All six dozen fan paintings are now complete. I spent this morning placing the last three dozen into frames. Next up, adding the wires to the backs and finally, giving the paintings titles. Then I will be ready to share them.
I love the evolution of this series. It began with one dozen in 2019. I created them for a group show at Kasai Ramen, a restaurant in Armory Square in downtown Syracuse, New York. Last summer I decided to make two dozen more, which lead me to the idea that I wanted to make sixty of them.
I couldn’t decide among three different fan imagery. I ended up using all three and now I have seventy-two paintings. Currently, they are on the floor of my living room with some on the dining room table.
Central New York artists are currently exhibiting artwork at Munson (formerly known as the Munson-Williams-Proctor) Museum of Art, 310 Genesee Street, Utica, New York 13502.
Anita Welych (b. 1958) – The former Cazenovia College art professor has created an installation with a focus on printmaking – a study of birds/migration/nature.
Carlie Miller Sherry (b. 1990) – The artist is a visiting professor of art at Pratt Munson. She uses an indigo palette to express a futurism concept – movement that conveys a sense of agitation/unrest.
Lynette Stephenson (b. 1959) – She teaches studio art at Colgate University. Stephenson’s paintings are large scale florals that speak of vibrant color and textural intensity.
Mary Gaylord Loy (b. 1930) – An established painter with seventy years of expertise under her belt, this artist allows herself to unravel the mysteries of mark making. These immense pieces are all new and I am truly inspired – to contemplate such longevity as an artist for myself; to continue to create art and go big – that is the dream of dreams.
Gregory Lawler (b. 1963) – Pratt Munson students can learn from their master – their professor has created puzzles of wisdom juxtaposed as allegory in these visual college oil paintings.
John Loy (b. 1930) – The retired professor is fascinated by the visual language of the elements of art creating tangled paths of line, shape and color to create exciting visual textures.
Ken Marchione (b. 1962) – This Yale graduate and Pratt Munson drawing professor has recently created combines that reflect a sabbatical journey to European cities/museums. There he was exposed to figurative statues and incorporated nameless faces of people he encountered (other tourists and locals) into his assemblages. They are in-progress works as he continues to reflect and digest his time out of the classroom.
Me (b. 1963) – I contributed a work of art to the museum. Bobbi and I had so much fun investigating the nooks and crannies of this amazing place! I drew her portrait in an art activity room.
We stumbled upon a private room with an on-loan from somewhere else Mark Rothko painting. There were also works by Pablo Picasso and Jackson Pollack and so much more!
Thank you, Munson, for inviting us to your Art Educators night out. We loved it.
Generations – Artists of Central New York continues through January 7, 2024. View hours of operation on their web-site and other information such as art classes, museum memberships and other opportunities.
A number of these paintings by Cazenovia artist Hon Go David Robertson are sporting red dot stickers on their tags indicating that they have been sold. Great news that a library show can garner sales.
This exhibition is located inside the Cazenovia Public Library, 100 Albany Street, Cazenovia, New York 13035.
There will be a reception for the artist on August 26th, 2023 at 6:00 pm. I believe the work will be up for the duration of the month of August.
In his statement, Robertson refers to the process of creating these incredibly textured acrylic paintings. He considers the creation a celebration of the present moment.
The show is actually titled “Texture Through Time”.
They spelled his name wrong on the wall – I just can’t wrap my head around that. Is it the negative in Positive, Negative, Shallow and Deep? This is the title of part of the dual exhibition by artist Tyrone Johnson-Neuland at the Schweinfurth Memorial Art Center in Auburn, New York. The other show is at the Cayuga Museum (also in Auburn).
I am not a fan of using positive and negative space to describe two-dimensional activity. The negative is supposed to be the voids in and around a three-dimensional sculpture. Figure and ground is my art language to describe visual depth in a painting.
Question: Shallow vs. deep – are these your emotional extremes?
Question: How do you feel about this name flub? Or was it intentionally the negative?
