The holiday exhibit at Edgewood Gallery (216 Tecumseh Road, Syracuse, NY 12334) is refreshingly uplifting. The opening reception was last night. No talk of religion or politics, or negativity of any kind! It was just animals. Animal art in many different, albeit colorful, incarnations.
Ellen and Dia Haffar, the mother-daughter duo of Smokepail Studios brought their bunny rabbit and little piggy iconography A-game with images hand drawn and glazed onto mugs, cups and vases. The whimsical elegance of this work reflects the artists’ fun and friendly personalities.
Although C.J. Hodge is highly allergic to cats, he still loves them and it shows in these large scale pieces. His acrylic on wood panel cat paintings are filled with visual texture and pattern. He sold three paintings before I arrived . This show is a cash and carry situation, which works for those of you interested in gifting art this Christmas.
Dana Stenson is the real deal. She crafts jewelry using sterling silver and precious gem stones. She has been juggling several art events, having spent last weekend at that Plowshares thing plus selling her work at Cazenovia Artisans where she is a member of their collective.
She was influenced by birds, butterflies and dragonflies for this showcase.
Amy Cunningham creates her animal portraits and floral designs using a combination of watercolor, goache and inks. She adheres the watercolor paper to a hardboard canvas via matte medium then paints the image with precision and finally seals the work with wax. I find the layers in this work so incredibly satisfying because the flatness of the imagery is just an illusion.
The exhibit continues through January 9, 2026. The gallery is open Tuesday-Friday 9:30 am – 6:00 pm and Saturday 10:00 am – 2:00 pm.
I am a member of the Rochester Contemporary Art Center (137 East Avenue, Rochester, New York 14604. My encaustic & collage painting, “Girl”, is there (above). It is from my Fan-Girl series.
The Rochester Contemporary Art Center’s thirty-fourth Member Exhibition is in full swing through February 14, 2026. There are over five hundred pieces of art in this show and it is AMAZING!
All artwork is for sale with a portion of the proceeds going to the gallery. This exhibition is a must see! I think what happens is you will be drawn to a few things at eye level then you’ll step back and see that there is so much more. Sculpture, ceramics, paintings, photographs, abstracts, realism – it is the most eclectic mix of talent.
To the volunteers who erected this art show- I commend you! It must have been a giant puzzle to solve to place everything in such a way that each piece gets the respect it deserves. It is a glorious achievement.
In 1977, a small group of artists led by Tony Petracca, John Kavanaugh and Albert Robbins joined together to exhibit their artwork, present an alternative to museums and commercial galleries, and expand the cultural offerings in the region.
Early on, the crew faced considerable obstacles. Only days after the grand opening there was a significant fire that left the small Monroe Ave. storefront and many artworks damaged. Fundraisers were held and walls were rebuilt. Thanks to the perseverance of the founders and their fellow artists, the Rochester art community has been the beneficiary ever since. After formalizing the organization began to receive New York State and foundation funding and soon began to play a significant role in the artist-run space movement of the era. Still there was uncertainty and challenges. The Culture Wars and shifting foundation priorities altered the funding landscape. Through the decades and several different locations, RoCo’s individual members have provided a stable base for the organization. This significant community support has enabled RoCo to survive and thrive when other small art centers have struggled and even closed their doors. In recent years RoCo’s membership and stature has grown significantly. Now as we celebrate our 40th Anniversary, we’ve achieved outright ownership of our facility and are approaching 1,000 members for the first time in the organization’s history.
Joyce Hertzson, Pittsford, NY, The Fall Cometh, 2025, eco-print and watercolorJackie Dickinson, Aurora, NY, Shear Shape, 2025, found object in wood and metalSteven Assmann, Auburn, NY, Niagara’s Plumes, 2025, oil on canvasJune Szabo, Trumansburg, NY, Common Ground, 2024, Sculpture
I had the opportunity to preview the Schweinfurth Art Center’s Member Show 2025, on display now through October 11, 2025.
I am a member of the museum but I did not participate this year. They hang everything submitted. It is really astonishing how cohesive the show is – a lot of artists using blue, for example.
Address: 205 Genesee St. Auburn, NY 13021, United States.
I have been getting emails from the Urban Sketchers group. I decided to visit them in action today. They have monthly gatherings all over the Syracuse area. Today they set up around the swan ponds in Manlius, New York (Route 92). Some artists preferred sketching the buildings in the area. They were only there from 1:30-3:30 PM.
Urban Sketchers is an international organization. The Central New York branch artists are currently exhibiting their work at the Baldwinsville Public Library. 33 East Genesee Street
Baldwinsville, NY 13027. The show runs through October 2024.
If you are interested in joining this group, they have a group page on Facebook. They’ve posted more pictures of the event there. So fun!
Our last Studio in Art project – watercolors. I gave each student a sheet of 300# watercolor paper. They created drawings of barn landscapes from resource photos. I graded this portion on rendering/detail and composition.
Next, I gave them smaller sheets of watercolor paper and taught four techniques –
*saving the white of the paper
*wet-in-wet
*glazing
*dry brush
I graded the rest of the project based on how well they utilized these four techniques in the final product.
