art reception for eleven of these students.

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What I love about Thursday evening art openings on campus – you can drive right up to the gate and park for free in the Q-4 lot – easy-peasy! It was such a beautiful evening. The university is a reoccurring landscape in my life. I really love being there. I received my BFA and MS degrees from Syracuse. I did not get an MFA, which I guess I would need if I am ever to be considered for a job as an Art Professor at SU (the Art Education masters is a Masters of Science for whatever reason, which is weird). A series of questions answered in essay format served as my thesis and not a gallery showcase of artwork, as is the case in these recent exhibitions.

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The students have varied focuses – illustration, painting and digital art, for example. Apparently, the cohesive thread of this work, according to the curator’s statement, is to do with the artist’s responses to their current realities and the angst that resides there be it via monstrous nightmare, political climate, gender issues, or social injustices, or some combination of junk that creates a response to conditions. The artists in this particular show seem to be attempting to express views, beliefs, fears and perceived truths in a sort of thinking man’s artist thing-a-ma-gig.

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Nothing tickled me here – true story – and that could just be because I am so not their generation, (kids these days, am I right? lol) and because I am a happiness-and-joy girl. I am perplexed by the need to be conditional about anything. I trust that everything unfolds when you are true to yourself, creating a vision that exposes yourself in a vulnerable way, perhaps, allowing your inner being to guide you towards the inspiration that will captivate. You feel it in your soul and that beauty that is within becomes your art and it subsequently resonates with the world. You will know it, your friends will know it, your professors will know it and you will see how incredibly it will take you where you want to go, easily and effortlessly.

So where do these kids see themselves? A conversation with some professors indicated that student art direction these days is focused on thinking about rather than the executing of ideas. This is not something I really understand. Are they not happy?

Are they hoping to open a dialogue about negative stuff? I don’t know. Some of this work is on the rather provocative side in the way that I cannot bring my thirteen-year-old students to this gallery on a field trip. There is some adult content of a sexual nature, as well as pieces that draw attention to violence and horror.

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Let’s cancel all that.

I guess I don’t agree with the blurb sentiment “sober examination of the facts”. We create our own realities based on dreams and desires. Choosing to get caught up in something you don’t want or don’t like just does not make sense to me. If I create a reality I don’t want, I don’t choose to stay there and dwell in it, complain about it and get stuck there. And I don’t really think it is the blanket statement under which all of these artists sleep, is it? Or is Plans are Cancelled a reference to a positive re-boot?

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The fun for me are these questions, not in the answers because the questions alone allowed me to ponder solutions of my own with regard to my own life. I am grateful for this show because I had really satisfying conversations with my friends Penny and Davana about this show and about how it can help us define/re-define ourselves as artists and teachers.

And it was also so helpful to share what I saw here with my Studio in Art students. It is so important to me as a teacher that I offer guidance in the form of training my students to trust and believe in themselves, to know that they will be able to navigate their path to whatever they care to do artistically in the future with or without me.

I wish these MFA candidates the best of luck and love in their creative journeys. I sincerely thank you all for your perspectives. ❤

Plans are Cancelled will remain on display until May 12, 2019.

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***Artists represented at Syracuse University Art Galleries

Hollie Lyko, E. Garrett Bryant, Perry Burlingame, Jestina Sutherland, Rebecca Forstater, Sylvie Prendergast-Corvo, Samantha Corbett, Louise Thompson, Jason Cheney, Mark Zbikowski, Jiallin Deng

IPA: Spring Show

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Last night I caught the tail end of a three-hour art reception at Clayscapes Pottery in Syracuse, New York.  The IPA (Independent Potters’ Association) displayed their wares in the wonderful gallery in this basement establishment located at 1003 West Fayette Street.

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Clayscapes is where I get the clay I use in my classroom.  It is a retail business with walk-ins welcome; it is a gallery and it is home to studio space for ceramic artists, as well as a venue for ceramics classes for all ages.

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I can’t spend a lot of time in there, however – big secret revealed – I am allergic to clay!  When I do clay projects with students, I limit them to a four-class affair.  I do it, of course, because it is really an important media for sculpture and functional art.

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This gallery is really cool because many of the works are functional and so, when art lovers and customers see them, they want to use them immediately.  And they can because it is a cash and carry show.

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The glass shelves were formerly in the Everson Museum of Art before the museum went through renovations.  Everything looks amazing.  Every artist’s work is unique – there is really something for everyone.

