Karen Tashkovski, Creation, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75Karen Tashkovski, Pure, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
I feel so much satisfaction in the completion of these heart paintings. Â I made them during Memorial Day weekend but only put finishing touches on them, including titles, a little while ago. Â They are sprawled on the dining room table currently, waiting for me to find a place to store them/sell them.
Karen Tashkovski, Veil, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75Karen Tashkovski, Divinity, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
Hearts are my thing. Â They are everywhere in my life – heart paintings in all media abound on the walls of my house; I even find heart stones, (literally, everyday) when I walk the trails of Green Lakes. Â I love love. Â I find beauty everywhere, particularly in the heart motif, and coupled with the vibrant hues of oil paint infused beeswax and its subsequent texture in my artwork, it fills me with gratitude, a sort of passionate energy and joyous warmth. Â I desire to share that feeling with everyone in the world.
Karen Tashkovski, Heartbeat, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
One person’s positive energy is stronger than a roomful of debbie downers, lol. Â It would be lovely to think that my good vibes saturate these paintings and in that way I can spread seeds of love into this universe. Â Corny, I know, but genius. Â There is power in the unity of spirit. Â Believing in goodness is the stuff of legend. <3
Karen Tashkovski, Denim, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75Karen Tashkovski, Butter, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75Karen Tashkovski, Imprint, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75Karen Tashkovski, Lyric, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75Karen Tashkovski, Match, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75Karen Tashkovski, Renaissance, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75Karen Tashkovski, Harmony, 2017, encaustic, 6″ x 8″ on masonite mounted on 9″ x 12″ chalkboard, $75
Karen Tashkovski, Presence, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111Karen Tashkovski. Magi, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard) $111
I did not use any silver paint this time, but I did turn my house into an art factory (Warhol reference) this past week.  I went at it full speed, tackling masonite boards with a sort of crazy frenzy.  I guess I should have put a drop cloth down on  the floor and on my great-grandmother’s old kitchen table, but it was wax and ended up coming up pretty easily with a heat source and a crap load of elbow grease and an inordinate amount of time.
Karen Tashkovski, Source, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″), $111
Seriously, now my kitchen does not look like like anything had happened in there at all and yet, I have three dozen completed encaustic paintings floating around my living room, dining room and back porch. Â It’s just nuts.
Karen Tashkovski, Abundance, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard) $111Karen Tashkovski, Purpose, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111 (sold)
Futura was born. Â It is this series of angel paintings. Â They are 8″ x 10″ encaustics. Â They are mounted on 11″ x 14″ chalkboard painted masonite but I cropped them here to show the detail.
Karen Tashkovski, Princess, 2017, encaustic on masonite, 8″ x 10″ (mounted on chalkboard), $111Karen Tashkovski, Aphrodisiac, 2017, encaustic on chalkboard, 8″ x 10″ (mounted on 11″ x 14″ chalkboard, $111
I absolutely love the texture of the wax. Â It has the consistency of frosting. Â The house still smells of beeswax, so encaustic is this amazing phenomenological experience, affecting all senses. Â I am in love with this body of work.
Karen Tashkovski, Tapestry, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111Karen Tashkovski, Lucky Duck, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111Karen Tashkovski, Futura, 2017, encaustic on masonite, 8″ x 10″ (mounted on chalkboard) $111
I created a dozen angels. Â There are a dozen more on deck. Â I won’t get to them until the summer unless I spend another weekend yanking out the supplies and cordoning off that room from my cat. Â These paintings will eventually be available at Syracuse Yoga. Â I will let you know. Â It is opening sometime next month.
Karen Tashkovski, Camaraderie, 2017, encaustic on masonite, 8″ x 10″ (mounted on chalkboard), $111
It feels beyond amazing to have given life to these pieces. Â Sooooo incredibly satisfying! Â I will upload pics of the finished horseshoes soon. Â I must go back to work tomorrow and this Saturday from 1:00-3:00 pm is my closing party at Half Moon Bakery & Bistro. Â Hope to see you there! Â There will be cupcakes! <3
Karen Tashkovski, Path, 2017, encaustic on masonite, 8″ x 10″ (mounted on 11″ x 14″ chalkboard), $111
It means the world to me to share my artwork with all of you. Â To find the perfect venue, Dolce Vita World Bistro, for the Honor Thy Master series. Â To take a group of paintings that had been stored under my bed, re-work them to give them new life, and get them out into this world. Â And to just see them again, breathing new life on the walls of this wonderful restaurant – it just feels magnificent. Â This is an artist’s bliss.