They spent several days practicing and when they were ready, they began painting the barn. Students sat in groups of two sharing a set of Koi watercolors and a large mixing tray.
The results are these incredible paintings. Remember, they are 8th graders and for the most part, had never used such quality materials. The hardest part, I think, was getting them to stray from conventional ideas – like, just putting brown in the brown spot, you know. I shared some Wolf Kahn paintings and explained how his brown trees had flecks of violet and orange in them because he used a secondary color palette. This style embraces rhythm.
I am really pleased with what my students accomplished.
Our last class together was a bit of silly mayhem. I played a game with these buzzers I have that are fun to use. They had to buzz in answers to questions about what we learned this year during class – about art and about me as a teacher as well as about specific things that happened during class that made it memorable.
The funny thing is that students who were the silliest in terms of behavior remembered the most stuff. When my 8th period kids started singing my India Ink song (memorized, lol – I don’t even have it memorized), that was just over-the-top.
What happens when I am living in the present moment is that I forget that I won’t be teaching them any longer. They are headed to the high school. So, here it is two days later and I am feeling incredibly sentimental.
At the end of every school year I do always tell my students that I will always be there for them. I am an email away or a bus ride from the high school to the middle school to visit me during 10th period. But in a couple of years, I may retire from teaching so that I can devote myself to my own dreams. I will still be here in the social media realm though and I will never stop wanting to know how they are doing with regard to the arts.
Relationships are a strange thing. You never know who you have affected in a way that will catapult people to the place they truly want to be in their lives. And they really don’t know how much their presence has made a difference in my life.
I am working on a watercolor poem/song. I will try to finish it this weekend and maybe I will put myself back up on TikTok. Last week, a 7th grader was listening to something with his secret ear bud. It turned out that he was listening to me recite my Gamer rap song – like really? Of all things, you want to hear my voice in your ear? Sometimes it is hard to wrap my head around stuff like that.
Yes, there will always be some students who express dissatisfaction and negativity. The trick there is to be the ear bud that voices positivity back, to not get caught in the debris field of that negative energy but instead push forward and allow the universe to embrace the magic of dreams. And a lot of the time, that magic is harnessed via the arts.
Studio in Art students, it has been a privilege working with you this year. Best to you always. Have a great experience at the high school and beyond. And keep making art. <3
Terry Plater, “Spaces Akin to Freedom”, 2021, oil, 12″ x 16″ $800
On Sunday, I was inspired to go the the Schweinfurth Memorial Art Center. I planned to meet up with my friend about forty minutes before I actually arrived, and luckily, that bit of procrastination created an unexpected rendezvous.
Terry Plater, the featured artist in the Gallery Julius, happened to be in attendance and was gracious enough to meet with me and that was AMAZING!
Plater’s exhibit is titled Harriet’s Legacy. It is a series of watercolored landscapes (along with a few oil paintings). They are abstracted with muted tones and sweeping brushstrokes creating a harmonious horizontal solitude. The paintings demonstrate a tranquility, as though the historical voices yearning for freedom that infuse these landscapes are finally at peace.
An historian from the Cayuga Museum of History & Art directed Plater to the actual places that Harriet Tubman walked to include the probable paths of the Underground Railroad. The artist imagined these places as they may have been, sort of remembering the past in a vision and injecting it with the love of four hundred years, the strength of character through tears of both sorrow and joy, and the quiet confidence and intelligence she exudes as the beautiful soul, artist, and teacher she is today.
It is a marriage between past and present with the focus on positive outcomes, as well as the deep respect for Tubman and people like her who had the courage to make the future brighter.
I see the power in that beauty – it isn’t the angst of social injustice. Each painting was inspired by text – by quotes from books, letters penned by “fugitive” slaves, and notes from recorded journals – all found in a library where Plater researched the Underground Railroad activities specific to the Auburn, New York area. The paintings echo the manifestations of desires, wishes, hopes and dreams that came true in spite of doubts, fears and sacrifice.
Each painting in this eleven-piece collection is for sale. They will be on display until August 7, 2021.
In addition, Plater is simultaneously showing paintings at the Cayuga Museum of History & Art. These are figurative paintings.
She has channeled a voice to the local African American past through a connection with her own family members. There is an ethereal flavor to these paintings as well, the same muted tones, albeit in oils. That museum was closed on Sunday, so I could not view the shows in tandem, but perhaps you still can!
So beautiful, uplifting and inspirational.
Terry Plater told me that her deepest wish is to share this journey with students, so, I want to relay that message to families who are looking to do a day trip. The museums are adjacent to one another and – you’re welcome.
Thank you, Terry Plater – you are a beautiful person inside and out, and it was a sincere pleasure to have met you. Continued success to you in your career as an artist and in all that you choose to do! <3
Artist Statement: The idea for this exhibit came together for me in an iterative fashion as I contemplated three things: the 400th anniversary of the arrival of enslaved Africans in the now United States (in 2019); the release of the film “Harriet,” which so richly conveyed the life, struggles and triumphs of Harriet Tubman; and an ongoing project I have been undertaking: painting from old family photos to better come to know and honor the history of my own family in Maryland and Virginia.
