I am currently in a post St. Valentine’s Day love affair with the home goods/home decorating/interior design firm and store Fringed Benefits. It is a manifestation of clever, inspirational design and good taste.
The brainchild of Interior Designer Amy Burns, who has established herself in the business locally for over twenty-years, and her partners Michelle O’Connor (business) and Kate Burns (designer), this venture is a stunning array of home decoration brilliance.
The store is located in the plaza adjacent to Wegman’s DeWitt (6825 E. Genesee Street, Fayetteville, New York 13066). It is closed on Sundays but operates every other day of the week. (Check their website for more information)
The venue is set up like a one-bedroom studio apartment with living-room, bedroom, office and dining-room decor supplemented by areas of small accessories, art, floral arrangements, gifts, candles and plenty of pillow options.
Retailer Glory took me on a tour including the back room, which is Burns’ design studio and offers personal assistance in home decorating including selecting fabrics and wallpapers. Glory’s enthusiasm for the products and budding business acumen made me want to make a purchase. It was a wooden heart ornament (pictured below) that I will cherish.
I had been a Facebook “Top Fan” of this place, but had never wandered in until today. It is an amazing store! You must go to there. Bonus if you tell them I sent you. <3
My sister owns two businesses: Syracuse Yoga (6181 Thompson Road, Suite 803, Syracuse, New York 13206) and Soflea, a small store operating in the basement of Wildflowers (217 S. Salina Street, Syracuse, New York 13203).
Sophia Tashkovski is part of the McCarthy Mercantile. Her collection of flea-market finds and antiques includes her signature horseshoes, brass trays, statuettes and wicker baskets, as well as furniture and rugs.
Items are one-of-a-kind gems and so, there are always new finds to covet, which always makes the shopping experience a fun adventure.
Hours of operation: 11:00 am – 7:00 pm Tuesday through Sunday. It’s open today!!! (you’re welcome <3) Enter Wildflowers then head to the basement where the collective of shoppes is housed.
The Art Galleries at Syracuse University are designed to facilitate education. In other words, it’s a teaching museum. Professors require students to go to there – to critique the art/learn how to judge a work of art. Students journal about experiences for classes, attend the receptions and lectures, and even work there (which has to be the greatest work-study gig).
Last year, former Director Domenic Iocono mentioned it was the reason artists like Jasper Johns, James Rosenquist and Kiki Smith wanted to collaborate by sharing their work with our community, enhancing the walls of the spaces with their respective visions.
In this season’s first exhibition, Not a Metric Matters, the university galleries led by new Director and Chief Curator Vanja Malloy, Ph.D. hosts its own – the School of Visual & Performing Arts faculty. It is an opportunity to showcase their talent, yes, and also turn the tables on the critiquing process allowing the professors to show students how it’s really done.
Margie Hughto has been affiliated with the university for many, many years. When I spoke to her last month, she said teaching is still fun and so, she will continue to share her expertise with students for many years to come.
Her ceramic and found object work is exquisite. It is perfection in editing – selecting just the right found object pieces to coordinate with the ceramic pieces. The work alludes to the recent discarded and forgotten in terms of technology.
The thought provoking concepts aside, Hughto’s artwork screams of her strength of character. She finds beauty in every angle, in each piece fused as one. They are signatures of her style while continuing to surprise and delight us, continuing a growth trajectory as an artist and that in itself is the lesson.
Holly Greenberg has isolated grief in this productive series of drawings. These pieces resonated with me – as you know my father recently passed away and his belongings are still in the closets, his car in the driveway at Mom’s house. Using these ordinary objects as memento gives them a lovingly somber power and isolating them in their compositions drives the message home.
It is curious how objects can retain the emotion of the spirit and Greenberg’s proficiency in rendering provides the elevation of their status.
Ann Clarke‘s fiber artwork is marvelously original. Texture is my thing and seeing monumental work on the walls creates a bold statement about time. The fabrics are traditional, but the techniques are fresh and alive. The hooked rug eye is really incredible in-person. I love the idea of taking a method we all used in the past and formulating this new pattern, which seems to denote to me that someone is watching over me, loving me.
Clarke’s statement does imply that she is the watchful eye for her ailing mother and that is a beautiful thing. That the old becomes new again, and time is cyclical.
