Tag Archives: Syracuse New York

Land of the Living

According to the blurb in the SU Art Galleries’ newsletter,

Artist Kiki Smith has been the subject of numerous solo exhibitions worldwide, featured at five Venice Biennales, and is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. Among her many honors is the recognition by TIME Magazine as one of the “TIME 100: The People Who Shape Our World.”

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She is a living legend in the art world, a kind of giant, a dichotomy of sorts because in person she really is quite delicate looking with slender features.  Her hands in particular, which seem a stark contrast to the sort of macabre drawings they produce.  Kiki Smith is my favorite artist’s favorite artist.  I read that somewhere decades ago.  Jasper Johns is famously tight-lipped to disclose the inner workings of his mind.  Smith is similarly private.  The language with which gallery director Domenic Iacono uses to describe Smith’s prolific career’s trajectory reminds me of this thing I read by a dating coach who insists women must keep men off-balance by speaking gibberish, like saying one thing and flipping it on its side to keep them guessing, lol.  Not to say that his words are not an accurate portrayal.

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Yes, I saw immediately via Smith’s slide presentation on Thursday evening, February 15, 2018 in the lecture hall adjacent to the gallery in Shaffer Art Building at Syracuse University how the work relates to life from birth to death and how that relationship is reproduced in a type of modern allegory.  It’s just that the description gives the impression that the artist set out to make particular meaning in her work, that there was clear and deliberate intent to be a crusader of issues or whatever.  And so, this presentation was like a breath of fresh air to me because it wasn’t what I expected at all.

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There were around (or over) three hundred people in attendance, many of whom students searching for a road map to art success, a short-cut maybe despite their unique circumstances.  Penny Santy, Laurel Morton and I had a different experience.

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She said, “I don’t know” a lot.  My friends and I responded to the realness of her being. Kind of reminded me of the Star Trek TNG movie where they time-travelled to meet the guy who invented warp drive.  How they had studied him in school and expected him to be a type of god only to find him to have the same sort of trials and tribulations as any one of us.

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Smith sat in a corner until she was introduced then raced up and got caught up in the microphone’s battery, which messed up her hair and caused her to flop into position and, while struggling with the technology, to utter, “I’m totally discombobulated.”

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You can hear my laugh in a large group situation.  I really should get a job sitting in the audience during the taping of TV sit-coms.  It was this unexpected sort of absentminded normalcy that I fell in love with.  Because Kiki Smith was not there to teach us to be like her or offer advice on the inner workings of the international art world or art super-stardom.

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She was here to share her art.  It was her focus on the specific and unique problem solving issues related to art material and rudimentary technique that propelled her journey, which if plotted probably resembles a scribble rather than a connect-the-dot drawing.

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Some people think or expect that you should make the same kinds of art forever because it creates a convenient narrative…I want my work to embody my inherent contradictions.

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Art, she said, is not meant to be permanent and neither are we.  It is simply a thing we can do to make our marks.  It passes the time.  You can sell it or give it away to friends. This despite also indicating that 90% of her art is self-owned and in storage, which most of us can relate to, lol.  She acknowledged that she was priveleged; she mentioned her father several times as well-known sculptor Tony Smith.  She said she was a college drop-out who had an inkling to become a baker and chef but never really learned to cook.  So she began to experiment with cheap or rather, non-archival art materials to sort of replicate the braid strands in challah bread and from that her artwork evolved through the evolution of several decades to sculpture, jewelry making, tapestry and stained glass via printmaking.

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My father was a baker and chef so I was amused by this.  The internet is littered with people who chastise her, thinking her success is solely attributed to her father’s connections and not to her talent, creativity and attitude.  Had she and I been flipped at birth, I can safely say that her self-proclaimed lack of culinary skills would not be in jeopardy.  Parents raise you – they do not do the work for you.  Everyone knows that.  You and you alone create your life.

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Her journey has taken the New Jersey native around the globe – to Germany to paint on glass, Iceland where the tapestries take years to manufacture and, as mentioned, to Venice, Italy several times for the Biennales.  She has even worked on and off as an adjunct professor at NYU and Columbia!  It was a sort of Alice in Wonderland type story where help became available when needed.  Experts in their fields there to assist in creating the vision so that she could maintain the integrity of her mark-making, revisit old drawings and turn, turn, turn leaving no stone unturned – flipping everything on its axis until an idea had/has been fully explored.

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It was this part that I just loved.  Naturally, the point to me is meaning.  Not meaning in her work, more like, the meaning of my own life.  I saw the seemingly disparate dreams I have come together.  I saw my own path and how I got to where I am.  I am a dreamer first and foremost.  That is abundantly clear to me.