Today I installed my art exhibition at Dolce Vita World Bistro. Â It took two-and-a-half hours to figure out the placement and hang them all. Â I brought the paintings into the space and began by just leaning them against the wall where I thought I wanted them to go – the way I do when assisting the artists who show at the school library gallery. Â I rearranged a little bit but it pretty much looked like my vision very quickly. Â Then it was only a matter of climbing on a barstool, measuring with my favorite yardstick borrowed from school, and figuring out how to operate the clasps on the plastic cords that make up the display system on the walls. Â That, and finding the right bit for my power screwdriver, lol (I brought flat head rather than phillips head screws – how weird).
I love the way the artwork looks in the space. Â The colors work well with the terracotta walls, and I love the contrast of abstract work in this old-world classic style bistro. Â It just works.
Here is the menu for the special one-night only art reception on Tuesday, April 11, 2017 from 6:00 – 9:00 pm.
There may be a wine special – proprietor Antonietta Vigliotti is working on that, as well as selecting some great music via the sound system. Â I requested ’70s rock, preferably 1977 stuff, which is my definitive moment musically. Â I think you pick the music of your life when you are fourteen, am I right?
All are welcome. Â Make your reservations early if you care to join. Â Antonietta said she has already received a few reservations! Â Yessss! Â I am sooooo excited. Â It will be a fun party.
The paintings are only $200. Â The larger one – 24″ x 48″ is only $500 (regularly $800) and the three 11″ x 14″ paintings are only $75. Â They are priced low to sell. Â I want them to find good homes. Â That would mean everything.
Honor Thy Master will be on display through the month of April 2017, so if you cannot make the reception I trust that you will find the time in your world to visit the restaurant some time during the month! <3
So, here’s something crazy weird and great – I will be exhibiting artwork in three locations during the month of April 2017. Â Showing watercolors – the ones with the baseball themed titles – at the Half Moon Bakery and Bistro in Jamesville, New York. Â No date as of yet for the reception, but I am hoping they will do a baseball cake or cupcakes for it. Â That will be fun for spring, right?
I’m installing an exhibit at Dolce Vita World Bistro in Syracuse, New York on April 2, 2017. Â It would be nice to keep them up longer than a month, but no deets on this yet. Â I would love to have a gathering one evening, maybe fill the dining room with friends and have music too, but I haven’t planned that far ahead. Â Art shows are a great excuse for a party! Â I will either exhibit the encaustic crown series from 2012 or something more retro – oil & collage paintings from 1998. Â I don’t remember what I called this series. Â I made them in the 2nd bedroom of my apartment on Woodbine Ave. during winter break that year. Â Does anyone remember anything pre-new millennium?
Crowning Glory, 18″ x 15″, 2012, encaustic, $125Karen Tashkovski, Life. Liberty. Happiness., 1997, oil & collage, $675
And finally,  my 1997 oil & collage series of paintings Messages (From the Other Voice) is up in the Chittenango Middle School library, Chittenango, New York, for the next two months!
So happy to be able to share my artwork in public spaces (you know, to captive audiences). Â New work is actually coming soon. Â My sister is opening a yoga studio around the corner from my house. Â I will be making encaustic paintings to exhibit and sell there. I’m going to be turning my kitchen into an art studio during spring break next month to get those (horseshoe paintings and maybe hearts too) ready for Syracuse Yoga’s opening in May 2017.
On Tuesday, I gave each of my twelve Studio in Art students a valentine. Â I prepped 3″ x 5″ canvas panels with a few layers of beeswax. I carved in a heart stencil. Â I thought this would be a quick and fun way to introduce them to encaustic painting.
I took an encaustic course (graduate level) at Syracuse University in 2012 with free credits I’d earned for hosting a student teacher. Â Davana Robedee was my instructor. Â I love incorporating this relatively new-to-me media in the art classroom.
Students melted oil pastels on pancake griddles (all the windows in the room were open and the fans were on high) and went to town tackling their tiny canvases. Â The thing about wax is that when warm, it produces a luscious liquid color on the brush – but as soon as you remove it from the heat source, it solidifies, so…that brush stroke needs to be a quick thinking confident one – needs to count! Â They really loved the process. Â We decided to add a second day of it, which gave them time to process the process and make better decisions once they got the hang of it.
I painted 11″ x 14″ canvas panels with black acrylic paint for each of them and glued wooden plaques to the centers. Â Students carved into their encaustic paintings with clay tools to enhance the texture then added mixed media items to it and/or to the black frame. Â We brought the encaustics in for the landings with Elmer’s glue.
