Where am I? I am back at work at Chittenango Middle School, teaching 8th grade Studio in Art, Art-8, and helping fifty kids a day with homework in two study halls. My outfit of the day (#ootd) pictures have been hit or miss. Not sure whether or not to resume taking them. Katy C. and I have been so busy prepping lessons and organizing stuff – I only have a few pictures to share (even though we’ve been back at it for two weeks now).
Meanwhile, my artwork is going places. I am exhibiting encaustic baseball paintings and horseshoe paintings during the month of September 2019 at Half Moon Bakery & Bistro (6500 East Seneca Turnpike, Jamesville, NY 13078).
And last night I delivered six encaustic angel paintings from the Futura series to a new restaurant called 317 (317 Montgomery Street, Syracuse, New York) before heading to the Italian Festival, which is taking place in front of City Hall this weekend. These paintings will be up in a group pairing along with other artists’ work (indefinitely, as of now). 317 provides an incredibly intimate dining experience right in the heart of downtown Syracuse adjacent to the Onondaga Historical Association.
Finally, my twelve Japanese-inspired fan encaustic paintings are still available for sale at Kasai Ramen (218 Walton Street, Syracuse, NY 13202) until September 16, 2019.
P.S. I started designing bracelets! I’ll be ready to launch that experience very soon – stay tuned! The jewelry thing is my current passion and focus artistically. The universe has been doing a great job of taking care of everything else. Thank you, universe! Life is good! ❤
There will be an artist reception on Thursday, June 13, 2019 from 6 – 10 pm. Hope to see you there! Here is the link to the Facebook invite – facebook.com/events/66304848748843
These twelve paintings are from my Sensu series of encaustics, created last month ($250 each). They are 8″ x 8″ encaustic & collage pieces. On the back of each painting, I have instructions on how to care for these paintings. ❤
Care Instructions for Encaustic Pieces –
Over time, dust and other particles in the air will collect on the surface of the painting and make a film that will look dull. Regular buffing in the first three months will help to keep the surface shiny and will bring out translucency in layers that are not currently visible. After three months, the surface of the encaustic painting will stabilize and won’t attract dust as readily. Any time the painting starts to look dull, it can be buffed with a very soft rag to increase the transparency and shine of the surface. Light dusting of the piece is all that is needed in the form of maintenance.
To make sure your piece lasts a long time, it should not be hung where it will experience below freezing temperatures or in direct sunlight coming through a window. Be aware of placing your piece near a powerful light bulb or any kind of lighting that produces a lot of heat (Christmas lights). Don’t leave your piece in a car on a hot day or near a fireplace. As long as your piece is kept in your house at a comfortable temperature, it should stay in perfect condition.
Because the wax is soft, it could be damaged if dropped or if a sharp or hard object is scraped over the surface. Fingerprints will also damage the surface over time, as the acid on our hands will etch itself into the wax. A quick wipe of the surface after everyone touches it will prevent this from happening.
If you ever need to pack or move, or ship your encaustic painting, make sure you wrap it in a piece of paper with a smooth surface before wrapping it in bubble wrap or anything that has a texture that could damage the surface.
Encaustic painting is very archival, resistant to moisture, fading from light exposure or yellowing from acid. In fact, encaustic painting is the most archival form of known painting. Your painting has the potential to last for hundreds of years if well cared for. I trust you will enjoy it!
I am delighted to announce I have just completed a new series of encaustic & collage paintings! Yesssssss! They are fans – sensu in Japanese. I was inspired by a call-for-Japanese-inspired-art for a group show, which will be curated by Jamie Santos at Kasai Ramen scheduled for next month.
I love Japanese art! I’ve introduced my students to it with many different lessons through the years, the most recent of which happened to be utilizing the fan as motif. This was both inspiration and motivation for me to finally purchase some gesso boards, pull out the beeswax and immerse myself in the full sensation of creation.