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A writer, an artist, fashion designer, teacher, friend.  And within these categories, sub-categories (in the case of my art, I am across the board with watercolor, collage, encaustic and all that).  But I do see how it is all related and that is a beautiful thing.

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I am so grateful I had the chance to meet Kiki Smith and selfie with her too, of course!  It truly is all about our personal journeys.  We are all exploring the body, the muse and the spirit in an experimental way.  Smith relayed the bit about how her mother’s passing, as well as the death of a beloved cat affected her work while I have sort of been hibernating all winter, I guess you could say, dealing with my own thoughts of mortality.

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Many of you know that I have been absent from work.  I have another month of healing from a medical thingy and that includes slowly getting back to exercising in a couple of weeks and venturing outside my little corner of the universe.  Before you get all freaky with the I’m sorry-ies, I am totally fine.  Trying to be private and like, kind of forgetting that people have noticed that I have been out of the public eye.  I mean, I put myself here so there it is.

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I am discombobulated in my own way, but I decided that instead of hiding from the world entirely or walking around with a dumb old grimace on my face, I will choose to smile.  Smith said sometimes she is thinking about some weird murder movie while making art.  She doesn’t want people knowing what is going on inside her brain.  I tend to agree with the limits of what should and should not be revealed.  People are going to believe what they want to believe and say things about you and/or about your art and it really is not anything you can control.  But you can/I can control my own experience and I choose happiness.

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So grateful to her – an amazing artist – for coming to our neck of the woods to be herself in such an inspirational way.  We are all here together, in the land of the living, and that is a precious thing.  I appreciate the love I know I feel from friends, family, students and readers of this web-site.  All of you have shaped my world and I appreciate you all very much. <3

Kiki Smith and Paper:  The Body, the Muse, and the Spirit was curated by Wendy Weitman and is here courtesy of Oklahoma State University Museum of Art until March 9, 2018.  Visit www.suart.syr.edu for more information about the SU Art Galleries including hours of operation.

 

Let Me See Your Etchings

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In full-on back to school mode, Syracuse University flung open its doors to an art gallery reception last night.  Meant to Be Shared is but a smidgen of the vast group of etchings from the collection of a man named Arthur Ross.

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Etchings are drawings done on copper plates that are inked and burnished to paper.  Many of these pieces were originally made for books hence the creases in the pages.

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The magnificence of these etchings lies in the tiny details.  The line quality is just superb in a way that I cannot even begin to imagine the time and dedication they took to make.  And of course, the fact that they were created by the likes of Rembrandt, Goya, Pissarro, Delacroix, Manet, Matisse…it’s just mind-blowing.  All the big guns.

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I didn’t know everyone of them knew how to use this medium.  It’s cray-cray amazing.  This is a traveling exhibit on its final stop.  It was at Yale University and at a college in Gainesville, Florida.  You can find it here in Syracuse, New York at the SU Art Gallery in the Shaffer Art Building until November 19, 2017.

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There are scheduled gallery tours and lectures coming up.  The purpose of the title of this show is one of education.  Meant to be Shared – to allow new viewers to experience the work and to teach them the importance of the collection while sharing its sublime beauty.

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If any art teachers out there would like to schedule a field trip to visit the gallery contact them at www.suart.edu.

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Visit the website for gallery hours and information on upcoming shows too.  OMG, Kiki Smith is coming up next!  Can life get any better?  Yessss!!!!!

Parking

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There are things I have always liked doing and still do – swinging on swings at a playground, lol…playing jacks and Chinese jumprope, blowing bubbles with a ninety-nine cent bubble wand.  They never get old.  The best things in life from childhood – because when you were little you were free to just have fun and dream.

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My summer has been a lot of that.  A world filled with possibilities and joy.  I discovered a new park today.  It is on the west side of Syracuse, New York past the Delavan Center on W. Fayette Street, called Lipe Art Park.

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I love that there are people in this city committed to improving abandoned areas, in this case a former railroad yard.  Sculptures flourish beside positive message murals and flower garden vignettes, like set decoration for a movie with a backsplash of real-live moving trains.  It has this surreal flavor of being elsewhere.  Unexpected urban beauty.

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I’ve driven past it loads of times and never noticed it until a Facebook post inviting me to visit unveiled it to me, which is just so amazing.  I found a playful atmosphere there – a happening – Blinded by the Lipe! with music, food and new interactive art.

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The best things in life are free.

