Gallery 4040 | Karen Tashkovski

There’s really nothing I like better than a solo exhibition. It’s a chance to see an artist’s body of work and learn their point of view. It’s an opportunity to understand the visual and maybe connect with it and the artist in an emotional way.

Susan Roth is exhibiting abstract work in three of the four main galleries at the Everson Museum of Art. She works with Golden Artist acrylics and has a personal relationship with the company. She’s suggested products based on her needs, as written in one of the artist statements on the walls of the show.

I think these blurbs help the average Joe non-artist/non-patron understand how important her work is. That she spent a lifetime experimenting with materials to the point that she designed some as well. It’s just beyond cool.

There are paintings and sculptures and combinations of these. Unusually shaped canvases that make you want to reach out and touch them.

Are they hard and crumbly like pumice stone or smushy plastic a la Silly Putty? They really draw you into Roth’s universe and the more you look, the more you want to remain transfixed. Each piece dedicates itself to the next and you witness a visual life. Not sure if I would get the same response if I only viewed one of her pieces, but they are just incredible all together in this space.

I was at the member’s art reception on Friday night. The show, sponsored by Pathfinder Bank is titled Handmade: The Art of Susan Roth, and runs through August 30, 2015. The Everson Museum of Art is located at 401 Harrison Street, Syracuse, NY. Go to http://www.everson.org for more information.

On Saturday, I attended an art reception at Wine 105 – Art & Wine Pairing: the Not So Still Lifes. I was there before for the Diana Godfrey show. This time Mark Raush is exhibiting his large scale flower still-lifes.

They are also acrylic paintings, filled with gestural lines of vibrant color and texture! I think Raush’s work is the kind people want in their homes – a statement piece the average Joe can understand.

They are artsy-familiar, if that makes sense. I wish I could do a trade with him. art for art, but these pieces command thousands. They are in the $7,000-$8,000 range (they take Visa and Mastercard), while I am currently selling paintings at around $200-ish.

Anne Novado curated the exhibit. She also coordinates shows for Gallery 4040 (4040 New Court Ave, Syracuse, NY), which has another opening this Friday night. Mark Raush has more to show us there, as well as Arlene Abend, Katya Bratslavsky, and Walter Melnikow. Wine 105 is at the corner of Hawley and Green Street (and Catherine Street) in Syracuse.

Went to another art reception last night. It’s called Gallery 4040 – it’s at 4040 New Court Ave. in Syracuse, NY, not far from my house. The people who frequent these art shows remind me of the actors in the movie Shakespeare in Love for some reason. I guess because they are all friends of a certain age (my age) and all happy, quirky and incredibly interesting. Each takes their turn in the starring role, in this case Marna Bell. Her black and white photographs are purposefully blurry to illustrate what’s missing from her life. Her memory. She is such a sweet person and yet she cannot remember chunks of her childhood.

I find this fascinating. I sometimes can’t remember what I am doing once I walk over to my desk at work. Like a student has asked for an eraser and as I approach the desk I begin talking to another student and I’m all what-am-I-doing-here? But I can remember my first kiss and other pretty embarrassing things that happened a long time ago, some things I wish I could forget because they play in my mind in a loop, over and over until I wish I could shut them off.

Ultimately, it is very brave to expose oneself, as Marna does with her revelation, and I admire her so much for it. Her work looks to be film clips taken from movie stills in a way that suggests – yes, I know those people, but wait, what?

There are some large paintings of nudes on the next wall of the gallery. I am really too immature to be in the same room with nudey-nudes, because I am the type of person who will say something completely inappropriate (and after having a small cup of wine, I’m pretty sure I did). The colors in these paintings by Lacey McKinney are gorgeous and combined with size and compositions that either distort or void out the woman’s face, they make me question who the audience is supposed to be.

I guess I wonder if artists even think about the audience at all. Do I? I’m not much of a business woman, so no, not really. I think my paintings are more meant to be displayed in homes versus gallery and museum walls. But how many people do you know who actually buy artwork for the purpose of enhancing their decor? Whatever number came to your mind, it really should be a lot more!

Why do people buy art? I had a conversation with someone last night who suggested that the local art scene is being supported by its own. Artists are trading art or outright buying each other’s art. We value it. So there’s another question for you – how do we get civilians (non-artists) to value it too? I’ve tried going the educate them route but for some, this is a hard sell.

So, back to last night -Juan Perdiguero’s chimpanzee drawings were the most fascinating to me. They are in the back room of the gallery. Very realistic. Life-sized drawings on photo paper. Huge in-your-face monkeys. I can’t even articulate what I want to say in sentences because these pieces need to be experienced. You want to reach out and touch them, even as you remember how chimps terrify you. They need to be in museum collections. I’ve never seen anything like them – the technique, the commitment to the subject matter and overall experience being near them….

It was in this room that I met and chatted with Mary Giel. Her effervescence really lit up the place. She’s currently exhibiting in the annual juried show called Made in NY at the Schweinfurth Museum in Auburn, NY, having created a massive amount of tiny crocheted pieces that accumulate into floor and wall installations, which she creates in between rock climbing expeditions among other interesting travels. The enthusiasm of her spirit is really breathtaking and made me realize that I need to find my way back to the pure spunk of it all. The fun that is mark making.

http://www.schweinfurthartcenter.org/exhibits_details.cfm?id=62

So I’ve decided to begin a painting project – but not that kind. Two hundred and fifty dollars got me enough latex paint and supplies to redo five out of the six rooms in my house.

I feel so DIY right now. I just spackled up a hole in the kitchen wall and filled the crack in the bathroom wall with caulk as per the paint clerk’s suggestion. I’m going to start painting tomorrow. The last time I painted the interior here, there was no furniture or cats, so I’m preparing to have a giant headache over it all. So much for spring break.

But since the weather has been so craptastic, it seemed like as good a time as any to do it. Plus once I get an idea in my head, I really can’t let it go until I make it happen – it’s like having a giant monkey on my back.