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I spoke with Wes Weiss, a local guy and Nottingham High School grad who spoke of his process in such an interesting way, which totally resonated with me.  He said he took negative feelings of the political climate in this country and infused his feelings with positive text creating the message of melting his painful thoughts and keeping the good ones.  He said an idea grips him and it is almost painful until he purges it via creation.  He is “a slab guy”, using said technique to create tiles, lanterns and other pieces scattered throughout the show.

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You can claim a free tile from his bowl of positive words located at the entrance to the gallery.  I loved the sentiment of walking away with a piece of his goodness.  It really blends with my belief that we all work together to create our experiences.  Loved that so much.

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Also in this show are the following:  Casey Cleary-Hammarstedt, Jen Gandee, Matt Hill, Michael Hughes, Sookie Kayne, Bobbi Lamb, Tom Krahe, David MacDonald, Jamie Noce, Tina Parker, Jessica Pilowa, Margery Rose, Millie St. John, Tim See, Don Seymour, Karen Jean Smith, John Smolenski, Alan Stankiewicz, Peter Valenti, Sarah VanDerVoort, Michele Walters and Rebecca Wind.

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This exhibition continues through May 5, 2018.  Visit IPA at www.ipa.org for more information about this group.  Clayscapes Gallery is open Tuesday – Friday 9:00 am – 5:00 pm and Saturday 9:00 am – 1:00 pm.

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Save the Date

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Eye Studio is in a brand new location!  It is around the corner from me at 712 W. Manlius Street in East Syracuse, New York (13057).  The space is welcoming with a gift shop in front, office space, a kitchen for culinary classes and an immense studio space for creating art where wine and paint nights for adults take place, as well as ceramics classes, glass fusing and other art courses for all.

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In addition, there is gallery space.  Proprietor Ilene Layow is currently exhibiting her Green Lakes series of drawings, paintings, and glass works.  Yesterday she offered me a show for next month!  I will display Futura, my series of twenty-four angel encaustics.

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Yes!!!! They have found a temporary home from their current location on my dining room table.  I am beyond excited right now!  The space is really a perfect location for this artwork.  A match made in heaven!

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We have scheduled a closing reception for Friday, October 27, 2017 from 6:00-8:00 pm.  There will be wine and food, and a musical guest to be announced.  Save the date.  It would be just over-the-top amazing to see you all there.  I am so grateful for all of the support I have received throughout the years.  You are such amazing friends!

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The great thing about a closing reception is the cash and carry aspect.  You can buy the art and take it right off the wall and home with you immediately.  The show goes up on October 2nd and will be available to view during normal business hours and by appointment.  Contact Ilene at iteachart.twcny.rr.com  or call (315) 345-4576 for that information.  The hours of operation are changing for the fall season. They will be up on their website soon.

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I am quite certain you will fall in love with this place then receive the impulse to take art classes.  Art is the absolute best medicine for a happier you. ❤

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Signing In

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I drive past Grover’s Table a lot, like almost every day, and every single time I say to myself, in my best Tina Fey voice, I want to go to there!  Carthage native and Westhill High School art teacher Jamie Ashlaw is exhibiting his vintage sign-infused paintings in the Fayetteville, New York restaurant until the end of the month.  Last night I attended his artist’s reception.  So, that happened.

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I met Jamie once before at the Art on Porches event last summer.  I bought a note card print of his Palace Theater painting.  I really admire his work!  It has the ability to transport its viewer into the past evoking a sense of nostalgia for both local culture and national advertising.  He uses Golden Artist acrylic glazes, which allow him the ability to create precise lines within the lettering.  The canvases become veritable photographic replicas of their resource counterparts.  Exquisite!

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Grover’s Table is a gorgeous place and I would REALLY love the opportunity to exhibit there, but I have to say that Jamie’s artwork looks like it belongs on the walls of this beautifully renovated exposed-brick-ey space.  They should consider buying the collection – at least to put up periodically in between other artist rotations.  Meanwhile, he has agreed to display them in the Chittenango Middle School library as my final artist for the year!  We will install his show around spring break.

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Jamie donated this piece in the above photo.  It hangs at the host stand by the front door.  A vintage-like sign depicting Grover Cleveland, who actually once lived in the neighborhood, only a few blocks east.  So cool!

