ISO Fish Fry – Kitty Hoynes

Presentation:  I ordered the fish and chips at Kitty Hoynes, substituting standard chips for sweet potato fries.  The presentation – a beautiful piece of beer battered haddock resting on a bed of sweet potato WAFFLE FRIES. (that waffle fry bit was spoken in an Oprah giving out cars voice)!!! It also came with a cup of coleslaw, a dollop of tartar sauce and a lemon wedge.

My friend said it looked exactly like the fish she had at a London pub when she was in England last year.

Taste:  So good!  There was so much food that I couldn’t finish it in one sitting.  I LOVED IT!  The haddock was cooked to perfection.  The sweet potato waffle fries had a wonderful crispness.  I felt like the coleslaw was a bit bland though (if I’m forced to criticize – I mean – how else am I supposed to discern the nuances of the various fish fries when I am in search of fish fry?).

Restaurant Experience:  Tommy Conners was singing in the pub,   He’s amazing!  There were a lot of people milling about for a Saturday afternoon.  We ate in the restaurant space, which was lovely.  There was only a brief wait for a table.  The service was wonderful.

Location:  Kitty Hoynes is located at 301 W. Fayette Street, Syracuse, New York 13202.  It is an authentic Irish pub in the heart of the Armory Square area, a hot spot for bars and restaurants in Syracuse.  In the 1990s, the place was known as The Crown and it was my very favorite Friday night haunt.  The interior has not changed since those days – two sections – a full square mahogany bar serving Guinness and such, and a cozy restaurant space with a variety of table sizes to fit many different parties of foodies.

Parking:  There is no free parking in downtown Syracuse.  We found a spot on a side road Armory Square adjacent.  Check out their website for more information including their full menu and hours of operation.

Animals Everywhere

The holiday exhibit at Edgewood Gallery (216 Tecumseh Road, Syracuse, NY 12334) is refreshingly uplifting.  The opening reception was last night.  No talk of religion or politics, or negativity of any kind!  It was just animals.  Animal art in many different, albeit colorful, incarnations.

Ellen and Dia Haffar, the mother-daughter duo of Smokepail Studios brought their bunny rabbit and little piggy iconography A-game with images hand drawn and glazed onto mugs, cups and vases.  The whimsical elegance of this work reflects the artists’ fun and friendly personalities.

Although C.J. Hodge is highly allergic to cats, he still loves them and it shows in these large scale pieces.  His acrylic on wood panel cat paintings are filled with visual texture and pattern.  He sold three paintings before I arrived .  This show is a cash and carry situation, which works for those of you interested in gifting art this Christmas.

Dana Stenson is the real deal.  She crafts jewelry using sterling silver and precious gem stones.  She has been juggling several art events, having spent last weekend at that Plowshares thing plus selling her work at Cazenovia Artisans where she is a member of their collective.

She was influenced by birds, butterflies and dragonflies for this showcase.

Amy Cunningham creates her animal portraits and floral designs using a combination of watercolor, goache and inks.  She adheres the watercolor paper to a hardboard canvas via matte medium then paints the image with precision and finally seals the work with wax.  I find the layers in this work so incredibly satisfying because  the flatness of the imagery is just an illusion.

The exhibit continues through January 9, 2026.  The gallery is open Tuesday-Friday 9:30 am – 6:00 pm and Saturday 10:00 am – 2:00 pm.

Winter Solstice Art Sale

If you are in the vicinity of Little Falls, New York, there is a little festival happening this weekend (Dec 12, 13, 14, 2025).  In addition to the activities listed, the shops are open during their regular hours through Christmas.

I have two paintings for sale at Mohawk Valley Center for the Arts, 410 Canal Place, Little Falls, NY.  They created a show of work priced at $100 and below to encourage art enthusiasts to purchase art as gifts for the holidays and to buy local.

The Race, 18″ x 18″, 2012, encaustic, $125

You will be getting a deal because these are normally $125!  They are from my first horse series created in 2012 – encaustic & collage, 12″ x 12″ mounted on 18″ x 18″ chalkboard painted masonite.

Aries, 18″ x 18″, 2012, $125

Me & My Membership

I am a member of the Rochester Contemporary Art Center (137 East Avenue, Rochester, New York 14604.  My encaustic & collage painting, “Girl”, is there (above).  It is from my Fan-Girl series.

The Rochester Contemporary Art Center’s thirty-fourth Member Exhibition is in full swing through February 14, 2026.  There are over five hundred pieces of art in this show and it is AMAZING!

All artwork is for sale with a portion of the proceeds going to the gallery.  This exhibition is a must see!  I think what happens is you will be drawn to a few things at eye level then you’ll step back and see that there is so much more.  Sculpture, ceramics, paintings, photographs, abstracts, realism – it is the most eclectic mix of talent.

To the volunteers who erected this art show- I commend you!  It must have been a giant puzzle to solve to place everything in such a way that each piece gets the respect it deserves.  It is a glorious achievement.

The gallery hours –

Wed. – Sun. 12-5pm
Fri. 12-9pm

  • It is $2 per visit and free for members.

