Tag Archives: encaustic and collage

The Art of Creation

Yesterday I experienced a meltdown.  I was adding the hardware to the backs of the frames and it was taking longer than I wanted it to, which led me to the inevitable existential crisis – what am I even doing and why??????

I took a mini-break to collect myself then continued until I finished that task.  I went for a hike, came home and had lunch then continued to tweak the paintings.

Adding the collage materials makes me feel a bit like a fashion stylist.  The items should enhance each individual painting while creating a cohesiveness that is essential for the overall arch of the series.

I began to have clarity and after hours of work… suffice to say that the new gold enamel paint had been delivered and I decided, at midnight that I had to apply it.  The gold to me represents the Japanese art of kintsugi.  So, it felt like a culmination of the emotional journey of this day.

I didn’t love it but I kept at it because it had worked nicely on the Lotus paintings.  But it WASN’T WORKING!!!!

This morning I spent several hours removing it. A painstaking process but one that was entirely necessary.  Metaphorically, it felt like I was erasing the negativity and the desire to fix something that is broken with something better, as kintsugi is known to do.  It is supposed to be a form of respect.

But these new paintings weren’t broken.  And they do not have any sort of negative emotion or melancholy infused in them.  They are my trees – the ones I visit every day while on my hike.  And if you believe in animism, they are strong, loving creatures that support one another in a storm, that provide shelter from the rain, that reach for the sun at all costs.

I wiped away the residue, like wiping away the tears I had shed earlier, and decided that what I am doing is important, because it is fun – and that is all that matters.

I am still waiting for a back order of frames and there is still  more work to be done on this artwork because it is all about the layers – the depth of character and all that hidden stuff that creates my visual language.

Stay tuned for the big reveal….

Blizz

It started snowing at 9:00 AM and now, at 5:00 PM we have already had what I think is eighteen inches of snow.  It has been relentless, but, no biggie, because we all knew it was coming.

So happy that my art studio is in my house because I’ve been working all day.  I added to the crown paintings – they are almost done.

Before I did that, I heated up the beeswax-filled crockpot then placed three coats of wax on 6″ x 8″ Ampersand hardboards and then traced the tree stencils onto them.

There are twenty-four boards and each will have a different tree design.  They are fresh and modern, and fun!  I’m excited.  I am an avid hiker.  I finally realized that trees should be an important part of my encaustic iconography.  Today was the day!

In fact, I had a realization about my artwork that I will share with you soon.  My series of crowns, horses, fans, bungalows, hearts, targets and now trees are all connected and I hope that they can all be shared together in one (or more) large gallery in the near future.

The overlap is a bit out of control focus-wise because, let’s face it, we are all attracted to the new thing, the latest thing.  I don’t want to rush the conclusion of these crowns.  I may have rushed adding collage materials today – I will allow the experience to digest and look at the work again with a fresh perspective later tonight or tomorrow.

I am loving my productivity though. I think I am an Existentialist and this is my purpose.  A vocation rather than a business.  I trust that the business and financial element will follow because I have already secured so many shows for 2026.

In that realm, next up is the Art Haus group show with a drop off in late February and the reception scheduled for Saturday, March 7, 2026 from 2:00 – 4:00 PM.  I will be at the East Syracuse Free Library during May and June 2026, the Fayetteville Free Library in July 2026, the Hazard Branch Library in August 2026 and the drop off for another group exhibition in mid August at the Edgewood Gallery.  That show will be up through October 3, 2026.

Gamer: Lotus Series 2 Continued

This is the current state of affairs:  my dining room table has been hijacked by the second wave of three dozen paintings in the lotus series, now called The Lotus Collection.  I have added thistle and Japanese lillies to this group, although all flowers are abstracted.

In addition, I have incorporated my game devices, which I totally love.  When I was on that Buffalo road trip with Penny, we chatted about verbalizing our visual language.  I feel like that explanation should be the same spoken as it is written.

The thing with me though – I know what every brush stroke means.  Every choice is deliberate, whether it is conscious or subconscious, and some of that is private, meant only for me.  Jasper Johns never really shared his intentions and I love that bit of privacy.

However, this doesn’t sit well with the powers that be who offer art shows in their galleries.  They want you to resonate with the masses and lately those masses are chronic malcontents.  Complaining about everything in society.  And misery loves company.

My paintings are flowers, but they are also autobiographical, and I’m a person who has climbed an emotional ladder.  I finally found a belief system that sidesteps fears and all the shitty stuff.  Seeing beauty in a colorful brush stroke or femininity in a ribbon, or familiarity in vintage game pieces – that is my art.

Meanwhile, just to be clear, these paintings are not finished.  They are on the operating table, so to speak, waiting to be finessed.  What I do at this stage is allow myself to walk away and then approach them with fresh eyes, discerning eyes, questioning whether the devices are enhancing the pieces or just covering painting mistakes.  The artwork must work as a collective group but also stand alone.

I am also awaiting some supplies that I ordered: more ribbon, the apparatus to add wire to the frames.  Can’t really move forward until I have all of the pieces to this puzzle.

Lotus Again

It’s time to purchase more wax, damar resin and colors to continue on the path of the lotus.  I have expanded to include thistles this time, as well as Japanese lilies.

I have a thing for Ancient Egypt.  I also have a thing for Scotland.  And everything Japanese.  My paintings do tend to blend these cultures like a reincarnated melting pot of who I might be.

Sharing the current in progress situation.  Paintings situated on my living room floor.  It is good to take a breather from inhaling beeswax (which is completely intoxicating) and ponder my next decisions.

In a perfect universe, I could have all my pancake griddles going a once so that I can access every color in my repertoire, but I don’t have the room in my studio nor the electrical power to accomplish this – or do I?  Maybe I just need more extension cords and another table and another griddle or two….

I will figure it out.  Love that art can be both challenging and fun.

Temporary Process Over Product Situation

It begins with thumbnail sketches.  Actually, it starts with a bit of research then sketches.

I then create stencils, prepare the hardboards with three coats of beeswax, carve the stencils into the wax…

add pretty papers…

and begin painting.  Once all the boards have first coats, I give them individual attention.

Finally, I add more collage components.

I’m taking a break right now because what usually happens is that I want to do everything right away instead of savoring the process.  Encaustic is not an instant gratification type thing.  And as much as I have the image of a finished product in my head, there are a lot of happy accidents that occur along the way.

What has already happened is the classic “I know what I don’t want” scenario.  The great thing about the wax is that it can be scraped off – chalk it up to a problem solving direction.

I love manufacturing a visual language that communicates my secrets and I  LOVE having the only key. <3

Fan-Girl Gratitude

I appreciate everyone who attended the art talk/reception I had for Fan-Girl on Tuesday evening at the Fayetteville Free Library.  Thank you!  The exhibition continues until July 31, 2025.

It’s supposed to rain tomorrow – a perfect day to spend lounging on Stickley furniture in this beautiful library!

Fan-Girl Part 6

Karen Tashkovski, “MOMENTUM”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “LOTUS”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “GIRL”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “PACKAGE”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “BLOSSOM”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “MELT”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “KAWAII”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “ANIME”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “SPRITE”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “CLOUD”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “FLOURISH”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard
Karen Tashkovski, “AIRY”, 2024, encaustic & collage, 8″ x 8″ on gessoed hardboard