Other teaching artists in this show –
Yasser Aggour, Cooper Battersby, Emily Vey Duke, Don Carr, Deborah Dohne, Heath Hanlin, Seyeon Lee, Sarah McCoubrey, Su Hyun Nam, Vasilios Papajoannu, James Ransome, Tom Sherman and Chris Wildrick
Their work takes dimension as paintings, drawings, photo-collage, video and installation – and all have something important to say within the context of their visualizations.
There are more exhibits in the space, all curated by different people. DJ Hellerman is the curator of this show. He is the Art and Program Curator at the Everson Museum of Art and collaborates with SU’s Department of Transmedia. I met him while stumbling into a critique of university students’ final exhibitions at Apostrophe’s.
David Prince curated the display of former VPA faculty members. As you know, I am an SU grad (B.F.A. ’85, M.S. ’93). These professors are my people. I absolutely loved Rodger Mack. He was so devoted to building the sculpture department and his bronze sculptures are THE BEST!
Seeing his hands portrayed by Jerome Witkin brought a tear to my eye. There is so much love here, people. Going to Syracuse University was a dream come true for me – I feel incredibly blessed to have been the first person in my family to ever go to a university – and to see the professors being honored is such a gift. They deserve every accolade.
They were and are true working artists, not just people showing up to collect a paycheck.
There’s lots more to see of these exhibits and the vast permanent collections. It will all be on display until November 24, 2019. There will be an art reception on Thursday, September 12, 2019 from 5 – 7 pm. And Holly Greenberg will be giving a presentation in the adjacent Shemin Auditorium on Thursday, November 7, 2019 at 6:30 pm.
Syracuse University Art Galleries is located in the Shaffer Art Building on Syracuse University campus. Free parking is available on Sundays and on Thursday evenings in the Q lot – or at least it was when I was there yesterday. Call (315) 443-4097 for more information including hours of operation. <3
Tonight was the opening reception for the summer art exhibition at The Syracuse Tech Garden gallery (235 Harrison Street, Syracuse, New York 13202). It is titled Cool August Moon. I saw my high school friend and fellow art teacher Audrey Levinson there!
Artist Steve Nyland (another Jamesville-DeWitt alum) is the curator and a participant in the show. He told me that he signed a new contract to continue with these exhibitions for at least another year. They take place in the lobby of this building, which is across the street from the Syracuse Marriott (Hotel Syracuse).
Other local artists contributing to this show –
Laura Audrey Terry Lynn Cameron Richell Castellon Fletcher Crangle Kathy Donovan Ryan Foster Larry Hoyt Lisa Ketcham James P. McCampbell Sally Stormon Rabekah Tanner Mitzie Testani Ray Trudell Kayla Cady Vaughn Ryan Wood
Massachusetts transplant Lisa Ketcham creates these kitschy assemblages and frames. They are sort of a cross between steampunk and macabre via the use of gears, timey-wimey-ies and skeletons.
Terry-Lynn Cameron brought her originals to share. I met her on Sunday at City Market where she was selling prints of these lovely acrylic paintings.
Richell Castellon Ferreira is the real deal – a painter and woodworker by trade. He comes to us from Cuba. His paintings of the Syracuse landscape would make perfect additions to any local collector’s art stash! He paints from photographs and from memory. These originals are only $175.
Ray Trudell focuses on the invisible in his black and white photographs taken of the surrounding area. He “slows time” by defining a glimpse of a moment using sharp contrast in his compositions.
The exhibit will be on display until September 20, 2019. For more information contact Steve Nyland at email@example.com. To purchase artwork, contact the artists directly. They have left business cards and also have contact information on their respective art tags.
When I met Jason Alexander, I did that goofy Cinderella’s step-sister thing and asked him how he liked our Syracuse, New York weather.
He replied, “It sucks!” This was after a performance of the play he’d directed at Syracuse Stage. My friend and I looked at each other in an are-you-kidding-me glance because we both love it here, both love to hike whether in rain, snow, sleet or hail. And our weather had been particularly great in June.
So funny – and that is why I don’t have a selfie with the Seinfeld alum.
