Category Archives: painting

Cow Town

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The Chittenango Middle School 8th grade teachers take our students to visit SUNY Morrisville.  We’ve done it for several years now. There are four activities plus lunch in the dining hall (!!!) – to see the automotive dept., the dairy management farm, the equine science program and the aquaponics greenhouse.

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I’ve gone on this field trip three times and this was the first time I visited the cows.  There I met Assistant Professor Ashley Adams, who loves cow art!

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So this blog post is for her.  I want to share artwork by my bestie, Penny Santy.  Penny is a graphic artist during the day, fine artist by night.  You can find her website here.

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Penny has this wonderful series of cow paintings.  I am totally in love with them.  She uses oils and paints in a quaint studio space in the basement of her home in Eastwood, a subdivision in the city of Syracuse, NY.

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I love the energy in her brush stroke and the juxtaposition of complementary colors used to create shadows.  Not just saying that because she is my friend.  I think Penny’s work would look great in the offices/buildings at the dairy science college!  They are large scale pieces – really breathtaking in person.  I especially love the buttery yellow one!

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Students in my ninth period A day class created cow portraits in oil pastel on black paper.

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We drew them on white paper, transferred them to the black Strathmore paper with graphite paper (magic) and painted out the lines with black acrylic paint.

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I showed students how to build up the color with the oil pastel using a layering technique and encouraged them to create their own consistent style – up and down, diagonal, coloring in circles, etc.

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I just love the way they turned out.  Each one is 16″ x 20″ – my favorite size for student work!  I am thinking of selecting a couple to enter into the Scholastic Art Awards competition, but I can’t decide which ones will be the most competitive.  I like them all.

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OMG, I love cow art too! <3

Those That Teach, Do!

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There is this weird Catch-22 about the teaching profession.  I think I heard this growing up a lot. Those who can’t, teach.  It is such a strange statement.  And to grow up thinking your teachers are less intelligent than people who choose other professions – like being an engineer instead of a math teacher or being a rocket scientist instead of a science teacher, and in this case, being a professional artist instead of an art teacher…it’s so bizarre.  It was probably the reason I went into teaching reluctantly, because I perceived it as a death sentence to my creativity.  Of course, I was way off base.  Totally wrong.

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In this town, there is this weird thing where people perceive the university professors as “better” artists than public school art teachers.  Again – utter stupidity.  In fact, the public school teachers have a much better gig.  There are very few full time art professors – most are part-timers without the benefits of a decent salary and amazing insurance plans.  So the teaching gig is actually the best possible outcome, especially for people like Barabara Vural, who took time off from making art on and off, while teaching and while raising her family, but somehow managed to still find time to create this massive inventory of work.

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Barbara Vural’s current show at the Manlius Library in Manlius, New York proves my point.  She is sharing sixty years of artwork including current work that she has prolifically executed now that she has retired from teaching.

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Here we see a body of work that contains different media (pastel, acrylic…) as well as landscapes, still-lifes and portraits that are as well executed as a Mary Cassatt.

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Brilliant use of color – and lyrical rhythm that takes the viewer inside a beautiful mind.  There is so much beauty here – line quality that is so precise and just a complete mastery of art skill.

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There were sold stickers on many of these pieces already.  Her prices are extremely reasonable, from $75 to about $1,000 depending on size and detail.

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Artwork is on display until November 14, 2015.  Contact Barbara for more information including how to purchase and library hours, at bvural@twcny.rr.com.

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Field Tripping

On Friday, I took my Studio in Art students on a field trip to three locations.  It was a tight schedule that we stuck to like organized folk and not the fickle dreamers people imagine we are.

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The first stop was the Community Folk Art Gallery on Genesee St. in Syracuse, NY, where we toured the facility – we saw student art studios where high school portfolios are prepared for Scholastic Art awards and where kids get the benefit of learning from some of the premiere artists living locally, like ceramist David McDonald.  There was also a dance studio, a black-out performance room and in the gallery space, the magnificent photo collage/assemblage pieces by Najee Dorsey, who gave a talk the night before and was supposed to be at the gallery that day but we couldn’t stay.

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I didn’t want to leave, to tell you the truth.  I would have LOVED to have met him. The narratives within these works told stories of pain and triumph, and were saturated with incredible pink hues that left you, really, in awe of his mastery of the media.  I am always amazed by the passion a self-taught artist brings to the table.  It is a fearlessness mixed with passion.

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We learned that the story of the Lone Ranger was based on an African slave who escaped imprisonment, befriended American Indians and later become a Sheriff.  And that another woman, who is still alive today, paralleled Rosa Parks’ infamy with another back-to-front-of-the-bus challenge as a fifteen-year-old girl, to help change the injustices of the laws in the South.

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Next we moved to the James Rosenquist show and the private holdings of the Syracuse University Art Gallery at Shafffer Hall on SU campus, a space that not enough people in this city even realize is there.  I mean, no one else was even visiting aside from our group and they, apparently, have a bigger art collection (majority of it: prints) than the Everson Museum of Art has.