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Come This Way

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Point of Contact gallery is located in The Warehouse building, 350 W. Fayette Street (near the intersection with West Street) in Syracuse, New York.  It is an annex of Syracuse University located in the Armory Square area of town.  Its mission is to provide an arts dialogue with the community focusing on Latin American culture.

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In the summer, however, the gallery opens its doors to a juried exhibition, welcoming all local artists to participate.  Currently, Sum Art 2017 is up until mid-August.  The art reception was last night.

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For some reason, every time I enter this gallery, it starts out feeling like Dr. Who’s Tardis – bigger on the inside.  Last night, as I winded my way around the exhibit taking quick snapshots here and there around the many patrons who attended finding myself in the second room and nearly impaling myself on a tall wooden sculpture, I realized that idea is an illusion.

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It isn’t so big and yet, this show really packs a punch.  So much to delight in – to see.  Large scale works and tiny collage pieces.  Realism in both painting and ceramics juxtaposed with pricey abstracts.  There was something for every individual aesthetic.

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Last year I bailed on this show, lol.  I made up for it last night, even getting an Instagram fashion post out of the dealio – thanks to contributing artist Penny Santy (photo cred)!

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BCBGMaxAzria romper, belt and clutch, BCBGeneration booties

Maybe next year I will go a step further and enter my artwork…. (???)

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Gallery Hours: The gallery is open Tuesday-Saturday, 12-5 PM to the general public.

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What’s Right is Left

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Dolce Vita World Bistro is across the street from Syracuse Stage – at 907 E. Genesee Street, Syracuse, New York.  The restaurant serves international cuisine, hosts musical and theatrical events in collaboration with Syracuse University and promotes local visual artists via monthly art exhibitions on the walls of its dining room.

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Friday night I attended the opening reception for What’s Left, an art show combining the talents of Le Moyne College colleagues Erin Davies and Penny Santy.  The title is derived from a Robin Williams quote –

What’s right is what’s left if you do everything else wrong.

The show features wood collage pieces by Erin and oil paintings by Penny.

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Meredith Cuddihy on violin provided the musical entertainment.   There was wine and cake, and other yummy fare, as well as friendship, camaraderie, and lots of fun!  It is always very special to support my friends in all of their endeavors and of course, any excuse for a party is a good one, especially now – we are weathering a severe cold spell in Syracuse, New York and no one really wants to hunker down in their respective shelters to wait it out.

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According to their web-site, Dolce Vita is open Monday – Thursday 4:00 pm – 9:00 pm, Wednesday – Friday 11:00 am – midnight, and Saturday 4:00 pm – 11:00 pm.  They schedule private events on Sundays.  If you are interested in scheduling one, making a reservation or checking out the wonderful art, call (315) 475-4700 for the deets.

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Constructing Angela Fraleigh

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So, this happened. ^^^^  Do you see the resemblance or is this just another one of my crazy thoughts – that I resemble this woman in the above painting?  (Am I really a time-traveller or what?)  It is the work of Angela Fraleigh, part of her exhibition in two galleries at the Everson Museum of Art in Syracuse, New York.

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The show is titled Between Tongue and Teeth and, as the literature states, “co-opts the techniques, media, and styles of the European Old Masters to create monumental paintings of female figures that explore social constructs of gender, power and identity.”

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These paintings are inspired by artwork from the Everson’s collections, as well as by other historical figures in the Arts & Crafts movement and from Central New York history!

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It was such a pleasure to meet the artist (here I am in the above picture with Angela and sculptor Arlene Abend!)  She is such an amazing talent.

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She uses gold and silver leaf, and resin to create abstractions.  The result are these divine modern takes on old world beauty.

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Angela works in both Allentown, Pennsylvania and New York City.  It is a wonderful thing to engage with a contemporary artist, find out how her mind operates and what inspires her.  If you wish to do the same, she will be accessible via a gallery walk at the museum on October 13, 2016 at 6:30 pm.

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Angela Fraleigh:  Between Tongue and Teeth continues through December 31, 2016.  You can visit the museum Wednesday-Sunday noon to 5:00 pm with longer hours (until 8 pm) on Thursdays.

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Family Affair

The Macedonian Festival is in full swing this weekend at St. George Macedonian Eastern Orthodox Church in Syracuse, New York.

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They open at noon today for hours of ethnicity – food, music, dance and church tours.

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My father is a chef – retired now, but he spent all day yesterday in the kitchen.  My mother brought in her arsenal of décor and costumes to display on the stage in the reception hall.

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Lots of red!

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The interior of the church is spectacular.  An iconographer from the monastary created breathtaking murals on canvas that were adhered to every wall.  I love the blue starry ceiling!