I love how each one of these new pieces is unique – I added elements of origami, kintsugi, and shibari, as well as nods to the specific landscape, sport, and artists (Yayoi Kusama, the Japanese artist who is known for her dot paintings) of the country.
The very best part of creating art is relaxing into the process – allowing the inspiration to come rather than forcing decision making. It transports to an other-worldly place where the art becomes the most important thing, where nothing else matters except oneself and the process. The experience is pure joy; utter bliss. I highly recommend it. ❤
The year was 1996: the bartenders at Empire Brewing Company on Walton Street in Armory Square/downtown Syracuse, New York used to slip me handfuls of coasters all the time. I used them as collage material in my oil & collage paintings. I’m not a beer (or any alcoholic beverage) drinker but still – I was a bit of a barfly back in the day. I really love that place!
Well, they opened a farm brewery on Route 13 in Cazenovia, New York a while back. It is a magnificent venue in every way – you must make your pilgrimage if you haven’t done so already. It is the power of Empire times infinity! I was there this evening for Kara Daviau’s art reception.
Delicious food and drink specials, of course, and – who knew? a spectacular basement tasting/barrel room with brick walls and the most splendid ambiance for an art exhibition. Kara’s work is a perfect match for this space.
Her new series is titled Keep Me Where the Light Is. Kara is continuing her journey of discovering abandoned places and summoning them to life with music. She captures the essences of the forgotten beauty while listening to specific tunes, adding sheet music as collage before tackling the canvases with vibrant acrylic hues.
Her new mantra is expand. She is voraciously seeking new places to show and sell her artwork, (which includes merchandise – magnets, notecards, T-shirts and other accessories – you can find these and more at Wildflowers Armory in Armory Square).
As of very recently, her paintings have been accepted in juried exhibitions at galleries in New York City and in Connecticut and Maryland with the opportunity for solo exhibitions in all locations on the horizon. I asked her if she would seek abandoned spaces in these areas to create new work that resonates with people who live there. Not yet was her response.
She is at a crossroads, both personally and professionally. Her focus is on healing and with that a strong urge to self reflect via self-portraiture may be the next leg in her journey. She’d added a mini self-portrait to the lower corner of one of these paintings then wiped it out, as if to say she wasn’t quite ready for that leap…yet.
I trust that Kara will visualize the success she deserves with any step she takes on her path to get there. She is a beautiful person both inside and out. I love the trailblazing spirit that guides her choices – such an incredibly talented artist and a wonderful role model for both her own children and her students. ❤
Kara Daviau’s art studio is located at the Delavan Center (Studio 249), 509 W. Fayette Street, Syracuse, New York. For more information about this work and more, contact her at KLDAV@HOTMAIL.COM.
Photographer Laura Thorne is new in town. The former Tampa, Florida resident is having her first art exhibition at Dolce Vita World Bistro, 907 East Genesee Street, Syracuse, New York. The show will be up until May 19, 2018.
It means the world to me to share my artwork with all of you. To find the perfect venue, Dolce Vita World Bistro, for the Honor Thy Master series. To take a group of paintings that had been stored under my bed, re-work them to give them new life, and get them out into this world. And to just see them again, breathing new life on the walls of this wonderful restaurant – it just feels magnificent. This is an artist’s bliss.
Today I installed my art exhibition at Dolce Vita World Bistro. It took two-and-a-half hours to figure out the placement and hang them all. I brought the paintings into the space and began by just leaning them against the wall where I thought I wanted them to go – the way I do when assisting the artists who show at the school library gallery. I rearranged a little bit but it pretty much looked like my vision very quickly. Then it was only a matter of climbing on a barstool, measuring with my favorite yardstick borrowed from school, and figuring out how to operate the clasps on the plastic cords that make up the display system on the walls. That, and finding the right bit for my power screwdriver, lol (I brought flat head rather than phillips head screws – how weird).
I love the way the artwork looks in the space. The colors work well with the terracotta walls, and I love the contrast of abstract work in this old-world classic style bistro. It just works.
