Category Archives: printmaking

Tiny Voice

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I ran into a friend who told me about an amazing restaurant in downtown Syracuse, New York called The Fish Friar.  She planted that seed of desire in me and within days I was seated in the outdoor dining space enjoying a fish sandwich (sans bread) and two sides.

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It was a perfect summer night, the fresh breeze in the air turned a gorgeous sunset into a Prussian blue sky.  The food was soooo good, the chef created a work of art on my plate, and so, we are talking phenomenological encounter here, which to be honest, is the only way I can possibly live my life.  The present moment is exquisite.

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Everyone there seemed to know everyone else and we delighted in sharing Gia DeLaurentis style verbal soliloquies of how the food tasted.  So fun, and yet, I became distracted by a message thing-a-ma-bob on my pages manager app, which kept directing me to my like page on Facebook, Karen Tashkovski-Visual Artist.  I couldn’t figure it out.  I clicked on everything and still the 1 was left staring at me.  I scrolled the messages for the umpteenth time, all read, and came to the bottom of the queue.  Yes, I had read this last message when it was sent in 2014.  But when I read it again – aloud – it was as if the late Michael Moody was speaking to me now.

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Hi Karen

Like all artists, your art is evolving. I can appreciate your art because I know you personally and because you’ve been painting for a long time which shows your drive, desire and dedication.

I don’t attend all of the art openings but I do go to some to show support for other artists. I never see you anymore. I know that you work, so you’re busy and might not attend openings because of this. But this makes you invisible to much of the local art scene. Perhaps our paths just haven’t crossed but if not, then it’s time for you to leave your little bubble and rather cloistered life (If that’s the case) and mingle with other artists!

Some of your narration sounds like you’re still looking for approval and acceptance from those hoards of non artists that you’d like to buy your product. In your mind, body and spirit this attitude must cease to exist!

I’ve been in some shows simply because other artists have recommended me or just dropped my name. Think about it! There are also many new artists that would see you as a mentor or master simply because of the years in your craft.

Enough said! Come out, come out, from wherever you are! Show more zest for your craft by being there among your peers. No one else counts (give or take).

…and don’t publish this! lol
Michael Moody
…and thanks for mentioning my name in your narration!
07/29/2014 11:22PM

Karen Tashkovski – Visual Artist
You’re right that I don’t want to mix and mingle. Absolutely right, lol.

Ya gotta change that babe! u can do it put ur back in to it!!! How else can your artistic peers get to know you and remember you!

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Back then I was kinda-sorta still in a funk about direction in my life. I had started my blog and was slowly re-emerging into the local art scene.  Fast-forward to now, and last night, where I was greeted by so many artists at John Dowling’s gallery on Hawley Avenue – everyone so wonderfully complimentary, telling me that they love my posts on Facebook and love reading my blog; that I am always smiling and positive, and all these nice things.  I was told I am beautiful too.

Crazy, right?  How time can change one’s perspective.  How it only takes baby steps to get us back on track heading in the right direction in life and that those steps can lead us to such amazing things.  It is such a gift to be a part of a group of like-minded souls who feel compelled to practice the art of making, sharing and selling art in such a cohesive way.  I am incredibly grateful for my journey and where it leads and where life will continue to take me.

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I was talking to John Dowling about the possibility of exhibiting my angel and heart paintings, if that theme works.  He said he hadn’t thought of a themed show and so, I reminded him that his show dedicated to Cuba was one and this current show is as well.

In this case, the theme is size related. The pieces are 6″ x 6″ or 8″ x 8″.  I LOVE a square canvas.  And these pieces are deliciously inviting.  Mini canvases in the artist’s styles, many you can recognize without needing their identification monikers – Hon Go’s modeling paste built geometric textured works, Diana Godfrey’s hauntingly rich abstract landscapes, John Fitzsimmons’ tiny-version portrait studies, Judi Witkin’s wearable art/steam punk jewelry turned collage art….

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Kristina Starowitz told me that she has only just entered the sharing-her-art-mode and this show enabled her to experiment with ideas without committing to larger canvases.  Her passion is evident in a tribute to the time-lapse of nature and its infinite beauty.

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Tiny voices from big hearts.  They are all priced to sell and offer this wonderful way to begin an art collection.  You will be able to find space in your home or office for these pieces.  It would be so cool if someone stopped in and said, “I’ll take one of each, please!”

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Thank you, Michael, for reminding me of what is truly important.  For knowing me better than I thought I knew myself, and for forcing that app to malfunction (which has now mysteriously fixed itself) in order for me to hear you again.  You are da bomb.