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According to their web-site Grover’s Table is open as follows:

Tues.-Thurs. 4:30-9:00pm

Fri.-Sat. 4:30-930pm

They do not serve lunch but luncheons are available for groups of 35 or more

Closed on Sunday & Monday

Grover’s Table is located at 104 Limestone Plaza Fayetteville, NY 13066.  For reservations call (315) 632-4907.

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Triple Whammy

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So, here’s something crazy weird and great – I will be exhibiting artwork in three locations during the month of April 2017.  Showing watercolors – the ones with the baseball themed titles – at the Half Moon Bakery and Bistro in Jamesville, New York.  No date as of yet for the reception, but I am hoping they will do a baseball cake or cupcakes for it.  That will be fun for spring, right?

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I’m installing an exhibit at Dolce Vita World Bistro in Syracuse, New York on April 2, 2017.  It would be nice to keep them up longer than a month, but no deets on this yet.  I would love to have a gathering one evening, maybe fill the dining room with friends and have music too, but I haven’t planned that far ahead.  Art shows are a great excuse for a party!  I will either exhibit the encaustic crown series from 2012 or something more retro – oil & collage paintings from 1998.  I don’t remember what I called this series.  I made them in the 2nd bedroom of my apartment on Woodbine Ave. during winter break that year.  Does anyone remember anything pre-new millennium?

CROWNING GLORY(11X14-12) (243x300)
Crowning Glory, 18″ x 15″, 2012, encaustic, $125
LIFE. LIBERTY. HAPPINESS., 18X36, 1997 (300x156)
Karen Tashkovski, Life. Liberty. Happiness., 1997, oil & collage, $675

And finally,  my 1997 oil & collage series of paintings Messages (From the Other Voice) is up in the Chittenango Middle School library, Chittenango, New York, for the next two months!

STRENGTH, 18X36, 1997 (300x159)
Karen Tashkovski, Strength, 18″ x 36″, 1997, oil & collage, $675

So happy to be able to share my artwork in public spaces (you know, to captive audiences).  New work is actually coming soon.  My sister is opening a yoga studio around the corner from my house.  I will be making encaustic paintings to exhibit and sell there. I’m going to be turning my kitchen into an art studio during spring break next month to get those (horseshoe paintings and maybe hearts too) ready for Syracuse Yoga’s opening in May 2017.

Rage of Love

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The artwork presented by storyteller artist and quilter Vanessa Johnson is an extension of her being.  The outstretched arms of this humanoid fabric art are inviting, welcoming and loving, connecting the women they represent, the artist and the viewer in a heart-warming embrace.  She is honoring women as she visually interprets their struggle while contemplating her own life journey as an African American with roots in Ghana.

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Vanessa begins with the bodies – sewing cloth to cloth, much of it found in West Africa.  This becomes her canvas and from it sprouts limbs, heads and the detailed decoration of meaning that produces emotionally-charged and animated floor-to-ceiling quilts.

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Last night was the opening reception for Unwrapping Vanessa at ArtRage, 505 Hawley Avenue, Syracuse, New York.  The art exhibition continues through March 25, 2017. ArtRage is a gallery that focuses on social issues.  They hold several exhibitions a season and coordinate them with other events – lecture/discussions, musical performances and poetry readings, film screenings and theatrical plays.  There is a pancake breakfast on Sunday, March 5, 2017 beginning at 9:00 am.  On Wednesday, March 8, 2017, Vanessa Johnson will give an artist talk at 7:00 pm.

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Vanessa has been creating art quilts for over twenty years and has exhibited her work all over Central New York.  She displayed work at the Chittenango Middle School library a few years ago!  Since then her work has evolved considerably.

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There is so much raw emotion to be discovered.  Of the love of identity, of the power of friendship and of the joy of knowing a world where so many women of color are respected in their achievements.  She is certainly inspired by these women and by the strength of the community in which she lives.

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The artwork is combined with stories, text in quilted books and woven into the tapestry.  In addition, pouches of soil from her homes here and in Ghana are lovingly added as a type of talisman.  She calls them “gris gris”.  It is this narrative that blurs the lines between artist and artwork, iconography, environment and inspired action.  So much beauty in the richness and flavor of her life! ❤

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ArtRage is open Wednesday, Thursday and Friday 2:00 – 7:00 pm and Saturday noon – 4:00 pm.  They are available for school tours as well, and are always seeking submissions from artists for future exhibitions.  For more information, contact info@artragegallery.org.  Their website is www.artragegallery.org.

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Technically Speaking

So, welcome to my 2nd anniversary as a blogger!