Today’s weather is sheer perfection – a magnificent sunny and breezy day to explore the offerings at City Market. Sponsored by the Everson Museum of Art (401 Harrison Street, Syracuse, NY 13202), the market is housed on the museum grounds around the fountains.
It takes place on the second Sunday of the month from 10 am – 4 pm. There are two dates left before the season ends – Sunday, September 8, 2019 and Sunday, October 13, 2019.
There is a lot to peruse – jewelry, trinkets, clothing, food, furniture and flea market-y miscellaneousness. And art, of course.
Tyler Cagwin created Nostalgia Chocolate. He manufactures the product here in Syracuse with international cocoa beans. The flavors are rich and satisfying! Gourmet chocolate with health benefits! (That’s a win-win).
I loved these ceramic pins and magnets created by Beckie Bortel of Beckie’s Pottery. They have a substantial feel to them and they look like ginger snap cookies. Great patina!
Terry Lynn Cameron is selling originals and prints of her colorful paintings. The prints are done on canvas, which is very cool. I am really impressed with how she markets her product! Some of the art has been adhered to sketchbooks and daily planners. Love!
Lori Lizzio‘s work can be found as originals, prints and notecards. They are ink and wash pieces of animals and figures.
Syracuse does have beautiful weather, Jason Alexander, and beautiful people – and art. It is satisfying and fun. Really fun. It doesn’t suck. <3
Herbert Ritts was a California boy. Growing up, he lived in Steve McQueen’s neighborhood in Brentwood, which, according to many biographies I have read recently, was an instrumental synergy that launched his comfort level with celebrity.
The quotes from his high profile portrait subjects include statements about how using daylight was his strength and that they felt at ease in front of his lens:
“Herb made me look how I wish I looked when I woke up in the morning.” – Cindy Crawford
“In his sweet disarming way he suggested that we work together again and I agreed to it. And that was the beginning of an incredibly long and fruitful working relationship, but it was also the beginning of a great friendship.” – Madonna
“Working with Herb was more like just hanging out with a friend. We’d joke, chatter and gossip and at the end of the day he would have captured the whole thing in the lens. He was a great guy.” – David Bowie
Herb Ritts – The Rock Portraits is on display at the Fenimore Art Museum in Cooperstown, New York (5798 State Highway 80, Cooperstown, NY 13326). The photographs are on loan from the Rock & Roll Hall of Fame in Cleveland, Ohio until September 2, 2019.
The show is a mirror of my youth. So many images that I have seen on album covers, in music videos, in fashion magazines – Herb Ritts is like an old friend. It is as if you know him. Knew him. You can envision him working because it is evident that it was not work. It was more like a relationship, the way he presented people at ease in the present moment, not thinking about what they must do later in the week or later that day, but being in the now. You can see this in the eye contact, in the way the light shines on their faces and in the crispness of the images.
Ritts captures the essence of his subjects. What I see in the photographs is the “authentic self”, the real person behind the fame. The Bob Dylan pictures are gritty, as though the man cannot hide a lifetime of struggling with inner demons. The Bruce Springsteen images reflect a certain shyness beneath the success. And the Madonna images are, to me, the most iconic, spanning the ’80s and ’90s and showing us a vulnerable, little Italian girl who grows in confidence and artistic resonance with every click. We get to witness that evolution, that living history, and that is a beautiful thing. <3
It is this contrast between the legend and the human spirit that gives credence to Ritts as artist rather than commercial photographer for hire, and is the reason why these photographs and videos belong in a museum. They are evidence of the art of living, the art of performing, the art of communicating a visual language of persona, and the art of documenting artistic merit as an art. It is all about authenticity.
The photographs are accessorized with costumes and musical instruments, also on loan from the Rock & Roll Hall of Fame. This is Madonna’s. I could totally rock this – OMG, I know it would fit me. Unfortunately, it was on a mannequin and encased in lucite or else it would have been my #ootd.
I took these pictures yesterday, took a day trip to Cooperstown, which I highly recommend! You must go to there! The drive was spectacular – from Syracuse, New York, it is an hour by New York State Thruway then an additional forty minutes down Route 28. Cooperstown is truly a magical place. Home to so many attractions – the Glimmerglass Opera House, the Baseball Hall Of Fame, the legendary Cardiff Giant (on view at the Farmer’s Museum).