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I learned that Rosenquist is a frail eighty-one, and that is why he did not attend the opening reception last month.  We  discovered more about his journey, which made me love him all the more.  When you see the work in this manner, you really recognize its value and contribution to Pop Art and to the art world in general.

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Assistant director Andrew Saluti’s knowledge took the cake.  Again, a sense of passion for his job and for the art in his charge.  It was such a profound experience for me.  Sharing it with my students was something I really wanted to make happen and I did that – but you know how kids are.  When I asked them their favorite part of the trip, they all said McDonald’s, which was our lunch break destination (in Cazenovia, NY) before we settled at the top of the Stone Quarry Art Park hill.

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Yes, we ran around the park in the cold rain – of course, it rained during the outside portion of our day, while remaining completely sunny in Chittenango, NY.  That is the law of dumb luck.  But I knew that they were having a blast experiencing the sculptures along the way, one in particular looking like a house from Smurf village with a tiny igloo style entrance they took turns climbing into, as though they were entering a clown car, because I don’t understand how on Earth they all fit in there – it was Tardis-like in that way.  (And yes – it’s always important to throw in an obscure Dr. Who reference now and again.)

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And yes, I know they got a lot out of that packed with art-filled day. Some more than others.  Field trips are the stuff of legend.  They really bond you in ways that are pretty profound and this fifteen student community of artists are some of the best kids I have ever worked with.

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We got back in time for dismissal, so it was probably the best field trip ever in terms of both information and time management, as well as fun.  Thank you so much to everyone who helped me make this happen.  It was just so amazing to show up at a venue and have them ready and waiting for us – and so excited to see us!  If you are an art teacher in the area, you should definitely plan a day like this if you can.  The galleries were so accommodating, each with their own sensational contribution to the landscape of the arts in the Syracuse area!

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Interviewed

Hi everyone!

I was recently interviewed for a blog post on http://www.segmation.com. It was done via email.  I answered a series of questions.  My answers appear exactly as I had written them except for the part where I call myself an outward focused nurturer.  Those are not my words, lol, but I am flattered by the compliment.

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I am not sure how they found me.  I think it was through Twitter.  I haven’t been on my Twitter account in a couple weeks.  I better start paying it forward again by retweeting my followers to keep the good karma going.  I’m up to something like 6,400 followers now.  Now if I can get that many Instagram followers….  Lol, are we ever really satisfied?

Karen Tashkovski, Strength, 18" x 36", 1997, oil & collage, $675

Well…I am truly grateful for anything coming my way these days.  I love being part of an international art community and I love that I move closer to the dreams I have for myself every day.  So thank you, Segmation and everyone else who has been following me here and on other social media.  I am glad we are friends.

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See the interview here –

http://segmation.com/blog/2015/10/13/outward-focused-nurturer/#comment-1986

Carrie Moyer Fan

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I guess it’s an understatement to say I am obsessed with Carrie Moyer.

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She is well represented in the Three Graces exhibit at the Everson Museum of Art in Sracuse, NY.  I attended the opening last Friday night and I really could not get enough of her vibrant color palette, her use of solid areas including raw canvas juxtaposed with translucent layers of color and some sparkly bits!

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I was especially fond of her monoprints, which I believe are a series of printing passes, one on top of the other, to create one vivacious singular print.  They are just so beautiful!  Abstraction made deliberate in a sort of Helen Frankenthaler meets Robert Motherwell brainiac-ism sensibility.

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The whole time I was there, well, after I loaded up on turkey sandwiches (discarding the bread) and yummy cheeses while sharing the love of art with my friends Anne and Penny, I was wondering if the artist was in attendance.  She works in Brooklyn, NY, described as an artist who writes (sounds familiar), having written articles for major art magazines and other publications.  I didn’t know what she looked like so I Googled her just now –

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I don’t remember seeing her, but I am terrible with faces.  For a visual artist, that is probably the stupidest thing I could say, right?  If you change your hair or throw on glasses, I have no idea who you are.  I’m like Lois Lane that way.  But, at any rate, Carrie Moyer will visit the Everson, along with her Three Graces cohorts Polly Apfelbaum and Tony Feher on Thursday, October 22, 2015 at 6:30pm.  It’s a freebie, a guided gallery walk with the artists where, according to the Everson Bulletin (got mine in the mail today!) they will “discuss their contemporary art practices, materials and processes, and explore the inspiration of incorporating works from the Everson’s collection in their installation.”

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These works include the Morris Louis piece that was the inspiration for Polly Apfelbaum’s rugs, a Helen Frankenthaler and this amazing print by one of my favorite artists of all time, Marisol!!!!! (see below)

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As Tina Fey always says (stolen from her young daughter) I want to go to there.  Oh, I am SOOOOOO there.

Find more of Carrie Moyer’s work here.

The Everson Museum of Art is open noon-5:00 pm Wednesday, Friday and Sunday, open 10:00 am-5:00 pm on Saturday and open noon-8:00 pm on Thursdays.  It is located at 401 Harrison Street, Syracuse, NY 13202. (315) 474-6064.  Contact www.everson.org for more information.