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And with that comes the answer to the question I have been asking myself – what happens when I exhaust all the art venues in my area and I have to start duplicating them – I mean, where’s the spin, the angle?  How do we make the old new again?

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I haven’t technically exhausted venues.  There are plenty around this town that I haven’t written about or ventured to yet!  But then, there are certain places that I seem connected to, as if they are the set decoration to my personal reality show and the Syracuse Tech Garden is, apparently, one of those spaces.

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Steve Nyland chose this time out to curate a seven-artist show, which to my delight, makes this show new and different.  I prefer this to juried shows or the free-for-all themed show (anyone want a bunch of abstract watercolors with baseball-themed titles? because I have fifty I can sell you today, lol).  You know what I’m talking about. 🙂

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April Showers: Technically Irrelevant is at the Syracuse Tech Garden until July 8, 2016, which offers you plenty of time to get down there.  It is on Harrison Street (235 Harrison, Syracuse, New York 13202) right across from the Hotel Syracuse, which is currently being renovated for a spectacular re-opening in June.

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The artists in the show include my work colleague Sherry Allen, plus Facebook and personal friends Penny Santy, Lauren Bristol, John Fitzsimmons and Ken Nichols along with Robert Kasprzycki and Stephanie Roeser.  Each offers a strong sense of character and style – all different, and so the show is very cohesive.

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According to the literature/curator statement, Steve chose the artists based on comraderie, friendship and inspiration.  There is definitely a positive vibe to the artwork here, a mutual admiration society of artists complimenting and encouraging each other to provide us all with a footprint of their souls, as seen in color, texture, brushstroke and commitment to their respective visions.

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I have showcased Penny’s work before, but in this space these bulls have enormous presence.  The large canvases give credence to her sweeping brushstrokes and color combinations.  Really breathtaking stuff.

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I know that John Fitzsimmons will paint your portrait if you head over to his studio at the Delavan Center on Fayette Street in Syracuse (and if you have several hours to spare!)  His portraits are done with straight painting – no drawing it first with pencil or charcoal, and yet they are so proficient with accurate placement of proportions and an uncanny ability to capture one’s essence.

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Here, he is showing ethereal landscapes with magnificent mastery of color choice.  They are simultaneously deliberate and spontaneous and seem to represent the sky’s fickle ability to change on a dime.  A dark cloud approaches on the horizon with hurricane force, and yet, with the smaller works, they are sized to the give the appearance of a landscape at rest – long and narrow horizontals.

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I absolutely love the texture in Sherry Allen’s work.  There is dimension as well, the idea that the painting jumps into space and becomes a part of your life.  Her work certainly does not sit back passively waiting for anyone to notice.

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She is retiring from her teaching job at Chittenango High School at the end of the school year.  I am really looking forward to the direction her artwork will take once she has more time to devote to it!

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I know Ken Nichols as a potter.  We keep running into each other at events.  His mugs are also being sold at Natur-Tyme in Dewitt, New York and at the Clayscapes gallery, even though he isn’t mentioned in either gallery’s literature.  It is because his work sells.  It’s in and out the door in a flash due to exceptionally perfect price points and of course, quality.

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Here, he introduces us to his paintings, which are so colorful.  It’s almost as if he is a kid in a candy store with the control he can get out of acrylic paint – very different than the you-get-what-you-get attitude that comes with glazing pottery.

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Hopefully, I can connect with him to share these paintings in my middle school library gallery next year.  They are delightful confections that remind me of zentangles.

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Lauren Bristol can crochet!  She creates the pattern on large point graph paper and I have never seen this before.  Loved it!  My grandmother tried to teach me to crochet, but that was a disaster, as she couldn’t slow it down enough for me to understand what she was counting out in her Vlashki language (una, dow, tre, patrou, cin-cee, sha-cee, shap-tee, optou, now, zhad-cee…)

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Lauren uses crochet as an art form.  She includes abstract paintings in her display as well to fill her space.  I cannot imagine where she finds the time to create all of this, as I know from watching my mom now and my grandmother years ago, how long it takes to string together that work.

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I don’t know anything about Stephanie Roeser except to say that her artwork is whimsical.  Very youthful and alive.

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And Robert Kasprzycki’s giclee prints have the attitude of technically proficient.  Not at all irrelevant.

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The Syracuse Tech Garden is open to the public Monday – Friday from 9:00 am – 4:00 pm.  Contact the gallery at gallery.ttg@gmail.com for more information.

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