And the Fenimore Art Museum is on the lake. It is just incredibly gorgeous there – it was my first time and I felt like Cinderella arriving at the castle for the ball. Just spectacular!
They are open today 10 am – 5 pm. Call (607) 547-1400 for more information about this wonderful place. <3
Known for his elegant and minimalist work, and his mastery of photographing in natural light, photographer Herb Ritts (1952–2002) had a gift for turning stars into icons. Here, in the first curated collection of his photos of some of music’s most celebrated artists, visitors will see how he captured the likes of David Bowie, Tina Turner, U2, Bruce Springsteen, Paul McCartney, Bob Dylan, Prince, Cher, Madonna and many more—the world’s biggest music stars—and in the process, helped define their iconic status for generations of fans. See many of his best-known portraits alongside stage costumes and guitars from the Rock & Roll Hall of Fame.
As a native of Los Angeles, Herb Ritts was uniquely attuned to the natural light of the California sun, and preferred to shoot outdoors. He took work seriously and was renowned for posing his subjects in classic, sculptural styles, with little or no pros. He also had a unique, understated way of making his subjects feel comfortable in front of his camera. They trusted him and it’s often that trust and human bond that you see reflected in his portraits. When he died of complications from AIDS at the age of 50, Ritts left behind an extraordinary body of work, that when we see as a whole, demonstrates his undeniable impact on contemporary culture.
The exhibition is sponsored in part by The Clark Foundation, Fenimore Asset Management, and NYCM Insurance.
Panel Discussion – Fenimore Rocks! Herb Ritts and the Image of Rock Music
Saturday, July 13 • 2:00–4:00 pm Join us as Rock & Roll Hall of Fame president, Greg Harris, moderates a lively talk and cocktail party focusing on Herb Ritts and the impact his photographs had on the image of rock music in the 80s and 90s. The event also features Laurie Kratochvil, former Director of Photography at Rolling Stone magazine, John Covach, Professor of Music Theory and Director of the Institute for Popular Music at the Eastman School of Music at the University of Rochester, and Rory Ritts, Herb Ritts’ younger brother. After, join them for cocktails and a buffet on the terrace (cash bar, weather permitting).
The talk is free for museum members; otherwise, included with regular admission (Adults: $12, Seniors: $10.50). Seating in the auditorium is extremely limited and will be available on a first come, first serve basis. Overflow seating will be available with live viewing via a flat-screen monitor.
Rock ‘n’ Reel Film Series – I’m Not There
Saturday, July 27 • 7:00 pm (doors open at 6:30 pm) Several actors portray legendary singer-songwriter Bob Dylan. (2007, R) More info
Rock ‘n’ Reel Film Series – Burlesque
Saturday, August 10 • 7:00 pm (doors open at 6:30 pm) A backstage musical film starring Cher and Christina Aguilera. (2010, PG-13) More info
Food For Thought – Herb Ritts: The Rock Portraits (Lunch)
Wednesday, August 21 • 12:30 pm with Paul D’Ambrosio, President and CEO of Fenimore Art Museum, and Kevin Gray, Manager of Arts Education More info
Rock ‘n’ Reel Film Series – Madonna: Truth or Dare
Saturday, August 24 • 7:00 pm (doors open at 6:30 pm) Documentary chronicling the life of Madonna during her 1990 Blond Ambition World Tour. (1991, R) Otsego County native John Draper, former Tour Manager of Madonna’s Blonde Ambition World Tour will be present for a live commentary on the film, giving a rare behind-the-scenes look of what it takes to manage a tour for one of music’s original megastars. More info
Live Music with Wurliday
Friday, August 30 • 7:00–9:00 pm (takes place across the street at The Farmers’ Museum) FREE ADMISSION! Hailing from Albany, NY, Wurliday brings together some of the most exciting, dynamic musicians in the live music scene for a lively injection of soul-funk goodness, direct to your ears. You’ll dance all night long! Free admission. More info
® I LOVE NEW YORK is a registered trademark and service mark of the New York State Department of Economic Development; used with permission.