We can ask him the answers to these and all questions regarding this series of abstract paintings on Friday, April 7, 2023 at 5:30 pm. There is a First Friday soiree at the Schweinfurth that evening.
Tyron/Tyrone’s artwork will be on display through May 28, 2023.
(From SMAC website)
Artist’s Statement
My paintings follow very much in the long-established tradition of the Expressionists, using an intensity of color and gestural brushstrokes to portray the strength of feeling and emotion. The subject matters vary from figurative to abstract but always with an exploration of spatial, social, or self-awareness. I will use any paint medium that is at my disposal and thrive on what can be unexpected results. The process is always a battle of the chaotic vs the introspective. We all have different coping skills and those influence how we think and react to our daily trials and tribulations. My art allows me the opportunity to challenge and question myself while searching for clarity in my existence in today’s world.
About the Artist
Oswego-based artist Tyrone Johnson-Neuland has been creating art for 35-plus years. Johnson-Neuland received his Bachelor of Fine Arts from Syracuse University in 1990 and a Master of Arts from SUNY Oswego in 1999. He is currently the Assistant Director of Instructional Technologies at SUNY Oswego. His work has been exhibited throughout New York, as well as in national shows in Philadelphia and Chicago. Johnson-Neuland’s expressionistic paintings are developed from personal and emotional feelings that are sparked by the day-to-day experiences of a father, husband, employee, son, and general spectator of the modern world.
My Art-8 students viewed the paintings of Canadian artist Daniel Bergeron, specifically, his installation in Regent Park in Toronto.
Then they painted the teachers and staff at our school! The steps were as follows:
Create an Abstract Expressionist base coat on the canvas.
Trace a contour line version of the face photograph onto the canvas via graphite paper then paint the lines with black paint.
Add paint – Abstract Expressionism, solid areas, and patterned areas.
Using Mod Podge, adhere parts of the photograph onto the painting, as well as some patterned paper.
Touch ups plus add bits of fluorescent and metallic paints.
This is my sample (above). We used acrylic paint.
Here are the results. They are on display in the school library. I’ve got one more class finishing up tomorrow for a total of fifty-five paintings. So fun! <3
First I shared information about Franz Kline. He created large scale black and white paintings. These paintings resembled Chinese Calligraphy.
My students looked at Chinese Calligraphy resource pictures. They used black oil pastels to draw lines on a 12′ x 12″ canvas that were influenced by the Chinese characters.
Next, they added white acrylic paint using sweeping brushstrokes with a 1″ flat brush. They were encouraged to occasionally crash into the oil pastel to create some gray areas.
In the following class, they placed black acrylic paint over the black lines allowing some of the texture of the oil pastel to remain on the surface.
Jim Dine was next. We looked at his heart paintings. I gave them another canvas – a 4″ x 4″ one. They created heart stencils, traced them onto this smaller canvas then painted the canvas – either white heart with black background or black heart on white background.
Students then used colorful oil pastels on the heart and its background.
I had them choose a wood block, glue it to the back of the smaller canvas then adhere it to the center of the larger one.
I call it a Tash Mash because it is a mash-up of Kline and Dine but I use the heart motif in many of my own paintings as well, and I utilize the wood riser technique when mounting my encaustic paintings onto chalkboard painted masonite boards. And I invented the lesson.
I’m thinking about doing a series of encaustics in this style. Thank you, Franz Kline and Jim Dine for your contributions to Abstract Expressionism and Pop Art, respectively, and for having names that rhyme.
Raymon Elozua: Structure/Dissonance is currently on view at the Everson Museum of Art, 401 Harrison Street, Syracuse, New York 13202. The show continues through December 31, 2022.
These are large additive sculptures featuring ceramics, glass, steel and found objects, which culminate in an explosion of color and beautiful junk that satisfies the artist’s intellectual philosophy of “decaying industrial landscapes.”
This is not just a new series of work that takes a theme and runs with it. It is more like a half-century career retrospective. The bauble-rich sculptures make more sense in multiple because they sort of announce the concern of global waste.