Here is the menu for the special one-night only art reception on Tuesday, April 11, 2017 from 6:00 – 9:00 pm.
There may be a wine special – proprietor Antonietta Vigliotti is working on that, as well as selecting some great music via the sound system. I requested ’70s rock, preferably 1977 stuff, which is my definitive moment musically. I think you pick the music of your life when you are fourteen, am I right?
All are welcome. Make your reservations early if you care to join. Antonietta said she has already received a few reservations! Yessss! I am sooooo excited. It will be a fun party.
The paintings are only $200. The larger one – 24″ x 48″ is only $500 (regularly $800) and the three 11″ x 14″ paintings are only $75. They are priced low to sell. I want them to find good homes. That would mean everything.
Honor Thy Master will be on display through the month of April 2017, so if you cannot make the reception I trust that you will find the time in your world to visit the restaurant some time during the month! ❤
I took a lesson out of my friend Penny’s playbook and re-worked eight paintings for my exhibition at Dolce Vita World Bistro that starts next week. Spent the last two days in intense artist mode, which I haven’t done in quite a while. It was a long time coming…and now I get it. I get what Penny feels. I get the lecture Anne gave me the last time we spoke – about making a commitment to painting because that is who you are. A painter. An artist. Much of what I told her about who and what I wanted to be seems inauthentic now.
Nobody knows the real me. Some of you know some of my secrets – but not all of them. It is strange to re-visit these paintings because I know what they are about, what they are still about and seeing them now as my future self, it is like I already knew the journey. I’m still on it, but, OMG, I am so much closer, if that makes any sense at all. It doesn’t have to. I know what I am talking about, lol, and so, I feel a profound sense of love for my old self. It’s weird and exhilarating, and just overwhelmingly emotional. I finally know where I am going and, of course, now that I know that, I can finally just enjoy the inspired action I will take to get there.
I added varnish to these paintings and chalkboard paint to the borders. Some were tweaked with twine knots and other mixed-media, a visual language insert to augment the journey, so to speak. These improvements are like the bridge that hurdles the gap between who I was and who I am now. Maybe I am not much different to the naked eye, but to me I’m vastly better, new and improved in mind and spirit. I am exposed and yet, still within the confines of my dreams where reality is soooo amazing. I love life as an artist. There’s truly no better way to live.
The series – did it have a name before? Because I don’t remember it. Regardless, I’m calling it Honor Thy Master. The original concept was the idea of the mandala as the first mark-making a human being creates. The circle and cross or X iconography on a white field is juxtaposed with torn postcards/notecards of artwork by Modigliani, Johns, Rauschenberg, Van Gogh, Michaelangelo…. I am honoring those master artists by adding their work to mine in combination with authentic mark-making. The addition of the chalkboard element, as always, is for the purpose of a third artist – the future owner of the work. My chalk marks will eventually erase and so, that person could add or subtract marks to the border with chalk themselves. In this way, we all join hands and make art together.
I am so proud of the way it all connects. The twine is the rope that binds us in both love and angst; we are free to choose. It is powerful and yet so simple, so perfectly cast that it gives me such a thrill to put these puzzle pieces together – like, literally…really!?! So much joy in the perfection of it.
I will install the show next weekend. There will be a reception on Tuesday, April 11, 2017 at 6:00pm at Dolce Vita World Bistro. A unique dining experience! Antonietta Vigliotti has prepared a special menu for the evening. I will create a public Facebook event page for it and invite all of my friends and acquaintences, and they will be able to invite friends too – the more the merrier, although it is not a huge space. I think the dining room serves up to forty people at a time. Reservations are in order for the dinner, but you can come and hang out at the bar too! It will be amazing to see everyone! I can’t wait! ❤
Dolce Vita World Bistro is located at 907 East Genesee Street, Syracuse, New York (13210). You can either call for reservations (315) 475-4700 or fill out the form on their web-site.