The proposal links these discreet endeavors in a single narrative, one that imagines, represents, and celebrates family history and 19th-20th century public life — specifically here in upstate NY — as emblematic. The title is meant to convey several things: the intergenerational history, value, and ownership of our collective American story as embodied in slavery and emancipation, the acknowledgement of Harriet Tubman as a local figure and national treasure.
Terry Plater wishes to thank all those who made this exhibition possible: The Schweinfurth Art Center and the Cayuga Museum of History and Art in Auburn; and the Community Arts Partnership of Tompkins County.
The Schweinfurth Memorial Art Center is located at 205 Genesee Street, Auburn, New York 13021. For more information, including hours of operation, call (315) 255-1553 or visit their website here.
The Cayuga Museum of History & Art is located at 203 Genesee Street, Auburn, New York 13021. For more information, including hours of operation, call (315) 253-8051 or visit their website here.
Joy Engelhart was the January and February 2020 artist exhibiting at the Community Library of DeWitt and Jamesville. (5110 Jamesville Road, DeWitt, New York 13078). I caught the tail end of the show on Sunday.
She is a “signature” member of the Central New York Watercolor Society. These pieces are watercolor and mixed-media, a combo of portraits and still-lifes. I am assuming that she will take down today. The library opens at 10 AM. Call (315) 446-3578 for the deets.
I was in the neighborhood visiting a friend – before heading home, I decided to stop into the Manlius Library (1 Arkie Albanese Avenue, Manlius, New York 13082) to check out the art exhibit.
Judith Hand has a solo exhibition. There are forty-six paintings – some from her floral series, pieces I viewed in a show at LeMoyne College. Others are new sketches/paintings created in and around the Syracuse area, as part of a group called “Urban Sketchers”. I think I am in this group – I do get their emails but have not actively participated yet. They meet at various locations (cafes, museums, parks) with their art supplies in tow.
Artwork is for sale and can be viewed during regular library hours. The exhibition continues through February 22, 2020. Call (315) 682-6400 for more information.
Hours of operation: Monday – Thursday 10 AM-9 PM, Friday and Saturday 10 AM-5 PM, Sunday 1 PM-5 PM.
Donna Atwood of Moravia, New York, is a former Science teacher turned full-time professional watercolor artist. Intuition is her guide.
She applies the watercolors (usually one hue per piece as a starting point) onto a variety of papers. Then she plays with abstractions and visual textures, adding found and household objects – plastic bags, rags, torn window screens – and weights to hold everything down until the next morning. When she removes the objects, she assesses what she has and begins to deliberate. She asks her husband what he sees, like a fun Rorschach test game and they laugh at the disparity of their visions.
Ultimately, she makes her own decisions about what she sees, as though the paper truly speaks to her alone. I delighted in her enthusiasm, positivity and passion as she spoke of this process when I met her at the First Friday event last night at Gallery 54 in Skaneateles, New York, where she is the featured artist this month.
Once Donna decides on the spirit animal, she goes to work rendering the composition focusing on the eyes. Tiny details are emphasized, allowing for the animal to disappear into the colorations. These are paintings that need to be seen in person. The photographs do not do them justice. They truly imbibe the artist’s joyful spirit.
Donna Atwood originals and prints are available for sale at Gallery 54 (54 E. Genesee Street, Skaneateles, New York 13152). If you would like to meet her too, perhaps ask her further questions about her process, Donna will be doing a demonstration at the gallery today (1:00-3:00 pm). <3
Excerpt from the gallery web-site
Even though Atwood was a science education major in college her interest in creating art, which began as a child, continued to flourish. It wasn’t until 2012 that she started practicing watercolor, she says describing her artwork as abstract impression. While she creates her share of surreal landscapes her preference, as the Gallery 54 show will demonstrate is for paintings of animals.
“I decided to create surreal animals and found many different ones lurking in patterns,” she notes. As she describes her work, the backgrounds start out as abstract colors and shapes, but “by manipulating shapes in to eyes, ears and a noses,” she can get the viewer to see” what she sees . . . “the face and body of a creature.”
Atwood is particularly fond of finding animals that are endangered or under represented in artwork generally. Many people, she notes, relate to specific creatures or what she calls “spirit animals.” She likes that viewers of her paintings relate to her whimsical version of “their animal” and that the colors or faces in her paintings make them smile.
“Keeping the background of a painting as untouched as possible allows the animal to grow from it,” she says, adding, “I want to express the presence of the animal, not highlight every hair or whisker.”
Atwood’s work has received awards at the New York State Fair and well as numerous local art exhibits. A resident of Sempronius, NY she has had artwork shown at the Cortland Public Library, the Dryden Community Cafe and the Gilded Lily gallery in Connecticut. Following her show at Gallery 54 she will have an exhibit at the Cortland Guthrie Hospital, from September through November and currently has work displayed at the Tully Artworks Gallery.