I am in love with the decisions they made and the fact that in three classes they all created these wonderful emotionally-charged finished products. Â So beautiful. Â I love heart energy! <3
The reception I planned for my art exhibition at the Half Moon Bakery & Bistro in Jamesville, New York on Thursday, October 20, 2016 was more a birthday party for my mother and a chance for my friends and acquaintances to come and experience this quaint business on the corner of East Seneca Turnpike and Apulia Road. Â It is a tiny place and quite honestly, I did not expect such an amazing turnout for the hours of 3:00 to 5:00 pm. Â Thank you so much!
I am grateful for all of the wonderful people who came to celebrate and to support me and my artwork, and to eat delicious cake made by proprietor Debbe Titus. Â I gave her full reign on the design of the cake and she created something spectacular for my mom and for us to share with the thirty + people who attended the event.
Thank you, thank you, thank you!
Thank you, Debbe, for all of your hard work and for the opportunity to exhibit in this space. Â I don’t actively seek out art exhibition opportunities – they tend to fall into my lap serendipity-like. Â I seem to spend more time these days with my fashion interests, as well as supporting other artists, and so it meant the world to me that so many people took the time to spend an afternoon chatting with me about my artwork.
The Talisman series is about seeking love, the desire to be loved.  I created the paintings in 2008. I’m finally breaking free of my lifetime of limiting beliefs regarding love in relationships, realizing that it is in fact, all around me and living inside of me.  I love my life and spending time with friends and family.  Love my world –  that I can create magic – see magic all around me every single day.  And that is just really fun. I am truly blessed.  Thank you! <3
Twelve of my Talisman series paintings are hanging in the Community Room of the Sullivan Free Library in Chittenango, NY. Â I installed the show yesterday and the work will be there until I go back to school in September (2016).
I love my connection to the Chittenango community and with Karen Fauls-Traynor, who pops me into the calendar every July! Â The Community Room can be rented out for events and so, there are always people in there. Â It is part of the library but is accessed through a separate door at the entrance. Â I heard there will be a graduation party in there today! Â They also have afternoon movies (free) every Wednesday at 1:00pm.
The paintings are $200 each. Â They are 18″ x 24″ mixed media pieces comprised of oil & collage and chalkboard paint. Â I created them in the summer of 2008 in a studio space on my front porch while the television in the living room played Harry Potter videos 24/7.
It is pretty fascinating how positive energy and the idea of magic can create magnificent outcomes in our lives. Â One of my friends told me I need to immerse myself in painting again, but I don’t feel ready to go back to that type of isolation. Â I would need to sell quite a bit of art to fuel that inner motivation again. Â That seems to go against the grain of how other artists see themselves – as though art making is a desire that surpasses all consequences of the act.
Oh well. Â It is what it is. Â The idea of someone else valuing what you do, what I do, is what I crave. Â My friends in Florida have several of my paintings in every room of their house. Â I visited them last month – I hadn’t been there in thirteen years, so seeing my presence in their home filled me with so much gratitude and love. Â The idea that I matter to people. Â I don’t know how else to explain it. Â I just don’t want to make a bunch of art that sits in a pile in a closet somewhere, unable to breathe or see the light of day until I am gone or something. Â That just seems yucky to me.
If you are interested in purchasing one of these paintings, contact me. Â I can sell it off the wall and replace it with another. Â There are twenty-four pieces in this series. Â And they all need homes…. <3
The Sullivan Free Library is located at 101 Falls Blvd., right off Route 5 in the village of Chittenango, NY. Â It was the former State Bank of Chittenango. Â Click the link at the top of this post for hours of operation.
Let’s face it – back to school is all about the fashion. Â And it’s not just me. Â I’ve had plenty of conversations in the last two weeks with my colleagues where we spend time between classes complimenting each other’s outfits and that’s with both men and women. Â The new principal walked by me twice in a day and said, “Talking about fashion again?” Â (I was…to two different friends).
I love what the kids are bringing to the table too.  The boys wear shorts, socks and sneakers that all match in colors like bold yellow and turquoise.  The girls like what I call shimmer-shammer, tops with sequins in heart motifs or positive message text.  Of course, my favorite thing is when someone is wearing  cammo sandwich (head-to-toe camouflage) and I say, “Whoops, I didn’t see you there.”  Yeah, that joke never gets old.
The day I wore the above outfit, I was up on my step ladder finally adding posters to the walls of my classroom once the humidity died down a notch (no aircondish).  I literally fell off…and landed perfectly on my four inch heels.  Alex, one of my students, is still talking about that.  He was like, “How did you DO that?”  Answer – cat-like reflexes, if cats wore heels.
