Tag Archives: encaustic

Waterbear

 

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Davana Robedee just starts drawing.  She is inspired by natural forms – strands of hair, the motion of ocean waves….  The drawings take on a life of their own.  They become otherworldly, as though they are life-forms that can withstand space and time, much like the water bear, a microscopic species that can do just that!

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I went to the opening reception for The Millennia of the Waterbear last night at Apostrophe’s Art Gallery, 1100 Oak Street, Syracuse, New York.  Proprietors Holly Wilson and Allison Kirsch opened the venue to establish exhibition opportunities for college students and emerging artists.  They have currently booked art exhibits through this summer.

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The gallery is open Wednesdays 2:00-4:00 pm, Thursdays noon-2:00 pm, and by appointment – call (614) 209-7503 to schedule your visit!  This show ends on April 10, 2016.

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Davana is a recent graduate of Syracuse University.  She was my Encaustic professor at SU when I took the course in 2012.  Her work with the medium is superb.  At the gallery, she is displaying several functional lamps made of wire and wax.  LED light does not heat up and so the union is a successful one!  These lights looked more impressive as the sun went down.  They are soooo beautiful.  More so in person.  You must experience them!

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In addition, she has created a giant sculpture using plastic sheeting, as well as large panels of wax on plastic.  These pieces contain the same lyrical line quality as her drawings but with the addition of the textural surface.  Everything begs to be touched.  I found myself reaching out even though I know how fragile wax is (it needs, like, a thousand years to gain strength, unless there is enough damar resin in the mix). The whole show has a brilliant cohesiveness.

Davana is the real deal.  I love listening to her speak about her work.  There is a clear vision to her visual thoughts.  She really illuminates  just like her sculptures – she reveals an extraordinary depth of character.  The narrative provides understanding in a way that transcends the simple materials and abstraction.  I am really in awe of what she has accomplished here.

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Davana has another show scheduled for October 2016 in Old Forge, New York.  She starts creating new pieces soon including some wax items that will melt before our eyes.  Can’t wait to see where her mind takes us.  Wherever it is – I am loving the journey!

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The Destruction of Devices

The famous story goes that Jasper Johns destroyed all the pieces he’d made prior to 1955 to start over, creating his new works as encaustics – the target and flag paintings that Leo Castelli put in his gallery subsequently selling them to major NYC art museums…and an art god was born.

http://www.jasper-johns.org/

Recently I read that Jean Michel Basquiat drawings had surfaced and were going on the auction block.  I think they were sketchbook thing-a-ma-bobs, not intended to be shown as potential masterpieces or anything but I guess once you are dead your immortal soul can command millions.

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So what’s the right thing to do?  Keep every single thing you’ve ever made – did Picasso do that?  (I think so.)  Or chuck the stuff you think is junk and not representative of your work?

I do this with my clothes all the time.  I give most of my stuff to the Salvation Army.  Sometimes it isn’t even a year old.  I live in a small space and I don’t keep things that I don’t wear.  Like if I don’t think it will ever be my go to for an event, it doesn’t matter how nice it is; it needs to move on.  I regret some of those chucks.  I’d gained some weight a few years ago and thought I’d never get my twenty-five inch waist back so I said good-bye to some pieces that would have transcended time if I would have allowed it.  Oh well.  There are always new clothes out there.  New ideas in shape and fabric that make a person feel current.

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If I were immortal, I think I could hack the changes, at least in fashion and art.  In technology, not so much.  So I guess that’s why I choose edit/delete.  The three paintings illustrating this blog post are long gone.

I gessoed over their surfaces because I just didn’t feel good about them.  They were 24″ x 48″ paintings, all framed in maple wood gallery style frames that cost a small fortune once upon a time in the ’90s.

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I came across the pictures while hunting for the one of Evangeline Peters.  These three were part of that exhibition I had at the May Memorial Unitarian Church in Dewitt, NY circa I don’t remember.  I want to say 1999.

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I kind of miss them, but that might just be the silliness of all of this retrospective melancholy.  This series was born from taking devices from all of the other works of art I had created up until then and placing them into segments puzzle pieced together.  The idea is much like my own life.  It is compartmentalized in such a way that you’d really have to get to know me pretty well to really know me.  And I can’t say that there is a single anyone in the world who truly does know me.

Do we all think that of ourselves?  Do we all wear masks as Billy Joel sings in The Stranger or are some people truly transparent?  I’m not sure.  At any rate, these pieces just didn’t make the cut.  There are portions of them that I feel a connection to and other areas that fall flat.  I have the pictures at least, and if I want to incorporate them somehow into the newbie Futura series this summer then maybe they will in a small way be resurrected.

I plan to reuse the frames so I will replicate these dimensions – and puzzle it out.

Lost & Found

When you suffer a disappointment, the trick is to throw yourself into something that is fun, something that maybe you are good at, something that you love.

I made a painting.

Lost & Found,  encaustic on canvas panel,  11" x 14", 2014
Lost & Found,
encaustic on canvas panel,
11″ x 14″, 2014

I’m doing an encaustic lesson with my 9th period classes, using my own supplies from home – crock-pot of wax, two pancake griddles and my messy wax-only brushes.  The melted beeswax was seducing me with its pungency.  That plus thinking about Linda Bigness enjoying the bliss of mark-making.  She sold the painting that I watched her create during that video we made.

And so, when my friend Stephanie asked for a bigger painting of a heart, I complied.

I lacquered it and mounted it to chalkboard-painted masonite and added the dominoes as a frame.  It will be ready to ship to Florida in about a month.  Steph is officially a patron, owning four (and soon five) of my paintings.

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I want to make another series of heart encaustics now (no doubt due to my obsession with making a dozen of something – I know you were thinking it!).

In 2012, when I took that Syracuse University graduate course on encaustic with the amazing Davana Wilkins as instructor and mentor, I had this idea that I would just make a bunch of heart paintings. She convinced me to push myself out of my comfort zone and create other iconography, the result of which were the horse and cow paintings.

I’ve sold all but two of the heart paintings.  I need to take inventory of the rest.  I think I have sold four of the twelve horse paintings now and I gave away a cow painting to one of my favorite students, Zachary, who lives on a dairy farm.  The cows are more of a tough sell, I guess.

But hearts, now that is the motif of motifs.  You gotta love a heart. <3