Summer is a time where time doesn’t matter to me. I get up when I want. I do what I want. It is not slow or fast motion. It is pure bliss. Today was a bit wonky in that it was cloudy-ish – it rained last night and seemed like an indoor-all-day kind of day. I worked on a fun, creative project, I practiced on piano, watched some TV (I cannot get enough of Million Dollar Listings on Bravo) then I noticed that it was actually nicer out than I thought. So, I decided to go for a hike. So satisfying! When I returned, I stumbled upon information that there was going to be an art reception and I still had time to get ready to go! Can someone hashtag #ootd fast enough? Could this day get any better? Yes and yes!
I was delighted. For some reason I thought SU’s galleries went on summer hiatus but that is not the case with POC this time.
Syracuse University’s Point of Contact gallery is located in the Warehouse Building in Armory Square (350 W. Fayette Street, Syracuse, New York 13202). It is primarily a space that features latin artists, although from time-to-time they curate other exhibitions, like the annual Sum Art show.
It is a magnificent show! It was such a thrill to meet and speak with three of the artists. I have met Margie Hughto before but this time – OMG, her new work is breathtakingly beautiful, the kind of thing that moves me to want to make art, moves me to the tears that form the essence of joy. They are ceramic assemblages that sort of bridge the space between archeology and modernism. Each piece is fired separately then the artist uses intuitive rhythm to create movement in each piece, a swirling that truly captivates. Her inclination here is to showcase climate change.
Darcy Gerbarg blends her history as an Abstract Expressionist painter with her knowledge of digital technology. She has always been on the cutting edge in her field and these pieces are digital prints created by utilizing virtual reality software. Like a conductor wielding her baton, she executes a rhythmic flow of movement that then gets translated into digitized color on a monumental scale.
Beth Bischoff spent six years living in the Yucatan. Her photographs of this landscape are taken with a unique panoramic camera then digitally printed. The imagery created transports the viewer to a jungle habitat lost in time. Again, the sweep of rhythm thrusts mightily, albeit in black and white. It appears in tree branches and tall grass, as well as in the contrast of the stone facades.
The time changing element to this show is that feeling of having been here in the present moment and everywhere simultaneously. Time doesn’t stand still. It swirls and dances upon the landscape of photograph, painting, print and bas-relief. I feel changed for the better blessed by the momentum of art.
If you would like to view this show and find out more about the 4th artist, Franco Andres, (I did not get the opportunity to meet/speak with him), the exhibition runs through August 9, 2019. Point of Contact is open Monday – Friday 12 – 5 pm. Call (315) 443-2169 for more information or visit the POC website at www.puntopoint.org <3
***From the gallery website
TIME CHANGES EVERYTHING
MARGIE HUGHTO, BETH BISHOFF, DARCY GERBARG, FRANCO ANDRES
JULY 12 – AUGUST 9
Each artist in Time Changes Everything battles the temporality of human existence and the material world constructed around it.
Bischoff’s photography expresses a harmony of the past and present depicting the ruins left in the world’s progression. Bischoff’s Ruins series functions as a reminder of the care our planet deserves.
Ceramist Margie Hughto draws inspiration from landfills and remains left by humans in the creation of her Excavation Series. Hughto’s work embodies the transience of the human experience in a world heavily structured by transitory material objects.
Bringing together numerous modes of digital art, Gerbarg forms The Syracuse Pictures. Her artwork abstracts the world into its own heterotopia, existing in both the past and present.
Andres realizes the difficulty of authenticity for artists as he utilizes an accumulation of mediums in the formation of one’s identity. The process of his artwork becomes a depiction of time and change as his work spans from ancient processes to contemporary modes of video.
These four distinct artists come together in “Time Changes Everything” to pose a larger challenge to the viewers through the ultimate tool, their artwork.
Time Changes Everything will be on view through Aug. 9th.
Syracuse University Associate Professor Laura Heyman, guest Visiting-Artist and Instructor Ira Lombardia, and Everson Museum of Art Curator of Art and Programs DJ Hellerman led students through a critique tonight at Apostrophe’s Art Gallery, 1104 Oak Street, Syracuse, NY 13203.
I was there a couple weeks ago for a similar event. This time it was a joint showcase of work by Han Zhao and Hangyi Zhou.
