Tag Archives: Lacey McKinney

Reconfiguration

The Everson Museum of Art is open! I mean, it’s been open – I just didn’t know it. I was able to catch the tail end of the Lacey McKinney show, Reconfiguration. The Everson Bulletin states the show’s run ended on the 24th so…lucky me and my friend Penny.

*The show has now been extended to February 28, 2021 so…lucky you!

I love the discourse between Penny Santy and me when we see exhibitions together. We don’t always like the same pieces but we understand each other’s point of view.

McKinney’s paintings are oil and acrylic. I suspect the acrylic was either a means to create texture or the underlying Frankenthaler-esque washes in some of the female populated landscapes.

Penny loved these new-technique-for-the-artist “cyanotypes” (above) but they reminded me of a crafty high school art project – female body parts minus vagina, lol, that is too mean, sorry Lacey, but, I felt like these were a bit too safe and they read more like studies than finished pieces. I did admire the size relationships though. And in person, the blue hues are lovely and more nuanced than the photograph suggests.

The larger portrait/landscape mash-ups were far more interesting to me. They offered visual collage in a successful way – female as mountain, eyes averted so as not to become a focal point – they had an ethereal beauty to them. She is quite proficient in the rendering of the subject matter, as well as holding a cerebral allocation of the structure of her iconography.

These two (above) were my favorites. I loved the softness of the colorations and the rhythm in the compositions. They whisper emotion in a powerful feminine way with subtle colorations of glaze-infused shadow. Perfection!

This piece (above) reminded me of Marilyn Monroe, but that may be because I had just watched a documentary on Arthur Miller, ex-husband of MM, and one on the fashion designer Dries Van Noten, Belgium fashion designer who created a line of menswear with a variety of images of MM silk-screened on jackets and shirts.

The literature states that the artist selected images from magazines and reconfigured them stealing fragments of different women juxtaposed as either friend or foe. So, maybe?

This collection is on view in the Robineau gallery on the first floor of the museum. I believe there were only about five other people in the entire museum today when we visited. Plenty of social distancing room to ruminate on this new work. Call (315) 474-6064 for more information.

EVERSON MUSEUM OF ART HOURS:

SUNDAY 12-5
MONDAY CLOSED
TUESDAY CLOSED
WEDNESDAY CLOSED
THURSDAY 12-5 (12-8 EVERY 3RD THURS)
FRIDAY 12-5
SATURDAY 10-5

The Ambiguous Stage

Went to another art reception last night.  It’s called Gallery 4040 – it’s at 4040 New Court Ave. in Syracuse, NY, not far from my house. The people who frequent these art shows remind me of the actors in the movie Shakespeare in Love for some reason.  I guess because they are all friends of a certain age (my age) and all happy, quirky and incredibly interesting.  Each takes their turn in the starring role, in this case Marna Bell.  Her black and white photographs are purposefully  blurry to illustrate what’s missing from her life.  Her memory.  She is such a sweet person and yet she cannot remember chunks of her childhood.

4040 Marna Bell art

I find this fascinating.  I sometimes can’t remember what I am doing once I walk over to my desk at work.  Like a student has asked for an eraser and as I approach the desk I begin talking to another student and I’m all what-am-I-doing-here?  But I can remember my first kiss and other pretty embarrassing things that happened a long time ago, some things I wish I could forget because they play in my mind in a loop, over and over until I wish I could shut them off.

Ultimately, it is very brave to expose oneself, as Marna does with her revelation, and I admire her so much for it.  Her work looks to be film clips taken from movie stills in a way that suggests – yes, I know those people, but wait, what?

gallery 4040 postcard

There are some large paintings of nudes on the next wall of the gallery.  I am really too immature to be in the same room with nudey-nudes, because I am the type of person who will say something completely inappropriate (and after having a small cup of wine, I’m pretty sure I did).  The colors in these paintings by Lacey McKinney are gorgeous and combined with size and compositions that either distort or void out the woman’s face, they make me question who the audience is supposed to be.

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I guess I wonder if artists even think about the audience at all.  Do I? I’m not much of a business woman, so no, not really.  I think my paintings are more meant to be displayed in homes versus gallery and museum walls.  But how many people do you know who actually buy artwork for the purpose of enhancing their decor? Whatever number came to your mind, it really should be a lot more!

Why do people buy art?  I had a conversation with someone last night who suggested that the local art scene is being supported by its own.  Artists are trading art or outright buying each other’s art. We value it.  So there’s another question for you – how do we get civilians (non-artists) to value it too?  I’ve tried going the educate them route but for some, this is a hard sell.

So, back to last night -Juan Perdiguero’s chimpanzee drawings were the most fascinating to me.  They are in the back room of the gallery. Very realistic.  Life-sized drawings on photo paper.  Huge in-your-face monkeys.  I can’t even articulate what I want to say in sentences  because these pieces need to be experienced.  You want to reach out and touch them, even as you remember how chimps terrify you. They need to be in museum collections.  I’ve never seen anything like them – the technique, the commitment to the subject matter and overall experience being near them….

It was in this room that I met and chatted with Mary Giel.  Her effervescence really lit up the place.  She’s currently exhibiting in the annual juried show called Made in NY at the Schweinfurth Museum in Auburn, NY, having created a massive amount of tiny crocheted pieces that accumulate into floor and wall installations, which she creates in between rock climbing expeditions among other interesting travels.  The enthusiasm of her spirit is really breathtaking and made me realize that I need to find my way back to the pure spunk of it all.  The fun that is mark making.

http://www.schweinfurthartcenter.org/exhibits_details.cfm?id=62

So I’ve decided to begin a painting project – but not that kind.  Two hundred and fifty dollars got me enough latex paint and supplies to redo five out of the six rooms in my house.

I feel so DIY right now.  I just spackled up a hole in the kitchen wall and filled the crack in the bathroom wall with caulk as per the paint clerk’s suggestion.  I’m going to start painting tomorrow.  The last time I painted the interior here, there was no furniture or cats, so I’m preparing to have a giant headache over it all.  So much for spring break.

But since the weather has been so craptastic, it seemed like as good a time as any to do it.  Plus once I get an idea in my head, I really can’t let it go until I make it happen – it’s like having a giant monkey on my back.

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