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P.S.  You really did want me to share this message, after all. ❤

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Rage of Love

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The artwork presented by storyteller artist and quilter Vanessa Johnson is an extension of her being.  The outstretched arms of this humanoid fabric art are inviting, welcoming and loving, connecting the women they represent, the artist and the viewer in a heart-warming embrace.  She is honoring women as she visually interprets their struggle while contemplating her own life journey as an African American with roots in Ghana.

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Vanessa begins with the bodies – sewing cloth to cloth, much of it found in West Africa.  This becomes her canvas and from it sprouts limbs, heads and the detailed decoration of meaning that produces emotionally-charged and animated floor-to-ceiling quilts.

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Last night was the opening reception for Unwrapping Vanessa at ArtRage, 505 Hawley Avenue, Syracuse, New York.  The art exhibition continues through March 25, 2017. ArtRage is a gallery that focuses on social issues.  They hold several exhibitions a season and coordinate them with other events – lecture/discussions, musical performances and poetry readings, film screenings and theatrical plays.  There is a pancake breakfast on Sunday, March 5, 2017 beginning at 9:00 am.  On Wednesday, March 8, 2017, Vanessa Johnson will give an artist talk at 7:00 pm.

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Vanessa has been creating art quilts for over twenty years and has exhibited her work all over Central New York.  She displayed work at the Chittenango Middle School library a few years ago!  Since then her work has evolved considerably.

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There is so much raw emotion to be discovered.  Of the love of identity, of the power of friendship and of the joy of knowing a world where so many women of color are respected in their achievements.  She is certainly inspired by these women and by the strength of the community in which she lives.

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The artwork is combined with stories, text in quilted books and woven into the tapestry.  In addition, pouches of soil from her homes here and in Ghana are lovingly added as a type of talisman.  She calls them “gris gris”.  It is this narrative that blurs the lines between artist and artwork, iconography, environment and inspired action.  So much beauty in the richness and flavor of her life! ❤

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ArtRage is open Wednesday, Thursday and Friday 2:00 – 7:00 pm and Saturday noon – 4:00 pm.  They are available for school tours as well, and are always seeking submissions from artists for future exhibitions.  For more information, contact info@artragegallery.org.  Their website is www.artragegallery.org.

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Educational Camaraderie

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The gist of the art exhibition currently residing on the walls of the SU Art Gallery at Syracuse University in Syracuse, New York is the sense that art matters.  It was a factor in business in the 1930s, as artists worked in tandem with corporations to promote products and lifestyles.  A mutual admiration society of people helping people.

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Thomas Hart Benton is at the core of this show, an artist a bit more well-known than others (with the exception of Grant Wood; he is now a household name to most of my students). They used Benton’s clout to generate sales for all the artists in the stable of a company called Associated American Artists.  Prints were sold to customers to bring art to every wall in American homes with lesser known artists being carried along for the ride of capital gain.  The company closed shop in 2000.

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The conscious acknowledgement of and respect for artists is what I walked away with from this exhibit, a system that worked and should continue to work. I would love to see artists promoted by local businesses in this way – perhaps a group showing of work based on local and regional products that would catapult said products into the national spotlight.  It’s a  mutual win-win.  Artists would maintain their stye and sense of freedom in the creation of the art and still create work that represents a company’s point of view.

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Syracuse University does an outstanding job curating this gallery.  It is remarkable how different it looks from the last show they had and how well more than one hundred thirty objects of art fit into the space.  I like to think I am well-versed in art history but … I learned so much tonight.  A truly educational experience.  I would expect no less from my alma mater!  Loved it!

This show, titled Art For Every Home (Associated American Artists, 1934-2000) came from Kansas State University, Manhattan, Kansas.  It will continue through March 19, 2017 with a gallery talk by one of the curators, Elizabeth G. Seaton. Ph.D, curator of the  Marianna Kistler Beach Museum of Art at Kansas State University, scheduled for Thursday, March 2, 2017 at 6:00 pm.

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Sascha Scott, Ph.D., Associate Professor and Director of Graduate Studies in the Department of Art and Music Histories at Syracuse University, will give a presentation on Thursday, March 9, 2017 at 6:00 pm.

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The gallery is located in the Shaffer Art Building on SU campus.  Gallery hours are Tuesday – Sunday 11:00 am – 4:30 pm.  The gallery stays open until 8:00 pm on Thursdays.  They are closed during university holidays.  Call (315) 443-4097 for more information or email them at suart@syr.edu.

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