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I am an iconongrapher too!  OMG, I painted a picture of St. George when I was eighteen.  It was a project using only the primary colors and black and white so, keep that in mind before you judge, lol.

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My painting has actually been blessed and resides above the candle kiosk.  So, even though I am not technically a member of the church anymore (I haven’t paid my dues since the ’80s) I still maintain a small presence there, which is very special.

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Macedonia is a country for those of you who have never heard of it.  It is one of five countries that were once part of the former Yugoslavia.  I think it goes by Former Yugoslavia Republic of Macedonia or something.  For more information about Macedonia, check out the latest issue of National Geographic magazine!

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Here is the link to the festival’s Facebook page.  The church has a web-site too.  Check out the festival today (noon-11:00 pm) or tomorrow (noon-7:00 pm) – or both!  5083 Onondaga Road (Route 173) Syracuse, New York 13215

Folk dancing is a guilty pleasure.  It’s so much fun and great cardio!  Especially to the sounds of Merak, a group of guys who have been playing together since they were preschoolers – they are amazing!

 

 

 

Art & Music!

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Yesterday was one of those perfect days where I accomplished everything I said I would do.  I did pilates, as well as some light housekeeping then went to my hair appointment (love you, Amanda!), hiked at Green Lakes State Park, and ended up downtown for some great art and music!

For real, lol.  I took these pictures and everything (for those of you who maybe thought I was still off my rocker chasing Pokemon).

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The AmeriCU Syracuse Arts & Crafts Festival is in full swing.  I caught the tail end of it last night – the vendors will be there all day today and tomorrow until 6:00pm in Columbus Circle in downtown Syracuse, New York.  A lot of my friends/Facebook friends are there:  Michelle DaRin, Barbara Conte-Gaugel, Peter Valenti, Tim See, and Michael Heagerty, as well as dozens of artisans from around here and out of the area.

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There is so much to see.  There’s clothing, jewelry and accessories, paintings, ceramics, furniture, soaps….  It is really an incredible experience.  And since working the Lavender Fest for Michelle that time, I can appreciate the dedication it takes to spend all day in a small tent in ninety-degree heat with few bathroom breaks in order to interact with customers face-to-face.

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I think that is the best part of making a purchase from one of the vendors – that you get to know them and you walk away with an experience rather than just some trinket.  You experience the artist’s passion for what they do and you take with you a part of them, the part that contains a vast amount of love.

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That is truly special.  I love that.

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Last night’s music event in Clinton and Hanover Squares was the Northeast Jazz & Wine Festival.  More music tonight with the band Atlas taking the stage around 8:00 pm!  Hope to see you there!

Summer rocks!

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Technically Speaking

So, welcome to my 2nd anniversary as a blogger!

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And with that comes the answer to the question I have been asking myself – what happens when I exhaust all the art venues in my area and I have to start duplicating them – I mean, where’s the spin, the angle?  How do we make the old new again?

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I haven’t technically exhausted venues.  There are plenty around this town that I haven’t written about or ventured to yet!  But then, there are certain places that I seem connected to, as if they are the set decoration to my personal reality show and the Syracuse Tech Garden is, apparently, one of those spaces.

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Steve Nyland chose this time out to curate a seven-artist show, which to my delight, makes this show new and different.  I prefer this to juried shows or the free-for-all themed show (anyone want a bunch of abstract watercolors with baseball-themed titles? because I have fifty I can sell you today, lol).  You know what I’m talking about. 🙂

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April Showers: Technically Irrelevant is at the Syracuse Tech Garden until July 8, 2016, which offers you plenty of time to get down there.  It is on Harrison Street (235 Harrison, Syracuse, New York 13202) right across from the Hotel Syracuse, which is currently being renovated for a spectacular re-opening in June.

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The artists in the show include my work colleague Sherry Allen, plus Facebook and personal friends Penny Santy, Lauren Bristol, John Fitzsimmons and Ken Nichols along with Robert Kasprzycki and Stephanie Roeser.  Each offers a strong sense of character and style – all different, and so the show is very cohesive.

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According to the literature/curator statement, Steve chose the artists based on comraderie, friendship and inspiration.  There is definitely a positive vibe to the artwork here, a mutual admiration society of artists complimenting and encouraging each other to provide us all with a footprint of their souls, as seen in color, texture, brushstroke and commitment to their respective visions.

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I have showcased Penny’s work before, but in this space these bulls have enormous presence.  The large canvases give credence to her sweeping brushstrokes and color combinations.  Really breathtaking stuff.