Included in this show is Elozua’s personal collection of rusty enamelware. This is the part of the experience I loved best because I spent my entire summer doing something that was in the making for about seventeen years.
I bought a metal detector and searched the yard of my 1900s era home. There was so much there. The videos are on my YouTube channel. Now I just need to intellectualize these finds and incorporate them into art. The meaning? Unearthing the treasures that are right beneath you on your path. Most of it was garbage because back in the early 20th century people buried their trash in their own backyards. Isn’t that ironic?
We are always burying our hearts under the mask of reality. Making art is about building dreams. I want to build mine with all that garbage. And so does Elozua with his. I’d say that is harmony, not dissonance.
She was resolute in her determination to create art on her own terms.
I have known Syracuse artist Arlene Abend for thirty years. We met when I joined the now defunct Visual Arts Committee at the Civic Center. We held juried exhibitions and installed the work of local artists on the walls of the space – a captive audience situation, which lead to several sales. My sister even bought someone’s art from there and I met my first patron who ended up buying several of my paintings over the years.
I left the program after about four years. I wanted to do member exhibitions and everyone felt that was self-serving. Later, they moved the exhibitions to the PBS building (was it? I don’t really remember) but they did start having those member’s shows.
I have always felt the same way about the Everson Museum of Art. They would bring in these out of state artists who’d get recognition from our less established museum subsequently gaining the confidence to go on to illustrious careers. I couldn’t understand why the Everson didn’t cultivate from within. That seemed the perfect opportunity – to big up our talented local artists and catapult us towards successful art careers nationally. It would be a win-win as it would generate interest and revenue for the museum because there would be so many wealthy and amazing artists who would give back. I guess I was never thinking universally, but selfishly (my vortex contains the dream of showcasing my art in all four of the upper galleries – I can 100% fill them), The idea that we are an art community that helps and supports each other – is that too daft?
Well, it’s finally happening. Elizabeth Dunbar has begun this trajectory and we can currently see this manifestation in the form of a feisty little ninety-year-old woman who is currently showing her sculptures in the Robineau Gallery at the Everson Museum of Art.
We create our own realities and Arlene Abend’s road has been one primarily of family and deep-rooted friendships combined with the solitude of her artistry. Every one of us has stated a collective “it’s about time” in reference to this exhibition!
The bumpy amorphous shapes in her metal wall sculptures sort of mirror the curves in her path/emotions in her path – health issues, worry, relationship heart break, disappointment, money struggles, fears…and yet, the tiny humanoid figurines showcase her whimsy and humor, her belief in the human spirit even while the resin pieces indicate a sort of trapped suffering.
This exhibition has always been in Arlene Abend’s vortex – of that I am certain. It’s almost as though the resolution was in lowering the resistance. Lessening the struggle in favor of the resiliency of the human condition. Here she is at the apex of her career, all ragged edges, highs and lows, structures and voids, liquids solidifying inside her mind for all of us to witness – a life lived with an expectation to share it in all its incarnations.
It really does not matter how much time it takes for a dream to come true. That’s the beauty of it.
Arlene Abend – RESOLUTE is on display through April 17, 2022. Visit the www.everson.org for information regarding hours of operation and admission price or call (315) 474-6064.
The Everson Museum of Art
401 Harrison Street
Syracuse, NY 13202
#amicale hat #kesnyc face mask #tashkovski bracelet #frame leather shirt #joesjeans leather pants #ragandbone boots
The Andy Warhol Museum is located at 117 Sandusky Street, Pittsburgh, PA 15212. Jessica Beck, the museum’s Milton Fine curator of art, has organized an amazing exhibition pairing Warhol and Marisol Escobar (1930-2016). The show is titled Marisol and Warhol Take New York.
It is a trip down memory lane, a story of two artists navigating the Pop Art world of NYC circa the 1960s. Marisol’s sculptures are an exquisite marriage between geometric wood blocks and proficient rendering skill. These three-dimensional portraits depict social values and popular culture tomes with whimsy and bold panache. I just love her work.