Han Zhao’s exhibit, Flowerbility, utilizes various media to showcase a single flower. According to his artist statement, he creates on his I-Pad and laptop, which allows his ideas to flow freely and quickly. There is joy to this ease. His work ethic reminded me of artist Kiki Smith. Last year, she visited Syracuse University and talked about coming at an idea from all angles. I enjoyed the consistency of the image and saw how its use had implications and applications to interpreting and re-imagining business logos, taking the image to its unlimited potential. That was exciting!
I jumped into participating in Hangyi Zhou’s critique session. What was I thinking, lol? I guess the teacher in me couldn’t just be a fly on the wall. I loved being a part of this adventure. The artist’s four-piece photography exhibit, Chinese Tattooed Women, seemed rather simplistic until she shared some back-story.
What happens in China stays in China – except when young artists relate how their view of the world is tainted by a judgmentally governed society. In this case, the notion that tattoos suggest disreputable character, specifically in regard to women. Finding Chinese women courageous enough to pose for these photographs was quite an accomplishment, apparently.
Each model wears black and poses to portray their emotional connection to their respective tattoos, which are similarly inked in black and were all similarly executed in China.
This series seems to be in its gestation period, and a lot of what was said in the critique was thought-provoking in a helpful way.
Thank you, Transmedia gang, for including me. This SU grad loves that Syracuse University art has expanded into the off-campus community. Utilizing this unique gallery space for student exhibitions and holding receptions on Mondays is a win-win! <3
There is a small gallery to the right of the entrance at Schweinfurth Memorial Art Center in Auburn, New York, called the Gallery Julius. It is a space reserved primarily for emerging regional artists who send work to the art center’s curator for consideration.
Common Places is the current exhibition: photographs by Willson Cummer of Fayetteville, New York, taken while on hiking excursions to parks near his home. He and his wife are kindred spirits, the term for people I meet on the road-less-travelled sections of the trails at Green Lakes State Park. We have that in common.
These photographs also have sunshine in common, and a sense of serenity and timelessness. There are ten similarly-sized and framed photographs in this show, all priced at $650.
These photographs are from my project called Common Places. I use a few word plays to develop the concept. First, I made these images in parks — places held in common, set aside from private development. Also, these pictures are of unremarkable places. While I love to climb in the Adirondacks this work is about common parks near my home in Fayetteville, New York. Finally, I am interested in the use — primarily in the 1700s — of the commonplace, a scrapbook of sorts in which people collected stimulating quotes, letters and printed items. These pictures are my commonplace.
All current spring exhibitions will be on display until May 12, 2019. The Schweinfurth is open Tuesday-Saturday 10 am – 5 pm and Sunday 1 pm – 5 pm. Admission is $7 and free for exhibiting artists, members and children.
In 1956, Vasil Tashkovski came to Syracuse, New York alone, as a sixteen-year-old boy, a runaway who escaped the Iron Curtain fleeing Communist Yugoslavia for Greece, an incredibly dangerous journey that led him to a refugee camp where he lived for a year while waiting for permission from the American Consulate to live his dream. It is the story of legend – the boy who dreamed of being an American.
He was my father. Dad married an American girl and had three American daughters with whom he only spoke English. Yes, he helped many Macedonians from his village come to this country including his own brother and his family, and you can argue that his life’s purpose was to help them. But if this is true, then the desire was fueled by a belief that these others would see what he saw – opportunity, liberty and freedom to live an authentic life in the greatest country in the world.
To just be. Dad was always there for us. Always healthy and strong. I truly thought he was indestructible – until he got cancer and suddenly passed away. I mean, I just never thought about a time that he wouldn’t be with us. He was seventy-nine. It happened last week, so the wound is fresh and raw. There is never enough time with the ones you love.
Eagles are currently wintering in Syracuse. About seventy at last count. It seems like the most obtuse idea. For many years, Onondaga Lake has been the number one most polluted lake in the nation and yet our national bird is here living off fish from said lake, with families in tow soaring around in all their glory, wonder and perfection.
It is simply amazing – and ironic to see these majestic creatures here now. I don’t think I had EVER seen an eagle in real life before this moment. Our national bird! It feels like they are here for Dad. I like to think they are. And that Vasil Tashkovski is soaring with them. I know he is.