Tag Archives: encaustic trees

Encaustic Trees

Karen Tashkovski, COTTONWOOD, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, SYCAMORE, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard

It was three below zero in Syracuse today.  I did not visit my favorite trees on a hike – I draw the line at eleven degrees, thanks.

I spent the day completing my encaustic trees collection.  These paintings are 6″ x 8″ encaustic & collage mounted on 11″ x 14″ chalkboard, and framed.

Karen Tashkovski, POPLAR, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, OAK, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard

I added oil pastels, vintage stamps, keys, embroidery floss, checkers, cedar chips, ribbon, 1963 pennies and French bobbins – from France!

I am so in love with them.  It is such a weird feeling – so happy to have completed them, proud of myself and the choices I made, but also sad that it is over.

I feel like I should expand the series.  I created twenty-four of them, twenty-four different tree shapes.  Do I make twenty-four more with twenty-four different shapes?  Do I reuse the shapes and change the colors, as I did with the lotus collection?  I don’t know yet.

Karen Tashkovski, HONEYLOCUST, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, MULBERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard

I don’t even have a plan for where I will exhibit them.  I am scheduled to show at the East Syracuse Free Library this May through June, so, maybe there.

Karen Tashkovski, CHERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, HEMLOCK, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard

I am actually still waiting for a back order of frames (four are technically not framed – I just set them in a broken frame in order to photograph them).  Once they get delivered, all the paintings will be stored away and I will vacuum and reclaim my living room floor, and my dining room table – until the next project presents itself. <3

Karen Tashkovski, APPLE, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, FIR, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, DOGWOOD, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, GUM, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, BERRY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, WILLOW, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, SPRUCE, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, HICKORY, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, MAPLE, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, PINE, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, TAMARACK, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, CEDAR, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, ELM, 2016, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, CHESTNUT, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, BIRCH, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard
Karen Tashkovski, WALNUT, 2026, 6” x 8” encaustic & collage mounted on 11” x 14” chalkboard

The Art of Creation

Yesterday I experienced a meltdown.  I was adding the hardware to the backs of the frames and it was taking longer than I wanted it to, which led me to the inevitable existential crisis – what am I even doing and why??????

I took a mini-break to collect myself then continued until I finished that task.  I went for a hike, came home and had lunch then continued to tweak the paintings.

Adding the collage materials makes me feel a bit like a fashion stylist.  The items should enhance each individual painting while creating a cohesiveness that is essential for the overall arch of the series.

I began to have clarity and after hours of work… suffice to say that the new gold enamel paint had been delivered and I decided, at midnight that I had to apply it.  The gold to me represents the Japanese art of kintsugi.  So, it felt like a culmination of the emotional journey of this day.

I didn’t love it but I kept at it because it had worked nicely on the Lotus paintings.  But it WASN’T WORKING!!!!

This morning I spent several hours removing it. A painstaking process but one that was entirely necessary.  Metaphorically, it felt like I was erasing the negativity and the desire to fix something that is broken with something better, as kintsugi is known to do.  It is supposed to be a form of respect.

But these new paintings weren’t broken.  And they do not have any sort of negative emotion or melancholy infused in them.  They are my trees – the ones I visit every day while on my hike.  And if you believe in animism, they are strong, loving creatures that support one another in a storm, that provide shelter from the rain, that reach for the sun at all costs.

I wiped away the residue, like wiping away the tears I had shed earlier, and decided that what I am doing is important, because it is fun – and that is all that matters.

I am still waiting for a back order of frames and there is still  more work to be done on this artwork because it is all about the layers – the depth of character and all that hidden stuff that creates my visual language.

Stay tuned for the big reveal….