From their web-site:

RoCo was founded as the Pyramid Gallery

In 1977, a small group of artists led by Tony Petracca, John Kavanaugh and Albert Robbins joined together to exhibit their artwork, present an alternative to museums and commercial galleries, and expand the cultural offerings in the region.

Early on, the crew faced considerable obstacles. Only days after the grand opening there was a significant fire that left the small Monroe Ave. storefront and many artworks damaged. Fundraisers were held and walls were rebuilt. Thanks to the perseverance of the founders and their fellow artists, the Rochester art community has been the beneficiary ever since. After formalizing the organization began to receive New York State and foundation funding and soon began to play a significant role in the artist-run space movement of the era. Still there was uncertainty and challenges. The Culture Wars and shifting foundation priorities altered the funding landscape. Through the decades and several different locations, RoCo’s individual members have provided a stable base for the organization. This significant community support has enabled RoCo to survive and thrive when other small art centers have struggled and even closed their doors. In recent years RoCo’s membership and stature has grown significantly. Now as we celebrate our 40th Anniversary, we’ve achieved outright ownership of our facility and are approaching 1,000 members for the first time in the organization’s history.

The Lotus Series (Part 2)

Karen Tashkovski, Liberty, 2025, encaustic & collage
Karen Tashkovski, Freesia, 2025, encaustic & collage
Karen Tashkovski, Perennial, 2025, encaustic & collage
Karen Tashkovski, Legend, 2025, encaustic & collage
Karen Tashkovski, Patience, 2025, encaustic & collage
Karen Tashkovski, Iris, 2025, encaustic & collage
Karen Tashkovski, Depth, 2025, encaustic & collage
Karen Tashkovski, Anemone, 2025, encaustic & collage
Karen Tashkovski, Bluemarine, 2025, encaustic & collage
Karen Tashkovski, Violet, 2025, encaustic & collage
Karen Tashkovski, Persistence, 2025, encaustic & collage
Karen Tashkovski, Poppy, 2025, encaustic & collage
Karen Tashkovski, Ritual, 2025, encaustic & collage
Karen Tashkovski, Emblem, 2025, encaustic & collage
Karen Tashkovski, Milkweed, 2025, encaustic & collage
Karen Tashkovski, Reward, 2025, encaustic & collage
Karen Tashkovski, Bergamot, 2025, encaustic & collage
Karen Tashkovski, Thistle, 2025, encaustic & collage
Karen Tashkovski, Energy, 2025, encaustic & collage
Karen Tashkovski, Femininity, 2025, encaustic & collage
Karen Tashkovski, Autobiography, 2025, encaustic & collage
Karen Tashkovski, Visitor, 2025, encaustic & collage
Karen Tashkovski, Lily Pad, 2025, encaustic & collage
Karen Tashkovski, Royalty, 2025, encaustic & collage
Karen Tashkovski, Keynote, 2025, encaustic & collage
Karen Tashkovski, Honeysuckle, 2025, encaustic & collage
Karen Tashkovski, Snapdragon, 2025, encaustic & collage
Karen Tashkovski, Nature, 2025, encaustic & collage
Karen Tashkovski, Tiger Lily, 2025, encaustic & collage
Karen Tashkovski, Gem, 2025, encaustic & collage
Karen Tashkovski, Transformation, 2025, encaustic & collage
Karen Tashkovski, Elegance, 2025, encaustic & collage
Karen Tashkovski, Chance, 2025, encaustic & collage
Karen Tashkovski, Dreamy, 2025, encaustic & collage
Karen Tashkovski, Visionary, 2025, encaustic & collage
Karen Tashkovski, The Light, 2025, encaustic & collage

Gamer: Lotus Series 2 Continued

This is the current state of affairs:  my dining room table has been hijacked by the second wave of three dozen paintings in the lotus series, now called The Lotus Collection.  I have added thistle and Japanese lillies to this group, although all flowers are abstracted.

In addition, I have incorporated my game devices, which I totally love.  When I was on that Buffalo road trip with Penny, we chatted about verbalizing our visual language.  I feel like that explanation should be the same spoken as it is written.

The thing with me though – I know what every brush stroke means.  Every choice is deliberate, whether it is conscious or subconscious, and some of that is private, meant only for me.  Jasper Johns never really shared his intentions and I love that bit of privacy.

However, this doesn’t sit well with the powers that be who offer art shows in their galleries.  They want you to resonate with the masses and lately those masses are chronic malcontents.  Complaining about everything in society.  And misery loves company.

My paintings are flowers, but they are also autobiographical, and I’m a person who has climbed an emotional ladder.  I finally found a belief system that sidesteps fears and all the shitty stuff.  Seeing beauty in a colorful brush stroke or femininity in a ribbon, or familiarity in vintage game pieces – that is my art.

Meanwhile, just to be clear, these paintings are not finished.  They are on the operating table, so to speak, waiting to be finessed.  What I do at this stage is allow myself to walk away and then approach them with fresh eyes, discerning eyes, questioning whether the devices are enhancing the pieces or just covering painting mistakes.  The artwork must work as a collective group but also stand alone.

I am also awaiting some supplies that I ordered: more ribbon, the apparatus to add wire to the frames.  Can’t really move forward until I have all of the pieces to this puzzle.