My friend Joyce and her family took a trip there last weekend. On Saturday, October 23, 2021, Jessica Beck will lead a tour of the show, complete with art making and sketching activities from noon to 4:00 pm.
The exhibition continues through February 14, 2022. In April, it will travel to the Perez Art Museum, Miami FL. Contact the museum for more info – (412) 237-8300.
Terry Plater, “Spaces Akin to Freedom”, 2021, oil, 12″ x 16″ $800
On Sunday, I was inspired to go the the Schweinfurth Memorial Art Center. I planned to meet up with my friend about forty minutes before I actually arrived, and luckily, that bit of procrastination created an unexpected rendezvous.
Terry Plater, the featured artist in the Gallery Julius, happened to be in attendance and was gracious enough to meet with me and that was AMAZING!
Plater’s exhibit is titled Harriet’s Legacy. It is a series of watercolored landscapes (along with a few oil paintings). They are abstracted with muted tones and sweeping brushstrokes creating a harmonious horizontal solitude. The paintings demonstrate a tranquility, as though the historical voices yearning for freedom that infuse these landscapes are finally at peace.
An historian from the Cayuga Museum of History & Art directed Plater to the actual places that Harriet Tubman walked to include the probable paths of the Underground Railroad. The artist imagined these places as they may have been, sort of remembering the past in a vision and injecting it with the love of four hundred years, the strength of character through tears of both sorrow and joy, and the quiet confidence and intelligence she exudes as the beautiful soul, artist, and teacher she is today.
It is a marriage between past and present with the focus on positive outcomes, as well as the deep respect for Tubman and people like her who had the courage to make the future brighter.
I see the power in that beauty – it isn’t the angst of social injustice. Each painting was inspired by text – by quotes from books, letters penned by “fugitive” slaves, and notes from recorded journals – all found in a library where Plater researched the Underground Railroad activities specific to the Auburn, New York area. The paintings echo the manifestations of desires, wishes, hopes and dreams that came true in spite of doubts, fears and sacrifice.
Each painting in this eleven-piece collection is for sale. They will be on display until August 7, 2021.
In addition, Plater is simultaneously showing paintings at the Cayuga Museum of History & Art. These are figurative paintings.
She has channeled a voice to the local African American past through a connection with her own family members. There is an ethereal flavor to these paintings as well, the same muted tones, albeit in oils. That museum was closed on Sunday, so I could not view the shows in tandem, but perhaps you still can!
So beautiful, uplifting and inspirational.
Terry Plater told me that her deepest wish is to share this journey with students, so, I want to relay that message to families who are looking to do a day trip. The museums are adjacent to one another and – you’re welcome.
Thank you, Terry Plater – you are a beautiful person inside and out, and it was a sincere pleasure to have met you. Continued success to you in your career as an artist and in all that you choose to do! <3
Artist Statement: The idea for this exhibit came together for me in an iterative fashion as I contemplated three things: the 400th anniversary of the arrival of enslaved Africans in the now United States (in 2019); the release of the film “Harriet,” which so richly conveyed the life, struggles and triumphs of Harriet Tubman; and an ongoing project I have been undertaking: painting from old family photos to better come to know and honor the history of my own family in Maryland and Virginia.
The proposal links these discreet endeavors in a single narrative, one that imagines, represents, and celebrates family history and 19th-20th century public life — specifically here in upstate NY — as emblematic. The title is meant to convey several things: the intergenerational history, value, and ownership of our collective American story as embodied in slavery and emancipation, the acknowledgement of Harriet Tubman as a local figure and national treasure.
Terry Plater wishes to thank all those who made this exhibition possible: The Schweinfurth Art Center and the Cayuga Museum of History and Art in Auburn; and the Community Arts Partnership of Tompkins County.
The Schweinfurth Memorial Art Center is located at 205 Genesee Street, Auburn, New York 13021. For more information, including hours of operation, call (315) 255-1553 or visit their website here.
The Cayuga Museum of History & Art is located at 203 Genesee Street, Auburn, New York 13021. For more information, including hours of operation, call (315) 253-8051 or visit their website here.
