Tag Archives: abstract technique

Scientific Whimsy

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Donna Atwood of Moravia, New York, is a former Science teacher turned full-time professional watercolor artist.  Intuition is her guide.

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She applies the watercolors (usually one hue per piece as a starting point) onto a variety of papers. Then she plays with abstractions and visual textures, adding found and household objects – plastic bags, rags, torn window screens – and weights to hold everything down until the next morning.  When she removes the objects, she assesses what she has and begins to deliberate.  She asks her husband what he sees, like a fun Rorschach test game and they laugh at the disparity of their visions.

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Ultimately, she makes her own decisions about what she sees, as though the paper truly speaks to her alone.  I delighted in her enthusiasm, positivity and passion as she spoke of this process when I met her at the First Friday event last night at Gallery 54 in Skaneateles, New York, where she is the featured artist this month.

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Once Donna decides on the spirit animal, she goes to work rendering the composition focusing on the eyes.  Tiny details are emphasized, allowing for the animal to disappear into the colorations.  These are paintings that need to be seen in person.  The photographs do not do them justice.  They truly imbibe the artist’s joyful spirit.

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Donna Atwood originals and prints are available for sale at Gallery 54 (54 E. Genesee Street, Skaneateles, New York 13152).  If you would like to meet her too, perhaps ask her further questions about her process, Donna will be doing a demonstration at the gallery today (1:00-3:00 pm).  ❤

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  • Excerpt from the gallery web-site

Even though Atwood was a science education major in college her interest in creating art, which began as a child, continued to flourish. It wasn’t until 2012 that she started practicing watercolor, she says describing her artwork as abstract impression. While she creates her share of surreal landscapes her preference, as the Gallery 54 show will demonstrate is for paintings of animals.

“I decided to create surreal animals and found many different ones lurking in patterns,” she notes. As she describes her work, the backgrounds start out as abstract colors and shapes, but “by manipulating shapes in to eyes, ears and a noses,” she can get the viewer to see” what she sees . . . “the face and body of a creature.”

Atwood is particularly fond of finding animals that are endangered or under represented in artwork generally. Many people, she notes, relate to specific creatures or what she calls “spirit animals.” She likes that viewers of her paintings relate to her whimsical version of “their animal” and that the colors or faces in her paintings make them smile.

“Keeping the background of a painting as untouched as possible allows the animal to grow from it,” she says, adding, “I want to express the presence of the animal, not highlight every hair or whisker.”

Atwood’s work has received awards at the New York State Fair and well as numerous local art exhibits. A resident of Sempronius, NY she has had artwork shown at the Cortland Public Library, the Dryden Community Cafe and the Gilded Lily gallery in Connecticut. Following her show at Gallery 54 she will have an exhibit at the Cortland Guthrie Hospital, from September through November and currently has work displayed at the Tully Artworks Gallery.

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Gallery 54 July Hours
Monday – Wednesday: 10-5
Thursday, Friday & Saturday: 10-8
Sunday: 10-5

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