2026 MINY

This year’s Made in New York exhibit is currently up and running at the Schweinfurth Memorial Art Center.

This year Anita Welych and Jeremy Randall picked the artwork.  Over seventy works were selected from four hundred entries.

*from the Schweinfurth web-site

Jeremy Randall has been working in clay and making decorative and functional pottery for over 20 years. He received his Bachelor’s of Fine Arts from Syracuse University in 2000, and his Masters of Fine Arts in ceramics from the University of Florida in 2005. Currently he lives in Tully, New York, and owns and operates his studio/teaching and retail business Papavero Clay Studio in Marcellus NY. Jeremy’s work can be found in galleries across the US, has shown in numerous national shows, and has had the privilege of teaching workshops across the United States and internationally. In 2017 he began an apprenticeship program in his studio, looking for ways to offer traditional/non-traditional education experiences for emerging artists in a ceramic studio setting.

Serving as the executive director of the Kirkland Art Center in Clinton, NY, Anita Welych is also a practicing visual artist. She received her BFA at Cornell University and completed an MFA at Syracuse University. In between, she pursued graduate coursework in painting and lithography at the Universidad Nacional de Colombia in Bogotá on a Fulbright Grant. She subsequently returned to Colombia on a teaching Fulbright, lecturing across the country.

Welych taught in the Studio Art program at Cazenovia College for over thirty years, developing the major in Arts Management and serving as its director. She served on the Syracuse Public Art Commission for three years and was a founding board member of ArtRage Gallery, both located in Syracuse.

Welych has exhibited nationally and internationally, working in book arts, collage, printmaking, painting, and installation. Her lifelong interest in social and environmental issues drives the content of her art.

I attended the opening art reception on Saturday.  The exhibition continues through May 16, 2026.  The Schweinfurth is located at 205 Genesee St. Auburn, NY 13021.

Featured artists:

Jim Allen

Annalisa Barron

A. Bascove

Jill Bell

Julie Bero-Emerson

Kathleen Bolin

Frid Branham

Phyllis Bryce Ely

Karen Burns

Stephen Carlson

Victoria Connors

Tonia Cowan

Cynthia Cratsley

Margaret Day

Joe Demetro

Jackie Dickinson

Jill Doscher

Henry J. Drexler

Leonard Eichler

John Fitzsimmons

Michael Flanagan

Faithanne Flesher

Diane Foley

Bret Garwood

Siavash Golkar

Julia Graziano

Kristy Guenther

Wenda Habenicht

Chelsea Hagin

Rich Harrington

Barbara Hart

Jill Herlands

David Higgins

Lee Hoag

Lowell Hutcheson

Alex Hutton

Stephen Kankus

Tom Kredo

Susan Larkin

Fannie Lee

Kathy Lewandowski

Chloe Loewenguth

Chris Losee

Kirin Makker

William Mazza

Kyle Mort

Joy Muller-McCoola

Richard Nolan

Maxwell Oglesbee

Sofía Luz Pérez

Paul Pearce

Juan Perdiguero

Judith Plotner

David Porter

Kristin Reagan

John Rodrigues

Judy Rosenberg

Maria Rosenblum

Patricia Russotti

Wendy Saam

Eric Shute

Karen Sienk

James Skvarch

Linda VanArtsdalen

Jessica Warner

Donalee Wesley

Betz White

Spencer Woodcock

Robert Wurster

Walter Zimmerman

 

Book Report: Ask Not

Ask Not:  The Kennedys and the Women They Destroyed by Maureen Callahan is HEAVY.

Maureen has a YouTube channel called The Nerve, and I do enjoy it.  I like her wit and her strong opinions about people she dislikes.  It’s fun to hear her command of the English language peppered with swears, her long stare-into-the-camera pauses and the way her anger is mixed with plenty of laughter.

I can only watch her in small doses, though, as I do get fed up with the idea of a person making a living by talking about how other people choose to live their lives.  It’s quite a bit of complaining.  And yet, I was curious about her writing style.  I knew she would find a way to allow her personality to shine through the dense material and overall, it would be a good use of my time.  I did, after all, grow up in a house with a reliquary in the kitchen that contained family icons next to Jesus along with a framed picture of JFK.

I spent three days reading her narrative on these Kennedy women (which includes extensive research, a full bibliography and index in the back of the book).   I didn’t like the vastly negative experiences in this biographical collection but I was also compelled to  continue, because I heard her voice as I was reading.  It was a weird thing.  Maybe I was like the Kennedy women, trapped in a promise to myself or whatever.

Maureen skips around with dates and time then reels us back in to tie it all together, and with a Jackie O tear-jerking finale.  The opening chapter delves into Carolyn Bessette Kennedy and that whole shit show then transitions into Jacqueline Kennedy (later Onassis).  She touches upon Marilyn Monroe’s dalliances but there was nothing there that I didn’t already know.

I learned about other wives and girlfriends, and also murder and rape victims, as well as the various teenage White House staffers circa 1960.

The book made me feel physically ill.  I have a headache thinking about it.  I think Maureen’s point is that the men are to blame for the ruin of these women, but, truly, I don’t agree with that assessment.  It suggests things happen to you not through you.  You are in charge of your reality.  There are always better options.

I don’t understand people (women) who make connections with men for the purposes of money and power.  These women got abused mentally and physically then either got very sick and died or killed themselves.  Drugs and alcohol were prominent vehicles here, as though this is/was a perfectly acceptable and common solution.  The recklessness, the entitlement and promiscuity of the men was major yuck-yuck, and for the women, their decision to believe that their looks were a strong enough commodity to keep their men happy was delusional.  None of them were loved!

I felt like I’d been taken hostage by this book and tortured, as though I was feeling all the feels, the pain, the abuse instead of being the detached voyeur.  Maybe because these were real people and I was tapping into their residual energies?  Most of the women have passed away, some are still alive but, following extensive therapy have moved on (two are living off the money obtained from their book deals) – I am sorry they lived through all this darkness.  It was all so messy.

Maureen Callahan is a brilliant writer.  Read it and weep because there is no joy.  I’m going to go and play with my cat now.  I need to reconnect with happiness.

 

Visual Artist