BCBGMaxAzria dress, BCBGGeneration sandals
As you know, I’m attempting to save money so that I can start a sentence with “One time, in Greece….” Â My friend Shelly said I should start by not buying any new clothes. Â She’s right. Â No one in Greece has seen me in person in these clothes (except my cousin Michele) so there’s that. Â But I will literally die if I don’t continue to buy new stuff. Â I’d rather do that than eat or fix the brakes on my car. Â I’m honestly not sure how I will manage.
BCBGMaxAzria dress, BCBGGeneration sandals, Honora watch, Coach tag on velvet necklace (homemade/one-of-a-kind – my cat ate the string; pooped it out the next day!)
There is a way I could have both new clothes and the trip, and that is to do with the business of selling art. Â In a dream scenario, I would sell every painting I have for sale at Natur-Tyme before the witching hour.
BCBGMaxAzria top Banana Republic pants, BCBGGeneration sandals, Fossil bracelets
I take them all home next Saturday, September 26, 2015 at 9:00 am. Right now, aside from the very reasonably priced 18″ x 18″ cat paintings ($75), I am selling unframed watercolors in different sizes for between $75 and $200. Â I only need to sell ten of the latter for that ticket and some pocket money. Â And we all know how much better these abstractions look in multiples, right? Â I Â know there is someone out there who wants to help me. Â I can feel it.
Lifeline, 18″ x 24″, watercolor, 2002, $200
Also, I have cards there for only $5. Those cards are an absolute steal at that price since they take me close to three hours each to create.
I am soooo happy.  The accolades have been such a gift.  So many people telling me they love my artwork.  So many people  congratulating me on the article in Women of Upstate New York.  The  summer has been seriously laced with magic.  I am so grateful for all the adventures, for the love and the friendships and for the amazing things that happened with regard to my art career.  Some of the best times of my life…moments I will cherish, and never, ever forget for as long as I live.  I am a very lucky person.  I know that.
Trina Turk dress, BCBGGeneration sandals
I wish I could just give the artwork away and if I didn’t need the money for this trip and another romantic notion – to go to Paris, you know I would. Â Like if travelling was free.
The only way to manifest those dreams is with your help. Â I will be forever grateful and you will have a Tashkovski original, a piece of my soul, kinda like a horcrux only better because it was made with love.
Bailey 44 top, Trina Turk skirt, BCBGGeneration sandals, Fossil bracelets
The thirty-two framed paper collage and watercolors will remain at Syracuse Tech Garden until October 9, 2015. Â Contact Steve Nyland to make a purchase – Â gallery.ttg@gmail.com.
The hardest part of this Shopify business is reading the instructions. Â I’ve been working on it all afternoon and it’s still not in any way perfected. Â I just get really frustrated with my lack of computer savvy, which means I definitely need to take a break. Â I have uploaded twelve paintings to the site, but I’m confused about how to use their templates and I’m sure it is the simplest thing in the universe, and…blech.
Domino, 18″ x 24″, 2008, mixed media
Hopefully, I will get it together and it will all be good.
Perfect Fit, 18″ x 24″, 2008, mixed media
Here is the link to the sugar shoppe –Â http://karen-tashkovski-visual-artist.myshopify.com/Â I uploaded the Talisman paintings. Â There are twenty-four in the series but I only picked twelve. Â The challenge will be getting those paintings to the customer with as little erased chalk as possible. Â But when I added the chalk text, it was inevitable that the paintings would eventually erase. Â The idea that love is fleeting, I guess.
4 Ever, 18″ x 24″, 2008, mixed media
What is your opinion about the duration of art? Â Because these paintings have more than one fragile element. Â I decided that I would not allow returns. Â Not sure if that’s a bad idea – I mean, I can always change it – but who buys a painting and then thinks it is disposable? Â The artwork could get damaged. Â Pieces could fall off. Â But I am not the art repairman, am I? Â I know that Jasper Johns doesn’t offer to repair the found objects that break off his art. Â If they do at all. Â I’m pretty sure they are handled so carefully by art gallery and museum minions in white gloves.
It is the Dadaist perspective, like when the glass broke in that Duchamp piece, and he actually thought it enhanced the work.
I would need to find the kind of patrons with disposable income who really understand this mindset and their responsibility in acquiring art. Â I see the new owners as the guardians of…I was going to say my children, but that sounds so cheesy even in written form.
But if they are like children, then the analogy is the one out of SATC, when Miranda tells Steve, you try not to kill Brady when he’s with you and I’ll try not to kill him when he’s here.  I’m paraphrasing – can’t remember the exact line, but you get the gist.