Karen Tashkovski, OPPORTUNITY KNOCKS, 2017, encaustic & collage, 11” x 14”Karen Tashkovski, BE, 2017, encaustic & collage, 9” x 12”
I framed my encaustic horseshoe paintings. There are two sizes: 9″. 12″ and 11″ x 14″. Pictured here: the remainder of the two series. Many of these were sold when they hung on a wall in the lobby of Syracuse Yoga (in 2017).
Karen Tashkovski, BANANAS, 2017, encaustic & collage, 11” x 14”
Every home needs one of these, IMO. They are lucky!!!
Karen Tashkovski, DO IT, 2017, encaustic & collage, 9” x 12”Karen Tashkovski, SUPER, 2017, encaustic & collage, 11” x 14”Karen Tashkovski, LOVE, 2017, encaustic & collage, 9” x 12”Karen Tashkovski, HUNDREDS, 2017, encaustic & collage, 11” x 14”Karen Tashkovski, SHREEM, 2017, encaustic & collage, 9” x 12”Karen Tashkovski, STEPPING STONE, 2017, encaustic & collage, 11” x 14”Karen Tashkovski, AUM, 2017, encaustic & collage, 9” x 12”Karen Tashkovski, CHANCE, 2017, encaustic & collage, 11” x 14”Karen Tashkovski, YOGA, 2017, encaustic & collage, 9” x 12”Karen Tashkovski, HALF A MIL, 2017, encaustic & collage, 11” x 14”Karen Tashkovski, GUSTO, 2017, encaustic & collage, 11” x 14”
Seven of the twelve encaustic & collage paintings in this series of horses are left. I created them in 2012 and had previously mounted them on 18″ x 18″ chalkboard. Now the 12″ x 12″ masonite boards are mounted onto 12″ x 12″ cradled hardboards.
Karen Tashkovski, SIENNA ON FIRE, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, CHAMPION, 2012, encaustic & collage, 12” x 12”
I also added collage items to some of them.
Karen Tashkovski, RED HORSE, 2011, encaustic & collage, 12” x 12”Karen Tashkovski, THE RACE, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, SILVERY STRETCH, 2012, encaustic & collage, 12” x 12”
Karen Tashkovski IDOL, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, SACRED ONE, 2012, encaustic & collage, 12” x 12”
This collection of cows was part of the ensemble of about one hundred paintings I created during the six-week period in 2012 when I took the best Syracuse University course of my life – Encaustics with Davana Robedee.
They are 12″ x 12″ encaustic & collage paintings on 1/8″ masonite board that are now mounted onto cradled hardboards. Previously I had them mounted onto 18″ x 18″ chalkboards. This made the presentations much larger.
Karen Tashkovski, LIBRA, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, HEAD OVER HEELS, 2012, encaustic & collage, 12” x 12”
They look so much better now. Fresh and new. I also added collage materials to some of them. I did the same thing to the encaustic horse paintings – I will share those tomorrow.
I had originally created several cow stencils to be used in connection to a farm animal project I presented to first graders many years ago, so I had several stencils. Davana encouraged me to play with the animal shapes to allow for a more dynamic flow and this lead to the upside-down and backwards stuff. I know that some of them are rather unsettling.
Finding an audience for non-traditional constructions can be a challenge if I allow it to be, so I won’t let it be. I really love how weird they are.
Karen Tashkovski, TAILS, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, STRAWBERRY FIELD, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, THE TAURUS, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, CHOCOLATE MILK, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, DAWN OF AQUARIUS, 2012, encaustic & collage, 12” x 12”Karen Tashkovski, TETE-A-TETE, 2012, encaustic & collage, 12” x 12”
Karen Tashkovski, BUNGALOW, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, GREEN HOUSE, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, PABLO, 2024, encaustic & collage, 8” x 10”
I am delighted to reintroduce The Bungalows! Created last year, these paintings went through a series of transformations. At first, I had mounted them on collaged chalkboards. They felt too busy. I decided to switch out the chalkboards in favor of these 8″ x 10″ hardboards then framed them in the same frames I used for the Fan-Girl series of paintings.
But that still didn’t feel right. Yesterday I reframed them and I am now very satisfied with this version. I love them!
Many of the collage materials attached to these paintings were items I found while metal detecting the yard of my one-hundred-twenty-six-year-old home. So, this series is very personal to me because it is about me and all the other people who have lived in and loved my home. The paintings represent the little houses that sort of encompass my neighborhood even though they are all technically mine. My corner of the world. I know there are people out there who love the Arts & Crafts movement, who find joy in the craftsman style and can relate to this cherished history.
I recently acquired another venue for a future art exhibition and will inform you of the details as soon as tomorrow. There is a possibility that these paintings will get another show soon, but I am still pondering what to do, as I will be having multiple shows happening at once, which is crazy. So much is happening!
Karen Tashkovski, MAN CAVE, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, CRAFTSMAN, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, KNOCK-KNOCK, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, JINGLE, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, JASPER, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, HUNTED, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, BRIGHTEN, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, SALT CITY, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, PRINCESS, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, AVON LADY, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, GARDEN PARTY, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, JAMES STREET, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, FORGET ME NOT, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, COTTAGE, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, GOOD LUCK, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, FUSE, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, SYRACUSE, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, THE FARM, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, DREAM SQUASHERS, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, WELCOME, 2024, encaustic & collage, 8” x 10”Karen Tashkovski, GEORGIE, 2024, encaustic & collage, 8” x 10”
Camaraderie, one of the paintings in my “Futura” series from 2017 and newly framed, will be on display in the upcoming exhibition at Mohawk Valley Center for the Arts, 410 Canal Place, Little Falls, New York 13365.
The exhibition is titled Women. Art. Voices.
It is scheduled for March 6, 2026 – March 27, 2026 with an opening reception on March 6, 2026 from 5:00 – 7:00 PM.
If you are in the vicinity of Little Falls, New York, there is a little festival happening this weekend (Dec 12, 13, 14, 2025). In addition to the activities listed, the shops are open during their regular hours through Christmas.
I have two paintings for sale at Mohawk Valley Center for the Arts, 410 Canal Place, Little Falls, NY. They created a show of work priced at $100 and below to encourage art enthusiasts to purchase art as gifts for the holidays and to buy local.
The Race, 18″ x 18″, 2012, encaustic, $125
You will be getting a deal because these are normally $125! They are from my first horse series created in 2012 – encaustic & collage, 12″ x 12″ mounted on 18″ x 18″ chalkboard painted masonite.