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I know that John Fitzsimmons will paint your portrait if you head over to his studio at the Delavan Center on Fayette Street in Syracuse (and if you have several hours to spare!)  His portraits are done with straight painting – no drawing it first with pencil or charcoal, and yet they are so proficient with accurate placement of proportions and an uncanny ability to capture one’s essence.

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Here, he is showing ethereal landscapes with magnificent mastery of color choice.  They are simultaneously deliberate and spontaneous and seem to represent the sky’s fickle ability to change on a dime.  A dark cloud approaches on the horizon with hurricane force, and yet, with the smaller works, they are sized to the give the appearance of a landscape at rest – long and narrow horizontals.

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I absolutely love the texture in Sherry Allen’s work.  There is dimension as well, the idea that the painting jumps into space and becomes a part of your life.  Her work certainly does not sit back passively waiting for anyone to notice.

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She is retiring from her teaching job at Chittenango High School at the end of the school year.  I am really looking forward to the direction her artwork will take once she has more time to devote to it!

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I know Ken Nichols as a potter.  We keep running into each other at events.  His mugs are also being sold at Natur-Tyme in Dewitt, New York and at the Clayscapes gallery, even though he isn’t mentioned in either gallery’s literature.  It is because his work sells.  It’s in and out the door in a flash due to exceptionally perfect price points and of course, quality.

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Here, he introduces us to his paintings, which are so colorful.  It’s almost as if he is a kid in a candy store with the control he can get out of acrylic paint – very different than the you-get-what-you-get attitude that comes with glazing pottery.

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Hopefully, I can connect with him to share these paintings in my middle school library gallery next year.  They are delightful confections that remind me of zentangles.

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Lauren Bristol can crochet!  She creates the pattern on large point graph paper and I have never seen this before.  Loved it!  My grandmother tried to teach me to crochet, but that was a disaster, as she couldn’t slow it down enough for me to understand what she was counting out in her Vlashki language (una, dow, tre, patrou, cin-cee, sha-cee, shap-tee, optou, now, zhad-cee…)

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Lauren uses crochet as an art form.  She includes abstract paintings in her display as well to fill her space.  I cannot imagine where she finds the time to create all of this, as I know from watching my mom now and my grandmother years ago, how long it takes to string together that work.

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I don’t know anything about Stephanie Roeser except to say that her artwork is whimsical.  Very youthful and alive.

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And Robert Kasprzycki’s giclee prints have the attitude of technically proficient.  Not at all irrelevant.

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The Syracuse Tech Garden is open to the public Monday – Friday from 9:00 am – 4:00 pm.  Contact the gallery at gallery.ttg@gmail.com for more information.

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Waterbear

 

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Davana Robedee just starts drawing.  She is inspired by natural forms – strands of hair, the motion of ocean waves….  The drawings take on a life of their own.  They become otherworldly, as though they are life-forms that can withstand space and time, much like the water bear, a microscopic species that can do just that!

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I went to the opening reception for The Millennia of the Waterbear last night at Apostrophe’s Art Gallery, 1100 Oak Street, Syracuse, New York.  Proprietors Holly Wilson and Allison Kirsch opened the venue to establish exhibition opportunities for college students and emerging artists.  They have currently booked art exhibits through this summer.

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The gallery is open Wednesdays 2:00-4:00 pm, Thursdays noon-2:00 pm, and by appointment – call (614) 209-7503 to schedule your visit!  This show ends on April 10, 2016.

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Davana is a recent graduate of Syracuse University.  She was my Encaustic professor at SU when I took the course in 2012.  Her work with the medium is superb.  At the gallery, she is displaying several functional lamps made of wire and wax.  LED light does not heat up and so the union is a successful one!  These lights looked more impressive as the sun went down.  They are soooo beautiful.  More so in person.  You must experience them!

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In addition, she has created a giant sculpture using plastic sheeting, as well as large panels of wax on plastic.  These pieces contain the same lyrical line quality as her drawings but with the addition of the textural surface.  Everything begs to be touched.  I found myself reaching out even though I know how fragile wax is (it needs, like, a thousand years to gain strength, unless there is enough damar resin in the mix). The whole show has a brilliant cohesiveness.

Davana is the real deal.  I love listening to her speak about her work.  There is a clear vision to her visual thoughts.  She really illuminates  just like her sculptures – she reveals an extraordinary depth of character.  The narrative provides understanding in a way that transcends the simple materials and abstraction.  I am really in awe of what she has accomplished here.

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davana

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Davana has another show scheduled for October 2016 in Old Forge, New York.  She starts creating new pieces soon including some wax items that will melt before our eyes.  Can’t wait to see where her mind takes us.  Wherever it is – I am loving the journey!

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